Dark Horse Comics
Carla Speed McNeil’s Finder: Voice wins LA Times Book Prize
Finder: Voice, the latest volume of Carla Speed McNeil‘s celebrated science fiction series, has won the prestigious Los Angeles Times Book Prize, edging out such contenders in the graphic novel category as Jim Woodring’s Congress of the Animals and Dave McKean’s Celluloid.
The 32nd annual awards were presented Friday on the eve of the Los Angeles Times Festival of Books. This is only the third year for the graphic novel category; previous winners are David Mazzucchelli’s Asterios Polyp and Adam Hines’ Duncan the Wonder Dog: Show One.
Published in February 2011 by Dark Horse, Voice collects the Eisner Award-winning 2008 arc of Finder, McNeil’s long-running print comic turned webcomic, described by her as “aboriginal science fiction.”
- April 21, 2012 @ 07:15 AM by Kevin Melrose
Comics A.M. | Ali Ferzat named one of Time’s Most Influential People
Creators | Ali Ferzat, the Syrian cartoonist who was abducted and beaten last year because of his criticisms of the government, was named one of Time magazine’s “100 Most Influential People in the World.” “Tyrants often don’t get the jokes, but their people do,” Pulitzer Prize-winning Politico cartoonist Matt Wuerker writes in his tribute to Ferzat. “So when the iron fist comes down, it often comes down on cartoonists.” [Time]
Publishing | In one of its wide-ranging interviews with comics publishers, the retail news and analysis site ICv2 talks with Dark Horse CEO Mike Richardson about the state of the market, the loss of Borders, his company’s 2011 layoffs, webcomics, and some early missteps with its digital program: “Quite honestly we’ve run into a few issues because the programs that we’ve done haven’t worked as well as we wished. We created some exclusive material and got less participation than we had hoped for. [...] We gave codes out to retail stores to drive customers into their stores. They could pick up the exclusive content by going to their participating comic shop. Evidently we didn’t do a good enough job getting the word out, so we’re retooling that.” [ICv2.com]
- April 19, 2012 @ 07:00 AM by Brigid Alverson
Food or Comics? | Shark à la king
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
Chris Mautner
If I had $15, a new Peter Bagge comic is always cause for celebration, so my first grab would be for Reset #1, Bagge’s new limited series having to do with virtual reality and the opportunity it affords a washed-up comedian to fix his past mistakes. And then there’s Linda Medley, who’s been laying low for awhile, but is back this week with a new issue of her ongoing, low-key fantasy series, Castle Waiting. These will probably be the first comics I read once I get home from the comic store this week.
If I had $30, I’ve already gone on about The Shark King, R. Kikuo Johnson’s warm and charming all-ages story based on a Hawaiian folk tale of a shark god and his half-human, mischievous progeny. It’s a lovely little book that I thoroughly recommend checking out even if you don’t have any kids in your home.
There’s also a number of notable manga out this week so I’d likely pick up one of the following: Either the latest volume of 20th Century Boys, the latest volume of Gantz or volume 2 of Katsuya Terada’s The Monkey King. There’s been a bit of a wait (seven years) for that last one, which is a gonzo, sex-and-violence rendition of the classic Journey to the West myth.
It’s not so much a splurge as a must-buy for me — Krazy and Ignatz 1922-24: At Last My Drim of Love Has Come True is the final volume in Fantagraphics’ collection of Sunday Krazy strips and full of the same George Herriman magic as the previous volumes. There’s a tinge of sadness here as I believe the late Bill Blackbeard, who helped bring this project into fruition, has an essay here, as well as a remembrance by Kim Thompson.
- April 17, 2012 @ 02:46 PM by Michael May
C2E2 | A round-up of news from Friday (and before)
Publishers, creators, retailers and fans rolled into Chicago this weekend for the Chicago Comics and Entertainment Expo, or C2E2. While the convention officially kicked off Friday, the announcements started rolling out Thursday during the Diamond Retailer Summit. After going through Kiel Phegley’s lengthy report on CBR, I’ve pulled out a few tidbits that publishers shared with attending retailers:
• Dynamite Entertainment shared that the first issue of Garth Ennis and Aaron Campbell’s The Shadow, which comes out next week, will likely go to second print. Following their Vampirella and Pantha projects, they also plan to roll out more of the former Harris Publications characters they now own, and they said they plan to work again with Kevin Smith in the future, who they’ve worked with on Bionic Man and Green Hornet.
• Dark Horse Comics announced two Buffy the Vampire Slayer spinoff miniseries; one featuring Spike and one featuring Willow (Editor Scott Allie spoke more about them with CBR). In addition, legendary artist Russ Heath will draw some pages in an upcoming issue of Buffy. Dark Horse will launch a new Dragon Age series in August, following the online miniseries that’s been running on Dark Horse Digital. They also confirmed that Becky Cloonan will return to Conan after James Harren’s three issues, and they announced Ex Sanguine, a five-issue miniseries by Tim Seeley and Josh Emmons. Finally, The Goon will go monthly with issue #40.
- April 14, 2012 @ 07:32 AM by JK Parkin
Dark Horse to publish Spike, Willow spinoff projects [Updated]
Entertainment Weekly shares the news that Dark Horse has two spinoff miniseries planned for later this year, featuring Buffy the Vampire Slayer supporting characters Spike and Willow.
The Spike miniseries, which kick off in August, will be written by X-Men writer Victor Gischler and picks up after the end of Buffy the Vampire Slayer Season Nine #10. “The focus is on Spike and his coming to terms with some things, sort of getting right in the head,” Gischler told EW. “He loves Buffy, but can’t be with her. What does that mean to a vampire with a soul?” He also meets up with some demons trying to collect the shards of the magic “seed” that was destroyed in Season Eight of the comic.
The Willow series, meanwhile, starts in November and is written by Thunderbolts and Hulk writer Jeff Parker. Willow, who took off from the pages of Buffy with the mystical slayer scythe, hunts down Angel in a quest to try and bring magic back to Earth.
You can see the cover art for the first issue of the Spike series over at the EW site.
Update: Kiel Phegley at CBR picks up a few more tidbits on the two miniseries at the Diamond Retailer Summit leading into C2E2; Brian Ching will draw the Willow series with covers by David Mack and Megan Lara. Paul Lee will draw Spike with covers by Jenny Frison and Steve Morris.
- April 12, 2012 @ 06:30 PM by JK Parkin
Richardson, Sakai, Koike team for 47 Ronin
Dark Horse President Mike Richardson is teaming with two samurai masters to tell the tale of the 47 Ronin, about a Japanese feudal lord who was forced to commit ritual suicide, and the samurai-turned-ronin who avenged his death. Usagi Yojimbo creator Stan Sakai will draw the project, while Kazuo Koike of Lone Wold and Cub fame will serve as an editorial consultant.
“I’ve been fascinated with this story from the earliest days of Dark Horse, visiting the significant locations and doing research during my trips to Japan. For years I’ve been looking for just the right artist, and it finally dawned on me that he was right here at Dark Horse,” Richardson said in a press release. “Stan Sakai is a master storyteller who knows the material, and his artistic interpretation is perfect for the story. What’s more, my friend, legendary manga writer Kazuo Koike , has served as editorial consultant for the project.”
“I have known the 47 Ronin story about all my life, and I paid a pilgrimage to their grave site when I was in Japan in 2009. This is a significant event in Japanese history, and when Mike asked me to illustrate the story I jumped at the chance. I’m known for the research I do, but I was amazed at the research and knowledge Mike already had. I’m having a blast with this,” Sakai said. .
47 Ronin will be on comic stands November 2012. Check out a piece of Sakai’s art after the jump, as well as the video from CBR that announced the project.
- April 12, 2012 @ 05:00 PM by JK Parkin
Food or Comics? | Pete and mirliton
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
Chris Arrant
If I had $15, I’d first snap up a book I’ve been trying to track down for years: Amazing Spider-Man: Hooky (Marvel, $4.99). This 1986 lost classic features Bernie Wrightson drawing a webhead story featuring monsters and alternate worlds – looks like a real gem. Now to convince Marvel to republish John Paul Leon’s Logan: Path of the Warlord… Next up would be Secret Service #1 (Marvel/Icon, $2.99). I’ll buy pretty much anything Dave Gibbons puts out these days, and seeing him with Mark Millar is bound to be a unique experience. Next up is Saga #2 (Image, $2.99); Brian K. Vaughn is really setting up a world – like a sci-fi sitcom here, with loads of direction to go in. Lastly I’d get Conan the Barbarian #3 (Dark Horse, $3.50). Can I admit I might like this more than Northlanders? Brian Wood’s definitely expanding how people think of him with this story, and Becky Cloonan is making a lot of editors look foolish for not putting her on these kinds of books sooner.
If I had $30, I’d start out with Secret #1 (Image, $3.50). Manhattan Projects seems more up my alley than this story, but Jonathan Hickman’s built up some credit in me to try anything new he puts out even if I’m not too interested. Next up would be Northlanders #50 (DC/Vertigo, $2.99), which I’m sad to see go. I think this will be one of those series that achieves more popularity after it’s over, and it’s a shame DC can’t find a way to continue it. After that it would be Glory #25 (Image, $2.99). I was a bit shaky on the story after Joe Keatinge’s first issue, but everything after has really put the pieces into place and Ross Campbell seems to be finding his footing to really land the superheroics of this story. Last up would be Secret Avengers #25 (Marvel, $3.99); Rick Remender’s clearly put his own spin to this series, so much I’m surprised Marvel didn’t use this as a chance to renumber the series… but I’m glad they didn’t.
If I could splurge, I’d throw money at my comic retailer for Pete and Miriam (Boom!, $14.99). Big fan of Rich Tommaso, and he seems to be honing his craft like a knife, creating more pointed and poignant stories here. And Miriam, she’s a real gem.
- April 10, 2012 @ 01:00 PM by Michael May
Comics A.M. | Arizona legislature pulls back electronic censorship bill
Legal | A proposed Arizona law that would make it a crime to annoy or offend anyone through electronic means has been held back for revision after a number of concerned parties, including the Comic Book Legal Defense Fund, protested that it was too broad. The bill, which was passed by both houses of the Arizona legislature, basically took the language from the statute criminalizing harassing phone calls and applied it to all electronic devices, without limiting it to one-to-one communications. As a result, the language appears to make it a crime to post anything annoying or potentially offensive on the internet. [CBLDF]
Retailing | Brian Hibbs questions Mark Waid’s math, both with regard to comic shops and the cost of self-publishing, and brings up a number of arguments in favor of the Direct Market. He argues that having gatekeepers in the market is a good thing and that rather than refusing to take a risk on a new or different comic, retailers will go out of their way to stock comics they think their readers will like. [Savage Critics]
- April 9, 2012 @ 06:55 AM by Brigid Alverson and JK Parkin
Comics A.M. | Relaunching Justice Society, rebuilding Billy Batson
Creators | Alex Zalben talks to James Robinson about his rebooted version of DC Comics’ Justice Society in Earth 2, and the process of creating a world of one’s own: “It always starts with certain plot points that immediately come to you, and you always want those moments to happen at some point, and you work towards them. There are some characters that come to you almost fully formed in your mind, and those are you anchors. And same with the world, there are some aspects of the world that you say, this is what I want to do, here or there, or there. They’re the anchors, and you slowly begin to add the other pieces so it links, and forms, and becomes a whole tapestry.” [MTV Geek]
Creators | Geoff Johns talks about the new, more nuanced version of Billy Batson that he and artist Gary Frank are creating in the Shazam back-up stories in Justice League: “Billy is trouble, but trouble in a way that I think we’ll find understandable, relatable and fun. He has a heart, a big one, but he also has a protective shell around it. He’s mischievous, independent and strong. He’s conflicted, tough and sad. And many other things. For us, Billy had to be as complex and as interesting as his alter ego.” [Hero Complex]
- April 4, 2012 @ 06:55 AM by Brigid Alverson and JK Parkin
The Middle Ground #97 | How Buffy got her groove back
There were, let’s face it, numerous warning signs about Buffy: The Vampire Slayer Season Nine, not least of all the way that Season Eight had turned out. But adding a second ongoing book to the line? Joss Whedon only writing the first issue instead of the first arc, because of his commitments to Marvel’s The Avengers? There was, it seemed, little possibility that the series could regain the support or excitement it had at the launch of Season Eight. And then, to quote Jarvis Cocker, something changed. Continue Reading »
- April 3, 2012 @ 03:00 PM by Graeme McMillan
ECCC | A round-up of announcements from the convention
The Emerald City Comicon wrapped up yesterday in Seattle, with plenty of announcements from attending publishers. Here’s a round-up of news from the show:
• Image Comics officially announced Revival by Tim Seeley ad Mike Norton, the title we teased all last week. Seeley described the book as “rural noir,” and it is set in his home state of Wisconsin: “Both Mike and I grew up in small towns, he in Tennessee, me in Wisconsin. We both hated the towns we were from as teenagers and young adults and got the hell out,” Seeley told CBR. “But, now that we’re both older, we can look on those towns with more understanding and affection. Central Wisconsin is a really interesting place. It’s like concentrated America. It has all of the strengths and all of the weaknesses. All of the good stuff, and all of the conflicts on a more intimate scale. We thought it’d be the perfect setting for our story of a cop charged with policing the dead.”
• James Stokoe will write and draw Godzilla: Half Century War, which arrives from IDW in August. The miniseries is set in a different continuity than the Godzilla ongoing series by Duane Swierczyski and Simon Gane.
• Writer Christos Gage will team with artist Jorge Lucas for Sunset, an original graphic novel from Top Cow’s Minotaur Press. The story revolves around a retired Vegas mob enforcer.
- April 2, 2012 @ 06:00 AM by JK Parkin
Comics A.M. | Viz names new CEO; what happened to comic ads?
Publishing | Viz Media announced that Ken Sasaki, formerly the senior vice president and general manager of the manga and anime publisher, will take over from Hidemi Fukuhara as president and CEO. Fukuhara is being promoted to vice chairman, which apparently involves little of the day-to-day management of the company. [Crunchyroll]
Publishing | Johanna Draper Carlson counts the pages in some recent DC and Marvel comics and finds lots of house ads — and very few paying ones. This raises the chicken-and-egg question of whether the comics publishers are losing interest in selling ads or the advertisers are losing interest in buying them. [Comics Worth Reading]
Digital | Nerdist Industries’ CEO Peter Levin has joined comiXology’s advisory board. [comiXology]
- March 30, 2012 @ 06:55 AM by Brigid Alverson and JK Parkin
This weekend, it’s Emerald City Comicon
Emerald City Comicon kicks off today and continues through Sunday at the Washington State Convention Center in Seattle.
Scheduled guests include Bryan Lee O’Malley, Robert Kirkman, Brandon Graham, Don Rosa, Bill Sienkiewicz, Greg Rucka, Jhonen Vasquez, Matt Fraction, Gail Simone, Ed Brubaker, Jim Valentino, Bill Willingham, Erik Larsen, Marc Silvestri, Jim Woodring, Brian Wood, Tim Sale, Mike Allred, Kurt Busiek, Darick Robertson, Greg Capullo, Dan Slott, Steve Lieber, Rick Remender, Steve Niles, Phil Hester, Joëlle Jones, Nate Powell, Chris Roberson, Tony Moore, Ben Templesmith, Kelly Sue DeConnick, Scott Wegener, Shannon Wheeler, Brian Churilla, David Petersen, Colleen Coover, Nathan Edmondson, Joe Casey, Paul Tobin, Francis Manapul, Ryan North, Jeff Parker, Ryan Ottley, Jamie S. Rich, Tim Seeley, Nick Spencer, Matt Wagner, Thom Zahler, Scott Kurtz, Joe Keatinge, Daryl Gregory and many more.
You can find the complete programming schedule on the ECCC site, and here’s a round-up of various things you can do, buy and expect to find out about at the show …
- March 30, 2012 @ 05:00 AM by JK Parkin
Food or Comics? | Sharknife shish kebab
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
Chris Arrant
If I had $15, I’d skip lunch and dig in to the overdue Choker #6 (Image, $3.99). I almost considered waiting for the trade on this one, but I know once I see the shiny object in front of me in stores I’ll want to find out the ending to Ben McCool and Ben Templesmith’s story. After that I’d get Uncanny X-Force #23 (Marvel, $3.99), which still holds the crown for my favorite current Marvel book. I was hesitant of Remender & co. going off into Otherworld despite my fascination with the realm going back to my Excalibur days, but I’m being rewarded with good story for my allegiance. The only thing it’s missing is an appendix reminding me of older stories that he references here. Last up would be a two-fer with Spaceman #5 (DC/Vertigo, $2.99) and Walking Dead #95 (Image, $2.99). I’ve talked about both at length here, and they continue to buffet me with greatness.
If I had $30, I’d first snag Daredevil #10 (Marvel, $2.99) to see more of Paolo Rivera’s work over the solid storytelling by Mark Waid. Then, I’d rub my eyes to make sure I’m not seeing things and pick-up the 5+ year delayed book Sharknife, Vol. 2 (Oni, $11.99). I’ve been a big fan of Corey’s work back when he was doing inspired Mega Man rip-offs, and the chance that I’ll finally see this sequel is exciting and heartbreaking. I hope the quality of the book inside is enough to stave off my feelings about the severe delay the book had.
And for splurging, I’d spend my CBR paycheck on Gone To Amerikay (DC/Vertigo, $24.99). This book is at the intersection of three reasons I’d buy it: Colleen Doran, Derek McCulloch and historical Irish narratives. I’d hold McCulloch’s Stagger Lee up to any graphic novel of the past decade in terms of skill and potency, so to see him pair that with Colleen Doran’s crafty linework bears my immediate attention.
- March 27, 2012 @ 03:00 PM by Michael May
Comics A.M. | Fran Matera dies; Corto Maltese complaints addressed
Passings | Steve Roper and Mike Nomad artist Fran Matera has died at the age of 88. Matera, who worked briefly in the Quality Comics bullpen, where he worked on Doll Man and other titles, before enlisting in the Marines during World War II, also drew such comic strips as Dickie Dare, The Legend of Bruce Lee and Nero Wolfe. His comic credits also include the “Chuck White and Friends” feature in Treasure Chest, and issues of Marvel’s Incredible Hulk and Tarzan. [Rip Jagger's Dojo]
Publishing | Dark Horse manga editor Carl Gustav Horn takes the long view and refuses to give pat answers to questions about trends and hot properties: “This August, the longest-running manga in the North American market, Kosuke Fujishima’s Oh My Goddess!, turns eighteen. We started OMG! during the era of manga marketed as comic books, continued it into the era of manga marketed as graphic novels, and transitioned into the era of manga marketed as tankobon (Japanese-style GNs). Now we’re moving ahead into the era of manga marketed for e-reading.” [ICv2]
- March 22, 2012 @ 06:55 AM by Brigid Alverson













