Dark Horse Comics Archives - Robot 6 @ Comic Book Resources
Manga | In a two-part interview, ICv2 talks at length to veteran Dark Horse manga editor Carl Horn about how the manga market has evolved since 1987, which manga do and do not do well, and what the future may hold. The good news is the market seems to be recovering after several years of declining sales; the hard evidence is that Dark Horse is sending more royalties back to the Japanese licensors. And the new reality is that while the market may be smaller, almost everyone knows what manga is now: “You can’t simply put a manga on the market and expect it to sell because it is manga (that was one of the nice things about the boom because you could take a chance on more marginal titles), but on the other hand you don’t have to do as much explaining about what manga is anymore.” In addition, ICv2 lists the top 25 manga and the top 10 shoujo and shonen properties from the last quarter of 2013. [ICv2]
It’s a cause for celebration any time Greg Rucka launches a new series, as he does Wednesday with Veil, the story of a girl who awakens with amnesia in an abandoned subway station. Teaming with Rucka on this new Dark Horse ongoing is artist Toni Fejzula. I challenge you not to read Veil once you see the eyes of the lead character as drawn by Fejzula — that and so much more about his art instantly caught my attention to the series. With this interview, I aimed to gain insight into Fejzula’s passion and approach for this new collaborative project. It’s an added bonus to learn he might be listening to Rock Lobster while drawing Veil …
The golem, an artificial being usually created from mud or clay and endowed with life, has appeared in stories of every media since … well, since about the time people started telling stories, particularly if you consider the biblical first man Adam to be a form of golem (“And the Lord God formed man of the dust of the ground, and breathed into his nostrils the breath of life,” from the second, less poetic of the two creation stories in Genesis).
But there may be no medium better suited to this creature of Jewish folklore than the American comic book, as the most famous of golems, the Golem of Prague, was in many ways a prototypical superhero. That golem was supposedly created in the late 1500s by a Rabbi Loew to defend the Jewish people of his city from pogroms, and there you have a few of the basic components of the American superhero: the bizarre origin, the defense of the oppressed, the home turf in need of protection and, of course, the Jewish nature of the character’s identity (often sublimated or coded in the early American superhero comics).
It is, of course, impossible to tell exactly how present in the backs of the minds of the many, many Jewish men who created the American comic book industry some 100 years or so after the legend of the Golem of Prague started appearing in writing in the third and fourth decades of the 19th century. But looking back, and looking for them, it’s easier to see them, from Superman as a sort of Golem of Metropolis to the stony Ben Grimm of the Fantastic Four.
Awards | Wiley Miller (Non Sequitur), Stephan Pastis (Pearls Before Swine), Hilary Price (Rhymes With Orange) and Mark Tatulli (Heart of the City, Lio) has been nominated for the 2013 Reuben Award for Outstanding Cartoonist of the Year. The winner will be announced May 24 during the National Cartoonists Society’s Reuben Awards dinner in San Diego. [National Cartoonists Society]
Political cartoons | Cartoonist Majida Shaheen refused an interview recently, saying she continues to feel “threats and pressure” over a cartoon she posted on her Facebook page depicting he military wing of Islamic Jihad as a dog. However, Islamic Jihad spokesman Daoud Shehab says his organization isn’t behind them. “No one attacked her officially from the part of the movement. I followed up on the comments on Facebook, and these comments do not express our point of view. We consider her to be merely an unknown artist seeking fame,” he said, adding, “Every person has the right to express their convictions. Yet, we were upset with the indecent approach, which is not part of freedom of expression.” [Al Monitor]
Passings | Comics journalist and commentator Bhob Stewart died Monday at the age of 76. Stewart kicked off his career in 1953, at the age of 16, by publishing an EC fanzine; the following year, as Carol Tilley documented in a recent talk, he sent a copy to anti-comics crusader Fredric Wertham, along with some tart commentary. Stewart went on to become an influential voice in the conversation about comics; he wrote several books, taught classes at the School for Visual Arts, and curated the first exhibit of comics art in a major American museum. Heidi MacDonald credits him with inventing both Wacky Packages and the term “underground comics.” [The Beat]
Editorial cartoons | German cartoonist Burkhard Mohr has apologized for a cartoon depicting Facebook founder Mark Zuckerberg with a hooked nose, an image that critics said was reminiscent of Nazi propaganda. The cartoon appeared in the early editions of the Munich newspaper Sueddeutsche Zeitung, but Zuckerberg’s face was replaced by an empty hole in later editions. “I’m very sorry about this misunderstanding and any readers’ feelings I may have hurt,” Mohr said. “Anti-Semitism and racism are ideologies that are totally alien to me” [ABC News]
“I know there’s a certain appeal for creators to work on the classic characters like Batman, Superman and Spider-Man, but I’ve said this before: I asked creators who have worked on those books who the people were doing the books ten years ago, and they don’t know! But I can say, ‘Who worked on Sin City?’ and they’ll go ‘Frank Miller.’ Who worked on Hellboy? Mike Mignola. Who worked on The Goon? Eric Powell. They know it instantly. So to me, the lure of creating your own character and owning it — owning your own universe and being associated with that — in the long run for talented writers and artists makes me question why someone would toil away on a company owned character for years and years of their lives.”
– Dark Horse founder Mike Richardson, discussing his company’s commitment to publishing creator-owned work
Comics sales | ICv2 crunches the January numbers and calculates that just one comic, Batman #27, sold more than 100,000 copies in January, something that hasn’t happened since August 2011; this follows a weak December in which only three comics broke the 100,000 mark. The retail news and analysis site also lists the top 300 comics and graphic novels for the month. [ICv2]
Creators | Batman writer Scott Snyder talks about his plans for Batman #28, writing the Riddler, working with artist Greg Capullo on the action sequences, and getting ready for Batman’s 75th anniversary. [Hero Complex]
Creators | Eugenia Williamson profiles Shelli Paroline and Braden Lamb, whose work as artists on the Adventure Time comics has brought them an unexpected measure of fame. [The Boston Globe]
Ever since Disney announced the purchase of Lucasfilm in 2012, virtually everyone in the comics industry knew there was a ticking clock on Dark Horse’s Star Wars comics; it’s only natural, after all, that the entertainment giant would move the profitable Star Wars license in-house, similar to how it shuffled the Disney and Pixar titles from BOOM! Studios to Marvel in 2011. Following the announcement last month that Dark Horse’s Star Wars comics line will end its 20-plus year run at the end of the year, the next obvious question concerns what will take its place.
It’s difficult to overstate how big of an impact the Star Wars comics have had on Dark Horse. In the early days 0f 2014, the publisher has two ongoing series and two miniseries — one of which, The Star Wars, was the highest-selling Dark Horse and licensed title in 2013. The company has already announced plans for a broader Aliens/Predator/Prometheus line that could fill some of the holes left by Star Wars come January 2015, but recent news in the video game world gives me another idea …
Welcome to Best of 7, where we talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out. So without further ado, let’s get to it …
Dark Horse will celebrate the 30th anniversary of Stan Sakai’s Usagi Yojimbo with the release in July of the oversized hardcover benefit book The Sakai Project: Artists Celebrate Thirty Years of “Usagi Yojimbo.” All proceeds will go to Stan and Sharon Sakai.
Sharon Sakai suffers from a debilitating illness that required an extended hospital stay and convalescence, and while she’s now back home, she requires 24-hour care and medications that exceed their insurance coverage. The Comic Art Professional Society, which spearheaded an earlier fundraiser for the Sakais, is working in conjunction with Dark Horse to produce the book.
“It has been an absolute pleasure publishing Stan’s work over the years, and recently collaborating with him directly on 47 Ronin,” Dark Horse President Mike Richardson said in a statement. “With the thirtieth anniversary of his most beloved creation, Usagi, and in a time of need for Stan and his family, we are honored to publish this tribute to Stan and his work. We are donating all of the proceeds to Stan and his wife, Sharon. We hope you will join us in honoring one of the comics industry’s shining lights.”
The list of contributors to The Sakai Project already includes the likes of Arthur Adams, Brian Michael Bendis, Matt Groening, Mike Mignola, Bill Morrison and Jeff Smith, but Dark Horse is seeking to involve more professionals. The deadline for submissions is Feb. 20; email firstname.lastname@example.org for details.
Wednesday marks the release of Furious, the Dark Horse superhero series from Bryan J.L. Glass and Victor Santos. As a follow-up to the interview ROBOT 6 conducted with the creators during our fifth-anniversary celebration, Dark Horse Associate Editor Jim Gibbons offered a look at the design process for the cover, promotional material and costume design.
It shouldn’t be a surprise that, on the heels of September’s successful release of The Best of Milligan & McCarthy, there might be new work from Brendan McCarthy published by Dark Horse: On Wednesday, the four-part story The Deleted begins in Dark Horse Presents #32, dealing with the possibility of uploading the consciousness into a virtual world.
It’s rare that I interview a creator who can provide answers that open with the phrase, “Myself and Brett Ewins, Bryan Talbot and Alan Moore were the first people to start off the new era of comics in the U.K.,” so while I had the chance, we discussed more than his new story, thanks to McCarthy’s willingness to give his time (and samples of his myriad works, past and present).
Events | The second annual Black Comic Book Festival will take place this weekend at the Schomburg Center for Research in Black Culture in New York City. The lineup of guests includes Norwood Steven Harris, Grey Williamson and Tim Fielder. “It is the largest gathering of black comic book fans in the country,” says Schomburg Director Khalil Gibran Muhammad. “There is something for everyone from the aspirational 9-year-old illustrator, to the costumed superheroes, to the lifelong collectors.” [New York Daily News]
Creators | Ed Brubaker discusses the exclusive deal he and Sean Phillips signed with Image Comics, announced last week at Image Expo: ” It’s almost like having your own label or something. Just the fact that we can green-light our own projects and we have approval over format, everything. … I feel like we have such a core audience that seems to follow us from thing to thing, so let’s take advantage of that and really just experiment and go crazy and just be artists.” [IGN]
Writer Justin Aclin has looked forward to today, as his Dark Horse miniseries S.H.O.O.T First comes to a conclusion with the release of the fourth issue. Four happens to be the magic number on more than one level, as Aclin notes that the storyline has been in development for four and a half years.
However, the end of the miniseries doesn’t mark the end of Aclin and artist Nicolás Daniel Selma‘s adventures with the S.H.O.O.T. First team. In fact, Aclin provided ROBOT 6 with a peek at art from the upcoming arc Dark Horse Presents, which in March with Issue 24.
As Aclin described it, “This page is the first time we’re showing art from the upcoming Dark Horse Presents story. Part 1 takes place 10 years in the past, where an earlier version of the team confronts a giant snake Outside Actor in the Everglades. You can see a younger Lord Byron taking aim here.”
Digital comics | ComiXology CEO David Steinberger dicusses the growth of the digital-comics platform, which was the top-grossing non-game iPad app for the third year in a row. “We’re finding that a larger and larger percentage of our user base — our new user base — is people who are buying comics for the very first time with us,” he tells Wired. Steinberger also hints at a next step for comiXology: curation. [Wired.com]
Comics | Torsten Adair looks back at some comics trends in from 2013 and looks ahead to what we can expect in 2014. [The Beat]
Comics | Dark Horse Editor-in-Chief Scott Allie discusses the relaunch of the publisher’s Alien, Predator and Alien vs. Predator series and the debut of Prometheus. [io9]