controversy Archives - Robot 6 @ Comic Book Resources
A group of Jewish activists is threatening to boycott and protest outside stores in the London borough of Camden that sell Hipster Hitler, a collection of the webcomic that satirizes hipster culture and the Third Reich.
If that doesn’t work, the Hampstead & Highgate Express reports, members of London Stands With Israel plan to buy and shred all copies of the comic, which some say is “sick” and “anti-Semitic.” They’re specifically targeting Mega City Comics, a Jewish-owned store in Camden Town.
Created in 2010 by James Carr and Archana Kumar, the webcomic stars an Adolf Hitler who wears trendy glasses, skinny jeans, thrift-store sweaters and shirts bearing slogans like “Eastside Westside Genocide,” “I (Heart) Juice” and “Death Camp For Cutie.” It also features characters like Broseph Stalin, a sendup of the Soviet leader. Hipster Hitler quickly drew attention on Reddit, inspiring an Internet meme, T-shirts and homemade Halloween costumes.
Superhero comics deal in extremes: Characters overreact, the world is in constant jeopardy, and the solution almost always involves physical combat. So maybe I shouldn’t have been surprised when the #FireRickRemender fiasco erupted. There was no conversation. Instead, people hurled accusations and argued over whether a writer should keep his job, while others mocked the whole thing. The rest of us silently watched from the sidelines, and that was pretty much it: That was how comics professionals, fans and industry observers handled a three-page scene from Captain America #22.
I guess I should be happy that people are so passionate about these stories and the creators behind them. If we were all so blasé and detached, sales would probably not just be flat so far this year, they’d be in the gutters. Yet I can’t help but feel disappointed, because I know we can do better than this.
Retailing | While Captain America: The Winter Soldier Ultimate Collection cracked Nielsen BookScan’s Top 20 graphic novels sold in bookstores, making it the first Marvel or DC Comics release since January to do so, the April chart was again dominated by three familiar titles: The Walking Dead, Attack on Titan and Saga, which claimed a combined 13 spots. The horror series by Robert Kirkman, Tony Moore and Charlie Adlard led the trio with six volumes, followed by Hajime Isayama’s dystopian fantasy with four, and Brian K. Vaughan and Fiona Staples’ space opera with three. The 36th volume of Masashi Kishimoto’s hit manga Naruto was No. 1 in April. [ICv2.com]
Events | On the eve of the 11th Toronto Comic Arts Festival, The Japan Times looks at both the growing presence of manga, and Dork Shelf talks with festival director Christopher Butcher about its Comics vs. Games 3 showcase. Meanwhile, the National Post is running a series of conversations between artists attending TCAF, beginning with Georgia Webber and Seo Kim, and Réal Godbout and Nick Abadzis. You can read more of its festival coverage here. [Toronto Comic Arts Festival]
Most businesses caught up in a social-media firestorm over a product might’ve issued an apology or hunkered down and quietly waited for the controversy to pass, but not Tankhead Custom Tees.
The Murrieta, California-based company was thrust into the spotlight this week after a photo taken at WonderCon Anaheim of one of its T-shirt designs — “I Like Fangirls How I Like My Coffee [...] I Hate Coffee” — was posted on Twitter, drawing intense criticism from fans and creators alike. Allison Baker, MonkeyBrain Comics co-founder and a CBR columnist, pointed to the image as an example of “what chauvinism looks like,” while writer Greg Rucka unleashed his fury on both the person selling the shirt and those who support its sentiment: “What in the name of everlovingfuck is the matter with you?”
In a Facebook post responding to “some bad word on our fan girl shirt,” Tankhead insists “a certain few bloggers” who have accused the company of sexism “completely ignored our other variant shirt on display or didn’t even bother to ask our take on it.” The statement is accompanied by a photo of a similar T-shirt that replaces “Fangirls” with “Fanboys.”
Politics | Framing the controversy as part of a larger political battle between South Carolina’s lawmakers and its public universities, The Washington Post wades into the ongoing saga surrounding the House of Representatives’ vote to reduce funding to two schools after they selected gay-themed books for their summer reading programs. The newspaper uses as its entry point the Monday performances in Charleston of Fun Home, the musical adaptation of the Alison Bechdel graphic novel that was chosen last summer by the College of Charleston, drawing the ire of a South Carolina Christian group and conservative lawmakers. The Post reports that several state legislators suggested they viewed the staging of the musical as “a deliberate provocation,” and will seek to cut even more funding in response. The South Carolina Senate has yet to vote on the state budget, which includes the cuts to the schools. [The Washington Post]
Funding cuts proposed to punish two South Carolina universities for selecting gay-themed books for their summer reading programs could open the door to First Amendment lawsuits, 10 free-speech advocacy groups caution members of the state Senate.
The state House last week approved a budget that would slice $52,000 from the College of Charleston and $17,142 from the University of South Carolina Upstate for recommending Alison Bechdel’s 2006 graphic memoir Fun Home and Out Loud: The Best of Rainbow Radio, about South Carolina’s first gay and lesbian radio show, respectively. The figures represent the amount each school spent on last year’s program.
With the state budget now in the hands of the Senate, a coalition that includes the Comic Book Legal Defense Fund and the ACLU of South Carolina sent a letter on Tuesday urging the Senate Finance Committee to reject the cuts, warning, “Penalizing state educational institutions financially simply because members of the legislature disapprove of specific elements of the educational program is educationally unsound and constitutionally suspect: it threatens academic freedom and the quality of education in the state, and could well expose the state to potential liability on First Amendment grounds.”
The South Carolina House of Representatives on Monday approved plans to punish two state universities for recommending gay-themed books — including Alison Bechdel’s acclaimed graphic novel Fun Home — as part of their summer reading programs.
According to The Associated Press, the House rejected four amendments introduced by Democrats aimed at restoring $52,000 cut from the College of Charleston and $17,142 trimmed from the University of South Carolina Upstate during the budget-writing process. The figures represent what the colleges spent on the programs.
The College of Charleston came under fire last summer for using Bechdel’s 2006 memoir — it’s an account of her childhood with a closeted gay father, his apparent suicide and her own coming out as a lesbian — which was labeled as “pornographic” by a South Carolina Christian group. Similar claims resurfaced last month during the House Ways and Means Committee debate, where some legislators accused the college of promoting a gay agenda and forcing pornography on its students.
Rep. Gilda Cobb-Hunter (D-Orangeburg), who with Rep. James Smith (D-Columbia) made Monday’s unsuccessful attempts to restore funding, said legislators shouldn’t be “pushing our own moral agenda on these institutions of higher learning.”
The South Carolina House Ways and Means committee voted 13-10 last week to cut the College of Charleston’s budget by $52,000, the amount the school spent last summer on The College Reads!, an annual campus-wide initiative designed to promote discussion of “challenging” books among faculty, staff and students. The choice of the gay-themed Fun Home drew fire in July from a conservative Christian group that labeled the graphic novel as “pornographic,” a charge that spilled over into last week’s House debate.
Fun Home details Bechdel’s childhood with her closeted gay father, his apparent suicide and her own coming out as a lesbian.
Passings | Comics journalist and commentator Bhob Stewart died Monday at the age of 76. Stewart kicked off his career in 1953, at the age of 16, by publishing an EC fanzine; the following year, as Carol Tilley documented in a recent talk, he sent a copy to anti-comics crusader Fredric Wertham, along with some tart commentary. Stewart went on to become an influential voice in the conversation about comics; he wrote several books, taught classes at the School for Visual Arts, and curated the first exhibit of comics art in a major American museum. Heidi MacDonald credits him with inventing both Wacky Packages and the term “underground comics.” [The Beat]
Editorial cartoons | German cartoonist Burkhard Mohr has apologized for a cartoon depicting Facebook founder Mark Zuckerberg with a hooked nose, an image that critics said was reminiscent of Nazi propaganda. The cartoon appeared in the early editions of the Munich newspaper Sueddeutsche Zeitung, but Zuckerberg’s face was replaced by an empty hole in later editions. “I’m very sorry about this misunderstanding and any readers’ feelings I may have hurt,” Mohr said. “Anti-Semitism and racism are ideologies that are totally alien to me” [ABC News]
Advocacy groups are criticizing a vote by South Carolina legislators to cut the budgets of two universities that recommended gay-themed books — including Alison Bechdel’s graphic novel Fun Home — to incoming freshmen as an attack on free speech and academic freedom.
“This kind of censorship not only threatens the core of academic freedom but also inhibits the free exchange of ideas so important to progress,” Victoria Middleton, executive director of the ACLU of South Carolina, said in a statement issued jointly with South Carolina Equality. “The First Amendment was intended to protect all speech – even speech we don’t agree with — and politicians shouldn’t be in the business of dictating what we think.”
The state House Ways and Means committee voted 13-10 on Wednesday to cut $52,000 from the College of Charleston, which came under fire last year for its selection of Bechdel’s acclaimed 2006 memoir for its summer reading program, and $17,142 from the University of South Carolina Upstate, which assigned Out Loud: The Best of Rainbow Radio, about South Carolina’s first gay and lesbian radio show. The figures represent the amount each college spent on the programs.
A South Carolina university that came under fire over the summer for including the gay-themed Fun Home as recommended reading for incoming freshmen now may see its state funding reduced for the decision.
The Charleston Post and Courier reports the state House Ways and Means committee on Wednesday approved a budget that would cut $52,000 from the College of Charleston’s summer reading program in retaliation for recommending Alison Bechdel’s Eisner Award-winning 2006 memoir as part of “The College Reads!” (Contrary to widespread reports, the graphic novel wasn’t required reading.)
According to the newspaper, the 13-10 vote came after a lengthy debate in which “some House members accused the college of promoting a gay agenda and forcing pornography on its students.”
The University of South Carolina Upstate also faces a loss of more than $17,000 for assigning Out Loud: The Best of Rainbow Radio, about South Carolina’s first gay and lesbian radio show. The figures represent the amount each college spent on the programs.
Legal | Daniel Curry, the actor who was seriously injured in August during a performance of the Broadway musical Spider-Man: Turn Off the Dark, has filed a lawsuit seeking unspecified damages, claiming the producers and other defendants knew a mechanical lift could be dangerous. Curry was hurt when an automated door pinned his leg; he suffered fractured legs and a fractured foot, and had to undergo surgeries and unspecified amputations. The producers have insisted the accident was caused by human error and not malfunctioning equipment. [The New York Times]
Events | Japan’s ambassador to France has expressed his country’s displeasure with a South Korean exhibit at the Angouleme International Comics Festival devoted to “comfort women” who were forced into sex slavery during World War II by the Japanese military. Ambassador Yoichi Suzuki said the exhibit, which attracted about 17,000 visitors, promotes “a mistaken point of view that further complicates relations between South Korea and Japan.” [GMA News, Yonhap News Agency]
It’s little surprise that the editorial board of the conservative Washington Times didn’t embrace the announcement that the new Ms. Marvel is a 16-year-old Muslim from New Jersey, but the newspaper’s actual response is a bit … bewildering. One might even describe it as eerie.
Beginning a Sunday editorial with a declaration that “diversity and quotas are more important than dispatching evil” — because, as we all know, heroes can’t be diverse and fight villains! — the writer engages in a little concern trolling, warning that Ms. Marvel, and by extension Marvel, will have to be careful not to anger “militant Islam” if there’s any hope for newsstand sales in Muslim nations. Of course we’re told in the very next paragraph that, “Ms. Marvel probably won’t appear in comic books in Saudi Arabia, anyway,” which apparently takes care of that problem.
Once we slog through the bumbling writing and odd aside involving Secretary of State Kerry, however, we arrive at the crux of the Washington Times’ argument, such as it is: that diversity is strange and frightening.
The students of Lane Tech College Prep High School, who rallied in March to protest the ordered removal of Marjane Satrapi’s Persepolis from Chicago Public Schools, have been honored with the Illinois Library Association’s 2013 Intellectual Freedom Award.
The protest, organized by the student body and the 451 Degrees Banned Book Club, was sparked by an email from the principal calling for the removal of the graphic novel from Lane Tech’s library and classrooms ahead of what was thought to be a Chicago Public Schools ban. Within hours of the news circulating, and amid outcry from teachers, parents and students, district CEO Barbara Byrd-Bennett clarified that Satrapi’s autobiography wasn’t being removed; rather, it was being pulled from the seventh-grade curriculum over concerns that some of its content may not be age-appropriate. Chicago Public Schools released images from the graphic novel depicting a man being whipped, burned with an iron and urinated on, which Byrd-Bennett referred to as “powerful images of torture.”
Depicting Satrapi’s experience is a child and young adult in Iran during the Islamic revolution, Persepolis has received almost universal acclaim. The 2007 animated adaptation directed by Satrapi and Vincent Paronnaud was nominated for an Academy Award.
A retailer who last week ripped a copy of Pretty Deadly #1 in half in front of customers, triggering heated online reaction as well as responses from Image Comics and writer Kelly Sue DeConnick, has apologized for his actions.
“A small group of long time customers who know me well asked me what I really thought of the book,” Steven LeClaire, owner Comics Ink in Culver City, California, explained in a post on the Bleeding Cool forum (it was deleted and made into a standalone article). “For dramatic effect, I ripped a copy of the book after giving my review. I personally found the book lacking a coherent storyline and the art too muddy to follow. That was my opinion. The book was still on the shelves for sale for all those who wanted it. I made a mistake of thinking I was having a private talk with a small group of friends. I apologize for my actions.”
The incident was first mentioned Thursday by CBR columnist Hannibal Tabu in “The Buy Pile,” where he wrote that he agreed with the retailer’s assessment of the issue — by DeConnick, Emma Rios, Jordie Bellaire and Clayton Cowles — although he didn’t mention LeClaire by name. Word of the comic’s destruction quickly spread online, with Zero writer Ales Kot questioning whether the act was prompted merely by “anger about the product, or also by misogyny,” and leading Image Comics Publisher Eric Stephenson to offer to take back the remaining copies of Pretty Deadly #1 from Comics Ink and have Diamond Comic Distributors cancel orders for subsequent issues.