John Diggle Suits Up in First Look at New "Arrow" Costume
Grumblings that Marvel alters its comics to more closely resemble their on-screen depictions date back to at least 2001, when Grant Morrison and Frank Quitely put the X-Men in leather.
With the founding of Marvel Studios and the rise of the tightly knit Marvel Cinematic Universe, however, there are increasing complaints about continuity changes perceived to be in service to corporate synergy, most recently in the parentage of Quicksilver and the Scarlet Witch.
But in a wide-ranging interview with ICv2.com, Marvel Publisher Dan Buckley dismisses any assertion there’s a conscious effort to align continuity — “I think people like to jump to conclusions” — while acknowledging that of course the films are going to have some influence on creators.
“We all remember picking up our X-Men books in the ’70s, ’80s and ’90s,” he said. “The Professor would go in to put Cerebro on and he’d wear a helmet in a room, and whatever room that was and whatever it looked like was up to the artist du jour. But that room now, after the X-Men movie when he rolled into that big open area with the metallic globe that he is sitting inside of with the ramp, and then he puts the helmet on, you go into a Marvel comic now and that’s what that room looks like. The movie defined the mass market perception of what Cerebro looks like. The comics guys are looking at it and thinking, ‘That’s pretty cool, I think I’ll do that!’ So, to say that one medium does not influence the other a great deal would be lying.
Crime | A man in Augusta, Georgia, told police someone stole his collection of nearly 30,000 comics from a storage building at his friend’s home sometime between Nov. 13 and Dec. 30. Although the 85 boxes allegedly included signed issues, police valued the comics at just $1 each. [The Augusta Chronicle]
Publishing | ICv2 concludes its three-part interview with Marvel Publisher Dan Buckley with questions about variant covers, Marvel NOW!, and staying in New York City. [ICv2]
Publishing | Heidi MacDonald profiles new graphic novel publisher Magnetic Press, which is spearheaded by former Archaia and BOOM! Studios executives Mike Kennedy and Wes Harris. Magnetic will launch in April with a varied line that will focus strongly, but not exclusively, on translations of French comics. [Publishers Weekly]
“I’m just jumping on this one because I find it ludicrous. First of all, that’s what we should be doing. In order to help the print business we need to get as many people as possible excited about the content we’re delivering them, and the less confusing it is for them to engage in our product, the more success we’re going to have. That’s one part. We should be communicating with each other. […] At the same, we allowed Ed Brubaker to kill Captain America and have another guy run around in that costume for over 18 months to two years when we were making a Captain America movie. We stopped making Thor the comic book for over a year and then we re-launched it with JMS and Oliver Coipel telling his story. Does Marvel give editorial direction on what you can and cannot do with our characters? Yes. We did that before we made movies and before we went to Disney. That’s what the editorial group does here for a living.”
— Marvel Publisher Dan Buckley, responding to the suggestion that companies like his “with a big media operation” are “controlling the print content to a greater degree in order to make it align more successfully with the other media”
Legal | As the dust begins to settle on the ruling last month by a federal judge that Arthur Conan Doyle’s first 50 Sherlock Holmes stories have lapsed into the public domain in the United States, out march the analyses pointing out the buts. Chief among them, of course, is the possibility of appeal by the Conan Doyle estate, which contends the characters were effectively incomplete until the author’s final story was published in the United States (the 10 stories published after Jan. 1, 1923, remain under copyright in this country until 2022).
However, Publishers Weekly notes that because U.S. District Judge Ruben Castillo didn’t rule directly on that “novel” argument, the estate may be satisfied with the ambiguity of the decision, given that uncertain creators still may seek to license the characters to steer clear of any trouble. Estate lawyer Benjamin Allison also insists that the Sherlock Holmes trademarks remain unaffected, an assertion that puzzles author and scholar Leslie Klinger, who brought the lawsuit. “There is a very good reason why the Estate did not assert trademark protection: The Estate does not own any trademarks,” he told PW. “They have applied for them, and there will be substantial opposition.” There’s more at NPR, The Independent and The Atlantic. [Publishers Weekly]
Graphic novels | Image Comics had a strong December in bookstores, snagging nine slots on BookScan’s Top 20 chart: Eight volumes of The Walking Dead (including the very first one, at No. 4), plus the first Saga collection, which was originally released in October 2012. The first two volumes of Attack on Titan, which are more than a year old, were also on the chart. [ICv2]
Legal | Colleen R. LaRose, aka “Jihad Jane,” was sentenced Monday to 10 years in prison for her role in a failed conspiracy to murder Swedish cartoonist Lars Vilks, who drew images of the Prophet Mohammed that offended many Muslims. [The New York Times]
If the purpose of Free Comic Book Day is to raise awareness of comics, well, mission accomplished! The mass media has taken note, and newspapers large and small have been running articles about comics in general and what is going on in their communities in particular. Here’s a selection of the meatier articles; you can find out what’s going on near you at the FCBD website, and Steve Morris has compiled a list of additional lists at The Beat.
Comics | Matt Moore takes the wide view, talking to Joe Field, organizer of the first FCBD, and looking at the increase in comics sales in the past year as well as the print-digital divide. Moore talks to DC’s Dan DiDio, Marvel’s Dan Buckley, and an assortment of retailers and customers about the convenience of digital and the pleasures of brick-and-mortar comics shops. [Associated Press]
Advice | Allison Babka offers a “virgin’s guide” to making the most of FCBD. [The Riverfront Times]
Comics | Whitney Matheson lists the ten FCBD comics you won’t want to miss, as well as some tips for first-timers. [USA Today]
“Though Marvel has commented, the internet has decided it will not be satisfied until it sees the longform birth certificate.”
– Men of War writer Ivan Brandon, responding to online reaction to statements made by Marvel Publisher Dan Buckley and CCO Joe Quesada concerning the Gary Friedrich case and the sale of sketches at conventions
Libraries | A middle school library in New Brunswick, Canada, has been asked to remove Joann Sfar and Lewis Trondheim’s Dungeon series for review after the mother of a 12-year-old student complained about the depictions of sex and violence in one of the volumes. The CTV News reporter goes for the easy gasp by showing the scenes in question to a variety of parents, all of whom agree they don’t think the book belongs in a school library, and in this case the mom has a good point: The book received good reviews but is definitely not for kids. [CTV News]
Publishing | John Jackson Miller has been looking at the fine print in old comics — the statement of ownership, which spells out in exact numbers just how many copies were printed, how many were sold, etc. One of the highlights is Carl Barks’ Uncle Scrooge, which sold more than 1 million copies, making it the top seller of the 1960s. “It’s meaningful, I think, that the best-seller of the 1960s should come from Barks, whose work was originally uncredited and who was known originally to fans as ‘the Good Duck Artist,'” Miller concludes. “Fandom in the 1960s was bringing attention to a lot of people who had previously been unheralded, and Barks is a great example. He changed comics — and now comics were changing.” [The Comichron]
“It’s huge — social media and the way we speak to each other. The opportunities are just fantastic out there. Let’s stop talking about how this is going to end because I’ve watched this try to end three or four times already, and it doesn’t end.”
– Dan Buckley, Marvel’s president and publisher, insisting the comics market will continue to grow again as long as compelling stories are being produced
“I think it’s the appropriate price point for the entertainment value and quality that we offer in the books. The $3.99 price point was already the price point for limited series and one-shots before we moved some of our regular series up, and we still have several regular series that are at $2.99. If we want to continue to have the talent and the quality that we offer in those books, it’s a price point that we had to explore. What we offer from an entertainment standpoint is pretty solid and I think we should be proud of that.”
– Marvel Publisher Dan Buckley, discussing the company’s move toward $3.99 comics