Axel-In-Charge: Navigating the "Civil War II" Landscape, Bringing DMC to Marvel
Conventions | ReedPOP has officially announced it will fold the New York Anime Festival into New York Comic Con, rather than continue them as separate events held at the same location. “This move has nothing to do with our loyalty or commitment to the anime community and everything to do with the growth and identity of New York Comic Con as a leading pop culture event,” ReedPOP’s Lance Fensterman said in a statement. “NYCC embraces all elements of the pop culture world, including anime, and we have evolved to a point where the existence of NYAF outside our universe is almost a contradiction. We will be better able to serve the anime community from within the NYCC infra-structure rather than have a show which is separate and which will always be dwarfed by everything that New York Comic Con represents and is.” [press release]
Passings | Cartoonist Jim Unger, whose one-panel comic Herman served as an inspiration for Gary Larson’s The Far Side, passed away Monday at his home in British Columbia. He was 75. The comic appeared in about 600 newspapers worldwide from 1974 until Unger’s retirement in 1992. [The Daily Cartoonist]
Conventions | Phoenix Comicon kicks off today, drawing an anticipated 35,000 to 40,000 attendees to the Phoenix (Arizona) Convention Center. Comics guests include Brett Booth, Jim Cheung, Garth Ennis, David Finch, Kathryn Immonen, Stuart Immonen, Andy Kuhn, Francis Manapul, David Lapham, Bob Layton, Dan Parent, George Perez, Billy Tucci and Ethan Van Sciver. [Modern Times Magazine, Fox 10 News]
Publishing | What does it mean to be an imprint of a larger publisher? For those who are interested in how the sausages are made, Gina Gagliano explains the relationship between First Second Books and parent company Macmillan. [First Second Books]
Comics | With the success of The Avengers film, Kendall Whitehouse discusses the narrative techniques comics have “explored and exploited,” including “multi-issue story arcs, crossovers, team-ups, reboots and multiple title tie-ins,” noting they not only help sell more comics but also have blazed the trail for complex stories: “The story has now become a world unto its own that allows the reader to explore whichever dimensions are of the greatest interest. Follow the events from the perspective of Iron Man or Thor. Or just peruse the core series and ignore the supplementary story elements. The series presents a nearly unbounded narrative universe for the reader to experience. It is easy to interpret this with a cynical eye as nothing more than a series of cheap marketing tactics designed to pump sales. And yet, when well executed, something larger emerges.” [Knowledge@Wharton Today]
Retailing | Saturday’s Free Comic Book Day also served as the grand opening for Aw Yeah Comics, a store in Skokie, Illinois, owned (as the name suggests) by Tiny Titans creators Art Baltazar and Franco Aureliani and retail veteran Marc Hammond. [Skokie Review, Time Out Chicago]
Comic strips | Cartoonist Tom Batiuk, whose Funky Winkerbean has addressed such topics as teen pregnancy, land mines and capital punishment, will next turn his attention to gay rights in a storyline about a gay couple that wants to attend the prom at the comic strip’s fictional fictional Westview High School. “It struck me that whenever I sit in classes at Midview High, which I still do, my overall impression is that the younger generation’s attitudes toward gays is more open and accepting than their predecessors,” Batiuk said. “It’s not perfect, but it shows promise for an emerging generation that will bring this issue (intolerance) to an end. I wanted to take those two opposing viewpoints to reach across that divide of intolerance.” The month-long storyline begins April 30. Funky Winkerbean appears in more than 400 newspapers nationwide. [The Chronicle-Telegram]
Creators | Veteran artist Jules Feiffer is publishing his first graphic novel (not counting a graphic novel-ish work in the 1970s), and he says his fans won’t recognize it, as it’s in a much more realistic style than his other work. Feiffer got his start in Will Eisner’s studio but felt he couldn’t draw like the other artists there, but he seems to have developed the ability recently: “Now I seem to be able to work in the adventure story drawing style. All of this comes out of my early love of Dashiell Hammet and Raymond Chandler.” [Publishers Weekly Comics World]
Creators | Pitting teenagers against one another for a television reality/talent show, America’s Got Powers may sound a bit like The Hunger Games, but artist Bryan Hitch says there’s more to it than that: “The talent show/gladiatorial stuff isn’t the story, though — it’s the setting against which the story takes place and at heart this is the story of two brothers and how they changed the world, or at least the world from their point of view. It’s personal, emotional and, given my own visual tendencies, massive, explosive and destructive!” [USA Today]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
It’s not even a fifth week, but I find myself curiously distanced from this week’s releases for some reason. Outside of some books I’ve been reading for awhile, there’s little to really catch my eye, so if I had $15, I’d likely find myself buying Dark Horse Presents #10 (Dark Horse, $7.99) and Memorial #4 (IDW, $3.99), and being quite happy with those two books.
If I had $30, I might go back to Justice League with #7 (DC, $3.99); I wasn’t entirely convinced by the opening arc, but I found myself enjoying the Pandora back-up in #6 enough that I found myself more curious about sticking around than I would’ve expected. I’d also grab Legion of Super-Heroes #7 (DC, $2.99), another book I’ve found myself liking more than I initially thought, as well as Thunderbolts #171 (Marvel, $2.99) for one of the few, final times before it becomes a part of the Avengers family.
Splurging, oddly, is a much easier choice for me than what I’d get in single issues: Avengers: West Coast Avengers – Lost In Space-Time (Marvel, $34.99) collects some of the first issues of West Coast Avengers that I read way back when, launching a love affair with Steve Englehart’s writing that continues to this day. Those original issues are long since lost to history (Somewhat fittingly, considering the time travel subject matter), so this will be a welcome nostalgia trip for me.
Passings | Artist Sid Couchey, an illustrator who brought many a Little Lotta story to life during the halcyon days of Harvey Comics, passed away March 111. He was 92. Couchey’s long career stretched from serving as an assistant to Superman co-creator Joe Shuster to steady if uncredited work in a number of comics during the 1950s, Harvey in the 1960s and 1970s, and a whole second career as a local-interest cartoonist, drawing comics about Champy, Lake Champlain’s answer to the Loch Ness Monster. He also may have been the first artist to embed a real-life marriage proposal in a comic. [Press-Republican, via The Comics Reporter]
Creators | Heidi MacDonald talks to Brian K. Vaughan about Saga, his general absence from social media, and jumping from Marvel and DC to Image: “I think at the end of the day I really believe in creator owned books, I wanted to do a book that the artist and I could own and control outright and as much as I loved the other companies I worked for in the past, I feel that Image is one of the few companies left that I would consider having a real creator owned contract.” [The Beat]
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes and first issues so that we don’t have to come up with a new way to say, “Batwoman is still awesome!” every month. And we’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
One cool change this month and for the foreseeable future: I’m joined by Graeme McMillan who’ll also be pointing out his favorites.
Finally, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
The Art of Daniel Clowes: Modern Cartoonist – I admit, I tend to run hot and cold on Clowes’ output, but I’m a sucker for coffee-table career retrospectives, so the idea of taking 224 pages to look back at his career to date (with, of course, the traditional little-seen artwork and commentary) seems like a must-look at the very least. [Graeme]
Rachel Rising, Volume 1: The Shadow of Death – Terry Moore’s latest series gets its first collection and I love the premise of a woman’s waking up in a shallow grave with no memory of how she got there and needing to figure out who tried to kill to her. [Michael]
Libraries | An editorial in the Lewiston, Maine, newspaper praises a local school board’s decision last week to leave the 2007 comics anthology Stuck in the Middle: 17 Comics from an Unpleasant Age in the Buckfield Junior-Senior High School library following a parent’s complaints about “objectionable sexual and language references”: “American culture can be graphically sexual and explicitly foul and it’s important that young people learn how to navigate that world in a responsible way. The best possible way, of course, is for parents to steer their children through that process, but not every parent does and many children are left adrift. So, the next-better place to learn is the school library, where a responsible adult can help educate children about their hormone-charged emerging feelings in a confusingly sensual culture.” [Sun Journal]
Business | Wizard magazine founder Gareb Shamus, who resigned earlier this month as president and chief executive officer of Wizard World Inc., will sell most of his shares in the company to his successor, who’s expected to be named next month. [Bleeding Cool]
Can you find the acclaimed comics creators behind The Death-Ray and The Great Northern Brotherhood of Canadian Cartoonists in this photograph by Adrian Tomine from their trip to the Miami Book Fair? Just be patient and keep searching — I’m sure you’ll see them in there eventually!
Move over, Ana Alexandrino’s photo of Killoffer — there’s a new sheriff of Awesome Pictures of Cartoonists-Town.
Awards | The Visual Effects Society has named Stan Lee as the recipient of the VES 2012 Lifetime Achievement Award, which honors individuals whose “lifetime body of work has made a significant and lasting contribution to the art and/or science of the visual effects industry by way of artistry, invention and/or groundbreaking work.” Previous recipients include George Lucas, Steven Spielberg, Ray Harryhausen and James Cameron. The award will be presented Feb. 7 at the 10th annual VES Awards. [press release]
Organizations | The Comic Book Legal Defense Fund reports it raised $12,500 last weekend at New York Comic Con. [CBLDF]
Awards | Comic-Con International has opened nominations for the The Will Eisner Spirit of Comics Retailer Award, which awarded to “an individual retailer who has done an outstanding job of supporting the comics art medium both in the community and within the industry at large.” [CCI]
Creators | With the announcement that Rob Liefeld’s Extreme Studios is back in business, former Extreme Studios employee and current Image Comics publisher Eric Stephenson reflects on his time with the studio. “From 1992-1998, Extreme Studios was more or less my life. Youngblood, Supreme, Brigade, Bloodstrike, Team Youngblood, New Men, Prophet, Youngblood: Strikefile, Bloodpool, Glory… We put out a lot of comics, and for the most part everyone involved was incredibly young. Rob and I were amongst the oldest at 25. So many of the artists involved in various aspects of production were just out of their teens, and that made the work as frustrating as it was fun. But looking back, the main thing I remember about that time is Rob wanted to share his success with people who loved comics and wanted to make a living in the business as much as he had.” [It Sparkles!]
Webcomics | A Distant Soil creator Colleen Doran, who began serializing the comic online in 2009, notes “my bottom line is up significantly, and my online audience is ten times higher than when I started the five day a week online serialization of A Distant Soil 2.5 years ago.” She also shares advice she received when she started the endeavor that hasn’t worked for her. [A Distant Soil]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15, I’d first grab hold of my favorite of DC’s New 52, Batwoman #2 (DC, $2.99). J.H. Williams III has successfully kept up to the immense expectations he accumulated following his run with Greg Rucka, and the artwork seems to benefit even more by J.H.’s input into the story as co-writer. Next I’d dig down for two of my regular pulls, Northlanders #45 (DC/Vertigo, $2.99) and Uncanny X-Force #16 (Marvel, $3.99). For my final pick, I’d have to miss a bunch of other titles for the chance to get the CBLDF Liberty Annual 2011 #4 (Image, $4.99). I love the anthology format, and having that plus the good cause plus the a-list talent makes it a must get; seriously, can you imagine one comic book containing new work by Frank Quitely, Williams, Mark Waid, J. Michael Straczynski, Matt Wagner AND Craig Thompson? BELIEVE IT!
I learned to blend in to the wallpaper so I was barely there. I found myself very often in the company of girls who were talking very freely and would say, ‘Oh, I forgot he was there!’ So I felt like I had this inner sense that they were closer to me and my friends than I could ever imagine.
—Ghost World author Daniel Clowes, responding to an audience question on how he captured the voices of 16-year-old girls so well in his landmark graphic novel. Being invisible to the opposite sex has its benefits after all.
For more from Clowes and his fellow alternative comics titan Adrian Tomine, check out CBR’s report on the pair’s APE panel, from writer Karl Kiely.
Crime | About 50 protestors were arrested in Tunisia for an attempted arson attack on the offices of Nessma TV after it screened Persepolis, the animated adaptation of Marjane Satrapi’s celebrated autobiographical graphic novel. The protesters claimed the animated movie offends Islam. All political parties in Tunisia, including the country’s main Islamic party Al-Nahada, have condemned the attack and expressed their solidarity for freedom of the press. [Variety]
Digital comics | Warren Ellis looks at the current options and sees webcomics as a broadcast, out there for free and bringing in new readers through notifications, links and solidarity, whereas digital comics services like comiXology (or even Marvel’s subscription) service are closed systems, more like a shop with comics on the shelves. That makes a difference in building an audience and also in the pacing of the comics, because webcomics can better accommodate the more decompressed storytelling that Ellis prefers. Lots of interesting nuggets among the ramblings. [Warren Ellis]