Luke Cage History: From Hero for Hire to Hollywood
TV, Comic Books
Hello and welcome to What Are You Reading? Our guest this week is writer and letterer Ed Brisson, whose comic Comeback with artist Michael Walsh arrives in November. He’s also the writer of Murder Book and Black River.
To see what Ed and the Robot 6 crew have been reading, click below.
I’ve been a fan of Thomas Hall and Daniel Bradford’s Robot 13 for awhile now; it was probably one of the first comics I bought digitally when I got my iPhone, and, c’mon, the name. The duo is now looking to collect the first three issues of the series into a trade paperback, and they’ve turned to Kickstarter to get help.
“Blacklist Studios was started by Daniel Bradford and Thomas Hall to take their Comic projects to the widest possible audience, while retaining as much creative control as possible,” their Kickstarter page reads. “To that end, they put in their own money to start the company and have handled everything from the writing and art to the printing and distribution of their books themselves. As much of what we make from doing books and shows as possible is put back into making Comics- of the money we raise, about $4000 is to cover printing costs, with the rest split between shipping materials, postage, rewards and storage for the remaining inventory. Right now, Blacklist Studios is a TRUE ‘cottage industry,’ in that all of the excess inventory is stored in our apartments. In order to handle something as large as a run of Trade paperbacks, however, we need to move everything to outside storage.”
A pledge of $13 will get you the trade, and they’ve got several other incentives if you pledge more than that, like T-shirts, buttons, sketches, mini-figures and issues of their other comic, King. “At the top level, one fan will have their likeness used in a future issue of Robot 13 and be eaten by a giant monster,” Hall told me over email.
The Kickstarter campaign runs through March 13. Check out the shirt after the jump.
Written by Charles Soule; Illustrated by Allen Gladfelter
I said in the weekend’s What Are You Reading that I wasn’t sure what to make of the lucha libre genre. “I can easily embrace the sillier aspects of it,” I said, “but it’s off-putting to me that people in the stories always seem to take the luchadors so seriously. We’re asked to believe that the ridiculous masks are badges of honor that command respect. Strongman plays around with that idea and I appreciate that about it.”
Having finished the book, I’m not sure that “plays around with” is the right verb. What Strongman seems to do is acknowledge the irony of the concept, but ends up defending it. As writer Charles Soule says in the press release for the book, “The real-life luchadors were incredible, larger-than-life figures. They were basically real-world superheroes – many of them never took their masks off in public. These people were big deals. And I thought a story that played with their legend a bit, while remaining respectful could be something special.” Okay, so Soule uses “played with” too. Maybe that is what he’s doing. I’m not the best person to judge.
As an outsider to the lucha libre world, I see movie titles like Mil Máscaras vs. the Aztec Mummy and Santo vs. the Vampire Women and I think, “Awesome!” I’m not however thinking about how much I respect El Santo and Mil Máscaras. I mean, no more than I respect Indiana Jones or Batman.
More plus Robot 13 below the cut.