"The Flash" EP Kreisberg Shares Insight on Major Reverse-Flash Revelations
Legal | Palestinian Authority President Mahmoud Abbas has ordered an investigation into a cartoon he claims depicts the Prophet Muhammad. The cartoonist, Mohammed Sabaaneh, denied that on his Facebook, saying, “The intention was not to represent the prophet. [It was to] symbolise Islam and its role of disseminating light and love on the human race.” It was a reaction to the Charlie Hebdo cartoons, not an attempt to imitate them: “My point was to defend religion in the face of attempts to distort it, by using the same means: a caricature,” he said. The newspaper that ran the cartoon, Al-Hayat Al-Jadeeda, apologized and stated that the cartoon was not supposed to be an image of Muhammad. Sabaaneh, who spent several months in an Israeli prison on charges of “contacts with a hostile organization,” has been summoned by the Palestinian Authority for questioning. [Middle East Eye]
Retailing | Amazon’s war with Hachette has taken an odd turn: The retail giant has restored discounts and preorders for Marvel (which uses Hachette as its distributor), and the shipping delays are gone, but it seems to have doubled down on Hachette imprint Yen Press. [ICv2]
Retailing | Heidi MacDonald reports on Diamond Comic Distributors’ year-to-date sales figures, and it’s a bit of a mixed bag, with sales of monthly comics down but graphic novels and merchandise up, for a slight uptick in overall sales. Another interesting statistic: The number of individual Diamond accounts (which is generally regarded as a measure of the number of comics shops) is up 1.3 percent for 2014 so far; last year’s increase was 3 percent over the entire year. She also reports on the numbers for this year’s Free Comic Book Day; retailers ordered 4.65 million comics, and most were happy with the way the day went. [Publishers Weekly]
Publishing | In the wake of the ban in Saudi Arabia of the animated adaptation of The 99 comic, creator Naif Al-Mutawa writes about what he had to go through in the first place to get approval in that country for the Islamic superheroes (one of the steps was the sale of Cracked magazine at a loss so his company would be sharia-compliant to the satisfaction of an Islamic bank). He looks at what led to the fatwa, and concludes by seeking one of his own, posing questions for the clerics who issued the decree. [The National]
Publishing | As part of its five-year anniversary celebration, Multiversity Comics surveys such industry figures as Eric Stephenson, Rachel Deering, Tom Spurgeon and Gina Gagliano about the biggest changes that have taken place during that time, and where comics are headed. [Multiversity Comics]
After last week hiring a skywriter to pen an apology to Daniel Clowes, Shia LaBeouf appeared to bait the cartoonist Tuesday on Twitter with a photo of the “Storyboard for my next short ‘Daniel Boring,'” an obvious reference to both Clowes’ Eightball serial “David Boring” and the actor’s seemingly unending plagiarism controversy.
But while LaBeouf didn’t get a rise out of Clowes, he did receive a cease-and-desist letter from the cartoonist’s attorney — which the actor promptly posted on the social media platform.
After pointing out that the storyboard drawings are copied from “David Boring,” Clowes’ attorney Michael J. Kump notes that, “if the foregoing isn’t outrageous enough conduct by your client, Mr. LaBeouf in his tweet today plagiarized Mr. Clowes’ own description of ‘David Boring'” as “it’s like Fassbinder meets half-baked Nabokov on Gilligan’s Island.” (Also worth noting: The photos fanned out beneath the drawing are of actors Patton Oswalt and Seth Rogen, who recently mocked LaBeouf’s ongoing Twitter apologies.)
Digital comics | Google was granted a patent this week for “Self-creation of comic strips in social networks and other communications,” which means the Internet giant apparently has patented a mechanism for creating comics about your status updates and chats and sharing them via social media. This sounds a lot like the wildly popular, but widely reviled, Bistrips. [Geekwire]
Best of the year | Brian Truitt takes a look back at the year in comics, picking out some significant events and offering his nominations for best creator, best comic book movie, and best comic in a variety of genres and formats. [USA Today]
Best of the year | Writing for The Advocate, cartoonist Brian Andersen reflects on the year’s 10 greatest LGBT moments in mainstream comics. [Advocate.com]
Welcome to Best of 7, our new weekly wrap-up post here at Robot 6. Each Sunday we’ll talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out.
So without further ado, let’s get to it …
The connection between actor Shia LaBeouf and the comics world predates Monday’s revelation that he appropriated — without credit, permission or the legal rights to do so — much of Daniel Clowes’ Justin M. Damiano for his short film HowardCantour.com. In 2012, he self-published a few comic books, which received mostly perplexed reviews.
It also appears that, at least at one point, LaBeouf planned to bring a release from his Campaign Book imprint to BOOM! Studios.
On Dec. 4, 2012, LaBeouf announced on his @thecampaignbook Twitter account that a book titled Hotah had picked up a “publishing partner,” BOOM! Studios. Accompanying the tweet was a piece of art (above) with the BOOM! Town logo — it’s the imprint that released Shannon Wheeler’s Eisner-winning collection I Thought You Would Be Funnier — with a version of the same image, logo intact, used as LaBeouf’s Twitter background.
Following the discovery that Shia LaBeouf’s 2012 short film HowardCantour.com is a nearly exact adaptation of Daniel Clowes’ 2007 comic Justin M. Damiano — minus the credit or permission from the actor — the Transformers actor took to Twitter Monday night to offer an apology and respond to rapidly growing accusations of plagiarism.
In a series of tweets, LaBeouf wrote (slightly edited for format), “Copying isn’t particularly creative work. Being inspired by someone else’s idea to produce something new and different IS creative work. In my excitement and naiveté as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation. I’m embarrassed that I failed to credit @danielclowes for his original graphic novella Justin M. Damiano, which served as my inspiration. I was truly moved by his piece of work & I knew that it would make a poignant & relevant short. I apologize to all who assumed I wrote it. I deeply regret the manner in which these events have unfolded and want @danielclowes to know that I have a great respect for his work.”
About an hour later, the actor wrote succinctly, “I fucked up.”
The first is Batter Up, Charlie Brown, another in the series of Peanuts collections organized around a theme, rather than chronologically. It’s due in April, just in time for Opening Day. As Tom notes, this must mean that last year’s Christmas-themed book went over pretty well, and he also points out that the 65th anniversary of the strip is coming up in 2015.
Next up is The Complete Eightball, collecting the first 18 issues of Daniel Clowes’ comic in a deluxe format, two hardcover volumes in a slipcase. Eightball has been collected before, but not like this: In addition to the prestige format, the new edition, which coincides with the 25th anniversary of Eightball‘s debut, includes material that has only been published in the original comics. Fantagraphics Associate Publisher Eric Reynolds told Spurgeon there is “a not-insigificant amount of strips that for whatever reason, Dan never wanted to collect.” The book will also include additional commentary by Clowes, making it sort of the director’s cut of Eightball. Watch for it in August 2014, and start saving now, as the list price is $95.
Finally, there’s Buddy Buys a Dump, the latest collection of Peter Bagge’s Buddy Bradley comics, and the first to appear in seven years. The 144-page book will include some previously unpublished material, and the expected publication date is in April.
Graphic novels | Dubbing this “the age of the graphic novel,” Glasgow, Scotland’s Sunday Herald asked an unnamed and unnumbered group of cartoonists, novelists, critics, comics historians and the like for a list of titles that should be in everyone’s library. The result is a pretty impressive, and varied, rundown — “the 50 greatest graphic novels of all time” — that ranges from Paul Pope’s Heavy Liquid and Lili Carre’s The Lagoon to Katshuiro Otomo’s Akira and Frank Miller’s Batman: The Dark Knight Returns. [Sunday Herald]
Creators | Rebecca Gross interviews Daniel Clowes about the development of his work, doing comics at a time when comics weren’t considered an art form, and the current exhibit of his work at Chicago’s Museum of Contemporary Art, “Modern Cartoonist: The Art of Daniel Clowes.” [NEA Arts]
Manga | As part of the 45th-anniversary celebration of Weekly Shonen Jump, legendary Dragon Ball and Dr. Slump creator Akira Toriyama will launch a new manga series called Ginga Patrol Jaka (Galactic Patrol Jaka) in the magazine’s July 13 issue. Teased only with vague declaration “The ‘legend’ of hope for the entire world returns here!!,” the series marks the 58-year-old artist’s first manga since the 2010 one-shot Kintoki, created for Weekly Shonen Jump‘s “Top of the Super Legend” project. [Anime News Network]
Creators | Carol Tyler speaks frankly about her struggle to finish the third book of her trilogy You’ll Never Know while taking care of her dying mother and her seriously ill sister, who are characters in the book: “I literally had to do the back end of Book III in hospitals, nursing homes, at the chemo place and in waiting rooms. It was insane.” She also discusses her style choices and how the finished books differed from her original art. [The Comics Journal]
As artists begin to draw, they look to others who have come before them to learn from their experiences and their output — and comics is no different. Virtually all of today’s top artists have traced panels of the greats, sometimes on their own sheets and sometimes inking over their penciled work to discern their decision-making process. A recent post on Daniel Clowes’ website reveals two early examples of the Eightball legend learning by inking over two earlier greats, Steve Ditko and Jack Kirby.
According to Alvin Bonaventura, who posted these, the Ditko page was something a young Clowes got as a photocopy from a friend in 1985. The Kirby pin-up of Thor supporting character Volstagg was done on top of the original pencils of the King, for a tribute pin-up anthology in 1994. The Ditko page was pulled from Clowes’ archives, while the Volstagg inking is from Fantagraphics’ Eric Reynolds, who has the original hanging in his home office.
Retailing | The Manchester, Connecticut, comics store Buried Under Comics will reopen with a new name, A Hero’s Journey, and a new owner, April Kenney. A friend of previous owner Brian Kozicki, who died unexpectedly last month, Kenney arranged to purchase the store from Kozicki’s family. [Patch.com]
Retailing | Toronto retailer Silver Snail has moved from its longtime location on Queen Street to Yonge Street. [CityNews]
Publishing | Brian Smith, the DC Comics associate editor publicly ridiculed by Rob Liefeld last month, has announced his departure from the company, apparently under amicable circumstances. Nonetheless, Liefeld took a parting shot on Twitter. [Blog@Newsarama]
Another Small Press Expo has come and gone, and I have the empty wallet to prove it. My official SPX report appears at Comic Book Resources. You can also hear me blathering on about the show with Joe McCulloch and Matt Seneca over here. Short recap: It was a great show, arguably the best SPX I’ve been to in a long while.
Despite my self-induced reputation as a horrible photographer, I opted to take photos at the show anyway.
Legal | Marvel has sued a Jerusalem retailer for $25,000, claiming the well-known Kippa Man store is infringing on its trademarks by selling unlicensed yarmulkes bearing Spider-Man’s likeness. “A reasonable consumer could be fooled into thinking that the infringing product is manufactured and/or sold by the plaintiff with the knowledge and/or approval of the defendant,” Marvel said in its complaint. Kippa Man owner Avi Binyamin notes the yarmulkes are manufactured in China, and that he only sells them. “There are 20 stores on this street, they all sell the same thing,” he told The Jerusalem Post, theorizing that he’s being targeted because his store is well known. The Times of Israel characterized the lawsuit as “the first move by Marvel against what it perceives as widespread copyright infringement in Israel, where products featuring its copyrighted superheros are commonly sold.” [The Jerusalem Post, The Times of Israel]