Axel-In-Charge: "Secret Wars" Jam Session Talking "A-Force," "Ultimate End" and More
Graphic novels | December’s Nielsen BookScan list of the Top 20 graphic novels sold through the book channels looks markedly different from previous months because it now includes nonfiction. That actually makes it a much more interesting chart, with Roz Chast’s memoir Can’t We Talk About Something More Pleasant? taking the top spot, followed by the first two volumes of The Walking Dead Compendium, the fourth volume of Saga and the Oatmeal book The Terrible and Wonderful Reasons Why I Run Long Distances (which is apparently classified as nonfiction) showing up at No. 5. The chart, which tracks books sold in retail bookstores, some mass market stores and Amazon, also included a couple of much-hyped December debuts, the first collected volume of Ms. Marvel and Richard McGuire’s Here. [ICv2]
Political cartoons | In the wake of the Charlie Hebdo shootings, Zeidy David revisits the case of Palestinian cartoonist Mohammad Saba’aneh, who was arrested in Israel and held without charges for several months before being given a five-month sentence and a fine for “contact with a hostile organization” — a Jordanian publisher with whom he had discussed a possible book. [Mint Press News]
As a part of our sixth anniversary, Abrams ComicArts has provided ROBOT 6 with previews of two more books from its 2015 lineup — The Age of Selfishness: Ayn Rand, Morality, and the Financial Crisis by Darryl Cunningham and Trashed by Derf Backderf.
Tracing the emergence of Ayn Rand’s philosophy of objectivism in the 1940s to her present-day influence, Darryl Cunningham’s latest work of graphic-nonfiction investigation leads readers to the heart of the global financial crisis of 2008. Cunningham uses Rand’s biography to illuminate the policies that led to the economic crash in the United States and in Europe, and how her philosophy continues to affect today’s politics and policies.
Announced almost a year ago, Trashed started in 2002 as a comic from SLG Publishing and was revived in 2010 by Backderf as a webcomic. It’s a memoir of the year he spent as a garbageman in his rural hometown, with added fictional characters and situations. As he explained on his website, “It didn’t really happen but, trust me, it’s all too real.”
Check out the previews below. Our thanks to Abrams.
Auctions | An original 1939 drawing of Tintin created by Herge for the cover of the weekly magazine Le Petit Vingtième sold Sunday for $673,468 at an auction of French and Belgian comics art held simultaneously in Paris and Brussels. The auction featured 101 works, of which 86 were purchased for a total of $2.4 million. [Agence France-Presse]
Auctions | A copy of The Hulk #181, featuring the first appearance of Wolverine, fetched $8,000 at an auction held Saturday at Back to the Past comics store in Redford, Michigan. [My Fox Detroit]
Retailing | System of a Down drummer John Dolmayan, who shuttered his online store Torpedo Comics in 2010 after about three years in business, is looking to open a brick-and-mortar shop. A brief story notes that while Las Vegas store Comic Oasis, owner Derrick Taylor is partnering with Dolmayan to open Torpedo Comics in January at 8775 Lindell Road, Building H, Suite 150. [Vegas Inc.]
Conventions | It looks as if Wizard World’s convention won’t be returning to San Antonio, Texas, in 2015. A Wizard World spokesman said the company couldn’t come up with a date that fit the schedule of the city’s Henry B. Gomez Convention Center, adding, “We hope to revisit the possibility for 2016.” However, reporter Rene Guzman notes that San Antonio’s Alamo City Comic Con was a much bigger deal this year, in terms of the exhibit floor (it took up three exhibit halls of the convention center, compared to Wizards’ one) and probably attendance as well: Wizard World said its inaugural event in August drew “thousands,” and Alamo City had 73,000 attendees, almost twice as many as last year. There will be a Wizard World Austin conventionn in 2015, so anyone wanting a taste of that Wizard magic can find it a short road trip away. [San Antonio Express News]
Legal | The Wally Wood estate has sued Tatjana Wood, ex-wife of the late cartoonist, claiming she’s in possession of 150 to 200 pages of his art erroneously sent to her address in 2005 by Marvel. The couple were married in 1950 but divorced in the 1960s; Tatjana later worked extensively as a colorist for DC Comics. Wally committed suicide in 1981, leaving “all bank accounts, whether savings, checking, Certificates of Deposit, or otherwise” to Tatjana, and everything else to his estate, supervised by John H. Robinson. [The Comics Reporter]
Creators | “I’m an acquired taste,” says Howard Chaykin, who was speaking to the press in advance of this weekend’s Vegas Valley Comic Book Festival. He talks about working for small publishers, his unhappiness with the licensed Star Wars comics he did for Marvel, and the current trend of movies based on comics: “It’s really just a matter of the guys who beat us up in high school finally figuring out a way to make money off our asses.” [Las Vegas Review-Journal]
Creators | A U.K. researcher argues that Marie Duval was the real creative force behind the wildly popular 19th-century British comic Ally Sloper, which is largely credited to her husband Charles Ross. Duval, the pen name of French cartoonist Emilie de Tessier, drew the character at the height of his popularity in the 1860s and ’70s, but historian David Kunzle now questions what role Ross actually played in his creation. [The Guardian]
Commentary | Chase Magnett pushes back on Chris Suellentrop’s statement, made in a column about GamerGate, that comics are “a medium that has never outgrown its reputation for power fantasies and is only very occasionally marked by transcendent work (Maus, or the books of Chris Ware) that demands that the rest of the culture pay attention to it.” [Comicbook.com]
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
The unexpected death of Robin Williams was shocking enough, but the news that it was suicide was a punch to the gut.
For better or for worse (and it can work both ways), we look for redemption in tragedies. As soon as the news got out, people started sharing information about suicide help lines on Twitter and Facebook, and as the week went on, many people used the moment to reflect publicly on their own struggles with depression, anxiety, and other mental health issues.
In that context, I really appreciated “You Might as Well Live,” the little cartoon Darryl Cunningham posted this week: He depicts a man who realizes, in the split second after jumping off a bridge, that he has made a terrible mistake: “All the actions he had taken in his life were fixable, he realised, except for the action he’d just taken.”
Graphic novels | BookScan’s list of the bestselling graphic novels in bookstores in March divides neatly into eight Image Comics titles (six volumes of The Walking Dead and two of Saga), eight volumes of manga (four Attack on Titan, four Viz Media titles) and four volumes of media tie-ins. For the second month in a row, not a single DC Comics or Marvel title cracked the Top 20, although an older DK Publishing character guide to the Avengers (not actually a graphic novel) came in at No. 11. The top-selling title was the 20th volume of The Walking Dead, and the No. 2 was the third volume of Saga. It’s also interesting to note that the first three volumes of Attack on Titan charted higher than the most recent release, which suggests new readers are still coming into the franchise in substantial numbers — and sticking with it. [ICv2]
Usually when we use the term “comic book science” around, it’s to refer to the close-enough-for-fantasy hand-waving that goes into kinda-sorta explaining things like yellow sun radiation allowing a man to fly, or alternate dimensions created by a mad doctor’s time-travel machine in our favorite superhero comics.
There is, of course, the other kind of comic book science, too — real science that appears in comic books about science. Comics like these two very different, new-ish releases that tackle some of the most difficult subjects ever put in panels: Margreet de Heer’s Science: A Discovery in Comics and Darryl Cunnningham’s How To Fake a Moon Landing: Exposing The Myths of Science Denial.
Of the two, De Heer’s is perhaps the more ambitious, attempting as it does to tell the entire history of science, from the murky dawn of mankind up until where quantum theory stood at the point of publication. All in just 180 pages!
And she manages to get it all in!
How? Well, mainly through abbreviation. While various major scientists (Sir Isaac Newton, Leonardo Da Vinci, Charles Darwin, etc) get little, multi-page stories, many more simply get an image, a label naming them and a dialogue bubble saying, “I was the founder of Optometry!” or whatever.
Conventions | Retailers in the Boston area talk about the importance of Boston Comic Con to their bottom line. This year’s event will be held Saturday and Sunday. [The Boston Globe]
Creators | Nate Powell, who got his start distributing photocopied minicomics at punk-rock shows, talks to his hometown newspaper about working with Rep. John Lewis on March, drawing a Percy Jackson graphic novel, and life as a full-time comic artist: “There’s a whole lot of constant hustling as a cartoon artist, and really I credit DIY punk as far as shaping the way that I navigate the world to allow me to still tap into the constant hustling necessary to keep my head above water.” [Arkansas Times]
Darryl Cunningham’s How to Fake a Moon Landing, which debuted last month at MoCCA Arts Fest, looks at a number of popular fallacies, from homeopathy to global warming denial, and lays out not just the science behind each one but the history as well, including the personalities who drove them.
Personal tales crossed over into science in Cunningham’s first book Psychiatric Tales, which not only described different mental disorders but related stories about each one, told from Cunningham’s vantage point as a care assistant on a psychiatric ward and his own experience with depression. How to Fake a Moon Landing is less personal but still has a point of view, which is that there’s good science and bad science, and it’s important to be able to tell the difference. (You can see excerpts from the book, and his other work as well, on his blog.) I spoke with Cunningham about both books during a quiet moment at MoCCA.
ROBOT 6: Do you have a background in science?
Darryl Cunningham: I worked as a care assistant in an acute psychiatric ward, and after a few years, I thought I would do training to be a mental health nurse. I did a three-year course, which is very, very academic — more academic than it needs to be. Through that I learned how to write essays and research things, and to be skeptical about research, to look at how things have been properly peer reviewed, [whether] the evidence has been replicated, that kind of thing. I got a sense of how science works. After eight years of doing this, I was completely burned out. I couldn’t continue — I had a major crisis, really, started suffering from anxiety and depression, and I had to leave that work, but out of that whole experience, Psychiatric Tales came out.
I got into the habit of researching and have been able to boil down a lot of information into a comic strip format. And I listen to science podcasts when I’m drawing — some are famous ones, like The Skeptic’s Guide to the Universe — and listening to these, I realized there was a whole series of hot-button issues that came up time and time again that people didn’t really understand, things like the idea that the moon landing was a conspiracy, the MMR vaccination controversy, and evolution, not so much in Europe but very much here. I had the whole book structured for me and ready to go. All I had to do was research, write, and draw it. [Laughs] It took the better part of a year.
Conventions | The Orange County Register previews WonderCon, which returns this weekend to Anaheim, California, and selects some of the highlights from the programming schedule, including panels dedicated to “Batman: The Zero Year,” The True Lives of the Fabulous Killjoys, and Joss Whedon’s Much Ado About Nothing. [Orange County Register]
Conventions | The Detroit News runs down the upcoming slate of Michigan conventions dedicated to comics, anime, fantasy/sci-fi, horror and collectibles, ranging from Shuto Con to Kids Read Comics! to Detroit FanFare. [The Detroit News]
The Olympics are over, and London returns to normal. Surveying the Twitter feeds and blogs of that city’s comics creators, we see a very mixed reaction to the Games of the XXX Olympiad. Some loved it, others hate sports so much they fled the city for the duration, and some cynical souls were total converts after Danny Boyle’s epochal Opening Ceremony. Here’s a selection of reactions from U.K. comics folk.
Did you know there’s a Rich Johnson as well as a Rich Johnston? Rather than being a wispy bearded gossip-monger, the man we’ll call The Other Rich is a teacher-turned-cartoonist, influenced by the tradition of the great DC Thomson comic anthologies The Beano and The Dandy. I loved the work he produced as the nation got swept up in euphoria and expectation. His Bradley Wiggins tribute, the Wigbot (above), reminds me of the joke that originated after the Beijing Olympics: the British are good at any sport that involves sitting — cycling, rowing, sailing — but not so much the other stuff. Continue Reading »
Creators | Alan Moore will make a rare convention appearance in September — his first in 25 years, according to this article — at the inaugural Northants International Comics Expo in Northamptonshire, England. To attend Moore’s hour-long talk on writing comics or the hour-long question-and-answer session, convention-goers are required to donate graphic novels to the Northamptonshire Libraries, which will have a table at the event. [Stumptown Trade Review]
Creators | Mark Waid gets the NPR treatment, as Noah J. Nelson interviews him about his digital comics initiatives. “I got news for you: I’ve been doing this for 25 years, and this is the hardest writing I’ve ever had to do,” Waid says of creating digital comics. [NPR]
Publishing | Abrams ComicArts editorial director Charles Kochman discusses the publisher’s spring lineup, which will include William Stout’s Legends of the Blues, Darryl Cunningham’s What the Frack, a history of Bazooka Joe comics, and a Will Eisner artbook written by Paul Levitz. [ICv2]
First, a heads-up on the British Invasion of Toronto: This weekend, Toronto Comics Art Festival will host a number of creators from the United Kingdom, including Sean Azzopardi (Necessary Monsters), Darryl Cunningham (Psychiatric Tales), Joe Decie (Accidental Salad), Tom Gauld (Goliath), Lizz Lunney (Depressed Cat: Nine Miserable Lives) and Luke Pearson (Hilda and the Midnight Giant). Publishers Blank Slate, Nobrow Press and SelfMadeHero will also be in attendance. I ran into some other British creators at MoCCA this weekend; you’ll be hearing about that shortly.
Comics | Gary Northfield shows off some of the art from his comic Gary’s Garden, which runs in the weekly children’s comic The Phoenix:
Part autobiography, part made-up nonsense (well, mainly completely made-up nonsense to be fair), Gary’s Garden delves into my favourite thing ever – me spying on the comings and goings of all the little dudes and dudettes who dwell in my garden.
This makes me wish more fervently than ever that The Phoenix would get an app or somehow make itself available outside the UK, digitally or on paper. Adding to my pain: Jim Medway offers a peek at his new comic Chip Charlton & Mr. Woofles of the Royal Canadian Mounted Police.