Dark Horse Comics Archives - Page 2 of 49 - Robot 6 @ Comic Book Resources
Dark Horse will publish omnibus editions of The New York Four and The New York Five, by Brian Wood and Ryan Kelly, and Demo, by Wood and Becky Cloonan. Editor Sierra Hahn told Publishers Weekly the acquisitions are part of the company’s ongoing commitment to the young-adult market.
Published in 2008 by DC Comics’ short-lived Minx imprint aimed at teen girls, The New York Four centers on four young women who move to New York City to attend New York University. A sequel miniseries, The New York Five, debuted in 2010 from DC’s Vertigo imprint.
Demo, released from November to 2003 to November 2004 by AiT/Planet Lar, was the breakout book for Wood and and Cloonan, who had previously collaborated on Channel Zero: Jennie One. The 12-issue series, which tells self-contained stories about young people with supernatural powers (well, mostly), was most recently collected in 2008 by Vertigo, which later published Wood and Cloonan’s sequel.
Dark Horse announced over the weekend at Phoenix Comicon that it will release the 20th-anniversary edition of OINK: Heaven’s Butcher, re-edited and remastered by creator John Mueller with new sequences.
Influenced by George Orwell, Pink Floyd and Simon Bisley, among others, OINK debuted in 1995 from Kitchen Sink Press, telling the dystopian story of pig-men who work as slaves to feed their human masters. But when Oink witnesses the execution of one of his comrades, he violently rebels and sets out on a quest for the truth about the creation of his race and revenge against its oppressors.
“OINK is the foundation of my career, and I couldn’t really think of a better way to take another swing at comics,” Mueller, who’s been working on the remastered edition for more than six years, said in a 2013 interview. “I’m really proud of the work I’m doing for it, and I think it will lead to good things. There are also more OINK stories, and so I thought if I was going to do that I wanted to reset the foundation.”
My labor-of-love graphic novel The Fifth Beatle: The Brian Epstein Story was recently nominated for an Eisner Award for Best Reality-Based Work, and after coming back down to Earth (I learned what it meant to jump for joy — I was airborne!) I realized that I was equally honored by the nomination itself as I was by being a part of the category. Comics have certainly entertained me over the years — but more than that they have educated and inspired me. Many people have asked why I chose the graphic novel medium to tell the Brian Epstein story, and the heart of my answer is my steadfast belief that comics is simply one of the most powerful mediums for telling reality-based stories. Comics can capture the factual history of a tale alongside its poetic essence in a way prose biographies couldn’t dream of.
Many folks of Indian origin like myself can claim to have started reading comics when we were children. Indeed, many of us first learned our great Indian epics such as the Ramayana and the Mahabharata through easy-to-digest (and fun), cheap comic book adaptations. These ashcan-like books may have seemed like merely disposable entertainment, but the epics they’re based on are touchstones of the Indian identity. Those comics surreptitiously taught us about who we are, where we come from, and the power of both story and history. It’s perhaps no surprise that my Indian parents loved comics, and some of my earliest memories include browsing the comics racks at Forbidden Planet with them (then going home to listen to their Beatles’ records). And even when my childhood longboxes were full of the funnies, I somehow sensed that comics were more than just “comic” books.
It’s been a long time coming, but Eric Powell has offered an update on the Kickstarter-funded story reel for a CG-animated adaptation of The Goon, teasing, “we continue to inch closer to our final goal of Franky, via Paul Giamatti, screaming ‘KNIFE TO THE EYE!’ in theaters world wide!”
“I have seen about 90% of the story reel footage, and I’m super proud of the efforts of everyone involved,” he wrote Wednesday on the Kickstarter page. “Everyone remains just as passionate as ever to get this film completed, and it shows in every frame of the story reel. We still have hurtles [sic] to cross, but armed with this story reel and your overwhelming support, we remain confident we will find the right home for this film.”
With April sales numbers released from Diamond Comic Distributors, a subtle pattern has revealed itself: Dark Horse has reclaimed its position as fourth-largest publisher from IDW Publishing for three months straight. It’s a streak of growth in market and dollar share that hasn’t happened for Dark Horse since fall 2011.
It’s great news for an industry mainstay that seemed to be getting eclipsed by the younger IDW at its own game of mixing licensed properties with creator-owned titles. Whether it’s temporary or not, digging into the sales charts, it’s clear there’s more stability in Dark Horse’s catalog than there might first seem.
Obviously Star Wars is the property many know the company for, and when it was announced the license would move at the end of this year to Marvel, some worried how Dark Horse would carry on. However, most publishers realize that no license is forever, so Dark Horse has built a diverse library that seems to be lifting it up now. Despite such diversifying, Star Wars is still the big seller at comic shops, but it’s only the beginning. The back-to-back launch of The Star Wars, a comics adaptation of an early draft of George Lucas’ screenplay, and a back-to-basics Star Wars by Brian Wood provided two accessible titles; if you’d ever seen the original Star Wars trilogy, you’re all set. The last issue of The Star Wars comes out later this month, with a collection in both hardcover and softcover to follow in July.
I’ve always loved the Wild West setting. It’s a world of arid landscapes with rocky canyons and flat horizons, where small communities composed of a few people are isolated from the comforts of an urban society. Interaction with fellow humans runs through the barest lines of transportation and communication, and they’re easily severed by bandits and the unforgiving forces of nature. The lack of electricity means pitch-black nights sometimes illuminated by the flickering glow of a campfire. The atmosphere is dominated by a sense of loneliness.
And despite how it’s typically depicted in old Hollywood movies, its population is also quite diverse. The native population still maintained a presence, settlers with European backgrounds are newly arrived to the area, resulting in a mix of people with Hispanic, African and Caucasian heritages. Chinese laborers have been brought in to lay down railroad tracks.
As part of the 30th-anniversary celebration of Stan Sakai’s famed samurai rabbit, Usagi Yojimbo will return in August in a six-issue miniseries from Dark Horse. Its debut will be followed in October by the release of the first volume in a new series of deluxe compilations.
Set 20 years in his future, Usagi Yojimbo: Senso follows Miyamoto Usagi has he fights as a general for Lord Noriyuki against Lord Hikiji. But in a sci-fi twist, a rocket crashes to Earth in the middle of the final battle, containing an enemy that neither side could have imagined. Sakai teased the project last summer in an interview with ROBOT 6, explaining, “The entire premise is,’What if the Martians from HG Wells’ War of the Worlds had sent a few scout ships 200 years before their invasion of Victorian England?’ It may not be as historically or culturally accurate as my stories usually are, but it sure will be fun.”
Buzzkill writer Donny Cates is teaming with Space-Mullet cartoonist Daniel Warren Johnson and colorist Lauren Affe for Ghost Fleet, a 12-issue series the Dark Horse teases will blend big rigs and conspiracies.
Arriving Nov. 5, the action series centers on Ghost Fleet, the go-to trucking service for transporting the world’s most valuable, most dangerous and most secretive cargo. But when one driver takes a peek at his payload, his life is changed forever.
If you’re looking to stock up on back issues of Usagi Yojimbo, Hellboy, those non-canonical Star Wars comics or any other Dark Horse title, now’s the time to do it — in celebration of its three-year anniversary, Dark Horse Digital is offering a 50 percent discount on everything in the web store.
According to the press release, the sale runs through Sunday at midnight, with confirmed Dark Horse Digital newsletter subscribers receiving a coupon for an additional 10 percent off. This newsletter coupon stacks with the web store discount. To top it off, they’re also giving away iPad Minis this weekend “loaded with Dark Horse comics.”
So head to their web store to start your shopping spree.
As you’ve likely already been reminded by Google or morning television, today is Earth Day, a worldwide observance designed to demonstrate support for environmental protection. To celebrate the 44th annual event, Dark Horse is offering a special digital deal on an ecological cautionary tale: The Massive.
While its colleagues were off at WonderCon Anaheim, Dark Horse’s manga team was busy at SakuraCon making a couple of interesting new title announcements.
The first is CLAMP’s Legal Drug, previously published in the United States by Tokyopop, and the sequel, Drug & Drop. Legal Drug will be published as a three-in-one omnibus, while Drug & Drop will be released as single volumes.
CLAMP is a four-woman creative team with a lot of projects, and Drug & Drop has been put on hiatus twice, but there are two volumes out in Japan so far. The series was big news when it was announced three years ago; at the time, the bet was that Dark Horse would get the license, as it has a number of CLAMP titles in its catalog already. Speaking of which, Dark Horse will also start releasing its other CLAMP titles digitally later this year.
Welcome to Best of 7, where we talk about “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out. So let’s take a look at the last seven days in comics …
In addition to all the comics they publish, Dark Horse has put out some pretty nice hardcover art books over the past few years, for properties like The Legend of Korra, Mass Effect, Dragon Age and The Legend of Zelda, to name a few. And coming this fall, you can add the popular Adult Swim series The Venture Bros. to the list.
According to the press release, the coffee table book will include original artwork, character designs, storyboards, painted backgrounds and props from the show, with commentary on the development of the series from co-creators Jackson Publick and Doc Hammer. Comedian Patton Oswalt will write the foreword.
The Venture Bros. debuted as a part of the Cartoon Network’s late-night Adult Swim block in 2003, and five seasons have run to date. Season six will reportedly start in the fall or early 2015.
Dark Horse Comics is the highest-profile publisher whose digital releases are not available on comiXology, opting instead to use their own platform, Dark Horse Digital. Following Thursday’s news that Amazon has reached an agreement to purchase comiXology for an undisclosed amount, ROBOT 6 reached out to Dark Horse president and founder Mike Richardson for his thoughts on the matter:
“Companies outside our industry have been paying increasing attention to comics in recent years. New technology has offered a variety of new opportunities in both content creation and content delivery. It is not surprising that Amazon and Comixology would come together considering this environment. The comics industry, despite periods of lull, has always been an evolving and changing business, and this move is consistent with that history.”
Dark Horse will bring three con-exclusive variant covers to WonderCon April 18-20, as well as two limited-edition hardcovers.
The first issues of both Buffy the Vampire Slayer Season 10 and Angel & Faith Season 10 each get a variant, by Tomb Raider art director Brian Horton and Angel & Faith artist Steve Morris, respectively. They cost $5 each, and you’re limited to five copies of each.
Usagi Yojimbo artist Stan Sakai has drawn a variant cover for Dark Horse’s upcoming The Witcher comic, based on the video game of the same name. All proceeds from the sale of this limited-edition variant will benefit Stan and Sharon Sakai.
Finally, they will be selling limited hardcovers collecting the recent Itty Bitty Hellboy miniseries by Art Baltazar and Franco, and The Last of Us: American Dreams by Faith Erin Hicks and Neil Druckmann.
Check out the covers after the jump.