O Say Can You See: The Greatest Patriotic Super Heroes of All-Time
Legal | Inventor Stephen Kimble, who was dealt a final loss Monday by the Supreme Court in his years-long fight with Marvel over royalties for a Spider-Man toy, is of course disappointed by the 6-3 decision. However, he seems hopeful that there might be a legislative solution to the outdated patent law. “We can take this opinion, go to the legislators … and say, ‘Look, the court is saying that if this needs to be changed, you’re the guys to change it,’” he said. “And there is a huge body of evidence out there that this needs to be changed.” [Tucson Sentinel]
Manga | Kathryn Hemmann looks at the ways publishers courted female readers in the early days of manga, and how their strategies led to permanent changes in the comics landscape. [Contemporary Japanese Literature]
Manga | Remember when Kadokawa published a manga based on the BBC’s popular Sherlock television series? Well, maybe not, because the manga hasn’t been licensed for English-language countries. But now the first volume has been translated: Kadokawa, the publisher of the original manga, has released a bilingual Japanese and English version of “A Study in Pink” intended for students of English. [Anime News Network]
Conventions | Attendance at ReedPOP’s second annual Special Edition: NYC, held June 6-7, reportedly increased 40 percent from the first year. [Publishers Weekly]
Controversy | More than 80 creators and other industry figures, including Jaime Hernandez, Kate Beaton, Alison Bechdel, Warren Ellis, Eleanor Davis, Jeet Heer and David Brothers, have signed an open letter asking Franck Bondoux, head of the Angoulême International Comics Festival, to cut the event’s ties to Israeli soft drink company SodaStream, which has its main plant in an occupied area of the West Bank. A similar action was taken last year regarding the company’s sponsorship of the festival. [Comics & Cola]
Passings | Dutch underground comics artist Peter Pontiac died Tuesday at age 63. Born Peter J. G. Pollmann, Pontiac came of age in the 1960s and started out drawing covers for bootleg songbooks, then moved on to create comics inspired by his own life and experiences, including The Amsterdam Connection, Requiem Fortissimo and the illustrated novel Kraut. His comics appeared in the Dutch underground comics magazines Modern Papier and Tante Leny Presenteert, as well as in the American Anarchy Comix and Mondo Snarfo. He later collected many of his comics in the seven issues of The Pontiac Review. He received the Stripschapprijs, a Dutch lifetime achievement award for comics creators, in 1997 and the Marten Toonder Prize in 2011. Pontiac suffered from liver disease and ran a crowdfunding campaign to finance a book about death and his disease, but he passed away before it could be completed. [Lambiek Comiclopedia]
Conventions | Vendors who paid the $60 deposit to exhibit at Cherry City Comic Con are clamoring for a refund after word circulated that the Salem, Oregon, convention won’t happen this spring as planned. (There appears to have been some discussion about the con being canceled on Facebook, but the convention’s Facebook page now states, “A marketing solutions company is helping us start the new year right and get us back on track to make this a successful show everyone can love.” No other posts appear on the page.) This isn’t the first round of controversy for the con: Last May, organizer Mike Martin called an exhibitor “batshit insane” on Facebook when she asked for a refund and expressed concern that the con would not be a “safe place for female cosplayers.” Martin is also the organizer of a craft fair that was canceled; some exhibitors for that event were denied refunds because of “a locked PayPal account.” [KOIN]
In a recent interview, filmmaker Rian Johnson was asked about the potential for a sequel to Looper. He said he was grateful that people thought the world could sustain more exploration, but ultimately it’s not something he’s interested in. Among other reasons, he’d rather let the unseen parts of the movie remain unseen. “Even if you do feel like you want to see more of it,” he said, “do you really want to see more of it?” He continues, “I think there’s something powerful about it being mythology as opposed to it actually being narrative.”
We seem to have an innate desire to want The Whole Story. We want to see the Clone Wars. We want to know about the giant pilot from Alien. We want the history of the Bourne project. And all this got me thinking about comics as well as movies. When I was a kid, we didn’t have comics stores. I got my comics at the local drug store or supermarket, and my choices were limited to whatever what was on the spinner rack. There were no back-issue bins or eBay, so if I missed an issue – and I always missed issues – I was hosed. Every issue of Batman seemed to be continuing some story I didn’t have the beginning of. Every issue of Spider-Man ended on a cliffhanger that I’d never see resolved.
DC Comics Co-Publisher Dan DiDio triggered a minor crisis of his own Saturday when he announced on Facebook that, “after further review, there have been no Crisis events in the New DCU.”
The proclamation sent blogs and message boards into overdrive as fans grappled with the ramifications of no Crises — no Infinite Crisis, no Final Crisis, and no Crisis on Infinite Earths, the 1985 “maxi-series” whose impact was so profound that DC history became defined by “pre-Crisis” and “post-Crisis,” comics’ answer to B.C. and A.D.
But clearly in the universe of the post-Flashpoint New 52 there was a Final Crisis, as Bruce Wayne “died” — or, rather, he was hurled back through time — and was temporarily replaced as Batman by Dick Grayson. There are undoubtedly other loose threads that are best not picked at, but that’s the one that springs immediately to mind. It’s one of the pitfalls of leaving the continuities of some characters, like Batman and Green Lantern, essentially intact, while sending dozens of others back to square one.
Noting the tumult his announcement created, DiDio returned on Sunday with clarification. Sort of: “For those in crisis over Crisis, let me clarify. The topic of Crisis was much discussed among the editors and talent working on The New 52. With so many characters and histories restarting, major events like Crisis are harder to place when they work for some and not for others. (that was one of the problems coming out of the original Crisis). While we are starting aprx five years into our heroes’ lives, we are focused on the characters present and future, and past histories will be revealed as the stories dictate. Yes, there have been “crisis” in our characters lives, but they aren’t exactly the Crisis you read before, they can’t be. Now, what this means for characters seen and unseen…… well, that’s the fun of The New 52, infinite stories, infinite possibilities, with the best yet to come. […] P.S. that’s the last time I try and answer a Facebook question before rushing out for dinner.”
That should clear things up! Right?
(via DC Women Kicking Ass)
Publishing | We noted in late April that Archie Comics appeared to be embracing cultural and political commentary with its upcoming Kevin Keller miniseries, which features Riverdale’s first openly gay character and his father, a retired three-star general. But now the publisher, or at least the character, is going a step further, marching into the middle of the debate over gays and lesbians openly serving in the armed forces by revealing that Kevin aspires to be a journalist, but only after attending the U.S. Military Academy and becoming an Army officer. “Even though we don’t tackle the specific issue of Don’t Ask Don’ Tell, the goal was to show that patriotism knows no specific gender, race or sexual orientation,” cartoonist Dan Parent says. “While it sounds like heavy subject matter, I tried to show it simply that Kevin, like his dad, loves his country. Being gay doesn’t effect that in any way.” [The Associated Press]
Publishing | DC Comics’ line-wide reboot has received extensive coverage by mainstream media outlets, based largely on the original USA Today article or The Associated Press report. But my favorite piece is this one by George Gene Gustines that turns back the clock to 1985 and attempts to explain to The New York Times audience the effects, and problems, of Crisis on Infinite Earths, and the publisher’s subsequent attempts to streamline continuity: “… If the goal was to make the DC universe easier to understand, the end result was the opposite: to this day, fans frequently mention ‘pre-Crisis‘ and ‘post-Crisis‘ as a way to distinguish stories. Twenty years later, in the Infinite Crisis limited series, DC tried to clean continuity up again: Superman’s career as Superboy was back; Batman knew who murdered the Waynes; and Wonder Woman was a founder of the Justice League again.” [The New York Times]
The Internet may have exploded when Superman announced his intention to renounce his U.S. citizenship last month in Action Comics #900, but there was no similar hullabaloo two weeks ago when he kissed and made up in Superman #711.
What should we make of this apparent reversal in attitude? Is Superman #711 even meant as a commentary on Action #900? Doubtful. The issue of citizenship isn’t even brought up. Most likely it’s a case of left and right hands not talking to each other.
One of the most frustrating things about keeping up with corporate characters across multiple series is these inconsistencies. Usually it’s just something like, “Hey, why is Batman teaming up with Wonder Woman in this story? They just had a huge, unresolved fight over in Detective Comics.” But when it involves a story that received national attention from the general news media, it’s especially jarring.
As a reader, how do you resolve these situations in your mind? Do you even feel it’s an issue? Do you think Superman is still going to renounce his citizenship? Do you believe he ever really was?
I’m not sure how to put this thing into words, but it looks simply awesome. See the picture above for what the front looks like. David also describes what’s on the back. “On the flipside of the chart is a continuity wonk’s dream: pages and pages of info on your favorite characters. They’re sorted by theme, rather than character, so you can see things about teams, kid heroes, origins, names, and so on. There’s even a bit on marriages,” he said.
David’s also uploaded more pictures of it to Flickr, and he’s holding a contest to win a copy. So click on over there and see if you can win one.