Noting that co-founder Ed Kramer is still “a stockholder despite our desires otherwise,” DragonCon issued a statement on Friday to address the “great deal of discussion” surrounding the accused child molester and his association with the convention.
Much of that discussion has been driven by novelist and comics writer Nancy A. Collins, who late last month asked professionals to boycott DragonCon because of its continued continued connection to Kramer, who was extradited back to Georgia in January on child-molestation charges dating back to 2000. Although Kramer resigned from the board following his original arrest, he continues to receive annual dividends from his one-third stake in the for-profit corporation — $154,000 for 2011 alone, according to Atlanta Magazine — while stalling his criminal case for more than a decade and suing co-founder Pat Henry and DragonCon/ACE Inc.
“No matter what Dragon*Con does or says, funds from the convention will continue to go to Edward Kramer until either he dies or the corporation that runs the convention dissolves and reincorporates under another name,” Collins wrote. “Dragon*Con knows what needs to be done, but has been dragging its feet on this matter, and has gone to great trouble over the last 12 years to hide the fact that they continue to fund Edward Kramer’s lifestyle. [...] It is up to the Professionals — we writers, artists, musicians, editors, actors, and film-makers — to make a stand, as we are a large part of what attracts (at last count) 50,000 fans to the convention each Labor Day.”
According to the statement from DragonCon, organizers have made multiple attempts to sever ties with Kramer, including efforts to buy his shares.
“Unfortunately, Edward Kramer’s response to our buyout efforts was repeated litigation against Dragon*Con … thus our buyout efforts have been stalled. The idea proposed of dissolving the company and reincorporating has been thoroughly investigated and is not possible at this point. Legally, we can’t just take away his shares. We are unfortunately limited in our options and responses as we remain in active litigation,” the statement reads, noting that they hope the upcoming trials will “provide a resolution of Edward Kramer’s guilt or innocence, and therefore a cause of legally divorcing ourselves from him once and for all.”
You can find the entire statement below.
Comics| Brian Brown, president of the National Organization for Marriage, expressed dismay about the backlash to DC Comics hiring sci-fi author, and outspoken gay-rights opponent, Orson Scott Card to write Adventures of Superman. Card is a board member of the organization, which works against the legalization of same-sex marriage. “This is completely un-American and it needs to be stopped,” Brown said. “Simply because we stand up for traditional marriage, some people feel like it’s OK to target us for intimidation and punishment.” NOM last year launched boycotts of Starbucks and General Mills because of their support of same-sex marriage initiatives. [The Huffington Post]
Retailing | Gabi Shepherd, owner of Olympic Cards and Comics in Lacey, Washington, talks about the importance of courting teenagers, who are often not welcome in other retail stores: “I have found that if I am going to make this the community center that I want to make it then the kids are a big part of that. It makes them feel good when they come in and someone knows who they are. It’s important. It’s respect.” [ThurstonTalk]
Faced with the growing backlash over its decision to hire sci-fi author and vocal gay-rights opponent Orson Scott Card to contribute to its new Adventures of Superman anthology, DC Comics has issued a response that may do little to satisfy critics.
In a statement released to The Advocate and Fox News Radio, the publisher said, “As content creators we steadfastly support freedom of expression, however the personal views of individuals associated with DC Comics are just that — personal views — and not those of the company itself.”
Best known for his award-winning 1985 novel Ender’s Game, Card has become notorious for his writings over the past decade on homosexuality and his outspoken opposition to marriage equality. A board member of the National Organization for Marriage, a group dedicated to the opposition of same-sex marriage, Card in 2008 endorsed the overthrow of the government following rulings by “dictator-judges” upholding that same-sex couples have a constitutional right to marry.
As the calls grow for DC Comics to drop Ender’s Game author and outspoken gay-rights opponent Orson Scott Card from its digital-first Adventures of Superman, the first retailer has stepped forward to say he won’t order the print edition of the new anthology.
“Zeus Comics will not be carrying the print edition of writer Orson Scott Card’s Superman,” Richard Neal, owner of the Dallas store, wrote this afternoon on his Facebook page. “Card sits on the board of the National Organization of Marriage which fights against marriage equality. His essays advocate the destruction of my relationship, that I am born of rape or abuse and that I am equated with pedophilia. These themes appear in his fiction as well. It is shocking DC Comics would hire him to write Superman, a character whose ideals represent all of us.”
He continued, “If you replaced the word ‘homosexuals’ in his essays with the words ‘women’ or ‘Jews,’ he would not be hired. But I’m not sure why its still okay to ‘have an opinion’ about gays? This is about equality.”
Zeus Comics was the recipient of the 2006 Will Eisner Spirit of Comics Retailer Award, presented to a store “that has done an outstanding job of supporting the comic art medium both in the community and within the industry at large.”
Adventures of Superman debuts online April 29 and in print May 29.
Just days after announcing its latest digital-first anthology Adventures of Superman, DC Comics faces a growing wave of criticism for hiring Ender’s Game author, and vocal gay-rights opponent, Orson Scott Card to write the first chapter.
An online petition calling on the publisher to drop the “virulently anti-gay writer” has already drawn more than 4,800 signers. And while comic book fans and petitions seem to go hand in hand — it was just last month Marvel was being called upon to cancel Avengers Arena – this effort is being spearheaded by All Out, an initiative of the Purpose Foundation advocating for gay, lesbian, bisexual and transgender rights. The drive has already attracted the attention of mainstream media outlets like The Guardian and The Huffington Post.
I don’t know, maybe lists like the widely reported rundown of “National Organizations with Anti-Gun Policies” on the website of the Institute for Legislative Action — the lobbying arm of the National Rifle Association — are common, but just seldom made public. It seems rather Nixonian, to be honest. Who keeps an enemies list any more?
The list includes not only organizations but companies and individuals who have in some way publicly endorsed gun regulation, whether as a member of the Brady Campaign or just chattin’. And 14 editorial cartoonists make the cut. Alan Gardner helpfully pulls them out: Tony Auth, Steve Benson, Jim Borgman, Stuart Carlson, Mike Lane, Mike Luckovich, Jimmy Margulies, Jim Morin, Mike Peters, Kevin Siers, Ed Stein, Tim Toles, Garry Trudeau and Don Wright.
Business | In a surprise announcement, Kevin Tsujihara was announced Monday to succeed Barry Meyer as CEO of Warner Bros. Entertainment, the parent company of DC Entertainment. The 48-year-old Tsujihara, who has been with Warner Bros. since 1994, was named in 2005 as president of the Home Entertainment Group, overseeing the company’s home video, digital distribution, video games, anti-piracy and emerging technology operations. He was chosen as CEO over Bruce Rosenbaum, president of Warner Bros. Television, and Jeff Robinov, president of Warner Bros. Pictures (under which DC Entertainment is placed in the corporate structure). [The Hollywood Reporter]
Creators | Michael Cavna talks to cartoonist Richard Thompson in-depth about his Parkinson’s disease, its effect on his cartooning, and the brain surgery he had this year to combat it, and shows the cartoon Thompson drew during the surgery. The story includes an update on how Thompson has been doing since the surgery and interviews with other cartoonists, including a rare comment from Calvin and Hobbes creator Bill Watterson, about Thompson’s work and his struggle against the illness. [Comic Riffs]
Publishing | The French satirical weekly Charlie Hebdo, whose offices were firebombed in 2011 after it published cartoons mocking Mohammed, has released a comic-book biography of the Muslim prophet. Editor Stephane Charbonnier, who has lived under police protection since the magazine first published the cartoons, says the biography is a properly researched educational work edited by Muslims: “I don’t think higher Muslim minds could find anything inappropriate.” [AFP]
The Internet hand-wringing was set to overdrive when it was announced writer Gail Simone had been summarily dismissed from Batgirl. By email, no less. Virtually every comics news site and blog chimed in, usually followed by a flurry of reader comments. However, freelance creators are let go from comics all of the time. Sure there’s usually disappointment, and it’s never good when someone loses her job. But what made this the event of the week?
There’s a history to this that adds an extra layer of emotion.
Simone is a well-liked creator with a spirited fan base, and she has described Batgirl as a dream job for her. This is the character that hooked her into comics. This is the character she’s always wanted to write. Her dream came true, and now it’s being taken away. So any human being with at least an average level of empathy is going to feel like this is an unfortunate turn of events for her. This was also largely unexpected, as the series was performing well; Batgirl #14 was No. 17 on Diamond Comic Distributors’ November sales chart with an estimated 77,468 copies, although previous issues sold in the 40,ooo to 50,000 range. That’s where some shock and indignation comes in. It seems like an unfair decision (although it is of course fully within DC Comics’ rights to hire and fire whoever it wants).
Faced with growing criticism, Guardians of the Galaxy director James Gunn has apologized for insulting comments he made about women, gays and lesbians in a nearly two-year-old blog post, characterizing his remarks as “poorly worded and offensive to many.”
The statement, released last night by the Gay & Lesbian Alliance Against Defamation and re-posted on Gunn’s Facebook page, followed outreach from the organization, condemnation by the Human Rights Campaign — “James Gunn’s blog post is offensive not just to LGBT people and women but rather to anyone with even the slightest sense of decency” — and online outrage, all stemming from a deleted February 2011 post on the filmmaker’s website.
Newly unearthed via Google Cache, the results of a “Superheroes You Most Want to Have Sex With” poll include commentary in which Gunn refers to Gambit as “this Cajun fruit,” calls teenage mother Stephanie Brown “easy,” admits wanting “to anally do” Kitty Pryde, and suggests Tony Stark could “turn” the lesbian Batwoman.
Even as the casting search gears up for Marvel’s Guardians of the Galaxy, a push has begun online to convince the studio to fire director James Gunn over objections to a nearly two-year-old blog post that many view as misogynistic and homophobic. (Note: This post contains graphic language.)
The Feb. 17, 2011 post containing the results of a “Superheroes You Most Want to Have Sex With” poll, complete with Gunn’s commentary, was deleted at some point from the filmmaker’s website but the cached version resurfaced earlier this week on Tumblr before receiving further exposure Wednesday on The Mary Sue. Why Gunn’s post was only recently unearthed is a bit of a mystery (he was confirmed to direct Guardians of the Galaxy more than two months ago).
Gunn’s superhero sex poll includes male and female characters — 50 in all — ranging from Wonder Woman and Superman to Spider-Man and Ms. Marvel. While The Mary Sue notes “there’s nothing wrong about running a poll for the most sex-able superhero on your site,” the complaints arise over some of the filmmaker’s accompanying commentary.
Comics | The editor-in-chief of the Boston Phoenix denies accusations that the alternative weekly canceled Karl Stevens‘ satirical comic Failure because advertiser Anheuser-Busch was offended by last week’s strip, which referred to Bud Light as “diluted horse piss.” Stevens, whose comic has appeared on ThePhoenix.com since 2009, claims he was told by the art director that Failure was being canceled specifically because of the Bud Light jab. “Apparently I offended Bud Light, and cannot be trusted,” Steven told Publishers Weekly. However, Editor-in-Chief Carly Carioli called the accusation “categorically false,” insisting Failure was canceled because it no longer fit The Phoenix, which has changed from a weekly newspaper to a weekly magazine. “It is categorically false that Karl’s strip was discontinued due to any outside objections. As the Phoenix’s editor in chief, it was my sole decision to discontinue Failure,” Carioli told The Boston Globe. “There were no sponsor objections — zero — to this strip or any other that I’m aware of.” [Publishers Weekly, The Boston Globe]
Comics | After all of these years, the evangelical comics of 88-year-old cartoonist and publisher Jack Chick still stir controversy. The latest is in Buffalo, New York, where a mother is upset that a local church left on her doorstep a Chick tract that was read by her 7-year-old daughter. “It seems like a Lifetime movie or something that was put into a kid’s comic book and expose my 7-year-old to this horrible of an idea of a family life,” Brandi Gillette says. Titled “Happy Hour,” the 2002 comic depicts an alcoholic, abusive father whose wife dies following a beating (while he’s bellied up to the bar). When his two children start to go hungry because he’s spending the family’s money on alcohol, the girl smashes his liquor bottles and, after threatening to cut him with the jagged glass, convinces him to go to church, where he devotes his life to Christ. Chick Publications, which publishes the tract, says “Happy Hour” is intended for adults, not children. [WIVB]
Created by student D.C. Parsons, the comic (above) depicts a father explaining to his young son, “If you ever tell me you’re gay … I will shoot you with my shotgun, roll you up in a carpet and throw you off a bridge.” The boy replies, “Well, I guess that’s what you call a ‘Fruit Roll Up,’” and the two share a hearty laugh.
The strip drew immediate condemnation both on campus and off, with a petition on Change.org demanding the firing of the newspaper’s editor-in-chief, cartoonist and copy editor attracting more than 4,600 signatures.
A youth library in Stockholm pulled Tintin comics from its shelves on the grounds that the racial caricatures of Africans and Arabs are not suitable for children before quickly backpedaling after the removal triggered a media firestorm in Sweden.
“I wanted to highlight an opinion piece about issues of discrimination, but realize now that it’s wrong to ban books,” explained Behrang Miri, the Kulturhuset library’s youth director.
Although the articles don’t specify which Tintin books were pulled, it’s safe to say the primary culprit was Tintin in the Congo, published in 1930, in which the Belgian creator Herge depicted Africans in crudely stereotyped ways. The book has come under heavy criticism in the United States and in Europe, and several attempts have been made, some successful, to remove it from libraries and bookstores (in February, a Belgian court rejected a five-year-old bid to ban the book).
So it’s something of a surprise to learn that Tintin is actually quite popular in the Congo, with locally made statues of the characters and mockups of the covers selling briskly to European tourists. While the director of the national museum objects to the proliferation of Tintinabilia, preferring to focus on the rich native heritage of the country, artisan Auguy Kakese, who makes and sells Tintin figures for a living is more sanguine: