AfterShock Comics Enlists Garth Ennis, Neil Gaiman And More
Graphic novels | The long-running Belgian comic Blake and Mortimer, created by Herge contemporary Edgar P. Jacobs and currently the work of Yves Sente and Andre Juillard, will get a prequel. The series launched in Tintin magazine in 1946, and when they re-read the first episode, Sente and Juillard found themselves asking a lot of questions — so they answered them in their latest volume, The Staff of Plutarch. [Agence France-Presse]
Creators | Kelly Sue DeConnick discusses her new Image Comics series Bitch Planet. [Paste]
Creators | HOW magazine interviews artist Kody Chamberlain (Punks, Sweets). [HOW]
To mark the digital debut of Peter Bagge’s Hate and Dame Darcy’s Meat Cake, Fantagraphics Books and comiXology are offering the first issues of both series for free for a limited time.
First published in 1990, Hate chronicles the life of Bagge’s longtime protagonist Buddy Bradley, a malcontent who comes of age in the Seattle grunge scene before moving back to suburban New Jersey and his dysfunctional family. One of the bestselling alternative comics of the ’90s, Hate ran for 30 issues; Bagge resurrected the title in 2000 for a series of Hate Annuals. A Hate follow-up, Buddy Buys a Dump, is planned for release in June.
Published by Fantagraphics since 1993, Darcy’s Meat Cake delves into a neo-Victorian world of humor, romance and frequently tragic fairy tales featuring such characters as Effluvia the Mermaid, the roguish roué Wax Wolf, Igpay the Pig-Latin pig and Stregapez, who speaks by dispensing Pez-like tablets through a hole in her throat.
“Debuting Hate and Meat Cake digitally on comiXology marks a new era for these historic Fantagraphics titles,” Fantagraphics Associate Publisher Eric Reynolds said in a statement. “Although the trade paperbacks collecting these works are perennial classics, this marks the first time that the single issues of these generation-defining classics have been widely available in well over a decade. Now with comiXology’s help, readers around the world will be able to experience them anew and discover just what makes these books so timelessly great.”
Retailing | Laura Hudson surveys a handful of retailers about what part higher cover prices may have played in August’s plummeting comics sales. “This summer has underperformed, and I think [the $3.99 price point] is a big part of it,” says Chris Rosa of Meltdown Comics in Los Angeles, “but also I think the lack of an event and the fact that the big books at both [companies] are extended denouements to events. There’s nothing really inspiring people to run out to the stores. People are tired of buying four Avengers titles at $3.99 a pop.” [Comics Alliance]
Publishing | Tom Mason looks at the return of Atlas Comics: “If you were 13 years-old in 1975 when the original books were out, you’d be 48 today. In other words, the age of the average direct market fanboy. But in order for these new books to succeed, they’d have to appeal beyond nostalgia because with most Marvel and DC comics at $4.00 a pop, you’ve got to have something special and excellent to lure some of those buyers into your own circus tent.” [Comix 411]
Welcome to another edition of What Are You Reading? Today’s special guest is STORM, who works at San Francisco’s Isotope Comics, is the creator of Princess Witch Boy (the second issue of which will be available at APE this year), reads Heroic Tarot with X-Men cards and is a member of Writers Old Fashioned.
To see what STORM and the Robot 6 crew are reading this week, read on …