Universal Options "The Wicked + The Divine" for TV Adaptation
I’ll admit, I’m one of those people who seldom notices lettering unless it’s bad, so when I was offered an interview with Deron Bennett, the letterer of Archaia’s Cyborg 009, I jumped at the chance to expand my horizons a bit. Bennett, who was nominated for an Eisner Award last year, has lettered both manga and Western comics, and he worked on both the original translation of the Cyborg 009 manga and Archaia’s Western-style retelling, so he has a unique perspective on this particular work. I also stole the opportunity to ask him some more general questions about being a letterer and what he looks for in other people’s work.
Brigid Alverson: I saw on your blog that you worked on Tokyopop’s translation of the original manga version of Cyborg 009 as well as a later Ishimori Productions edition. What sort of work did you do for them?
Deron Bennett: So here’s the breakdown on that: I was a production artist for Tokyopop when they first brought Cyborg 009 to the U.S. A friend and co-worker of mine, James Lee, actually did the lettering for the manga. I was involved in post-lettering duties at the time, handling things like corrections and pre-press. That role came in handy, years later, when Itochu Corporation decided to revitalize the property through an agreement with Ishimori Productions. They wanted to digitally distribute the Cyborg 009 manga that Tokyopop had produced, but it needed some updating. I was contracted to add translations to the sound effects and fix some existing errors. That, in turn, got me lettering duties on two other Ishinomori classics, Skullman and Kikaider, which were also being prepped for digital distribution. You can currently find the versions of all three titles that I worked on on the comiXology app.
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. Contributors Brigid Alverson, Corey Blake and Mark Kardwell can’t wait til Wednesday to get there hands on three works (or, technically, four): Cyborg 009, Boxers & Saints, and The Best of Milligan & McCarthy. To see what they have to say about the releases, just keep reading …
Superheroes | Writer Jim Zubkavich tackles the burning question of why there are so few Canadian superheroes: “We don’t have a long standing superhero tradition in this country. We don’t have a long-standing focal point character people recognize (I like Captain Canuck, but the average person on the street does not know who he is). We’re not a country galvanized by heavy-duty patriotic pride that lends itself to a Superman, Captain America or even a Batman. We don’t have the kind of rampant crime that ‘needs’ a heroic symbol to fight back against.” [Zub Tales]
Digital comics | The first issue of Mark Millar’s Jupiter’s Legacy sold more than 100,000 copies in stores, but was that because he refused to allow it to be sold in digital format the same day? Steve Bennett is doubtful, because so many people (including himself) didn’t realize until the last minute it would be print-only for now. [ICv2]
Last year, we got the news that Archaia is reworking the late Shotaro Ishinomori’s classic manga Cyborg 009 as a Western-style comic. This week, we get a first look at it as they post the first issue on comiXology. Cyborg 009: Chapter 000, priced at $2.99, is actually a package deal, with the first 17 pages of the new version (to be released as a graphic novel at Comic-Con International) and the first 61 pages of the manga. While the real intention is probably to whet readers’ appetites, the release also coincides handily with Ishinomori’s 75th birthday.
(For those who like to get back to roots, Shaenon Garrity has a loving explanation of the original, which is available on comiXology for $4.99 a volume).
Anyway, the coolest thing about this sampler is something you won’t see on the hard copy: the “truly digital” variant cover. It’s a cover that can only appear on the digital comic because the image builds up with a series of swipes. This type of reveal has been used before, in Mark Waid and Peter Krause’s Insufferable and Marvel’s Avengers vs. X-Men #1: Infinite (written by Waid and drawn by Stuart Immonen), but this is the first time I have seen it on a cover. And it will likely be unique, not just to digital but to comiXology, because it uses comiXology’s Guided View to achieve the effect.
You can check out an animated GIF of the cover below.
Archaia and Ishimori Production Inc. are teaming up to re-interpret Shotaro Ishinomori’s classic manga series Cyborg 009 for Western readers. The new edition is written by F.J. DeSanto (The Spirit, Immortals: Gods and Heroes) and Bradley Cramp (Gattaca), and illustrated by Marcus To (Red Robin, The Huntress). Archaia has provided ROBOT 6 with an exclusive preview of the graphic novel, set for release early this year.
The story is about nine people who are kidnapped from around the world to become test subjects by The Black Ghost Organization, a secret society that provides weapons of mass destruction to the highest bidder. The victims are put through a series of experiments that transform them into super-powered weapons, but with the help of a compassionate project scientist, the living weapons rebel, escape, and set off on a mission to stop Black Ghost from plunging the world into a perpetual state of war.
The publisher states: “Created in 1964, Cyborg 009 was Japan’s first and most-popular super-team, quickly becoming one of the most influential manga series of all time. The original manga has been published in over 250,000,000 copies of weekly comics and comic books worldwide.” There’s also a new, 3D CGI animated feature film in the works in Japan, and DeSanto is working to produce a live-action version.
Creators | Alan Moore will make a rare convention appearance in September — his first in 25 years, according to this article — at the inaugural Northants International Comics Expo in Northamptonshire, England. To attend Moore’s hour-long talk on writing comics or the hour-long question-and-answer session, convention-goers are required to donate graphic novels to the Northamptonshire Libraries, which will have a table at the event. [Stumptown Trade Review]
Creators | Mark Waid gets the NPR treatment, as Noah J. Nelson interviews him about his digital comics initiatives. “I got news for you: I’ve been doing this for 25 years, and this is the hardest writing I’ve ever had to do,” Waid says of creating digital comics. [NPR]
Publishing | Abrams ComicArts editorial director Charles Kochman discusses the publisher’s spring lineup, which will include William Stout’s Legends of the Blues, Darryl Cunningham’s What the Frack, a history of Bazooka Joe comics, and a Will Eisner artbook written by Paul Levitz. [ICv2]
Thursday may have started a bit slow in the news department, but it sure ended with a huge bang. Here’s a roundup of announcements that hit today from Comic-Con International in San Diego:
• Neil Gaiman announced via video that he will write a new Sandman miniseries that will detail what happened to Morpheus to allow him to be so easily captured in The Sandman #1. J.H. Williams III will provide the art. “It was a story that we discussed telling for Sandman‘s 20th anniversary,” Gaiman said, “but the time got away from us. And now, with Sandman‘s 25th anniversary year coming up, I’m delighted, and nervous, that that story is finally going to be told.” The series will be published by Vertigo sometime next year.
• Legendary will also publish the Majestic Files by J. Michael Straczynski, which will feature art by Geoff Shaw and Matt Banning.
• Terry Moore will write a Strangers in Paradise prose novel to coincide with the comic’s 20th anniversary next year. He also plans to do an all-ages comic after Rachel Rising finishes in 30-40 issues.
Archaia Entertainment has confirmed it’s partnering with Japan’s Ishimori Productions to publish a Western re-imagining of Shotaro Ishinomori’s classic sci-fi manga Cyborg 009.
Set to debut in 2013 digitally and in print, the hardcover graphic novel written by F.J. DeSanto (The Spirit, Immortals: Gods and Heroes) and Bradley Cramp (Gattaca) and illustrated by Marcus To (Red Robin, The Huntress) will feature the classic characters and origin, “re-imagined for a new worldwide audience.”
Debuting in 1964 in Weekly Shonen King, Ishinomori’s Cyborg 009 follows nine humans kidnapped to undergo experiments by the evil Black Ghost organization that transform the test subjects into living weapons. The nine cyborgs band together to rebel against their captors and stop Black Ghost from plunging the world into a perpetual state of war.
“On the surface, Cyborg 009 appears to be a science fiction action/adventure story,” DeSanto said in a statement. “However, Ishinomori’s creation has endured because it’s a story about the human spirit triumphing over incredible adversity. The sort of emotional trauma these nine people experience could happen to anyone, anywhere, and at any time. Instead of becoming dark and oppressive, the story evolves into a message of hope and cooperation between people of different countries and races who share the singular goal of bringing peace to the planet. Humanity is the heart and soul of Cyborg 009.”
Publishing | According to the San Diego Comic Con schedule, Archaia will publish an adaptation of Shotaro Ishinomori’s classic sci-fi manga Cyborg 009, “reimagined” in Western style. The adaptation will be written by F. J. DeSanto and Brad Cramp, and illustrated by Trevor Hairsine. In case you missed it, David Brothers recently wrote a fascinating piece on the original. [Anime News Network]
Creators | Colleen Doran is looking for original art from her creator-owned series A Distant Soil. “I require good quality scans of the art for the future editions of the print books, as well as the upcoming digital editions … If you purchased A Distant Soil original art, I would be very grateful if you would get in touch with me.” [A Distant Soil]