NYCC PREVIEW: DC Debuts Miller, Janson & Kubert's "Dark Knight III" Interior Art
If you’re attempting to sell your audience on a match between a 50-year-old retired wrestler and a current top-shelf talent, then it makes sense to turn to Marvel’s iconic underdog, street-level hero for inspiration: Daredevil. And with the character’s Netflix series still fresh in everyone’s minds, it makes even more sense to pay homage the show’s epic hallway fight scene.
Sure, he’s the King of the Seven Seas, a founding member of the Justice League and, if all goes as planned, the star of his own 2018 movie. However, for the second time in three years, Aquaman is also the “Most Toxic Superhero.”
That’s according to Intel Security, which today released its third annual list of online superhero searches that are most likely to lead you to bad links, viruses, malware and websites containing malicious software used to steal passwords and personal information. The information is compiled using McAfee Site Advisor, which rates sites by risk level.
Frank Castle is a simple yet evocative character who would be as much at home in a pulp novel or in a ’70s action movies as in a comic book. He’s a man out for revenge, which is an age-old trope. However, the fact that there are three Taken movies proves we don’t care; we just want to see it. What was initially a throwaway Spider-Man villain has become a fan-favorite character, making The Punisher ripe for adaptation in other media.
Being so popular means you can survive a lot of bad ideas, like Dolph Lundgren or being an Angelic host. But what’s the best use of the Punisher?
Legal | A judge has ordered Matthew Pocci to stand trial on charges of felony reckless driving for an incident at last year’s SDCC ZombieWalk: San Diego that left one woman seriously injured. In a preliminary hearing held Wednesday, the defense argued that Pocci, who is deaf, was scared for his and his family’s safety, and was just trying to drive through an opening in the crowd of spectators, but the prosecution countered that he had grown angry and impatient. [CBS 8 San Diego]
Comics | Michael Dooley looks at Marvel’s Daredevil through the years, with an emphasis on the art. [Print Magazine]
I’d never really thought about it, but considering Daredevil’s blindness and sonar vision, it would’ve made way more sense for the Man Without Fear to be named “Batman.” Well, except for those pesky trademark issues, and the Caped Crusader’s 25-year head start.
Dorkly’s Andrew Bridgman makes the case in this funny animated video that finds the guardian of Hell’s Kitchen struggling to rationalize his costumed identity, only to find his shaky argument further undermined by the appearance of Ghost Rider. Sorry, Matt, from now on you’re “New Batman.”
Superheroes sprang from the era of pulp icons like The Phantom and Doc Savage, and now cartoonist Chris Schweizer has some of today’s most popular costumed characters back to their roots.
In a project undertaken just for fun, the creator of The Crogan Adventures imagined some of the Avengers and X-Men as they might’ve appeared in the 1920s and 1930s in a series called “Marvel Pulp.”
With Daredevil renewed for a second season, Netflix and Marvel may be looking for a way to expand the series into a franchise. Allow us to suggest a kid-friendly spinoff, starring 3-year-old Parker as the guardian of Hell’s Preschool.
The son of John Nettles of City Light Studio, Parker is simultaneously fearsome and cute as a button as Daredevil in this terrific series of cosplay photos taken by his father.
I’ll admit it: I fell asleep at midnight last night. I got really close to the debut of Netflix’s Daredevil series, and stayed up as late as my poor brain could take, but then the next thing you know it was 7 a.m. and I had a kid who wanted breakfast.
Early reviews have been extremely positive; sure, everyone’s going to make the same Ben Affleck jokes, but I think a TV series is better venue for the Man Without Fear than a two-hour movie (good gracious, that was a long movie!). Due to his court dealings and his continual fights against similar foes (or just the Kingpin over and over), Daredevil better suited to the episodic format. His roots are in a quantifiable location, and his threat level remains the same. There’s a reason you don’t see Daredevil on the moon fighting Galactus; he’s just not that kind of guy.
His origins are very humble and, radioactive goo aside, very practical. In fact, if you break apart his backstory, you could get a variety of shows and movies out of Matt Murdock, yet none of them would inform all that much on the man he is today. Despite his early years, Matt Murdock is so closely associated with the Frank Miller era that the most important book for new fans to read is still Daredevil: The Man Without Fear. We’re lucky the new TV show seems to be skipping the steps it took to get to be Daredevil and going right for why he’s so cool now. It would be really easy to slow everything down to a step-by-step guide to being the Man Without Fear, but then when would we get to the kicky-punchy parts?
Artist Kate Willaert, who has created graphics comparing the heights of Marvel characters and chronicling the evolution of Wolverine, now turns her attention to Daredevil, just in time for his Netflix debut.
Noting that the Man Without Fear “hasn’t had as many costume changes as other heroes,” Willaert nevertheless traces Matt Murdock’s sartorial journey (for Shirts.com), from his original yellow-and-red threads to his classic outfit to his Netflix look.
Marvel and Disney hope to reach a broader audience with products tied to Avengers: Age of Ultron, which means more items that appeal to women and fans of individual superheroes.
“For the first film, we primarily focused on the Avengers property and the group shots,” Paul Gitter, Disney Consumer Products’ senior vice president of Marvel licensing, tells Variety. “Now we’re broadening the line and scope to create SKUs that focus on the team and the individuals characters, as well.”
It was Mark Waid Week last week at Marvel, and the veteran writer penned two more winning installments of S.H.I.E.L.D. (issue #3) and Daredevil (issue #13).
For the latter, Waid and artist Chris Samnee (with colorist Matthew Wilson) poked fun at the old “loved one in danger” trope, as Daredevil fought to save Kirsten from an unknown opponent. Not only did this happen with the express acknowledgment that Daredevil’s relationships tend to have unhappy ends, it explored just who might want to abduct her, and put a couple of subplot-servicing twists on top just for good measure. Waid and Samnee have been so reliably good for so long on this title that they may risk being taken for granted, but this issue was a real treat. Done in one but with a final-page hint of future danger, Waid’s script was propulsive enough to keep the reader both involved and guessing throughout.
In a move that we can only presume is tied to Marvel’s upcoming television and movie plans, the publisher has announced the addition of some of its Season One graphic novels to the Marvel Unlimited digital library — specifically, Ant-Man, Daredevil and Doctor Strange.
Launching in 2012 with Fantastic Four: Season One, the line features current creators retelling, and expanding, the origins stories of some of Marvel’s most popular characters. Neither Fantastic Four nor Season One titles devoted to the X-Men, Spider-Man, Wolverine, Iron Man, the Hulk and Thor are mentioned in the announcement.
As a child of the ’80s, I’m well aware of the PSA comic. There was a lot of media at the time intended to teach kids about the dangers of everything from drugs to molestation to crossing the street. It was difficult to avoid that “very special episode” of your favorite television series, or that equally special Spider-Man comic in which the wall-crawler confronts drug abuse in Canada.
They were often heavy handed, with strong narration reminding you to tell an adult, or scary scenes depicting the the horrible death of a minor or previously unknown character. Pop culture tried to use its powers for good, and often these PSAs were skipped over, at best, or mocked tremendously in our older years.
But then there are those times when a comic can actually teach you something, or provide a little solace in its handling of a tough issue. I’ve talked here about the X-Men comic I received in a burn ward to help kids cope with the trauma, and there’s also a line of called Medikidz to explain other medical issues like cancer, Crohn’s disease and multiple sclerosis. These are pretty weighty topics, but a comic can make the information easier to digest. For the “PSA” comic, it seems like the more specific the information given is, the better the story comes out, and the more helpful it can be to a younger reader.
Does the same hold true for older readers? Recently, Daredevil #7, by Mark Waid and Javier Rodriguez, dealt with a mature topic that wouldn’t really fly with a younger audience. Did it hit its marks, or was this just another “very special episode” with Matt Murdock? Read on and find out.
WARNING: Spoilers for Daredevil #7, so please do yourself a favor and grab a copy and read along!
Happy Saturday and welcome to Shelf Porn! Today’s collection features a few trades but mostly comic books, as Brian prefers to collect single issues. “There’s something about the hunt that really gets my heart going. An there’s a lot of things NOT collected,” he said.
If you’d like to see your collection here, you can find details at the end of this post.
And now let’s hear from Brian.
How are new comics priced? I ask this mostly as a rhetorical exercise; I’m sure there is a process to decide how much new titles cost that involves sacrificial chickens and a large dart board, because it seems absolutely unfathomable to me some days. The average comic is either $2.99 or $3.99, and I’m always a little thrown off by which books get to be what price. There’s a certain amount of prestige to the $3.99 books, but I couldn’t tell you why. All I know is that I’m really glad Hawkeye is $2.99, and no one wants to jinx that by overthinking the cost process.
I also know that a more reliable indicator of cost is size; the bigger the comic, the more money they want for it, and that’s fair. More pages, more work, more money; it’s not that difficult a sell. More pages also mean a special occasion as they don’t bust out the 80-page giants for just anything. Larger comics are for a special occasion, even if that special occasion is just an annual that only happens once a year. They celebrate things, like anniversaries, milestone numbering or big story events. Say, a wedding…
That bad segue leads to the shocking event that three books this week totaled up, cost around $20 in the United States, around the price of a trade paperback. But just for three comics: Daredevil #1.50, All-New X-Men #25 and Deadpool #27. Were they worth it? Read on and find out.
WARNING: Mild spoilers ahead for Daredevil #1.50, All-New X-Men #25, and Deadpool #27; I’ll try to leave out any juicy bits, but I will talk about what the books are about. You have been warned.