Chris Pine Reportedly Closes "Wonder Woman" Deal
For comics fans, Black Friday was only the warm-up, as a number of companies are also holding sales today for Cyber Monday. From graphic novels and digital comics to art books and superhero-themed apparel, there’s likely something to be found for the fan in your life (even if that means picking up a little something for yourself).
Most of the deals end at midnight tonight, so don’t procrastinate. And if you’re aware of a a Cyber Monday sale we missed, let us know in the comments.
• Marvel has undertaken its own roundup, highlighting deals from its partners. In addition, this week a subscription to Marvel Unlimited is just 75 cents for the first month for new or former subscribers (it’s usually $9.99).
• You have until 11:59 p.m. PT to take advantage of Image Comics’ big Cyber Monday sale: 50 percent off all digital titles on the publisher’s online storefront.
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
ComiXology has a “Leading Ladies” sale this weekend that features some great titles from Oni Press with strong female leads: Anthony Johnson’s The Coldest City, a thriller set in Berlin at the end of the Cold War; Spell Checkers, a comedy by Jamie Rich, Nicholas Hitori De, and Joelle Jones, about three teenage witches with attitude; and Ross Campbell’s Wet Moon. There’s a lot to like but there are two titles in the mix that are real standouts, and you can get them both for less than $10 if you grab them before the sale ends at 11 p.m. Eastern today.
Both are stories that are about teenagers but aren’t really for teenagers, because the main action in each of them is the sort of thing that is clearer in retrospect than when you are going through it.
Ivy, by Sarah Oleksyk, describes one of the great disappointments of youth, finding out that someone you care about is not all you imagined him to be. Ivy is a high school student who is chafing at the confines of her small Maine town and her strict single mother, who is determined that Ivy will have a better life than she had. Ivy wants to be an artist, and on a trip to Boston she meets a guy who introduces her to a whole new way of looking at things. Continue Reading »
Manga | Masashi Kishimoto’s Naruto comes to an end in next week’s issue of Shonen Jump, but it’s not going away. Already side projects are popping up, including a miniseries that will launch in the spring, marking the 15th anniversary of the manga, and a series of novels about the different characters in the franchise. It all seems to be part of something bigger, the “Naruto Shin Jidai Kaimaku Project” (Naruto‘s New Era Opening Project), and the official Naruto website has a countdown to an announcement on Monday. [Anime News Network]
Digital comics | Tom Spurgeon talks to comiXology’s Chip Mosher about the comiXology Submit program, which is tailored for small publishers and self-published work. To prepare for the interview, Spurgeon gathered questions from creators at the Small Press Expo (which comiXology co-sponsored), and he talks to Mosher about the nuts and bolts of the Submit program, including payments, processing and the willingness to handle unusual formats. “We’ve had people sell thousands of copies and we’ve had people sell one or two copies,” Mosher says. “People have told me they’ve paid their rent with money from Submit. Or they were able to work on more comics with the money they made from Submit. It’s great to offer our customers such diverse comics from the program and at the same time be able to support the creation of more diverse work.” [The Comics Reporter]
Creators | A U.K. researcher argues that Marie Duval was the real creative force behind the wildly popular 19th-century British comic Ally Sloper, which is largely credited to her husband Charles Ross. Duval, the pen name of French cartoonist Emilie de Tessier, drew the character at the height of his popularity in the 1860s and ’70s, but historian David Kunzle now questions what role Ross actually played in his creation. [The Guardian]
Commentary | Chase Magnett pushes back on Chris Suellentrop’s statement, made in a column about GamerGate, that comics are “a medium that has never outgrown its reputation for power fantasies and is only very occasionally marked by transcendent work (Maus, or the books of Chris Ware) that demands that the rest of the culture pay attention to it.” [Comicbook.com]
Beginning today, writer Jim Gibbons and artist Caleb Goellner‘s Birch Squatch: The Last Bigfoot #1 (which premiered digitally in mid-September on Gumroad) is available on comiXology for 99 cents. To mark the occasion, Goellner shared with ROBOT 6 a glimpse into the creative process through a series of images.
The comic, about a legendary figure driven out of the woods by rampant development, is definitely worth a read.
Publishing | DC Entertainment Co-Publishers Dan DiDio and Jim Lee talk about the state of the comics market, DC’s upcoming move from New York City to Burbank, the growing female audience and more. “There’s also a diversification within the audience itself the past couple of years,” Lee observed. “You’ve seen more women, more female readers, in general. When we launched Batgirl and Gotham Academy, those books struck a different note, different tonality, and that was in large part due to editor Mark Doyle bringing these projects together with different kinds of creators. It was our way of broadening the base of the Batman family of books but doing it in a different way to attract a different audience. I think it speaks well to the future that we’re not just going to strike the same note looking for the same customer. […] You can’t necessarily rely on the same continuity, the same core hardcore comics-driven material; you have to diversify, broaden your net and bring in different voices to the company.” [ICv2]
To celebrate the Season 5 premiere of The Walking Dead on Sunday, comiXology is holding an apocalypse-scale sale on the comic series created by Robert Kirkman, Tony Moore and Charlie Adlard.
Through Oct. 13, digital editions of the first 126 issues are available for just 99 cents each — the three specials focusing on the Governor, Michonne and Tyrese, too. If you prefer to devour the series in larger chunks, the collections are also discounted, with the majority of the volumes priced at $5.99.
This past Friday, Pat Quinn, SCAD Atlanta Associate Chair of Sequential Art, invited me to observe GENERATE, the school’s version of 24-hour comic day. (SCAD calls it GENERATE to allow any other of the school’s departments that wants to participate can do their own 24-hour challenge). The event kicked off at 10 AM on Friday. Students participating in GENERATE are challenged to create a 24 page black and white print ready comic in 24 hours from a blank slate. This year, they introduced an option for students to form a team to produce the book, those who chose that option had to also color the comic.
Because readers have undoubtedly been counting down the days on their calendars, it’s probably unnecessary to say what today is — but we’ll do so anyway: It’s Sept. 25, National Comic Book Day!
No, not Free Comic Book Day; that’s in May. National Comic Book Day, the unofficial holiday whose origins are as mysterious as its observers are scarce. As we noted last year, no one takes credit for its founding — heck, no one seems to know when it began — it receives little to no industry support, and there are no traditions tied to it (however, you can always try asking your local retailer for a free comic).
In celebration of the 20th Small Press Expo, held this weekend in Bethesda, Maryland, comiXology if offering a special SPX-themed bundle from Submit, its self-publishing platform for independent creators.
Available for this weekend only, the digital comics distributor is offering more than 80 titles by creator and small-press publishers exhibiting at the show for just $10.
In early August, in the wake of Mike Dawson’s conversation-starting essay, Magic Whistle creator Sam Henderson assessed the mitigating factors affecting his work as a cartoonist, laid many of the challenges at his own feet. As refreshing as it was to read a candid assessment of his creative plight, I was curious to learn Henderson’s mindset after people he responded to his post. While I was at it, of course, I angled to get a glimpse of his creative process.
Comics | Writing for The Advocate, Jase Peeples takes note of the diversity of DC Comics’ extended Batman family — from Batwoman to Batwing to Barbara Gordon’s roommate Alysia Yeoh — and talks with writers Gail Simone, Grant Morrison, Marc Andreyko, Tom Taylor and Chip Kidd. “I would like to think that people can pick up books like Batman Incorporated or The Multiversity and see their own lives reflected,” Morrison says. “But I’d always caveat that with the need for us to see more diverse writers and artists, because that’s when I think the walls will really come down. As a straight [white guy from Scotland] I can only do so much, and I find even sometimes when you do this, you do get accused of tokenism or pandering. I don’t mind it. I can put up with that, but I’d rather see a genuine spread of writers and artists creating this material.” [Advocate.com]
Digital comics | Bruce Lidl looks at the digital-comics landscape following Amazon’s purchase of comiXology a few months ago. ComiXology’s announcement that it would allow DRM-free purchases of some comics may lead to a fissure in the market, he says: “In fact, we may be beginning to see a kind of bifurcation in the digital comics market, between companies tied to large global media conglomerates, that maintain a fervent faith in the need for some kind of DRM control for their multi-billion dollar intellectual properties, and the smaller publishers more concerned with creator autonomy and exposure.” He also talks to some digital-first creators about how they approach the market. [Publishers Weekly]
With Genius #1, by Marc Bernardin, Adam Freeman and Afua Richardson, going on sale Wednesday, Top Cow Productions is offering the “zero issue” — the 2008 Pilot Season one-shot — for free on comiXology.
Arriving weekly throughout August, the five-issue miniseries follows teenager Destiny Ajaye, the greatest military mind of her generation, who unites the gangs of South Central Los Angeles and secedes three square blocks of her neighborhood from the United States. Continue Reading »
Conventions | Image Comics content manager David Brothers explains why this year’s Comic-Con International was a great convention, pointing out that there’s a lot more to the event than movies and television, and there’s a lot more to comics than the Big Two: “Marvel and DC are comics, just like the other publishers, and they make some great ones when they let the creators do their own thing. But at this point? You can’t treat them like the entirety of the comics industry, or even two companies that can dictate the future of comics. They run the movies, and that’s cool, but running comics? It’s just not true any more. Image in particular outsells Marvel in the book market as far as trade paperbacks go, and that holds true in the comics market lately, too. That’s no coincidence. People enjoy Marvel and DC, but they want more than Marvel and DC.” [io9.com]