comiXology Submit Archives - Robot 6 @ Comic Book Resources
This past Friday, Pat Quinn, SCAD Atlanta Associate Chair of Sequential Art, invited me to observe GENERATE, the school’s version of 24-hour comic day. (SCAD calls it GENERATE to allow any other of the school’s departments that wants to participate can do their own 24-hour challenge). The event kicked off at 10 AM on Friday. Students participating in GENERATE are challenged to create a 24 page black and white print ready comic in 24 hours from a blank slate. This year, they introduced an option for students to form a team to produce the book, those who chose that option had to also color the comic.
In celebration of the 20th Small Press Expo, held this weekend in Bethesda, Maryland, comiXology if offering a special SPX-themed bundle from Submit, its self-publishing platform for independent creators.
Available for this weekend only, the digital comics distributor is offering more than 80 titles by creator and small-press publishers exhibiting at the show for just $10.
ComiXology is celebrating its fifth anniversary with a deal that’s pretty difficult to pass up: a bundle of 100 titles from comiXology Submit, its self-publishing platform for independent creators, for just $10.
That’s 10 cents each for comics like Wolves by Becky Cloonan, Aw Yeah Comics! #1 by Art Baltazar, Franco and others, nemu*nemu: Out of This World by Audra Ann S. Furuichi, Feather #1 by Steve Uy, and The Pride #1 by Joe Glass, Marc Ellerby, Joshua Faith and Gavin Mitchell. Plus, y’know, 95 others.
comiXology announced today that they will offer 100 self-published comics for $10, as they celebrate the “one-year anniversary of comiXology Submit at SXSW today.” The special deal is available through Monday at 11 p.m. Eastern.
comiXology Submit allows independent creators and cartoonists to upload their comic book and graphic novels into comiXology at no cost. The package of 100 comics includes some really good stuff, including The Bunker #1, Becky Cloonan’s The Mire, Moth City #2, The Deep: Here Be Dragons #1 and The Antler Boy and Other Stories, which alone costs $9.99.
The deal goes along with a whole week’s worth of comics that comiXology has been giving away at South by Southwest, which included the first Locke & Key trade paperback, issues of Smallville and XO Manowar, and more. Visit their Tumblr to get the redemption codes, as some of them expire tonight.
Check out the full press release after the jump
Welcome to “Report Card,” our week-in-review feature. If “Cheat Sheet” is your guide to the week ahead, “Report Card” is typically a look back at the top news stories of the previous week, as well as a look at the Robot 6 team’s favorite comics that we read.
So read on to find out what we thought about Superman, Tropic of the Sea and more.
If you’re a fan of Tim Gibson‘s Moth City, you may have been introduced to the work on Gibson’s own site or through its serialization at Thrillbent. Fans of the digital platform are able to consume larger installments of the series in one sitting with comiXology Submit, where Moth City will wrap up its second season on Wednesday, with the digital release of Issue 4.
Set in 1930s China and featuring an interesting mix of characters, Moth City is what comiXology aptly describes as “a story about control — when we lose it, when we gain it, and when others hold it over us.”
To celebrate the release of Moth City #4, Gibson opened up about his murder-mystery series, and the creative process behind it. His storytelling and bio gave me a lot of ground to develop questions, particularly with great lines like, “When he’s not writing or drawing, he spends his time reading Elmore Leonard, Stephen King and Agatha Christie, and ogling the art of David Mazzucchelli.”
Tim O’Shea: The first issue opens with a quote from Lord Byron’s “On Leaving Newstead Abbey.” What prompted you to open with that?
Tim Gibson: Byron is this great figure of masculinity, a soldier and a poet. A romantic who had a very twisted love life. He’s a great parallel to the story’s self-imposed tyrant, Governor McCaw, a man who sees himself in a very idealised light. Newstead Abbey also touches on the failure and decay of a once-grand estate, which helps set up one of the main conflicts of the story, that of the Governor, and his daughter Glitter who lives a life so sheltered she may as well be a possession.
Plus, you know, if you’re going to do a comic with car chases, bio weapons, shoot outs, hurried romance and underground plots, you may as well put a bow tie on it.
Amid the flurry of news coming out of Comic-Con International in San Diego, digital-comics distributor comiXology announced this morning it has surpassed 180 million downloads worldwide. That’s just about nine months after the company hit the 100-million mark.
It’s been a year of growth for comiXology, which opened a Paris branch in January, leading to distribution agreements with French publishers Delcourt, Glénat and a dozen others. And just this week, the company announced a partnership with North American manga publisher Seven Seas.
However, it hasn’t all been about signing deals, as comiXology also launched the comiXology Submit self-publishing platform, as well as subscription and bundle features.
Speaking with Entertainment Weekly about her early involvement with comiXology Submit, the new digital comics platform for independent creators, Becky Cloonan finally reveals details about her new minicomic Demeter, which she teased in January.
“It’s a short story, about 27 pages,” she tells the website. “I can’t say too much about it without giving away the huge spoiler at the end. It has a little bit to do with the Greek myth of Demeter, the god of the harvest. It follows a fisherman’s wife as she kind of waits for her husband to return from sea. She tends to the crops and the animals. While she’s doing this, things start to bubble to the surface.”
Cloonan’s previous two minicomics, Wolves and The Mire, are now available from comiXology.
The digital comics juggernaut comiXology is having quite a week: Mark Waid put his Insufferable, which is also hosted on his own Thrillbent site, onto the service, and the company signed a deal with Andrews McMeel for digital versions of Doonesbury, Dilbert and Big Nate. And today comiXology debuted something that was initially announced in October: ComiXology Submit, which allows creators to submit their own creator-owned comics to the platform. Here’s the deal, fresh from the press release: