8 Marvel Movie Fights That Kicked All the Ass
Comic Books, Film
Though they’re remaining committed to a recent wave of new creator-owned books, Dark Horse has shifted its sales strategy for a trio of lower performing series.
The publisher announced this week that The Ghost Fleet from Donny Cates and Daniel Warren Johnson, Resurrectionists by Fred Van Lente and Maurizio Rosenzweig and Sundowners by Tim Seeley and Jim Terry would all shift their monthly comic output to digital first series. Plans for print graphic novels collecting the continued stories remain in place for the fall.
Last weekend, Todd Allen wrote at The Beat that he had spotted some Dark Horse comics on the newsstand at Books-A-Million, now the second-largest bookstore chain in the country. That piqued my interest, as newsstand sales have proved to be a challenge for most comics publishers for decades now, so I got in touch with Matt Parkinson, Dark Horse’s vice president of marketing, who answered some questions about the company’s newsstand sales at Books-A-Million and its used-book subsidiary 2nd & Charles.
Robot 6: First of all, what has Dark Horse’s newsstand presence been like in recent years?
Matt Parkinson: Since the early ’90s, Dark Horse had placed titles on the newsstand through various distributors. In recent years we only enjoyed strong sales if the comic had a blockbuster movie tied to it or some major media component. Ultimately, due to the reduction of available display space and the resulting decline in sales, we discontinued all newsstand distribution in fall 2014. We would consider returning to newsstand distribution if a title demonstrated mass-market appeal.
Dark Horse Comics is celebrating Hellboy’s 21st birthday with a beer — specifically, the Right Hand of Doom Red Ale, a limited edition release from Oregon-based Rogue Ales.
Though available nationally at Rogue.com, the Right Hand of Doom debuts in Portland at the Things From Another World Comics store, where Hellboy creator Mike Mignola will be signing books alongside Matt Kindt (Mind MGMT), Eric Powell (The Goon) and Brian Wood (Rebels) on Friday, Feb. 20.
This week brought some great news for fans of Stan Sakai’s long-eared ronin — Dark Horse announced that the ongoing Usagi Yojimbo will return this May.
While it’s been three years since we last saw an issue of the Usagi Yojimbo regular series, neither Sakai nor Usagi haven’t been absent from comic shelves. During that time Dark Horse released the Eisner-nominated 47 Ronin, by Sakai and writer Mike Richardson. And last year brought the War of the Worlds-inspired Usagi Yojimbo: Senso miniseries, a “What if?”-like tale that saw an older Usagi battling an alien invasion.
Next month Dark Horse will release a collected edition of Murder Book by writer Ed Brisson and a variety of artists — Declan Shalvey, Simon Roy and Johnnie Christmas, among them — with a new cover by Michael Walsh (based in part on one of his designs for a previously released volume of Murder Book stories).
Dark Horse’s Associate Editor Jim Gibbons was kind enough to share with ROBOT 6 some of the cover process for the new Murder Book trade paperback, due out March 18.
Brothers Fábio Moon and Gabriel Bá have finally pulled back the curtain on the follow-up to their award-winning Daytripper collaboration: Two Brothers, due in October from Dark Horse.
An adaptation of the novel The Brothers by Brazilian author Milton Hatoum, the graphic novel centers on a strained family relationship.
Dark Horse is expanding its omnibus line with oversized new collections of The Kurosagi Corpse Delivery Service.
Created by Eiji Ōtsuka and Housui Yamazaki, the frequently gory horror manga centers on five young graduates of a Buddhist college, each with a special skill — dowsing, embalming, channeling an alien intelligence, etc. — who form a company devoted to delivering the dead to where they need to go to move on to their next reincarnations. It’s not pleasant or easy work, and it doesn’t always pay, but it beats a 9-to-5 job.
Legal | A 16-year-old in Nantes, France, was arrested last week for posting a cartoon on Facebook that mocks the Charlie Hebdo killings; the charge is “advocating terrorism.” The cartoon shows someone holding a copy of Charlie Hebdo and being struck by bullets. Electronic Intifada posts what is most likely the offending cartoon (it had been shared widely on social media), a takeoff on one of the more notorious Charlie Hebdo covers, accompanied by the text, “Charlie Hebdo is shit. It doesn’t stop bullets.” The original cover featured a cartoon of an Egyptian protestor holding the Koran, with text that read, “The Quran is shit, it doesn’t stop bullets.” [France 3]
Publishing | Sales were down in 2014 for Diamond Book Distributors, even though the industry overall had an up year. The reason: DBD lost a key client, Dark Horse, to Random House. Nonetheless, Vice President Kuo-Yu Liang sees good things in store for 2015, including strong sales of indie graphic novels, expanding international sales, and the much-anticipated March: Book Two, which was released this week. [Publishers Weekly]
I made no bones when I first wrote about the Joëlle Jones/Jamie S. Rich Lady Killer five-issue miniseries would be a must read, given the fact that award-winning veteran colorist Laura Allred would be gracing Jones’ art. While going into the first issue with elevated hopes, amazingly enough the Jones/Allred artistic team exceeded all of my heightened expectations.
It’s deja vu all over again for the Diamond Gem Awards: Voted on by comics retailers, the winners this year look a lot like the 2013 lineup, with Image Comics and BOOM! Studios once again taking honors as top publishers in their divisions. Marvel was named top dollar publisher, DC Comics as top backlist publisher and Viz Media as top manga publisher — just like in 2012 and 2013.
The first issue of the widely acclaimed Ms. Marvel was honored as comic book of the year in the under $3 division, and Thor #1 was the choice among pricier comics. The Amazing Spider-Man #1 brought in the most dollars, however. My Little Pony: Friendship Is Magic was named the best all-ages comic of the year, Batman: Earth One took the honors as best original graphic novel, and Box Brown’s Andre the Giant was the best indie comic.
In terms of who got what, DC Comics won seven awards, Marvel won six and Dark Horse won three, including best anthology for Dark Horse Presents, another three-peat.
Here’s the full list of winners:
Dark Horse will explore the history and mythology of Azeroth, the setting of Blizzard Entertainment’s blockbuster video game franchise, in World of Warcraft: Chronicle.
Debuting in November, the multi-volume series is described as a “definitive tome of Warcraft history” that “reveals untold stories about the birth of the cosmos, the rise of ancient empires, and the forces that shaped the world of Azeroth and its people.
Best known for his award-winning “slice-of-life fantasy” webcomic Tails, Ethan Young turns from the semi-autobiographical to historical fiction for his next project. Nanjing: The Burning City, a graphic novel due out later this year from Dark Horse, tells the story of two Chinese soldiers during the night before the Nanjing Massacre.
This will be big for Young; not only will the year see the release of a graphic novel he’s been planning since college, but he and his wife are also expecting their first child. We spoke about the project, fatherhood and more.
Dark Horse Presents went through a reboot last year, and as a special treat for ROBOT 6’s anniversary, editor Jim Gibbons shared sneak peeks at couple upcoming stories that’ll appear in the award-winning anthology (as well as one other fun surprise). Check them out below.
Best known to U.S. audiences for his work on Blue Beetle and his collaboration with Scott Snyder on American Vampire, artist Rafael Albuquerque is exchanging the world of superheroes and the supernatural for the Meld, an inhospitable dimension littered with, in his words, “temporal garbage.”
It’s the setting of Ei8ht, the creator-owned miniseries Albuquerque co-wrote with Mike Johnson (Supergirl), debuting Feb. 18 from Dark Horse. Based on the artist’s Brazilian webcomic Tune 8, the five-issue series centers on a chrononaut named Joshua who takes on a suicide mission to save his dying wife, only to find himself trapped in the Meld with little memory.
Albuquerque spoke with ROBOT 6 about the evolution of Ei8ht, his love for science fiction, and his creative goals for the series. He also shared an exclusive preview of the first issue.
Long before Frank Frazetta became internationally renowned for his genre-defining — and redefining — paintings of Conan, Tarzan and John Carter of Mars and other characters, he created the Snow Man. A scrappy ax-swinging, pipe-smoking statue brought to life, the Snow Man was introduced in 1944 in the first and only issue of Tally-Ho Comics, marking Frazetta’s comic book debut. He was 16 years old.
“All I did was one story, I was the kid who created the character,” Frazetta later recalled. “I did the pencils, and [Baily Publishing artist John] Giunta did the inking. I was only a kid, I didn’t even know how it was done.” However, Frazetta quickly learned, becoming first a comic book artist, drawing Western, fantasy, mystery and funny-animal stories, and then a painter whose influence on sci-fi and fantasy is still felt.