REVIEW: "DC Universe: Rebirth" #1 Makes the Future of DC Comics Look Genuinely Bright
Finalists have been announced for the 2011 Hugo Awards, which recognize the best in science fiction and fantasy.
Presented annually since 1955 by the World Science Fiction Society, the Hugo is among science fiction’s most prestigious awards. This year’s winner will be presented Aug. 20 in Reno, Nevada, during Renovation, the 69th World Science Fiction Convention.
The nominees for best graphic story are:
• Fables, Vol. 14: Witches, written by Bill Willingham; illustrated by Mark Buckingham, Steve Leialoha, Jim Fern, Craig Hamilton and David Lapham (Vertigo)
• Girl Genius, Vol. 10: Agatha Heterodyne and the Guardian Muse, written by Phil and Kaja Foglio; art by Phil Foglio; colors by Cheyenne Wright (Airship Entertainment)
• Grandville Mon Amour, by Bryan Talbot (Dark Horse)
• Schlock Mercenary: Massively Parallel, written and illustrated by Howard Tayler; colors by Howard Tayler and Travis Walton (Hypernode)
• The Unwritten, Vol. 2: Inside Man, written by Mike Carey; illustrated by Peter Gross (Vertigo)
This is the third year for the graphic story category. Girl Genius won the award the two previous years.
The full list of nominees can be found on the Renovation website.
Publishing | Following Friday’s news that as many as 80 employees will be relocated or fired in DC Entertainment’s restructuring, Rich Johnston claims that most of the staff reduction will come from the end of temporary contracts. “DC has made it a policy to replace outgoing support staff with temporary staff for just this eventuality,” he writes. “New positions will open in Burbank to cover what is now needed over there, but there will be no cross-country moving arrangements for temps to fill them.”
Sean Kleefeld, meanwhile, provides commentary on the cuts: “Those layoffs? Those are for actual employees. Those are going to be admins and accountants and file clerks and licensing specialists and whatnot. Probably an editor or three. People who come in to DC’s offices in New York City to do their job. But what about the comic creators who also suddenly have the rug pulled out from under them? With Wildstorm and Zuda going away, won’t that mean all those creators who were working on books under those imprints no longer have an outlet for their work?” [Bleeding Cool, Kleefeld on Comics]