Corto Maltese Archives - Robot 6 @ Comic Book Resources
A watercolor of Corto Maltese by his creator Hugo Pratt sold at auction Saturday in Paris for $485,500, more than twice the original estimate. According to Agence France-Presse, that’s the highest price ever paid for a piece of Corto Maltese art.
Created for a 1979 French edition of Corto Maltese in Africa (“Corto Maltese – Les Ethiopiques”), the piece was among 400 lots of comic art sold by French auction house Artcurial. An original Tintin strip from The Castafiore Emerald signed by Herge fetched the the top price, about $503,000.
Corto Maltese is one of the most prized series and characters in European comics, and now he’s coming back.
The comic’s longtime publisher Casterman has announced the October 2015 release of the first new Corto Maltese story in 25 years. As creator Hugo Platt passed away in 1995, Blacksad writer Juan Diaz Canales will be joined by artist Ruben Pellejero for the new story. There’s no word word whether this will be serialized or published as a standalone book, but Casterman promises it will be released simultaneously in Europe in French, Spanish, Italian and Dutch. What about English-speaking audiences? Well, that’s another story.
To see what Alex and the Robot 6 crew have been reading lately, click below.
Corto Maltese in Africa (1978), page 51. Hugo Pratt.
American action cartooning has Jack Kirby, the Japanese have Tezuka, France has Herge — and in Italy, there is Hugo Pratt. Like all the truly great cartoonists, Pratt picked up his country’s comics tradition and moved its trajectory into line with that of his own work: the epic historical adventures contained in his Corto Maltese saga provided a stylistic blueprint Italian cartoonists would draw on or react against for decades after the series began appearing, and Pratt has provided inspiration for comics artists around the world — Paul Pope is an avowed devotee, Eddie Campbell and Mike Mignola picked up more than a few lessons, and hey, does anybody remember the name of the contested island that provides Frank Miller’s Dark Knight with its nuclear conclusion? It seems bizarrely fitting that in the week Moebius passes on, the English-speaking world should be reintroduced to late 20th-century Europe’s other foundational cartoonist via a new series of Corto translations.
Welcome to What Are You Reading?, where we talk about what comics and other stuff we’ve been reading lately.
Today’s special guest is Joe Keatinge, writer and co-creator of the upcoming Image comic Brutal with Frank Cho. He’s also the writer of the final “Twisted Savage Dragon Funnies” installment in April’s Savage Dragon #171, drawn by Savage Dragon creator Erik Larsen, Billy Dogma’s Dean Haspiel, Nikolai Dante’s Simon Fraser, Parade (With Fireworks)’s Mike Cavallaro, The Transmigration of Ultra Lad’s Joe Infurnari, Fahrenheit 451: The Authorized Adaptation’s Tim Hamilton and Olympians’ George O’Connor. He’s also executive editor of the PopGun anthology, he’s got an ongoing series coming soon that he can’t say anything else about and with his fellow studio members at Tranquility Base, regularly beats up on 13 year olds at laser tag.
To see what Joe and the Robot 6 crew have been reading lately, click below.
If you’ve been thinking of heading to Italy and want to stay somewhere close to the water, Villa Comics has six rooms available with a private bathroom, air conditioning, TV, minibar and a comic book theme.
Located in the Gulf of Policastro – Cilento, “the theme is ‘comics,’” their website reads, “and each room is named after a comic character. There are room in honour of: Little Nemo, Tin Tin, Spiderman, Uncle $crooge, Corto Maltese, Spirit and Dylan Dog. Each room is decorated with a colourful canvas. Whether you’re a comic fan, or not, you’ll be enthralled by the attention to detail and the way in which ‘comics’ seeks to transport its guest into the world of fantasy to which each room has been dedicated.”
The proprietor, Gianfranco Martuscelli, is a cartoonist who wanted to combine his passions for comics and tourism.