comiXology Archives - Page 4 of 18 - Robot 6 @ Comic Book Resources
Publishing | John Jackson Miller dissects the latest sales numbers and finds July 2013 to be the second-best month for comics sales in the direct market so far this century—actually, since 1997. Combined comics and graphic novel sales were up almost 17 percent compared to July 2012, and year-to-date sales are up almost 13 percent compared to last year. [The Comichron]
Retailing | Brian Hibbs, one of the founding members of the direct-market trade organization ComicsPRO, has left the group “because of the reactions of the Board to recent DC moves.” He revealed his decision in the comments on his blog post about DC’s allocation of 3D covers for Villains Month: “The org that I formed was intended to look out for the little guy; the current Board seems much more interested in keeping the big guys big. Democracy in action, I suppose, so I vote with my dollars.” [ICv2]
Mark Waid’s Thrillbent, which hosts a variety of digital comics that can be read in a variety of different ways, is adding a new way to purchase titles: download-to-own. Starting today, readers can buy downloadable PDFs of Waid’s Insufferable, Art Balthazar and Franco Aureliani’s Aw Yeah Comics!, and other comics. Insufferable will be offered on a pay-what-you-like basis.
All the comics on Thrillbent are available to read for free in a web browser, and the site also offers free downloads, in CBZ format, of many comics, including Insufferable. The titles are also offered, at prices between 99 cents and $1.99 per issue, on comiXology.
So why charge for PDFs if the CBZs are free? Waid recently addressed that in a post on the Thrillbent blog. While the free CBZs are simple files containing the weekly installments, the PDFs will include “bigger chunks of story” as well as links to bonus web content, such as footnote and behind-the-scenes features, that will be created specifically for each comic. So basically, while both CBZs and PDFs are downloadable comics that live on your device, not in the cloud, the PDFs will have added features.
Digital comics | Jason Snell uses Comic-Con International as an opportunity to take a snapshot of digital comics in “an era of experimentation,” and hones in on Madefire, the convention’s embrace of technology, comiXology and the growing popularity of the digital-first model. “Digital has made us rethink how we fulfill books into the [print] retail market,” Chris Ross, Top Shelf’s director of digital publishing, said during a panel. [TechHive]
Legal | The Attorney-Generals Chambers of Singapore has charged cartoonist Leslie Chew (the pen name of Chew Peng Ee) with contempt of court because of four cartoons posted on his Facebook page Demon-cratic Singapore. A hearing on the charges, which could result in jail time and fines, will be held on Aug. 12. Chew’s attorney M. Ravi said in a phone interview, “Our judiciary is not like fragile flowers to be offended easily by such criticism. We have full faith in the impartiality and independence of our judiciary.” [Bloomberg News]
As the Comic-Con International hangover sets in and the industry goes silent while creators, editors, publishers and publicists stagger home from San Diego, we’ll take a few minutes to try to collect the comics-related highlights of this year’s event. We’ll attempt to update as more panel reports appear and other information trickles out.
• Saga by Brian K. Vaughn and Fiona Staples, Hawkeye‘s David Aja, and Building Stories by Chris Ware were the big winners at the 2013 Eisner Awards.
• At Diamond Comic Distributors’ Retailer Appreciation Lunch, Marvel teased the arrival of Marvelman — it’s been four years since the publisher revealed it had acquired the rights to the property — and, scheduled for January, a new wave of Marvel NOW! titles. In convention panels, the company announced: Wolverine: Origin II, by Kieron Gillen and Adam Kubert; the return of Nightcrawler in the first arc of Amazing X-Men, by Jason Aaron and Ed McGuinness; the November debut of Longshot Saves the Marvel Universe, by Chris Hastings and Jacopo Camagni; “Afterparty,” a two-issue arc of Young Avengers that celebrates Gillen and Jamie McKelvie’s first year on the series; Steve McNiven will join Rick Remender in November on Uncanny Avengers; Cataclysm: The Ultimates Last Stand, a Galactus-focused Ultimate Universe event by Brian Michael Bendis and Mark Bagley; and the January-launching Revolutionary War, in which writer Andy Lanning and “various superstar artists,” will resurrect some of the Marvel UK characters.
On the heels of agreements with Seven Seas Entertainment and UDON Entertainment, comiXology announced at Comic-Con International that it has signed a digital-distribution agreement for Scholastic’s Graphix imprint.
Launched in 2005 with color editions of Jeff Smith’s bestselling Bone, the line publishes graphic novels for ages 6 to 14. All nine volumes of Bone are available for download from comiXology.
The announcement, made Friday at Comic-Con International in San Diego, was accompanied by the digital release of seven licensed and original comics and graphic novels from UNDON’s back catalog: Street Fighter #0-4, by Ken Siu-Chong, Arnold Tsang, Alvin Lee, Alan Tam and others; Makeshift Miracle #1, by Jim Zub and Shun Hong Chan; and Super Street Fighter, Vol. 1: New Generations, by Ken Siu-Chong, Jim Zub, Chris Sims, Jeffrey Chamba Cruz, Sean Galloway, Joe Ng, Gonzalo Ordonez Arias, Long Vo, Omar Dogan and Edwin Huang.
Those initial seven titles will be followed by more from UDON’s back catalog, with new comics receiving same-day digital release.
“We’re very excited to have many of UDON’s original and licensed works available through comiXology,” UDON Publisher Erik Ko said in a press release. “We’ve been working hard to secure digital rights for many of our licenses for the past several years, and we’ve prepared a slate of licensed comics and graphic novels from our Street Fighter and Darkstalkers line, as well as selections from our manga, art book, and original graphic novel series’ that fans are really going to love.”
ComiXology announced a similar distribution agreement on Thursday with manga publisher Seven Seas Entertainment.
Amid the flurry of news coming out of Comic-Con International in San Diego, digital-comics distributor comiXology announced this morning it has surpassed 180 million downloads worldwide. That’s just about nine months after the company hit the 100-million mark.
It’s been a year of growth for comiXology, which opened a Paris branch in January, leading to distribution agreements with French publishers Delcourt, Glénat and a dozen others. And just this week, the company announced a partnership with North American manga publisher Seven Seas.
However, it hasn’t all been about signing deals, as comiXology also launched the comiXology Submit self-publishing platform, as well as subscription and bundle features.
The distribution agreement launches with 13 Seven Seas graphic novels: Amazing Agent Luna Vols. 1-3 by Nunzio DeFilippis, Christina Weir and Shiei; Arkham Woods by Christopher Rowley and Jhomar Soriano; Haganai: I Don’t Have Many Friends Vol. 1 story by Yomi Hirasaka and Itachi; Hollow Fields Vol. 1 by Madeleine Rosca; Jack the Ripper: Hell Blade Vol. 1 by Je-tae Yoo; Dance in the Vampire Bund Vols. 1-3 by Nozomu Tamaki; The Sacred Blacksmith Vol. 1 by Isao Miura and Kotaro Yamada; and Vampire Cheerleaders/Paranormal Mystery Squad Vols. 1-2 by Adam Arnold, Shiei and Comipa.
The debut of those titles will be followed by more of Seven Seas’ back catalog, with the two companies promising eventual same-day digital release.
“Since its inception, Sevens Seas’ commitment to bringing the best in original and licensed manga has been evident by how many titles they’ve had chart on the New York Times bestsellers list,” comiXology CEO David Steinberger said in a statement. “Seven Seas publisher Jason DeAngelis has a great eye for talent, whether it’s licensing and translating material from Japan and Korea or creating new content. We’re very excited to help bring Seven Seas Entertainment’s catalog to new and old fans across the globe on comiXology.”
With multiple new Monkeybrain Comics titles launching today to mark the digital publisher’s second year, expect Detectobot, the new series by brothers Peter Timony and Bobby Timony (Zuda’s Night Owls), to receive a lot of attention for one word in particular: free. That’s right, the Timony brothers and Monkeybrain are offering the prologue to the new series for free on comiXology, beginning today.
As part of ROBOT 6′s coverage of today’s Monkeybrain announcements, we spoke with the Timony brothers about the development of the their world’s greatest detective, who happens to be a robot, and why they wanted to offer the prologue for free. They also shared some preview pages from Detectobot.
Tim O’Shea: Beyond the natural “Yippie!” response, please describe your reactions when you found out the prologue to Detectobot was going to be available for free on comiXology. Or was that actually your decision to make to a great extent?
Peter Timony: We requested it, and the fine folks at Monkeybrain agreed. We wanted to do a freebie to entice new readers. It’s a lesson we learned from all of our years selling crack.
Writer Anina Bennett and artist Paul Guinan join the Monkeybrain Comics line with today’s digital re-release of first episode of their creator-owned Heartbreakers, which originally appeared in Dark Horse Presents #35 in 1989.
The sci-fi adventure has gathered has gathered a growing following over the years, and as it turns out Monkeybrain Co-Publisher Chris Roberson is one of those longtime fans.
Bennett and Guinan spoke with ROBOT 6 about the history and influence of Heartbreakers, its digital debut, and why they partnered with Monkeybrain. To learn how real-world events helped to change the direction of Heartbreakers makes me even more interested to see how Bennett and Guinan plan to observe the comic’s 25th anniversary next year.
If you’re attending Comic-Con International in San Diego, be sure to visit Bennett and Guinan in Artists Alley at Booth CC-01.
Comics | Could the competition to become the 2017 U.K. City of Culture hinge on … Desperate Dan, the pie-eating Wild West strongman from the long-running children’s comic The Dandy? Hull Daily Mail columnist Angus Young thinks the character could give Dundee the edge over fellow finalists Leicester, Swansea Bay and, yes, Hull. Dundee, Scotland, is home to The Dandy and The Beano publisher DC Thomson, and features statues of Desperate Dan and Beano character Minnie the Minx in its city center. “Having your picture taken next to the barrel-chested grizzly-chinned hero is apparently one of the top-ten things to do when visiting Dundee,” Young writes. “[...] This a bloke who thinks nothing of eating several cow pies in one sitting. A cowboy so tough he shaves his chin with a blowtorch and sleeps in a reinforced bed filled with building rubble.” The winner will be announced in November. [Hull Daily Mail, The Evening Telegraph]
Last week, we noted that comiXology had added a major French publisher, Glénat, to its lineup. The other shoe drops today with the news that the digital-comics giant has signed 12 more French publishers: Aelement Comics, Akileos, Ankama, Éditions Ça et Là, I Can Fly, Indeez Urban Éditions, Los Brignolès Éditions, Panini Comics, Sandawe, Soleil Productions, Wanga Comics and WEBellipses.
Together with Delcourt, which comiXology brought aboard in January, this group represents 40 percent of the French comics market and more than 400 titles. You can find the French-language comics here; if you were thinking it might be a little classier to read Kick-Ass in French, well, here’s your chance. All the French comics released today are available in French-speaking European countries, and most of them are available in the United States as well.
This is a logical move for comiXology; as CEO David Steinberger observed at SXSW, 40 percent of the company’s sales are outside the United States, and this expands the market even further. In keeping with this, comiXology has included a French-language navigation option in the latest release of its iOS app, version 3.3, and Android users will soon get that option as well.
Legal | The Malaysian cartoonist Zunar has appealed a court decision upholding his 2010 arrest and detention, claiming police acted in bad faith when they arrested him under the Sedition Act because of his book Cartoon-O-Phobia, which had not yet been released at the time of his arrest. No charges were ever filed, as the police could not identify any actual seditious content in the books. A court ruled in July 2012 that Zunar’s arrest was lawful but ordered the police to return the books they had confiscated and pay him damages. An appellate court will hear the case next week. [The Comics Reporter]
Publishing | Heidi MacDonald takes a look at Marvel’s new graphic novel line, which will launch in October with Warren Ellis and Mike McKone’s Avengers: Endless Wartime. [Publishers Weekly]
Several French-language news sites are reporting that French publisher Glénat, whose properties include Titeuf and The Little Prince, has signed with comiXology and will begin releasing comics on the digital platform this month.
This is the second big score in France for comiXology, which opened a European branch in Paris in January and a few days later announced it had inked a deal with Delcourt, the largest independent publisher in France.
Glénat is the second-largest comics publisher in the French market, with a catalog of over 4,000 titles. Its properties include Le Bleu est une couleur chaude (Blue is the warmest color), whose film adaptation won the Palme d’Or in Cannes last month, as well as a range of French and Belgian comics. It’s also one of the big players in the French manga scene (although it’s unlikely any of the manga will make it onto comiXology as the licenses are usually country-specific). The number of titles to be released through comiXology has not been announced.
ComiXology has removed 56 titles from its iOS app this week — they range from Angry Youth Comix to Sex to The Boys: Herogasm — to adhere to Apple App Store policies. They’re still available for purchase from comiXology.com.
“In order to comply with the Apple App Store guidelines regarding adult or inappropriate content, some new releases were rejected for our iOS app this week,” a statement on the comiXology blog reads. “In addition, certain previously released titles that fall outside of these guidelines were also rejected and will be removed from sale.”
The announcement comes a little more than a month after the digital-comics distribution platform rejected Saga #12 in an effort to adhere to Apple policies, an action originally attributed to the computer giant. In the aftermath, Image asked that Black Kiss II, XXXombies and Sex #1 be revisited, resulting in all three being approved for the comiXology and Image Comics iOS apps. Now, however, all three have been removed.
The list of removed titles also includes Jess Fink’s Chester 5000, Reed Waller and Kate Worley’s classic Omaha the Cat Dancer, Johnny Ryan’s Prison Pit and the gay-comics anthology No Straight Lines, which features the work of Alison Bechdel, Howard Cruse and Eric Shanower, among others.
Update (11:50 a.m.): ComiXology contacted ROBOT 6 to clarify that it was notified by Apple that those titles didn’t meet the App Store content guidelines, and therefore were pulled from the iOS app.