Dark Horse Comics Archives - Page 2 of 50 - Robot 6 @ Comic Book Resources
With just three weeks until the official start of Comic-Con International, Dark Horse unleashed what it calls its “first wave” of convention-exclusive items, which includes a Usagi Yojimbo lithograph, Hellboy in Hell and Itty Bitty Hellboy hardcovers and — wait for it — an Itty Bitty Hellboy plush toy.
The products will be available throughout the convention at the Dark Horse booth (#2615), with the publisher allocating a set number of exclusives and limited editions for each day.
Publishing | Comics archivist and publisher Rachel Richey will launch a Kickstarter campaign in September to fund a collection of Johnny Canuck comics. Created by Leo Bachie and published from 1941 to 1946 by Dime Comics, the character was a super-patriotic hero who once fought Hitler mano-a-mano. Richey was behind last year’s successful Kickstarter to revive another uniquely Canadian character, Nelvana of the North. [Global News]
Digital comics | Todd Allen chats with the Madefire folks about branching out to Windows 8; they launched a free five-issue Transformers motion comics on Windows 8 just last week. Madefire is also available on iOS and via DeviantArt. [Publishers Weekly]
[Editor’s note: Every Sunday, Robot 6 contributors discuss “The best in comics from the last seven days” — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Dark Horse Comics Associate Editor Jim Gibbons is a seasoned social media user. Typically when Jim posts something on his Tumblr, it is something that already was on my radar or something that (thanks to Jim’s post) I put on my radar. A few weeks back, I was considering content that might work best for the Robot 6 Tumblr, when I stumbled upon the idea of somehow tapping into Gibbons’ nose for content. Continue Reading »
Brian Wood has unveiled Becky Cloonan’s new cover art for Dark Horse’s upcoming Demo omnibus, which will collect both volumes of their breakout series. As the writer notes, the art is an updated version of the cover for 2003’s Demo #1.
Dark Horse announced last week that it will publish the collection of Wood and Ryan Kelly’s 2008 graphic novel The New York Four and 2010 sequel The New York Five in November, followed by Demo in April. According to Wood, both will be “high-end softcovers,” with plenty of extras, akin to Dark Horse’s 2012 collection of Channel Zero.
Dark Horse will publish omnibus editions of The New York Four and The New York Five, by Brian Wood and Ryan Kelly, and Demo, by Wood and Becky Cloonan. Editor Sierra Hahn told Publishers Weekly the acquisitions are part of the company’s ongoing commitment to the young-adult market.
Published in 2008 by DC Comics’ short-lived Minx imprint aimed at teen girls, The New York Four centers on four young women who move to New York City to attend New York University. A sequel miniseries, The New York Five, debuted in 2010 from DC’s Vertigo imprint.
Demo, released from November to 2003 to November 2004 by AiT/Planet Lar, was the breakout book for Wood and and Cloonan, who had previously collaborated on Channel Zero: Jennie One. The 12-issue series, which tells self-contained stories about young people with supernatural powers (well, mostly), was most recently collected in 2008 by Vertigo, which later published Wood and Cloonan’s sequel.
Dark Horse announced over the weekend at Phoenix Comicon that it will release the 20th-anniversary edition of OINK: Heaven’s Butcher, re-edited and remastered by creator John Mueller with new sequences.
Influenced by George Orwell, Pink Floyd and Simon Bisley, among others, OINK debuted in 1995 from Kitchen Sink Press, telling the dystopian story of pig-men who work as slaves to feed their human masters. But when Oink witnesses the execution of one of his comrades, he violently rebels and sets out on a quest for the truth about the creation of his race and revenge against its oppressors.
“OINK is the foundation of my career, and I couldn’t really think of a better way to take another swing at comics,” Mueller, who’s been working on the remastered edition for more than six years, said in a 2013 interview. “I’m really proud of the work I’m doing for it, and I think it will lead to good things. There are also more OINK stories, and so I thought if I was going to do that I wanted to reset the foundation.”
My labor-of-love graphic novel The Fifth Beatle: The Brian Epstein Story was recently nominated for an Eisner Award for Best Reality-Based Work, and after coming back down to Earth (I learned what it meant to jump for joy — I was airborne!) I realized that I was equally honored by the nomination itself as I was by being a part of the category. Comics have certainly entertained me over the years — but more than that they have educated and inspired me. Many people have asked why I chose the graphic novel medium to tell the Brian Epstein story, and the heart of my answer is my steadfast belief that comics is simply one of the most powerful mediums for telling reality-based stories. Comics can capture the factual history of a tale alongside its poetic essence in a way prose biographies couldn’t dream of.
Many folks of Indian origin like myself can claim to have started reading comics when we were children. Indeed, many of us first learned our great Indian epics such as the Ramayana and the Mahabharata through easy-to-digest (and fun), cheap comic book adaptations. These ashcan-like books may have seemed like merely disposable entertainment, but the epics they’re based on are touchstones of the Indian identity. Those comics surreptitiously taught us about who we are, where we come from, and the power of both story and history. It’s perhaps no surprise that my Indian parents loved comics, and some of my earliest memories include browsing the comics racks at Forbidden Planet with them (then going home to listen to their Beatles’ records). And even when my childhood longboxes were full of the funnies, I somehow sensed that comics were more than just “comic” books.
It’s been a long time coming, but Eric Powell has offered an update on the Kickstarter-funded story reel for a CG-animated adaptation of The Goon, teasing, “we continue to inch closer to our final goal of Franky, via Paul Giamatti, screaming ‘KNIFE TO THE EYE!’ in theaters world wide!”
“I have seen about 90% of the story reel footage, and I’m super proud of the efforts of everyone involved,” he wrote Wednesday on the Kickstarter page. “Everyone remains just as passionate as ever to get this film completed, and it shows in every frame of the story reel. We still have hurtles [sic] to cross, but armed with this story reel and your overwhelming support, we remain confident we will find the right home for this film.”
With April sales numbers released from Diamond Comic Distributors, a subtle pattern has revealed itself: Dark Horse has reclaimed its position as fourth-largest publisher from IDW Publishing for three months straight. It’s a streak of growth in market and dollar share that hasn’t happened for Dark Horse since fall 2011.
It’s great news for an industry mainstay that seemed to be getting eclipsed by the younger IDW at its own game of mixing licensed properties with creator-owned titles. Whether it’s temporary or not, digging into the sales charts, it’s clear there’s more stability in Dark Horse’s catalog than there might first seem.
Obviously Star Wars is the property many know the company for, and when it was announced the license would move at the end of this year to Marvel, some worried how Dark Horse would carry on. However, most publishers realize that no license is forever, so Dark Horse has built a diverse library that seems to be lifting it up now. Despite such diversifying, Star Wars is still the big seller at comic shops, but it’s only the beginning. The back-to-back launch of The Star Wars, a comics adaptation of an early draft of George Lucas’ screenplay, and a back-to-basics Star Wars by Brian Wood provided two accessible titles; if you’d ever seen the original Star Wars trilogy, you’re all set. The last issue of The Star Wars comes out later this month, with a collection in both hardcover and softcover to follow in July.
I’ve always loved the Wild West setting. It’s a world of arid landscapes with rocky canyons and flat horizons, where small communities composed of a few people are isolated from the comforts of an urban society. Interaction with fellow humans runs through the barest lines of transportation and communication, and they’re easily severed by bandits and the unforgiving forces of nature. The lack of electricity means pitch-black nights sometimes illuminated by the flickering glow of a campfire. The atmosphere is dominated by a sense of loneliness.
And despite how it’s typically depicted in old Hollywood movies, its population is also quite diverse. The native population still maintained a presence, settlers with European backgrounds are newly arrived to the area, resulting in a mix of people with Hispanic, African and Caucasian heritages. Chinese laborers have been brought in to lay down railroad tracks.
As part of the 30th-anniversary celebration of Stan Sakai’s famed samurai rabbit, Usagi Yojimbo will return in August in a six-issue miniseries from Dark Horse. Its debut will be followed in October by the release of the first volume in a new series of deluxe compilations.
Set 20 years in his future, Usagi Yojimbo: Senso follows Miyamoto Usagi has he fights as a general for Lord Noriyuki against Lord Hikiji. But in a sci-fi twist, a rocket crashes to Earth in the middle of the final battle, containing an enemy that neither side could have imagined. Sakai teased the project last summer in an interview with ROBOT 6, explaining, “The entire premise is,’What if the Martians from HG Wells’ War of the Worlds had sent a few scout ships 200 years before their invasion of Victorian England?’ It may not be as historically or culturally accurate as my stories usually are, but it sure will be fun.”
Buzzkill writer Donny Cates is teaming with Space-Mullet cartoonist Daniel Warren Johnson and colorist Lauren Affe for Ghost Fleet, a 12-issue series the Dark Horse teases will blend big rigs and conspiracies.
Arriving Nov. 5, the action series centers on Ghost Fleet, the go-to trucking service for transporting the world’s most valuable, most dangerous and most secretive cargo. But when one driver takes a peek at his payload, his life is changed forever.
If you’re looking to stock up on back issues of Usagi Yojimbo, Hellboy, those non-canonical Star Wars comics or any other Dark Horse title, now’s the time to do it — in celebration of its three-year anniversary, Dark Horse Digital is offering a 50 percent discount on everything in the web store.
According to the press release, the sale runs through Sunday at midnight, with confirmed Dark Horse Digital newsletter subscribers receiving a coupon for an additional 10 percent off. This newsletter coupon stacks with the web store discount. To top it off, they’re also giving away iPad Minis this weekend “loaded with Dark Horse comics.”
So head to their web store to start your shopping spree.
As you’ve likely already been reminded by Google or morning television, today is Earth Day, a worldwide observance designed to demonstrate support for environmental protection. To celebrate the 44th annual event, Dark Horse is offering a special digital deal on an ecological cautionary tale: The Massive.
While its colleagues were off at WonderCon Anaheim, Dark Horse’s manga team was busy at SakuraCon making a couple of interesting new title announcements.
The first is CLAMP’s Legal Drug, previously published in the United States by Tokyopop, and the sequel, Drug & Drop. Legal Drug will be published as a three-in-one omnibus, while Drug & Drop will be released as single volumes.
CLAMP is a four-woman creative team with a lot of projects, and Drug & Drop has been put on hiatus twice, but there are two volumes out in Japan so far. The series was big news when it was announced three years ago; at the time, the bet was that Dark Horse would get the license, as it has a number of CLAMP titles in its catalog already. Speaking of which, Dark Horse will also start releasing its other CLAMP titles digitally later this year.