Dark Horse Comics Archives - Page 3 of 50 - Robot 6 @ Comic Book Resources
Buzzkill writer Donny Cates is teaming with Space-Mullet cartoonist Daniel Warren Johnson and colorist Lauren Affe for Ghost Fleet, a 12-issue series the Dark Horse teases will blend big rigs and conspiracies.
Arriving Nov. 5, the action series centers on Ghost Fleet, the go-to trucking service for transporting the world’s most valuable, most dangerous and most secretive cargo. But when one driver takes a peek at his payload, his life is changed forever.
If you’re looking to stock up on back issues of Usagi Yojimbo, Hellboy, those non-canonical Star Wars comics or any other Dark Horse title, now’s the time to do it — in celebration of its three-year anniversary, Dark Horse Digital is offering a 50 percent discount on everything in the web store.
According to the press release, the sale runs through Sunday at midnight, with confirmed Dark Horse Digital newsletter subscribers receiving a coupon for an additional 10 percent off. This newsletter coupon stacks with the web store discount. To top it off, they’re also giving away iPad Minis this weekend “loaded with Dark Horse comics.”
So head to their web store to start your shopping spree.
As you’ve likely already been reminded by Google or morning television, today is Earth Day, a worldwide observance designed to demonstrate support for environmental protection. To celebrate the 44th annual event, Dark Horse is offering a special digital deal on an ecological cautionary tale: The Massive.
While its colleagues were off at WonderCon Anaheim, Dark Horse’s manga team was busy at SakuraCon making a couple of interesting new title announcements.
The first is CLAMP’s Legal Drug, previously published in the United States by Tokyopop, and the sequel, Drug & Drop. Legal Drug will be published as a three-in-one omnibus, while Drug & Drop will be released as single volumes.
CLAMP is a four-woman creative team with a lot of projects, and Drug & Drop has been put on hiatus twice, but there are two volumes out in Japan so far. The series was big news when it was announced three years ago; at the time, the bet was that Dark Horse would get the license, as it has a number of CLAMP titles in its catalog already. Speaking of which, Dark Horse will also start releasing its other CLAMP titles digitally later this year.
Welcome to Best of 7, where we talk about “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out. So let’s take a look at the last seven days in comics …
In addition to all the comics they publish, Dark Horse has put out some pretty nice hardcover art books over the past few years, for properties like The Legend of Korra, Mass Effect, Dragon Age and The Legend of Zelda, to name a few. And coming this fall, you can add the popular Adult Swim series The Venture Bros. to the list.
According to the press release, the coffee table book will include original artwork, character designs, storyboards, painted backgrounds and props from the show, with commentary on the development of the series from co-creators Jackson Publick and Doc Hammer. Comedian Patton Oswalt will write the foreword.
The Venture Bros. debuted as a part of the Cartoon Network’s late-night Adult Swim block in 2003, and five seasons have run to date. Season six will reportedly start in the fall or early 2015.
Dark Horse Comics is the highest-profile publisher whose digital releases are not available on comiXology, opting instead to use their own platform, Dark Horse Digital. Following Thursday’s news that Amazon has reached an agreement to purchase comiXology for an undisclosed amount, ROBOT 6 reached out to Dark Horse president and founder Mike Richardson for his thoughts on the matter:
“Companies outside our industry have been paying increasing attention to comics in recent years. New technology has offered a variety of new opportunities in both content creation and content delivery. It is not surprising that Amazon and Comixology would come together considering this environment. The comics industry, despite periods of lull, has always been an evolving and changing business, and this move is consistent with that history.”
Dark Horse will bring three con-exclusive variant covers to WonderCon April 18-20, as well as two limited-edition hardcovers.
The first issues of both Buffy the Vampire Slayer Season 10 and Angel & Faith Season 10 each get a variant, by Tomb Raider art director Brian Horton and Angel & Faith artist Steve Morris, respectively. They cost $5 each, and you’re limited to five copies of each.
Usagi Yojimbo artist Stan Sakai has drawn a variant cover for Dark Horse’s upcoming The Witcher comic, based on the video game of the same name. All proceeds from the sale of this limited-edition variant will benefit Stan and Sharon Sakai.
Finally, they will be selling limited hardcovers collecting the recent Itty Bitty Hellboy miniseries by Art Baltazar and Franco, and The Last of Us: American Dreams by Faith Erin Hicks and Neil Druckmann.
Check out the covers after the jump.
Mercy St. Clair, star of Ron Randall’s long-running Trekker series, has been busting heads and collecting bounties since the mid-1980s — so it’s no wonder she needs a vacation. But when things go terribly awry on the train to her resort destination, the guns come out.
Trekker: The Train to Avalon Bay collects stories from Dark Horse Presents #24–#29 featuring that fateful train ride, as well as a 22-page crossover with Karl Kesel’s Johnny Zombie that ran on the Thrillbent website. It also includes a large pin-up section, and courtesy of our friends at Dark Horse, we’re pleased to present some of those pin-ups today — by Dustin Weaver, Steve Lieber, Jesse Hamm, Ron Chan and Pete Woods.
Also, if you live in Portland, you can meet Trekker creator Ron Randall at Bridge City Comics from 6 to 8 p.m. tonight. They’ll have advanced copies of the book, which arrives next Wednesday everywhere else.
Check out the pin-ups below, and for more on Randall, Willamette Week recently did a very thorough profile on him.
Back in December 2013, Dark Horse revealed the covers for its May 3, 2014’s Free Comic Book Day offerings. One of those covers is for Project Black Sky featuring Captain Midnight and Brain Boy from cover and interior artist Michael Broussard.
Legal | Signe Wilkinson, Pulitzer Prize-winning cartoonist for The Philadelphia Inquirer and Philadelphia Daily News, has been named in a defamation lawsuit filed against the newspapers by Pennsylvania Supreme Court Justice Seamus McCaffery and his wife Lise Rapaport. The judge and his wife accuse the two papers of running a smear campaign against them, and the suit specifically mentions a Wilkinson cartoon satirizing their marital and work relationship (it’s complicated). Blogger Alan Gardner adds that he hasn’t been able to find a case in which a cartoonist was successfully sued for defamation, although in this case the newspapers’ reporting is part of the issue as well. [Philadelphia, The Daily Cartoonist]
Emerald City Comicon may not come with the metric ton of announcements that Comic-Con International does, but in a way it’s all the better for it. Comics still feel as if they’re front and center just where I like them, and the announcements have more charm because they aren’t screaming to be heard over the din of film and television rollouts.
One year, I’ll get up to Seattle to experience the event firsthand, but in the meantime, I get to absorb all the news and photos like everyone else, as they’re posted online. ECCC even streamed all of its panels on flipon.tv. Anything that happened in Room 301 is free for anyone to watch. Everything else can be purchased with a full archive pass for $14.95. Or if, you don’t want to sit through hours of panel footage, there’s CBR’s coverage or, heck, try Google or something.
A number of announcements jumped out as particularly noteworthy, so let’s run through The 6 Best Things from ECCC. And from my count, Dark Horse won Emerald City. Your miles may vary though, so post your favorites in the comments.
Graphic novels | An estimated 200 students, faculty and community members gathered Saturday at the College of Charleston in South Carolina to protest proposed budget cuts to that school and the University of South Carolina Upstate in retaliation for selecting gay-themed books — including Alison Bechdel’s Fun Home — for their summer reading programs. The South Carolina House of Representatives approved a proposal early this month that would slash $52,000 cut from the College of Charleston and $17,142 for USC Upstate, which represent what each school spent on the programs. The budget is now before the state Senate. [The Post and Courier]
At this weekend’s Emerald City Comicon, Dark Horse announced two collections featuring early ElfQuest material by Wendy and Richard Pini.
In August, fans can expect The Complete ElfQuest Volume 1: The Original Quest, a 720-page, black-and-white collection of “what is now known as The Original Quest.” It will include a gallery of concept art, pinups and covers, as well as commentary from the Pinis.
Then October brings ElfQuest: The Original Quest Gallery Edition. In what sounds like something akin to IDW’s Artists Edition series, it will collect Wendy Pini’s original artwork from the first five issues of “The Original Quest.” According to the press release, “Each page is carefully scanned from Wendy Pini’s original art to capture every stroke and detail. At 12 1/8″ by 17″, it’s as close to holding Pini’s original art as a fan can get.”
The Complete ElfQuest Volume 1: The Original Quest goes on sale Aug. 6. ElfQuest: The Original Quest Gallery Edition will arrive in comic shops Oct. 8 and bookstores Oct. 21.
Legal | Those wondering how Stan Lee Media can possibly afford its long, and so far entirely unsuccessful, legal battle with Marvel and Disney may want to read this brief Wall Street Journal article about “litigation finance” — which it characterizes as the growing practice of investing in lawsuits. However, pointing to the fight over the rights to Spider-Man and other characters, writer Rob Copeland points out there are high risks: namely, that investors could never see financial return. As we’ve noted before, Stan Lee Media’s efforts are backed by a group of investors that includes the $21 billion hedge fund Elliott Management, which helps to explain why the lawsuits keep coming. [MoneyBeat]