Dan Didio Archives - Page 2 of 7 - Robot 6 @ Comic Book Resources
As part of the big push for the opening of Man of Steel, and the 75th anniversary of Superman, DC Comics Co-Publishers Dan DiDio and Jim Lee appeared this morning on Bloomberg Television to discuss the evolution of the character, the new series Superman Unchained, digital comics, and what trickle-down effect the film might have on the company’s comics.
Lee on Superman Unchained: ““I was working with Scott Snyder and we said if we could only tell one Superman story, this is what we would tell. If you only have one shot you want to do all the classic element of superman. We have lots in there. We have Lois. We have Lex Luther doing diabolical things. There is a new villain named Rathe. I think we can reveal that now. That is an exclusive. Scott will hate me for that [Laugher]. We are adding things to his mythology and that’s how you keep him fresh and relevant.”
If the recent New York Times profile of former Vertigo Executive Editor Karen Berger — to say nothing of industry sentiment — made it appear as if the position and prestige of the 20-year-old imprint have been greatly diminished under the restructured DC Entertainment, the company would like to assure you otherwise.
A new Associated Press article, which seems tailored in response to that May 29 piece, turns the spotlight away from Berger and on to her successor Shelly Bond, who has worked at the imprint since its launch in 1993.
The Times contends that Berger’s departure in March “raises questions about the future of Vertigo and where its renegade spirit fits into an industry and a company that seem increasingly focused on superhero characters who can be spun off into movies and TV shows.” However, Bond speaks in rosier terms about the direction of the imprint, which lost its last founding title — and longtime flagship — in February with the end of Hellblazer (which was resurrected in the DC Universe as Constantine).
“I am so ready to bring in some new blood and new bravado and just continue to show the masses that comics are the most essential part of pop culture,” she tells The AP.
In the recent New York Times profile of former Vertigo Executive Editor Karen Berger, Dave Itzkoff writes that DC Comics Co-Publisher Dan DiDio “said it would be ‘myopic’ to believe ‘that servicing a very small slice of our audience is the way to go ahead.'” It’s a weird way to structure the quote, but assuming Itzkoff is accurately capturing what DiDio meant, that’s a controversial stance for DC to take.
But he kind of has a point. Heidi MacDonald rightly notes that Vertigo books make up roughly one-third of DC’s list of essential graphic novels, but if we’re just going by sales, Vertigo’s slice of DC’s pie does look pretty small. According to Diamond Comic Distributors, just 6 percent of DC’s graphic novels in April’s Top 100 were Vertigo titles. The percentage was a lot higher in March (15 percent), but only 7 percent in February. The number of Vertigo titles in the Top 100 has been pretty consistent in the past three months: two or three. What made the difference in March was that DC had less Top 100 titles overall. Of course, that only covers a short amount of time and only includes direct market sales, but if we look at a list of what DC considered its top-selling graphic novels as of last autumn, only about 13 percent of those are from Vertigo. None of that is super-scientific, but it paints a pretty good picture of how much Vertigo contributes to DC in terms of sales.
Publishing | Dave Itzkoff profiles Karen Berger, who stepped down in March after 20 years as executive editor of DC Comics’ Vertigo imprint (she still consults on a few projects). The story has a wistful tone, with Berger suggesting that DC is more interested in its company-owned characters and Co-Publisher Dan DiDio basically agreeing, but noting it’s an industry-wide trend. He said it would be “myopic” to believe “that servicing a very small slice of our audience is the way to go ahead,” adding, “That’s not what we’re in the business for. We have to shoot for the stars with whatever we’re doing. Because what we’re trying to do is reach the biggest audience and be as successful as possible.” [The New York Times]
Although Grant Morrison is drawing down the curtain on Batman Incorporated with July’s Issue 13, DC Comics will give the series a final hoorah in August with a special one-shot anthology.
Ahead of the release of August’s solicitations, the publisher has announced Batman Incorporated Special #1, featuring stories about Man-of-Bats, Red Raven, Jiro, Knight, El Gaucho and other characters by the likes of Chris Burnham, Ethan Van Sciver, Dan DiDio and Joe Keatinge.
If the purpose of Free Comic Book Day is to raise awareness of comics, well, mission accomplished! The mass media has taken note, and newspapers large and small have been running articles about comics in general and what is going on in their communities in particular. Here’s a selection of the meatier articles; you can find out what’s going on near you at the FCBD website, and Steve Morris has compiled a list of additional lists at The Beat.
Comics | Matt Moore takes the wide view, talking to Joe Field, organizer of the first FCBD, and looking at the increase in comics sales in the past year as well as the print-digital divide. Moore talks to DC’s Dan DiDio, Marvel’s Dan Buckley, and an assortment of retailers and customers about the convenience of digital and the pleasures of brick-and-mortar comics shops. [Associated Press]
Advice | Allison Babka offers a “virgin’s guide” to making the most of FCBD. [The Riverfront Times]
Comics | Whitney Matheson lists the ten FCBD comics you won’t want to miss, as well as some tips for first-timers. [USA Today]
After four installments, Comic Book Resources’ monthly “B&B” feature, in which DC Comics Editor-in-Chief Bob Harras and Editorial Director Bobbie Chase answered questions from readers and CBR’s Josie Campbell, is no more. Jerry Ordway’s work situation, and controversies generally, were apparently to blame. Of course, DC is free not to participate in such things, and CBR is likewise free to investigate such controversies on its own. Still, the whole thing only highlights the problems DC has had in connecting successfully with fans.
Now, it may be more accurate to say DC has had problems connecting successfully with fans who are vocal about their negative opinions of the company. For all I know, DC may be quite popular with whatever audience it has targeted. Regardless, despite its constant PR presence, today’s DC seems a lot more guarded than it has been; and I think that can only hurt it in the long run.
Ironically, part of the problem is the corporate-comics news cycle. Each week’s worth of DC books has a couple of promotional features, namely the “All Access” editorial and the new “Channel 52″ two-pager. Beyond that (and probably more frequently than once a week) the company issues press releases and facilitates interviews for various news sites. Furthermore, each month’s solicitations advertise what’s coming out at least two months in the future; and during convention season the company can manage its particular messages in person. That’s a lot of information for a company whose bread and butter come from a few dozen monthly 20-page story installments.
Publishing | In advance of Chicago Comic & Entertainment Expo, DC Comics Co-Publisher Dan DiDio and Marvel Chief Creative Officer Joe Quesada discuss who’s reading their comics, and the creative challenges of writing about characters who have been around for generations. Asked if he was the custodian of contemporary myths, DiDio answered, “You know, I feel like a renter, to be honest. I’m in charge at this moment, and the goal is to keep these myths healthy enough so that, eventually, you can pass them down to the next person who rents them.” [Chicago Tribune]
Conventions | Christopher Butcher, the organizer of the Toronto Comic Arts Festival, talks about how the show has grown and what to expect this year, including an interesting slate of international creators, from David B. to Taiyo Matsumoto. [The Comics Reporter]
Like the early-morning regrets after an all-night bender, DC Comics reportedly has decided to pull back from plans for its “WTF Certified” cover promotion — at least in terms of the controversial title.
Newsarama reports that Co-Publisher Dan DiDio told attendees at last week’s ComicsPRO annual meeting the “WTF Certified” logo won’t appear on any of the comics released in April, “because we don’t need it.” According to an unnamed retailer, DiDio said there’s already awareness of the event among store owners and readers.
When contacted this morning by ROBOT 6, DC declined comment.
The title refers to the linewide event featuring gatefold covers designed to reveal scenes that “leave reader in a state of shock.” “This was a way to accentuate that threat or shocking moments in our heroes’ lives,” Editor-in-Chief Bob Harras said in a Jan. 14 interview with Comic Book Resources. “What we’re doing with the covers is thematically linked to that. They will be page-fold covers; the covers will tell you a story. There will be an image that will crack the page fold, and as you open up the cover, you’ll say, ‘Oh, wow!'”
DC Entertainment Co-Publishers Dan DiDio and Jim Lee will appear with a half-dozen DC creators on the Jan. 22 episode of Face Off, the Syfy competition series that pits special-effects makeup artists against each other.
The episode, shot in July at Comic-Con International, challenges the competitors to create their own superheroes with assistance and advice from Lee, Mark Buckingham, Cliff Chiang, Tony S. Daniel, David Finch, Nicola Scott and J.H. Williams III. The winning design will be featured in Justice League Dark #16, which goes on sale Jan. 30.
Publishing | Pulp heroes The Spirit, Doc Savage and The Avenger disappeared from the DC Comics lineup more than a year ago, with Co-Publisher Dan DiDio now confirming on his Facebook page that the company’s rights to the characters have lapsed. Brian Azzarello paired the vintage characters with Batman, Black Canary, the Blackhawks and other current DC heroes in his First Wave miniseries, which launched in 2010. Heidi MacDonald adds, “we’ve heard that at WB it was pointed out that DC paying good money to license old characters didn’t make much sense when they had their own catalog of little-used characters to exploit.” [Blog@Newsarama]
Digital comics | As noted here Monday, comiXology was No. 3 on the list of top-grossing iPad apps of 2012, and in the press release announcing this, the comiXology folks dropped another number on us: They have served more than 2 billion pages since their launch three years ago. [comiXology]
“I have just completed scripting the first two issues of an on-going series for DC Comics,” he posted Sunday on Facebook. “Can’t say what the title is until DC wants the news out. But I imagine a lot of people will be quite surprised to see me take over the writing chores on this particular property. Been having a (surprisingly) fun time with it so far.”
Starlin later added, “It’s a title I have never before had anything to do with, really from out in left field. Shouldn’t be too long before DC Comics makes the announcement. I believe my issues begin in April.”
That second comments narrows down the possibilities somewhat, as Starlin has worked on such DC titles as Action Comics, Batman, Detective Comics, The Flash, The Legion of Super-Heroes and Superman. OK, maybe that doesn’t help so much after all. However, we do know that it’s an existing series.
Starlin’s announcement comes just as DC confirmed that industry veteran J.M. DeMatteis will join Dan DiDio as co-writer of Phantom Stranger with March’s Issue 6.
Comics strips | An original 1986 Sunday installment of Calvin and Hobbes, drawn and hand-colored by Bill Watterson, has sold at auction for $203,150. The piece had been owned by Adam@Home and Red and Rover cartoonist Brian Basset, who exchanged original comics with Watterson in 1986. [The Daily Cartoonist]
Best of the year | The Top Ten lists are coming thick and fast now. Michael Cavna counts down his favorites of the year, which include Chris Ware’s Building Stories, Raina Telgemeier’s Drama, and Matt Dembicki’s Washington, D.C.-focused anthology, District Comics. [The Washington Post]
Best of the year | … and George Gene Gustines weighs in with his list. [The New York Times]
Seemingly in response to blowback from Thursday’s surprise announcement that one-time Vertigo flagship Hellblazer will be canceled and resurrected in the New 52 as Constantine, DC Comics has released a statement from Co-Publisher Dan DiDio expressing pride in the nearly 25-year-old series.
“We’re supremely proud of Vertigo’s Hellblazer, one of the most critically-acclaimed series we’ve published,” DiDio said. “Issue #300 concludes this chapter of Constantine’s epic, smoke-filled story in style and with the energy, talent and creativity fans have come to expect from Peter Milligan, Giuseppe Camuncoli and Stefano Landini. And no one should worry that John is going to hang-up his trenchcoat — he lives on in March, in the pages of the all-new DC Comics New 52 ongoing series, Constantine, by writer Robert Venditti and artist Renato Guedes.”
If the statement was meant to soothe fans of Hellblazer, the only remaining title from Vertigo’s 1993 launch, it didn’t work. One commenter on the DC Comics blog insisted that, without the comic’s trademark vulgarity, nudity and adult themes, “it cannot possibly be the same.” Another referred to the upcoming Constantine as “basically Hellblazer-lite.” Still another fan offered his take on DiDio’s comments, summarizing, “We are very proud of Hellblazer so we are cancelling it. This logic is perfectly sound!” (At our sibling blog Comics Should Be Good, Sonia Harris offers her own thoughts on the announcement, and ideas for making Constantine for financially lucrative.)
However, Venditti, best known for his work on The Surrogates and the newly revived X-O Manowar, assured his Twitter followers that, “I have a TREMENDOUS amount of respect for Constantine and the creators who made him who he is. I’m taking this very seriously.” Asked whether the New 52 version of John Constantine will still be bisexual, he replied, “Keeping everything under wraps right now, but the goal is to keep Constantine recognizable. Don’t fix what ain’t broke! “
Astrophysicist Neil deGrasse Tyson is famed as host of PBS’s NOVA scienceNOW and as a frequent guest on The Daily Show and The Colbert Report. But as of this week, he’ll also be known as the man who located Krypton.
In a story called “Star Light, Star Bright” in Action Comics #14, which goes on sale Wednesday, Tyson himself helps Superman find his homeworld on the last day of its existence.
“As a native of Metropolis, I was delighted to help Superman, who has done so much for my city over all these years,” Tyson said. “And it’s clear that if he weren’t a superhero he would have made quite an astrophysicist.”
In reality, using information provided by DC Comics, the director of the Hayden Planetarium at the American Museum of Natural History did pinpoint a red dwarf star capable of supporting of Krypton-like planet in the constellation Corvus — 27.1 light years from Earth. The star can be seen at right ascension 12 hours, 10 minutes, 05.60 seconds, and declination 15 degrees, 04’ 15.66.
“This is a major milestone in the Superman mythos that gives our Super Hero a place in the universe,” said DC Entertainment Co-Publisher Dan DiDio. “Having Neil deGrasse Tyson in the book was one thing, but by applying real world science to this story he has forever changed Superman’s place in history. Now fans will be able to look up at the night’s sky and say – ‘that’s where Superman was born.'”