"U.S.Avengers": A Guide to Marvel's New Patriotic Superhero Team
We’re living in an age where increasing aspects of our comics heritage is being protected, with all manner of work coming back into print in fittingly deluxe packages. However, we can all think of great comics that will probably never be reprinted, for various obscure reasons. For example, all manner of great work published by Marvel and DC in the 1970s and ’80s will never see the light of day again due to lapsed licensing deals. Other titles, other creators, simply fall from fashion, to await rediscovery by another generation. Others still end up in complicated rights battles and litigation.
One field of comics-related work that seems to be just lost to the unrelenting march of time and progress is that of the pre-Internet fanzine. Many significant figures in comics history contributed text and art to this near-dead medium, and it’s hard to see any organization having the will to invest in researching, reprinting or digitizing this lost legacy.
Colin Smith is a blogger and the author of Sequart’s “Shameless? The Superhero Comics of Mark Millar,” and as a critic has written about comics for some of the United Kingdom’s top magazines. He has a secondary blog where he has been recently sharing some great art from old U.K. fanzines and convention booklets.
Digital comics | It took three years for comiXology to reach 100 million downloads, but just one year for it to reach 200 million. Matthew Flamm profiles the company and its CEO, David Steinberger, who first saw a business opportunity in comics when he was trying to sell his collection and couldn’t find software to catalog it. The next big moment for comiXology is likely to come in October, when the fourth season of The Walking Dead premieres on television the same week the 10th-anniversary issue of the comic is released. Image Comics projects it will sell 300,000 print copies and another 45,000, or about 15 percent, as digital. [Crains New York]
Creators | Writer Mark Waid admits he didn’t think he’d be a good fit for Daredevil, because he doesn’t write in the darker style favored by his predecessors. “I’m better at swashbuckling adventure,” he says. “When I was asked to take that tack, I was in.” [Comic Riffs]
Publishing | Jody LeHeup, who joined Valiant in May 2012 as associate editor, has left the publisher, and will focus on his writing career. However, he noted on Twitter, “I am open to discussing editorial work as well.” LeHeup previously worked for four years at Marvel, where he edited such titles as Deadpool, X-Force and the Eisner-nominated Strange Tales before being let go in October 2011 during a round of layoffs. [Twitter]
Creators | Tom Spurgeon pointed out a disturbing paragraph in this article about the dangers of being a political cartoonist in the Middle East: Syrian cartoonist Akram Raslan hasn’t been heard from in months and may be dead, according to Robert Russell of the Cartoonists Rights Network International, which has been advocating for Raslan’s release from prison. Raslan was arrested last year, and Russell was told his trial was delayed and then that he had been killed. [CNN]
Comics | The Venezuelan government is issuing illustrated versions of the country’s constitution to all school children, and plans are already under way for another edition that will be in comics format. [Foreign Policy]
Welcome to “Report Card,” our week-in-review feature. If “Cheat Sheet” is your guide to the week ahead, “Report Card” is typically a look back at the top news stories of the previous week, as well as a look at the Robot 6 team’s favorite comics that we read.
So read on to find out what we thought about Daredevil, Buzzkill and more.
Matt Cowan’s handle on DeviantArt is “Matt Can’t Draw”, which isn’t necessarily true. Sure, he is more of a designer, a conceptual artist, than a straight-up “drawer.” His latest series, “Sounds Like,” is possibly a thinly veiled dig at the lack of imagination of Hollywood casting departments. Or is it just an excuse to draw his favorite characters together?
In any case, check them out below. And if you harbor some irrational prejudice against DeviantArt, Cowan’s work is also posted to his Tumblr.
Manga | The mega-popular series One Piece resumed publication in this week’s issue of Shonen Jump, after a two-week hiatus due to manga-ka Eiichiro Oda’s health problems following a tonsil infection. [Cruchyroll]
Comics | It seems like we are reading a lot about comics in the Arab world lately, and Egyptian graphic novelist Achraf Abd Elazim argues that the fourth major comics center (after New York, France and Belgium, and Japan) will be Dubai. [Your Middle East]
Comics | Michael Cavna kics off Comic Riffs’ celebration of Superman’s 75th birthday with a roundup of writers’ opinions on why the character has stood the test of time. [Comic Riffs]
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. It’s back to a full work week — unless, of course, you’re heading to Charlotte, North Carolina, for HeroesCon 2013.
However, before you board that plane or plot that route, there’s a New Comics Day chock-full of quality releases. Join our contributors for a rundown of some of the highlights.
Paolo Rivera and David Petersen received gold and silver honors, respectively, in the comics category of the 20th Spectrum Fantastic Art Awards, presented Saturday during Spectrum Live in Kansas City. The awards recognize the best in fantasy, science fiction and horror art.
Rivera won for this cover for Daredevil #10, while Petersen won for Mouse Guard: The Black Axe #4, Page 19.
Tor.com has the complete list of winners, which includes a number of names familiar to comics readers: Dan Dos Santos, Charles Vess, Sam Weber and Brom.
Daredevil #28 is about “one man young Daredevil feared, and now Matt Murdock is representing him in court.” The cover sports a young bully wearing a T-shirt that claims, “I beat Daredevil,” and now thanks to the folks at WeLoveFine.com, you too can claim you got the best of Matt Murdock with a similar T-shirt.
The “I Beat Daredevil” is one of several new ones on the site; they’ve also got the “Fake Geek Girl” shirt Kevin linked to on Friday, as well as several Hawkeye-related shirts that were curated by Matt Fraction — including one that simply says “Bro.”
Check out the I Beat Daredevil shirt, as well as the Chris Samnee cover that inspired it, after the jump.
To see what James and the Robot 6 crew are reading, click below …
Awards | Online voting is open through April 30 for the sixth annual Inkwell Awards, which recognize excellence in comic-book inking. The winners will be announced during a ceremony at HeroesCon, held June 7-9 in Charlotte, North Carolina. [Inkwell Awards]
Comics | On the website of the conservative Media Research Center, Kristine Marsh and Matt Philbin accuse DC Comics and Marvel of having a “homosexual agenda”: “Like the rest of American pop culture, comic books have increasingly included pro-gay propaganda pieces aimed at the children and young adults who read them.” [Media Research Center]
One of the most symbolic moments of Superman is when he changes from his guise as Clark Kent to become the Man of Steel. The idea that the wearing of a costume imbues some kind of unquantifiable power is a key part of what makes superhero comics work; otherwise, they’d just be adventurers and action heroes.
But speaking of change, changes in superhero costumes have become as much a part of the comics as the heroes themselves. From Superman’s early days with his golden emblem to the modern “S” today and on through to other years (including Batman’s countless wardrobe changes), the design of a superhero isn’t static and a redesign has proved, many times, to be just the thing to make a character work.
In this week’s “Six by 6,” I pinpoint six of the most dynamic and powerful redesigns in superhero comics. Redesigns that saved a character from obscurity, put them in a new light or simply simplified what was already there.
Happy Sunday and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Today our special guest is Dave Dwonch, creative director at Action Lab Entertainment and the writer of such comics as Space-Time Condominium, the upcoming Ghost Town, Double-Jumpers and more.
To see what Dave and the Robot 6 crew have been reading, click below.
Welcome to “Cheat Sheet,” ROBOT 6’s guide to the week ahead. Below you’ll find our contributors’ picks of the comics of the week — from the return of Poison Elves to Grant Morrison’s farewell to Action Comics — and the top events to watch for in the next seven days.
Hello and welcome to What Are You Reading? It’s an abbreviated edition this week — maybe everyone’s doing their taxes, like I am today — so let’s just get to it …