conventions Archives - Robot 6 @ Comic Book Resources
Cosplay | Visiting New York Comic Con, Andrea Romano takes a look at the world of cosplay, the issue of sexual harassment — one person notes it’s certainly not exclusive to cosplay, observing, “There’s harassment when a woman is just wearing a crop top on the street” — and efforts being made to stop it. Convention organizers placed their new anti-harassment policy front and center this year, and it seems to have helped: There were just eight reported incidents of sexual harassment during the four-day event. [Mashable]
Conventions | Fensterman talks at greater length about NYCC’s anti-harassment measures in this article, which contrasts the comics scene with what’s going on in the gaming world. [Time]
Legal | The Japanese publisher Square Enix has filed a counterclaim against SNK Playmore, asking Osaka District Court to rule that its manga Hi Score Girl doesn’t infringe on copyrights held by the video game company. Earlier this year, SNK brought criminal copyright violation charges against Square Enix after learning Hi Score Girl contains more than 100 unauthorized images of characters from SNK Playmore games. The manga has been put on hold because of the dispute. [Anime News Network]
Conventions | Who’s buying, and how much are they spending, at conventions? Rob Salkowitz mines the numbers from a recent Eventbrite poll of convention-goers to get some answers: Most people spend between $100 and $500 per person; cosplayers actually spend a bit more than average; and women shell out more money at conventions, while men spend more online. [ICv2]
Editorial cartoons | The New York Times has apologized to readers who were offended by an editorial cartoon about India’s space program that depicted the country as a man in traditional dress, leading a cow and knocking at the door of the “Elite Space Club.” “The intent of the cartoonist, Heng Kim Song, was to highlight how space exploration is no longer the exclusive domain of rich, Western countries,” reads the apology, signed by editorial page editor Andrew Rosenthal. “Mr. Heng, who is based in Singapore, uses images and text — often in a provocative way — to make observations about international affairs. We apologize to readers who were offended by the choice of images in this cartoon. Mr. Heng was in no way trying to impugn India, its government or its citizens.” [The New Indian Express]
MICE, the Massachusetts Independent Comics Expo, is small but mighty. On Saturday and Sunday, the show will take over the second floor of Lesley University’s University Hall, better known to locals as the Porter Exchange. Admission is free, and the roster includes a mix of local creators, aspiring artists just out of school, and some big names, including special guests James Kochalka, Emily Carroll, Raina Telgemeier, Dave Roman and Box Brown.
We talked with one of the organizers, Dan Mazur (a comics creator and publisher in his own right), about the challenges of running a small indie-comics show in general and the unique qualities of MICE in particular.
Brigid Alverson: What is the focus of MICE, and how is it different from other comics festivals?
Dan Mazur: MICE is an independent/alternative comics show, in the vein of larger shows like SPX, MoCCA Fest and APE, and others like TECAF, CAKE, MECAF. … So it differs from the mainstream comic cons for its lack of superheroes, cosplay, etc., and for the preponderance of minicomics. But for those familiar with the alternative scene, I guess we do have more of a focus (though not exclusive) on a local comics scene, and also on kid-friendly material and activities, to a degree.
Graphic novels | Although BookScan’s September list of the bestselling graphic novels in bookstores is populated largely by old stalwarts — The Walking Dead, Attack on Titan, Saga, Watchmen — Guardians of the Galaxy, Vol. 1, the only Marvel title on the chart, clung to the Top 20 in its second month of release (although it slipped from No. 4. to No. 20). Bryan Lee O’Malley’s Seconds, meanwhile, climbed in its third month to No. 6. One new manga debuted at No. 12: Noragami, about a homeless god who does odd jobs as he tries to build up his reputation; the anime is already out, which probably gave it a boost. [ICv2]
Publishing | A television reporter pays a visit to the Last Gasp offices to talk about the Kickstarter recently launched by the longtime publisher of underground comics (and other quirky books). It’s worth a look just to see the owner’s amazing collection of oddities. [NBC Bay Area]
Awards | The finalists for the inaugural Kirkus Prize literary awards include two graphic novels: Roz Chast’s Can’t We Talk About Something More Pleasant? is one of six nominees in the Nonfiction category, and Cece Bell’s El Deafo is one of the picks for the Young Readers award. The winners in all three categories, who will receive $50,000 each, will be announced during a ceremony held Oct. 23 in Austin, Texas. [The Washington Post]
Manga | A prequel to Osamu Tezuka’s classic Astro Boy manga is in the works for the Japanese magazine Monthly Hero’s. Tezuka’s son, Makoto Tezuka, is supervising the production of the story, which focuses on the time before the “birth” of the iconic robot boy. [Anime News Network]
Passings | Tony Auth, editorial cartoonist for The Philadelphia Inquirer from 1971 to 2012, died Sunday at age 72. Auth, who won both the Pulitzer and Herblock prizes during his lengthy career with the newspaper, began drawing as a child, when a lengthy illness confined him to bed for a year and a half. He graduated from UCLA in 1965 with a bachelor’s degree in biological illustration, and worked as a medical illustrator for a time. He began his cartooning career doing a weekly cartoon for a local alternative newspaper and then started drawing a thrice-weekly cartoon for the UCLA Daily Bruin. He left the Inquirer in 2012 to pursue digital cartooning and became the Digital Artist in Residence for WHYY’s News Works. In addition to his cartooning work, he illustrated 11 children’s books. His editorial cartoons have been collected into two books, and Temple University has begun fund-raising for an archive of his work. Michael Cavna has a roundup of tributes from Auth’s colleagues at Comic Riffs. [The Philadelphia Inquirer]
Conventions | With the 20th Small Press Expo kicking off Saturday in Bethesda, Maryland, The Washington Post’s Lori McCue singles out three of the show’s biggest draws: appearances by Jules Feiffer, Lynda Barry and Bob Mankoff. Meanwhile, Michael Cavna spotlights Fear, My Dear, the new release from convention guest Dean Haspiel. [The Washington Post]
Creators | As he prepared to head out to Small Press Expo, Farel Dalrymple paused for an audio interview about his newest book, The Wrenchies, which will debut at the show. [Comics Grinder]
Creators | Writer Tom Taylor teases what we can expect in his new Superior Iron Man series. [Previews World]
Comics | Almost half the attendees at this year’s Comic-Con International in San Diego were women, writes Yael Kohen in an article about the growing importance of women to the comics industry. He cites statistics showing that young women are the fastest-growing segment of the comics audience, talks to Image Comics President Eric Stephenson and a woman who works in a comic shop, and mentions the enduring popularity of manga and Marvel’s recent introduction of more interesting female characters. With all that material to work with, it’s too bad he started with a lead right out of the 1950s, something about a fashion show at Comic-Con, as if that’s what all those women were there for. [BloombergBusinessweek]
Creators | Writer Jen Van Meter discusses her newest project, Valiant’s first female-led series, The Death-Defying Doctor Mirage. [Hero Complex]
Manga | Tadatoshi Fujimaki is bringing his manga Kuroko’s Basketball to an end. The final chapter will run in the Sept. 1 issue of Shonen Jump, followed in October by the release of the 29th and final collection. The manga isn’t licensed in North America (although the anime is), but it became famous worldwide after more than 400 threat letters were sent to venues in Japan hosting Kuroko’s Basketball events and to retailers selling the series. The perpetrator confessed to the crimes, and was sentenced last week to four and half years in prison. [Anime News Network]
Creators | Brian Truitt interviews two creators of Cloaks: actor David Henrie, who created the main character Adam, a street magician in New York who is recruited by a black-ops group, and Caleb Monroe, who wrote the comic. Says Monroe, “As a magician, Adam looks for underlying realities, those things many of us have forgotten or deceived ourselves about. Then he develops ways to slip those back into people’s lives disguised as entertainment.” The first issue is due out next week from BOOM! Studios. [USA Today]
Comics | Writing for The Advocate, Jase Peeples takes note of the diversity of DC Comics’ extended Batman family — from Batwoman to Batwing to Barbara Gordon’s roommate Alysia Yeoh — and talks with writers Gail Simone, Grant Morrison, Marc Andreyko, Tom Taylor and Chip Kidd. “I would like to think that people can pick up books like Batman Incorporated or The Multiversity and see their own lives reflected,” Morrison says. “But I’d always caveat that with the need for us to see more diverse writers and artists, because that’s when I think the walls will really come down. As a straight [white guy from Scotland] I can only do so much, and I find even sometimes when you do this, you do get accused of tokenism or pandering. I don’t mind it. I can put up with that, but I’d rather see a genuine spread of writers and artists creating this material.” [Advocate.com]
Legal | Attorney Tom Goldstein, co-founder of the respected SCOTUSblog, has joined with Marc Toberoff to represent the heirs of Jack Kirby in their appeal to the U.S. Supreme Court of the Second Circuit’s affirmation that the artist’s contributions to Marvel between 1958 and 1963 were work for hire and therefore not subject to copyright termination. In a response filed this week to Marvel’s brief urging the high court to decline review, Goldstein and Toberoff again challenge the Second Circuit’s “instance and expense” test and its definition of “employer,” and argue, “Many of our most celebrated literary and musical works were created before 1978 and signed away to publishers in un-remunerative transactions. Termination rights were ‘needed because of the unequal bargaining position of authors.’ It would be hard to find a better example of this than the prolific Jack Kirby, who worked in his basement with no contract, no financial security and no employment benefits, but without whom Marvel might not even be in business today.” [Hollyqood, Esq.]
Retailing | Memo to politicians: You don’t win friends and influence people by taking up five spots in a comic store’s parking lot with your campaign bus on a Wednesday — especially when it’s Batman Day. [The Clarion-Ledger]
Publishing | Archie Comics Co-CEO Jon Goldwater responds to Singapore’s ban of the third volume of Life With Archie, which features the wedding of Kevin Keller and Clay Walker: “Riverdale will always be about acceptance, equality and safety. I’m sad readers in Singapore will miss out on the chance to read such a pivotal moment in comics.” [The Hollywood Reporter]
Business | Devin Leonard looks at the possible effects of a Fox/Time-Warner merger on superhero movies; Time-Warner owns DC Entertainment, and Fox has the movie rights to some Marvel characters. The New York Times offers a broader overview. [Business Week]
Settling into an apparent “every other year” pattern, D23 focuses on “what’s new and what’s on the horizon from theme parks, television, music, games and films, including Pixar, the Muppets, Star Wars and Marvel.” At past D23 Expos, Disney has brought out everyone from Johnny Depp, dressed as Captain Jack Sparrow to announce the fourth Pirates of the Caribbean movie, to the almost-complete cast of Avengers. Last year saw Tom Hiddleston singing “Bare Necessities,” while Disney and Marvel teased their “Seekers of the Weird” comic project.
Advance tickets for D23 Expo 2015 will go on sale at D23Expo.com beginning Aug. 14, 2014.
Last weekend I went to Comic Arts Brooklyn. I bought a lot of comics. Here are six that I think are really good, and I think you should try to find as well.