conventions Archives - Page 2 of 15 - Robot 6 @ Comic Book Resources
Creators | Isabel Greenberg has announced she’s working on a “sort-of” sequel to The Encyclopedia of Early Earth, her British Comic Award-winning debut graphic novel. She also posted her new comic Dreadful Wind and Rain, which is being published as a limited edition by Gosh! Comics, and will be included in her follow-up to Early Earth. [Isabel Greenberg, via Digital Spy]
Manga | Yen Press associate editor and letterer Abigail Blackman talks about her job: “I see that the editor has a twofold obligation – to the original creator and to the reader. I think everyone in the process has to be most careful of not imposing his or her own sensibilities onto the material. I and Yen feel very strongly about preserving the meaning and intent of the original and making sure it translates clearly to the reader. It’s so easy for a rewriter to get carried away with his or her own voice, or for a letterer to get too cutesy with the fonts and placing emphasis.” [Organization Anti-Social Geniuses]
Passings | Dr. George Slusser, co-founder of the University of California, Riversides’ renowned Eaton Collection of Science Fiction & Fantasy, passed away Tuesday at age 75. Curator emeritus and professor emeritus of comparative literature, Slusser expanded the Eaton holdings from 7,500 items to more than 300,000, making it the largest publicly accessible collection of science fiction and fantasy literature in the world. It encompasses novels, journals, manuscripts, comics and manga, fanzines and anime, and includes first editions of Bram Stoker’s Dracula, Mary Shelley’s Frankenstein, Action Comics #1 and The Fantastic Four #1. “Over three decades, George Slusser built the Eaton Collection up from a small core of titles into the world-class archive that it is today,” Rob Latham, co-director of UC Riverside’s Science Fiction and Technoculture Studies program, said in a statement. “The field of science fiction scholarship owes him an incalculable debt.” [UC Riverside]
Manga | Masashi Kishimoto’s Naruto comes to an end in next week’s issue of Shonen Jump, but it’s not going away. Already side projects are popping up, including a miniseries that will launch in the spring, marking the 15th anniversary of the manga, and a series of novels about the different characters in the franchise. It all seems to be part of something bigger, the “Naruto Shin Jidai Kaimaku Project” (Naruto‘s New Era Opening Project), and the official Naruto website has a countdown to an announcement on Monday. [Anime News Network]
Digital comics | Tom Spurgeon talks to comiXology’s Chip Mosher about the comiXology Submit program, which is tailored for small publishers and self-published work. To prepare for the interview, Spurgeon gathered questions from creators at the Small Press Expo (which comiXology co-sponsored), and he talks to Mosher about the nuts and bolts of the Submit program, including payments, processing and the willingness to handle unusual formats. “We’ve had people sell thousands of copies and we’ve had people sell one or two copies,” Mosher says. “People have told me they’ve paid their rent with money from Submit. Or they were able to work on more comics with the money they made from Submit. It’s great to offer our customers such diverse comics from the program and at the same time be able to support the creation of more diverse work.” [The Comics Reporter]
Conventions | The Rhode Island Convention Center exceeded capacity Saturday for what may be the first time in its history, leading the state fire marshal to temporarily bar entry to Rhode Island Comic Con. At one point, about 1,500 attendees were left out in the rain, including some people who stepped out for a minute and couldn’t get back in. Organizers sold a reported 23,000 tickets for a venue that holds just 17,000, and the way the show was configured reduced the capacity to about 15,000. They apologized Saturday afternoon for the “hiccup.” [Providence Journal]
Comics | Joshua Rivera picks the best comics and graphic novels of October. [Entertainment Weekly]
Comics | Check your longboxes, folks: Copies of Marvel’s Sunfire & Big Hero 6 #1, from 1998, with a CGC grade of 9.8 are selling for $450 and up ahead of the premiere of the Disney animated film, and even non-graded copies are good for $25 or more. [ICv2]
Creators | Captain Marvel writer Kelly Sue DeConnick talks about the character, and her reaction to the newly announced Marvel film: “I feel so proud of her, like Carol is this person who lives in my head, and ‘look what you did, girl!’ It feels like a friend just got a promotion.” [Speakeasy]
Publishing | Chris Butcher announced that, after three years as marketing director, he’s left UDON Entertainment to focus more fully on his work for the Toronto store The Beguiling (where he’s manager) and the Toronto Comic Arts Festival (where he’s festival director). [Comics212]
Legal | Disney on Tuesday asked a panel of the 10th U.S. Circuit Court of Appeals to dismiss a two-year-old lawsuit by Stan Lee Media claiming the copyright to such Marvel superheroes as Spider-Man, the Avengers and the X-Men. A lawyer for Stan Lee Media, which no longer connected to its namesake, argued a federal judge in Colorado erred last year in dismissing the 2012 complaint, but Disney countered that the copyright claims have been addressed time and again by the courts. “This is their seventh bite of a rotten apple,” Disney attorney Jim Quinn said after the hearing. The three-judge panel hasn’t issued its decision. [The Associated Press]
Manga | The finale of Masashi Kishimoto’s Naruto, which will run in an upcoming issue of Shonen Jump (both the Japanese and the North American editions), will be two chapters long, with the second appearing in full color, the manga magazine announced. Naruto was at one time the bestselling graphic novel in the United States and is still one of the top selling manga in the country. [Anime News Network]
Creators | A U.K. researcher argues that Marie Duval was the real creative force behind the wildly popular 19th-century British comic Ally Sloper, which is largely credited to her husband Charles Ross. Duval, the pen name of French cartoonist Emilie de Tessier, drew the character at the height of his popularity in the 1860s and ’70s, but historian David Kunzle now questions what role Ross actually played in his creation. [The Guardian]
Commentary | Chase Magnett pushes back on Chris Suellentrop’s statement, made in a column about GamerGate, that comics are “a medium that has never outgrown its reputation for power fantasies and is only very occasionally marked by transcendent work (Maus, or the books of Chris Ware) that demands that the rest of the culture pay attention to it.” [Comicbook.com]
Awards | The winners of the first Kirkus Prize were announced last night, and Roz Chast took top honors in the nonfiction category for her graphic memoir Can’t We Talk About Something More Pleasant? Chast is also a finalist for the National Book Award, marking the first time a graphic novel has been nominated in one of the adult categories. [The Washington Post]
Legal | A Turkish court acquitted cartoonist Musa Kart on charges of insulting President Recep Tayyip Erdoğan, stemming from a cartoon Kart drew last year portraying the then-prime minister as complicit in covering up government corruption. “Yes, I drew it [the cartoon] but I did not mean to insult,” Kart said. “I just wanted to show the facts. Indeed, I think that we are inside a cartoon right now. Because I am in the suspect’s seat while charges were dropped against all the suspects [involved in two major graft scandals]. I need to say that this is funny.” If convicted, Kart could have faced nearly a decade in prison. [Today’s Zaman]
Cosplay | Visiting New York Comic Con, Andrea Romano takes a look at the world of cosplay, the issue of sexual harassment — one person notes it’s certainly not exclusive to cosplay, observing, “There’s harassment when a woman is just wearing a crop top on the street” — and efforts being made to stop it. Convention organizers placed their new anti-harassment policy front and center this year, and it seems to have helped: There were just eight reported incidents of sexual harassment during the four-day event. [Mashable]
Conventions | Fensterman talks at greater length about NYCC’s anti-harassment measures in this article, which contrasts the comics scene with what’s going on in the gaming world. [Time]
Legal | The Japanese publisher Square Enix has filed a counterclaim against SNK Playmore, asking Osaka District Court to rule that its manga Hi Score Girl doesn’t infringe on copyrights held by the video game company. Earlier this year, SNK brought criminal copyright violation charges against Square Enix after learning Hi Score Girl contains more than 100 unauthorized images of characters from SNK Playmore games. The manga has been put on hold because of the dispute. [Anime News Network]
Conventions | Who’s buying, and how much are they spending, at conventions? Rob Salkowitz mines the numbers from a recent Eventbrite poll of convention-goers to get some answers: Most people spend between $100 and $500 per person; cosplayers actually spend a bit more than average; and women shell out more money at conventions, while men spend more online. [ICv2]
Editorial cartoons | The New York Times has apologized to readers who were offended by an editorial cartoon about India’s space program that depicted the country as a man in traditional dress, leading a cow and knocking at the door of the “Elite Space Club.” “The intent of the cartoonist, Heng Kim Song, was to highlight how space exploration is no longer the exclusive domain of rich, Western countries,” reads the apology, signed by editorial page editor Andrew Rosenthal. “Mr. Heng, who is based in Singapore, uses images and text — often in a provocative way — to make observations about international affairs. We apologize to readers who were offended by the choice of images in this cartoon. Mr. Heng was in no way trying to impugn India, its government or its citizens.” [The New Indian Express]
MICE, the Massachusetts Independent Comics Expo, is small but mighty. On Saturday and Sunday, the show will take over the second floor of Lesley University’s University Hall, better known to locals as the Porter Exchange. Admission is free, and the roster includes a mix of local creators, aspiring artists just out of school, and some big names, including special guests James Kochalka, Emily Carroll, Raina Telgemeier, Dave Roman and Box Brown.
We talked with one of the organizers, Dan Mazur (a comics creator and publisher in his own right), about the challenges of running a small indie-comics show in general and the unique qualities of MICE in particular.
Brigid Alverson: What is the focus of MICE, and how is it different from other comics festivals?
Dan Mazur: MICE is an independent/alternative comics show, in the vein of larger shows like SPX, MoCCA Fest and APE, and others like TECAF, CAKE, MECAF. … So it differs from the mainstream comic cons for its lack of superheroes, cosplay, etc., and for the preponderance of minicomics. But for those familiar with the alternative scene, I guess we do have more of a focus (though not exclusive) on a local comics scene, and also on kid-friendly material and activities, to a degree.
Graphic novels | Although BookScan’s September list of the bestselling graphic novels in bookstores is populated largely by old stalwarts — The Walking Dead, Attack on Titan, Saga, Watchmen — Guardians of the Galaxy, Vol. 1, the only Marvel title on the chart, clung to the Top 20 in its second month of release (although it slipped from No. 4. to No. 20). Bryan Lee O’Malley’s Seconds, meanwhile, climbed in its third month to No. 6. One new manga debuted at No. 12: Noragami, about a homeless god who does odd jobs as he tries to build up his reputation; the anime is already out, which probably gave it a boost. [ICv2]
Publishing | A television reporter pays a visit to the Last Gasp offices to talk about the Kickstarter recently launched by the longtime publisher of underground comics (and other quirky books). It’s worth a look just to see the owner’s amazing collection of oddities. [NBC Bay Area]
Awards | The finalists for the inaugural Kirkus Prize literary awards include two graphic novels: Roz Chast’s Can’t We Talk About Something More Pleasant? is one of six nominees in the Nonfiction category, and Cece Bell’s El Deafo is one of the picks for the Young Readers award. The winners in all three categories, who will receive $50,000 each, will be announced during a ceremony held Oct. 23 in Austin, Texas. [The Washington Post]
Manga | A prequel to Osamu Tezuka’s classic Astro Boy manga is in the works for the Japanese magazine Monthly Hero’s. Tezuka’s son, Makoto Tezuka, is supervising the production of the story, which focuses on the time before the “birth” of the iconic robot boy. [Anime News Network]
Passings | Tony Auth, editorial cartoonist for The Philadelphia Inquirer from 1971 to 2012, died Sunday at age 72. Auth, who won both the Pulitzer and Herblock prizes during his lengthy career with the newspaper, began drawing as a child, when a lengthy illness confined him to bed for a year and a half. He graduated from UCLA in 1965 with a bachelor’s degree in biological illustration, and worked as a medical illustrator for a time. He began his cartooning career doing a weekly cartoon for a local alternative newspaper and then started drawing a thrice-weekly cartoon for the UCLA Daily Bruin. He left the Inquirer in 2012 to pursue digital cartooning and became the Digital Artist in Residence for WHYY’s News Works. In addition to his cartooning work, he illustrated 11 children’s books. His editorial cartoons have been collected into two books, and Temple University has begun fund-raising for an archive of his work. Michael Cavna has a roundup of tributes from Auth’s colleagues at Comic Riffs. [The Philadelphia Inquirer]