NYCC PHOTO PARADE: Comics, Creators & Cosplay Collide on Thursday
Comic Books, Film, TV, Video Games, Digital Comics
The always-busy writing team of Jimmy Palmiotti and Justin Gray are back with a Kickstarter campaign for Denver, a 72-page original graphic novel for mature readers illustrated by Pier Brito. As with most things involving Palmiotti, there is an interesting angle to this particular project (his sixth Kickstarter) in that the creators have added a soundtrack to the story, written and composed by Hans Karl. Denver comes equipped with a direct story pitch: “… one man going against all odds to get back the woman he loves, all set in the not-too-distant future.” With 15 days left on the campaign, Palmiotti was happy to discuss this latest Kickstarter.
Superheroes will move into the diplomatic spotlight Wednesday morning in a webchat hosted by the U.S. Department of State.
Called Superheroes@State, the live event will feature a discussion about comics and superheroes “as they relate to shared values in countries around the world,” with Comic-Con International’s David Glanzer joining Assistant Secretary of State for Educational and Cultural Affairs Evan Ryan in the CO.NX studio. Dr. Naif Al-Mutawa, creator of the Islamic superhero comic The 99, will participate remotely from Kuwait, while artist Dan Panosian will select his favorite submissions from an earlier contest.
CO.NX is a digital diplomacy team with the State Department’s Bureau of International Information Programs designed to engage audiences worldwide through webchats.
Superheroes@State is scheduled for Tuesday at 7:30 a.m. ET.
Jim Mahfood provides cover art for the comic-loving DJ Food et al’s Solid Steel Caught In The Middle of a 3-Way Mix, a rather great tribute to The Beastie Boy’s Paul’s Boutique. Below the break: Dan Panosian, Michael Cho, Charles Burns and more.
We’ve seen comic creators jump into a variety of mediums, from television and film to magazines and package design. But never have we seen this: The Litterfish.
It’s a post-modern-looking litter box designed as a protected space for a cat to do its business, and it doubles as a piece of furniture art. Comics creator Dan Panosian designed this for IOVO Designs, an upscale designer of pet products he recently launched with photographer Robert Brinkmann.
“Litterfish represents a new approach to cat litter box design,” explains Litterfish’s website. “Instead of the ugly plastic contraptions, which can be found in pet stores, IOVO designs has developed an equally utilitarian but very attractive litter box, which is no longer an eyesore.”
Hello and welcome to What Are You Reading?, where each week we detail what comics and other stuff have been on our reading piles. Our special guest today is David Harper, associate editor over at the recently redesigned Multiversity Comics.
To see what David and the Robot 6 crew have been reading, click below.
DC Comics released four of the six “New 52 Second Wave” titles this past week, making it hard to choose what to focus on this week … so I figured I wouldn’t. Instead, here are round-ups of reviews for all four titles: Earth 2 #1 by James Robinson, Nicola Scott, Trevor Scott and Alex Sinclair; Dial H #1 by China Miéville, Mateus Santolouco, Tany Horie and Richard Horie; World’s Finest #1 by Paul Levitz, George Pérez, Scott Koblish, Kevin Maguire, Hi-Fi and Rosemary Cheetham; and G.I. Combat #1 by J.T. Krul, Justin Gray, Jimmy Palmiotti, Ariel Olivetti and Dan Panosian.
Keith Callbeck, Comicosity: “The multiverse returns! To fanfare or dread, depending on how you feel about pre-Crisis DC. But this is not your parents’ Earth 2. Completely reimagined by James Robinson, the creator most responsible for bringing the JSA back to the DCU with his series Golden Age, this Earth 2 is a world recovering from war. The story feels like a really good Elseworlds book (which Golden Age was as well) and not a What If…? type tale, though that element exists.The heroes of Earth 2 have existed for much longer than the five years of Earth Prime. When the parademons attack, paralleling the first arc of Johns’ Justice League, it is a much more mature Superman, Wonder Woman and Batman there to battle them.”
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Well done, DC: For the second time, I’m suckered in by your wave of new launches. This week, if I had $15, I’d drop a chunk of that on Dial H #1, Earth-2 #1 and Worlds’ Finest #1 (All DC, Dial H and Worlds’ Finest both $2.99, Earth-2 $3.99). What can I say? I really love the DC Multiverse as a concept, and I’m curious to see what the new Dial H is like.
If I had $30, I’d add some more new launches in there: Jim McCann and Rodin Esquejo’s Mind The Gap looks like a lot of fun (Image, $2.99), as does the first issue of New Mutants/Journey Into Mystery crossover Exiled #1 (Marvel, $2.99). On the recommendation of many, I’m also going to grab The Spider #1 (Dynamite, $3.99) to try out David Liss’ writing; I had a lot of people say good things about his Black Panther, so I’m looking forward to this new book.
Should I feel the urge to splurge, DC have again won the day: Spirit World HC (DC, $39.99)? Genre stories by Jack Kirby from my favorite period of his work that I’ve never seen before, including some that have never been reprinted before? Seriously, there’s no way I couldn’t want this book.
Over on his DeviantART site, Dan Panosian posts an image that’s just dripping with cool. “I just finished writing a Story Outline for a Retro Luke Cage, Iron Fist and Daughters of the Dragon limited series for Marvel Comics. [ with Sabretooth and Dazzler! ],” he said in his post. “I’ll keep you posted with all the details but in the meantime, here’s some Teaser Art to whet your appetite! Enjoy!”
Irredeemable cover artist Dan Panosian shares the upcoming cover to issue #18, which features the return of a character we met in the first few pages of the first issue, as the Plutonian killed his whole family. “And you thought the Hornet was dead!” Panosian writes. “Well, he is, this cover is a flashback. Seems he was up to some shenanigans before he passed! The Plutonion’s mighty ears must still be burning.” The Hornet also appeared in a flashback story in the Irredeemable Special.
Shawn Crystal is a SCAD Atlanta professor I met back in October (as documented in this story). In addition to his role educating storytellers, Crystal is a professional artist equally busy building a name for himself in the comics industry. Tomorrow (February 3) will feature the release of his latest effort, Deadpool Team-Up 896 (written by Stuart Moore). As previewed last week by CBR and detailed here: “Get ready to hit the road with U.S. ACE, Marvel’s truckin’ hero! He’s back behind the wheels of a big rig with an unlikely partner — DEADPOOL — and together they’re puttin’ the hammer down, ridin’ the open road, and decapitatin’ giant killer raccoons. Good times…if they don’t kill each other first! Featuring the working-class villainy of THE HIGHWAYMAN, and the world premiere of the chart-toppin’ “Ballad of U.S. Ace,” composed and performed by Wade Wilson. What part of ‘Collector’s Item’ don’t you understand?” I was pleased to get an opportunity to talk to Crystal about this issue and creators he respects (as well as find out his David Lapham news). After enjoying this email exchange, be sure to check out Crystal’s blog as well as his deviantART page.
Tim O’Shea: The first question I have to ask–what reference does an artist use when drawing giant killer raccoons?
Shawn Crystal: There is a very popular book many artists have in their studio, and cherish like the arc of the covenant. It’s called “Homicidal Animals: A reference manual for the aspiring cartoonist.” Unfortunately, I do not own this book, so I had to resort to some more traditional methods. I started with the obvious, books on raccoons that were peppered with glamour shots of these little buggers. I also spent some time seeing how other artists had handled raccoons, mainly animators. There was some decent stuff in “Disney’s: The art of Pocahontas.” I also talked to a buddy of mine, Brad Walker who draws Guardians of the Galaxy, which has Rocket Raccoon as a team member. Researching raccoons was fairly easy; creating the chopper gang was a ton of fun. I needed to design a gang of Uzi wielding raccoons on motorcycles. The first thing I needed to find was a thread, something to make this gang seem like a team. Working for Marvel affords me the luxury of using their library, so I chose the X-Men. Well, the kid in me did. I started designing raccoons based on the themes and shapes of some of the X-Men and their costumes. I also wanted to give this biker gang a Hells Angel’s feel, ol skool choppers and leather. I didn’t want to go with the more current crotch rocket trend. I have an affinity of the art of Von Dutch, Ed “Big Daddy” Roth and Robert Williams. I pulled out the books I have on these guys and started drawing. X Men + Hells Angels + Racoons = Crazy fun designing.