Luke Cage History: From Hero for Hire to Hollywood
TV, Comic Books
Although the attorney representing the heirs of Superman creators Jerry Siegel and Joe Shuster had vowed they were “prepared to go the distance” in their legal battle with DC Comics, they appear to have reached the end of the road. Of course, that’s been said a few times before.
As Deadline reports, in a 2-1 vote the Ninth Circuit on Thursday tied up the loose ends in what it describes as “the long-running saga regarding the ownership of copyrights in Superman — a story almost as old as the Man of Steel himself,” reaffirming an October 2012 ruling that the Shuster estate is prevented from reclaiming the artist’s stake in the character by a 20-year-old agreement with DC.
“We are obviously very pleased with the court’s decision,” DC’s parent company Warner Bros. said in a statement.
That lower-court decision, which was appealed in May, dealt with a 1992 deal in which the Shuster estate relinquished all claims to Superman in exchange for “more than $600,000 and other benefits,” which included paying Shuster’s debts following his death earlier that year and providing his sister Jean Peavy and brother Frank Shuster with a $25,000 annual pension. In October, U.S. District Judge Otis D. Wright found that the agreement invalidated a copyright-termination notice filed in 2003 by Shuster’s nephew Mark Peary.
The same day that she helped to dedicate an exhibit at Cleveland’s airport recognizing the city as the place of Superman’s creation, Jerry Siegel’s daughter issued a letter to fans recounting her family’s fight to reclaim a portion of the Man of Steel copyright, and criticizing the tactics used by Warner Bros. and DC Comics in the increasingly bitter legal battle.
Characterizing their 15-year crusade as “my family’s David and Goliath struggle against Warner Bros.,” Laura Siegel Larson writes, “My father, Jerry Siegel, co-created Superman as the ‘champion of the oppressed … sworn to devote his existence to helping those in need!’ But sadly his dying wish, for his family to regain his rightful share of Superman, has become a cautionary tale for writers and artists everywhere.”
A federal judge ruled in 2008 that the family had succeeded in recapturing that share of the first Superman story in Action Comics #1 through a provision of the U.S. Copyright Act (the scope of the decision is on appeal), paving the way for the estate of Joe Shuster to do the same in 2013, effectively stripping DC of some of the defining elements of the Man of Steel, including his secret identity, his origin, his costume and Lois Lane. DC fired back in 2010, suing to force Marc Toberoff to resign as the Siegel attorney, claiming he enticed the heirs to walk away from a $3 million deal that would’ve permitted the company to retain control of Superman and stands to gain controlling interest in the property. DC is also asking a court to block the Shuster estate from reclaiming its stake, arguing the family relinquished all claims to Superman in 1992 in exchange for “more than $600,000 and other benefits,” including payment of Shuster’s debts following his death earlier that year and a $25,000 annual pension for his sister Jean Peavy.
Siegel Larson’s letter, first published by The Hollywood Reporter, arrived on the heels of a DC motion filed Wednesday in the Shuster case accusing Toberoff of, among other things, concealing evidence.
Creators | Market Day creator James Sturm explains he’ll be boycotting The Avengers movie because he believes Jack Kirby, co-creator of many of Marvel’s longest-lasting characters, “got a raw deal”: “What makes this situation especially hard to stomach is that Marvel’s media empire was built on the backs of characters whose defining trait as superheroes is the willingness to fight for what is right. It takes a lot of corporate moxie to put Thor and Captain America on the big screen and have them battle for honor and justice when behind the scenes the parent company acts like a cold-blooded supervillain. As Stan Lee famously wrote, ‘With great power comes great responsibility.’” Tom Spurgeon notes the position seems to mark a shift for Sturm, who wrote the Eisner-winning 2003 miniseries Fantastic Four: Unstable Molecules for Marvel. [Slate, The Comics Reporter]