Cullen Bunn
Comics A.M. | How to save the struggling manga industry
Publishing | Longtime industry hand Jason Thompson has written a thoughtful essay on why the manga industry is in trouble, going beyond the American scene to point out structural problems in the Japanese market: An aging readership, the decline of print and the reluctance of Japanese publishers to embrace digital publishing in any coherent way. “Perhaps wary of creating an iTunes-like behemoth which could drive prices down,” Thompson writes, “publishers haven’t united in any reasonable way to create a consistent digital newsstand/bookstore format for their titles.” This, of course, has just made life easier for the scanlators. He also points to a shift toward the individual creator — it’s the big publishers who are hurting, while self-published and indy manga are on the rise. All this may sound familiar to American comics fans, but Thompson’s prescriptions for the future — more gag manga, simpler art, more color, and motion comics — don’t seem like convincing ways to rescue the industry. An iTunes-like behemoth is probably the way to go. [io9]
Awards | The Horror Writers Association has released the preliminary ballot for the 2011 Bram Stoker Awards, which includes a graphic novel category. [Horror Writers Association]
- January 24, 2012 @ 06:55 AM by Brigid Alverson
Happy Holidays from Robot 6
It’s Christmas Eve, and we’re winding down here at Robot 6 to go spend time with family and friends. Before heading off to celebrate, though, you’ll find a collection of holiday-themed links after the jump, along with this year’s collection of holiday cards we received.
On behalf of all of Robot 6, have a great holiday and stay safe. We’ll see you next week.
(Above: a Christmas showdown by Matthew Petz)
- December 24, 2011 @ 12:00 PM by JK Parkin
The Middle Ground #62 | See that cat (yeah, I do mean you)
Thinking about some of the news from SDCC this year — specifically, the Sixth Gun news, about it being made into a television series by the Syfy network — it struck me: Indie comics are the small-screen Marvel. And I’m not quite sure what that’s going to mean for their future.
- July 26, 2011 @ 03:00 PM by Graeme McMillan
SDCC ’11 | Marvel to launch The Fearless in October
The cover of the August Previews catalog gives us an indication of how Marvel will follow up Fear Itself, and what we should expect to emerge from the publisher’s Sunday panel at Comic-Con International.
October will see the debut of The Fearless, “an event that shows readers what’s in store for their favorite characters in the wake of the Fear Itself event. Anyone that enjoyed Fear Itself should be interested in finding out how Captain America, the Avengers, and other characters from all across the Marvel Universe deal with the aftermath.”
Although further details haven’t been publicly released by Marvel or Diamond Comic Distributors, Newsarama reports that the twice-monthly series will be written by Matt Fracion, Cullen Bunn and Chris Yost, and illustrated by Mark Bagley and Paul Pelletier. The website also confirms the October launch of Incredible Hulk, by Jason Aaron and Marc Silvestri.
Stay tuned to Comic Book Resources for more information as details surface from Comic-Con.
- July 23, 2011 @ 02:31 PM by Kevin Melrose
Food or Comics? | This week’s comics on a budget
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
Chris Mautner
If I had $15:
I’d pick up Batman Inc. #7 ($2.99) and that would be it, so afterwards I’d pat myself on the back for not blowing my whole $15.
If I had $30:
I’d go with Farm 54 ($25), a new hardbound collection of stories by the brother and sister team of Galit and Gilad Seliktar, courtesy of Fanfare/Ponent Mon. It’s basically a semi-autobiographical collection of tales capturing a young woman at various critical stages in her youth, adolescence and young adulthood, all done in a tentative, wispy watercolor. Lovely stuff to flip through, at the very least.
- June 28, 2011 @ 05:00 PM by JK Parkin
What Are You Reading?
Hello and welcome to What Are You Reading? This week our special guest is Ross Campbell, creator of Shadoweyes and its recent sequel, Shadoweyes in Love, as well as Wet Moon, Water Baby, The Abandoned and “Refuse,” a short story in the recent Strange Adventures anthology from Vertigo.
To see what Ross and the Robot 6 crew have been reading lately, click below.
- June 19, 2011 @ 01:00 PM by JK Parkin
DC relaunch scorecard: DCnU or DC No?
Although it seems like DC’s big relaunch announcement came out an eternity ago, it actually took the publisher less than two weeks to roll out the 52 titles and their creative teams for the big relaunch/reboot/overhaul coming in September. Now that the cats are out of their respective bags, I thought I’d see where various creators and characters will land after the reboot.
So I went back through DC’s August solicitations to see who was writing or drawing what, and tried to map everyone to their post-relaunch project — if they had one. However, looking at DC’s August solicitations, there seem to be several fill-in issues, so where appropriate I tried to map the most recent ongoing creative teams to their new projects (for instance, I consider Gail Simone and Jesus Saiz the regular creative team for Birds of Prey, even if they aren’t doing the last two issues before September hits). Keep in mind that I just went through the ongoing series and skipped over all the miniseries … of which there are a lot, what with Flashpoint winding up in August.
It’s also worth noting that although several creators didn’t appear in the “big 52″ announcements, that doesn’t mean their tenure with DC is necessarily over — some, like Frazer Irving, have said they have future projects that haven’t been announced. So I tried to note where creators have talked publicly about their post-relaunch plans with DC (or lack thereof, as the case may be). The same could probably be said for some of DC’s characters as well. Or, as Gail Simone said on Twitter: “Again, September is NOT THE END. There’s still plans for characters that we haven’t seen yet.”
So let’s get to it ….
- June 12, 2011 @ 04:14 AM by JK Parkin
Robot Review | The Tooth
The Tooth
Written by Cullen Bunn and Shawn Lee; Illustrated by Matt Kindt
Oni; $24.99
Equal parts Hellboy and Hulk, The Tooth is the story of a young man named Graham Stone who inherits a spooky old estate from his grandfather, Ezekiel. While looking over the place, Graham discovers a room full of “occult esoterica,” a collection of dangerous artifacts that Grandpa Zeke spent a lifetime accumulating. Unfortunately, Graham doesn’t understand how unsafe the stuff really is and grabs an amulet designed to control a mystical, yellow tooth.
Who does understand the significance of the collection is Caleb King, evil mage and one-time arch-nemesis to the late Ezekiel Stone. But when King gets rough with Graham, the supernatural tooth forms a humanoid body and grows to fightin’ size in order to protect his new… well, “master” doesn’t seem like the right word, but the relationship between Graham and the Tooth is hard to define.
Graham doesn’t command the Tooth, but it is attached to him, sometimes quite literally. In between battles with King’s monsters, the Tooth shrinks down and implants itself in Graham’s gums. Graham acts as a reluctant host for the creature who in turn defends the young man. The relationship between the mild-mannered protagonist and the uncontrollable monster brings classic Hulk comics to mind, while the Tooth’s occult origins and the evil wizard who seeks to exploit them are reminiscent of Hellboy.
- June 1, 2011 @ 05:58 PM by Michael May
Food or Comics? | This week’s comics on a budget
Welcome to Food or Comics?, where every week we talk about what comics we’d buy on Wednesday based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
Check out Diamond’s release list or ComicList if you’d like to play along in our comments section.
Michael May
Even if I didn’t have any money at all, I’d stand on the street corner and beg until I collected three bucks to buy Alpha Flight #0.1 ($2.99). I’ve never not bought an issue of Alpha Flight and I’m not breaking that streak this week. Fortunately I have $15 and can afford to get not only that, but also Rocketeer Adventures #1 ($3.99), which I’m only slightly less excited about. And since I’ve still got some money I’d add Drums #1 ($2.99) – because it’s been a while since I’ve read a voodoo story and this looks like a good one – and Snake Eyes #1 ($3.99). I’m not a GI Joe fan, but ninjas are cool and expect that I’d be entertained by a comic about one who fights an evil spy organization.
- May 17, 2011 @ 02:00 PM by JK Parkin
Stumptown Comic Arts Awards 2011 winners
Organizers of the Stumptown Comics Fest presented the 2011 Stumptown Comic Art Awards last night in Portland, Ore.
Nominees were selected by a panel of judges — Michael Allred, Brandon Graham, Laura Hudson, Michael Ring and Jason Leivian — from among the entries submitted earlier this year. Winners were determined by an online vote.
The winners are:
Best Artist: Emily Carroll, His Face All Red
Best Writer: Aaron Renier, The Unsinkable Walker Bean
Best Cartoonist: Bryan Lee O’Malley, Scott Pilgrim’s Finest Hour
Best Letterer: Johnny Ryan, Prison Pit #2
Best Colorist: Emily Carroll, His Face All Red
Best Publication Design: Michael DeForge, Spotting Deer
Best Anthology: Studygroup 12 #4, edited by Zack Soto
Best Small Press: I Want You #2 by Lisa Hanawalt
Best New Talent: Michael DeForge
Reader’s Choice: Pang, the Wandering Shaolin Monk by Ben Costa
Director’s Choice: The Sixth Gun, by Brian Hurtt and Cullen Bunn, published by Oni Press
- April 17, 2011 @ 11:03 AM by JK Parkin
Kickin’ the Gun #2: Bunn, Zubkavich on Marvel and DC, creator-owned comics and more
As I noted yesterday, I’m a fan of both Image’s Skullkickers and Oni’s The Sixth Gun. So when I saw that the two creator-owned books were having a mini-crossover of sorts — or, to be more specific, an ad swap — I thought it might be fun to see if Skullkickers writer Jim “Zub” Zubkavich and The Sixth Gun‘ writer Cullen Bunn might be up for interviewing each other.
And they were. If you missed part one, no worries; you can find it here. In part two, they discuss Marvel and DC, the recent focus on creator-owned comics, Dungeons & Dragons, their ad swap and more.
Zub: So, speaking of collaborators, how did your DC and Marvel work come about?
Cullen: I did a little thing for Marvel a year and a half ago, which was one of the Immortal Weapons books. That one came after I sent the editor a copy of The Damned. He finally got around to reading it and said, “Hey, you want to do this one-shot?” The new stuff all came about primarily through The Sixth Gun. A number of writers, artists and editors have picked it up, read it and either pushed me to their editors or thought I would work for other projects they had. It was definitely weird because I’m not used to anyone contacting me. I’m used to begging for work. For years I’ve gone to San Diego, and it’s the most humbling experience.
- April 12, 2011 @ 04:00 PM by JK Parkin
Kickin’ the Gun #1: Bunn, Zubkavich on Skullkickers, Sixth Gun, process and more
Many who have been following this blog know I’m a fan of both Image’s Skullkickers and Oni’s The Sixth Gun. So when I saw that the two creator-owned books were having a mini-crossover of sorts — or, to be more specific, an ad swap — I thought it might be fun to see if Skullkickers writer Jim “Zub” Zubkavich and The Sixth Gun‘ writer Cullen Bunn might be up for interviewing each other.
So the duo hit Skype and had a long conversation that covered many different topics — how they pitched their books, their writing process, how they work with their artists, finding time to write and much more. My thanks to both Cullen and Jim for doing this, with an extra tip of the hat to Jim for transcribing it. Be sure to check back tomorrow for the second part of the interview.
*****
Zub: So, let’s start right off with the big news. Did I hear correctly that you’re now writing full time? You quit your day job?
Cullen: I did. This is my third week as a full-time writer.
Zub: Awesome. What were you doing before that?
- April 11, 2011 @ 03:00 PM by JK Parkin
C2E2 | Food AND Comics at C2E2
Decisions be damned, Oni Press has taken over the food court at C2E2. The Sixth Gun writer Cullen Bunn tweeted the above picture yesterday of the menu at the Carvery, which features references to such Oni series as Sixth Gun, Ghost Projekt and even Super Pro K.O.. Per Oni, they worked with the food court and Reed, the company that runs C2E2, to set it up.
I hear the Scott Pilgrim Sandwich was taken off the menu because, as we all know, bread makes you fat.
- March 19, 2011 @ 11:50 AM by JK Parkin
Bunn and Latour teaming up for Captain America story? [Updated]

Captain America, by Jason Latour
It looks like Marvel’s wind-up to the July premiere of Captain America: The First Avenger will include a collaboration between artist Jason Latour and The Sixth Gun writer Cullen Bunn.
On his blog, Latour, who illustrated the well-received Silver Samurai back-up story in September’s Wolverine #1, posted a color test for Captain America to accompany the announcement of his “next short Marvel gig.” “This time I’ll be collaborating with my buddy Cullen Bunn (The Damned, The Sixth Gun),” he wrote. “Rico Renzi will also be back helping me tag team the colors. Chances are high this character is involved.”
“I’ve always kind of loved Cap,” Latour continued, “in part because at face value he’s such a seemingly nonsensical character. He really works or fails based on the sum of little considerations. That’s a real challenge, but when he does work I like him as much as any superhero around. So, fingers crossed.”
No further details were revealed, so it’s unknown whether the project will be a back-up story or one of several one-shots or miniseries the publisher tends to roll out before the release of a movie. Update: We’ve been told by Marvel that Bunn, Latour and Renzi are collaborating on a story for March’s Captain America #616, a 104-page comic marking the character’s 70th anniversary.
Latour’s other recent work includes Daredevil: Black and White, I Am an Avenger #1, Scalped #43 and, out this week, Wolverine #5. Noche Roja, his graphic-novel collaboration with Simon Oliver, will be released by Vertigo next month. Bunn, the co-creator of The Damned, The Sixth Gun and The Tooth, wrote Immortal Weapons #2: Bride of Nine Spiders and Deadpool
Team-Up #888 for Marvel.
- January 18, 2011 @ 10:45 AM by Kevin Melrose
Comics A.M. | Borders to close Tenn. center, Muppets/Pixar titles canceled
Retailing | The picture keeps looking worse for Borders Group: Even as news surfaced Wednesday that Diamond Book Distributors has stopped shipping to the troubled retail chain a report circulated that Borders will close its LaVergne, Tenn., distribution center in mid-July, resulting in the elimination of 310 jobs. That follows more than 200 layoffs made at the center since 2009. [WKRN.com, via GalleyCat]
Publishing | The remaining licensed Muppets and Pixar titles from BOOM! Studios have been listed as “canceled by Previews.” In response to inquiries, the publisher pointed to the teaser for “BOOM! Kids 2.0,” the relaunch of its kids imprint announced in September. Rumors that BOOM! had lost the Muppets/Pixar licenses began swirling in late November, following Roger Langridge’s announcement that he would no longer be drawing The Muppet Show. The publisher’s relaunched kids line will include such Disney licenses as Darkwing Duck, and reprints of Mickey Mouse, Uncle Scrooge and Walt Disney’s Comics and Stories. [Comics Worth Reading]
- January 13, 2011 @ 08:54 AM by Kevin Melrose











