Darwyn Cooke is coming to Long Beach Comic Con this weekend to premiere Parker: The Martini Edition, a deluxe, slipcased set of his two graphic novels Parker: The Hunter and Parker: The Outfit. Both are based on the novels of Richard Stark (actually Donald Westlake, writing under a pseudonym), and are drawn in a style reminiscent of the period in which they’re set, the early 1960s (when the 5’0s were just fading a bit and the Swinging Sixties had not yet begun), and Cooke won a fistful of Harvey and Eisner awards this year for Parker: The Outfit. He talked to me about The Martini Edition earlier this year at Boston Comic Con:
Conventions | San Diego City Council President Tony Young and Comic-Con International staff are working together on a “marquee event” at Balboa Park that around the time of Comic Con. While convention organizers are interested in a Balboa Park event, they don’t support Yong’s original proposal, a nationally televised parade that would kick off or end the con, saying that the logistics, traffic and crowding would be problematic. [Sign On San Diego]
Conventions | Ohio State University’s student newspaper covers this past weekend’s Mid-Ohio Con. [The Lantern]
I was going to open with some snotty Wow, the holidays went by super-quickly! comment, but then I read the first issue of Justice League in seven weeks. Sometimes DC gets ahead of itself; sometimes it’s a little behind. Happens to the best of us — sometimes you do two solicitation roundups in three weeks….
Anyway, with the January solicitations, the New-52 books each turn five issues old. Series wrapping up their first arcs this month include Blackhawks, Batwoman, Animal Man, and the Deadman feature in DC Universe Presents. (Not to worry about the latter, because there is a lot of Deadman in these solicits.) I’m not sure why five issues is such a wonky number for story arcs — there are five-issue miniseries all the time and they collect just fine. Still, I expected most of the New-52 books to take six issues for their introductory stories, and most of them may yet do that. Only a few books look to finish their first arcs after December’s issue #4s (Hawkman and Frankenstein, probably OMAC, maybe Batgirl), and those plus this month’s are barely an eighth of the relaunched line. It makes next month’s solicits more intriguing, I suppose.
Regardless, we live in the now (as it were…) so — onward to January!
Continue Reading »
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes, and first issues so that I don’t have to come up with a new way to say, “ Life with Archie is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Richie Rich Gems Winter Special - In addition to their modern-look Richie Rich, Ape has also re-introducied the classic version in both new and reprinted adventures. I missed the solicit for Richie Rich Gems #44 last month (which picked up where the Harvey series left off in 1982), but the series continues with not only the Winter Special, but #45 as well.
Dragons vs Dinosaurs - I haven’t had great luck with Arcana’s books in the past, but c’mon. The title alone…
Hero Happy Hour: On the Rocks - This, on the other hand, is no risk at all. I’m a big fan of Dan Taylor and Chris Fason’s superhero bar stories and this is an all-new, 80-page adventure. Not reprints; not even a printed version of the webcomic. It’s all-new and I need it.
The Dare Detectives: The Snow Pea Plot Collected Edition – Archaia prepares for their publishing Ben Caldwell’s Dare Detectives: The Kula Kola Caper by re-publishing the first story that was originally put out by Dark Horse.
If Darwyn Cooke’s award-winning IDW graphic novels Parker: The Hunter and Parker: The Outfit have piqued your curiosity about the original series of novels by Donald Westlake (who wrote them under the pseudonym Richard Stark), here’s a chance to check one out—for free.
Just in time for the long weekend, the University of Chicago Press is offering Westlakes’s The Score as a free e-book (it would set you back $14 in print) in a variety of formats: Adobe Digital Editions, Google Books, Kindle, Kobo, Nook, and Sony Reader. Since most of these readers can be installed on a PC or Mac as well as an iPad, iPhone, or Android device, this is pretty platform-independent.
If you like what you see, the publisher has 19 more Parker books for you, and they are offering a 30% discount on the e-books. Details are at the first link.
FanExpo Canada wraps up today in Toronto, and both Marvel and DC were there this weekend announcing various projects:
- DC Comics will relaunch the Justice Society by writer James Robinson and artist Nicola Scott. The new adventures of the JSA will be set not on the “New 52″ Earth, but on Earth-2, as they were before Crisis on Infinite Earths combined DC’s multiple Earths into one big sandbox back in the 1980s. “Everyone’s saying, ‘How can there be superheroes before the five years?’ We’re actually bringing back Earth-2,” Robinson said.
- Marvel announced Brian Wood will write for the publisher once again, in a teaser that seems to point a finger at a Wolverine project.
- Marvel’s Alpha Flight has been upgraded from a limited series to an ongoing.”We’ve got Taskmaster showing up, we’ve got Wolverine and other characters journeying north to find out what’s going on with Alpha Flight,” said co-writer Fred Van Lente. “We learn that Alpha flight’s actually a member of a super, super team called The Commonwealth of Heroes. I’m very excited about writing those characters — I love them a lot and it’s going to be a good time.” The Commonwealth of Heroes? I am intrigued. CBR has more details in an interview with Van Lente and Greg Pak, where they mention that Captain Britain and MI-13 will play a role in the Commonwealth Heroes.
- In addition to Jill Thompson, other artists working on the upcoming Shade miniseries written by James Robinson include Gene Ha and Darwyn Cooke.
- Marvel will publish a five-issue miniseries called Destroyers, by writer Fred Van Lente and artist Kyle Hotz. The book will feature The Thing, the Beast, A-Bomb, She-Hulk, Karkas the Deviant and Devil Dinosaur. “A lot of this series is about how monsters feel about being monsters and how comfortable they are with it. Hank McCoy is probably the most comfortable in his furry blue skin. He’s got an analytical mind. In this story, a colleague from his past gets murdered. That sets him on a quest to solve a mystery and puts him on a collision course with the Destroyers,” Van Lente told CBR.
- Marvel also announced the return of two more CrossGen properties — Kiss Kiss Bang Bang in December by writer Peter Milligan and artist Roman Rosanas, and Route 666 in February by writer Roberto Aguirre-Sacasa and artist Peter Nguyen. Both are four-issue mini-series.
Retailing | Although the 14th volume of The Walking Dead wasn’t released until June 21, it still managed to secure the No. 2 spot on BookScan’s list of graphic novels sold in bookstores that month, behind the 51st volume of Naruto. It’s the ninth consecutive month that at least one volume of the horror series has appeared in the BookScan Top 20, a run that began as marketing geared up for the AMC television adaptation. [ICv2.com]
Publishing | Darwyn Cooke has announced that the release of Parker: The Martini Edition will be postponed for a few months, and takes full responsibility for the delay. The book is now scheduled to debut at the Long Beach Comic Con in October [Almost Darwyn Cooke's Blog]
Publishing | John Jackson Miller looks at the history of comics numbering, which he traces back to dime novels of the 19th and early 20th centuries: “Comics are anomalous in American magazine publishing because most comics don’t use volume numbers and issue numbers that roll over ever year; rather, the numbers keep on going. In that, our numbering is much like that used for the cheap, disposable fiction of the earlier days.” [The Comichron]
The latest round of conversation about women in comics was sparked by Adam P. Knave’s piece bemoaning the lack of women creators in the comics field (which he defines as monthly comics, obviously dominated by superheroes). Adam believes the root cause is that superhero comics have made themselves unattractive to women by portraying women solely as sex objects or targets of abuse. This led Heidi MacDonald to point out that there are plenty of women in the rest of comics, just not at DC and Marvel. And they are doing quite well, too.
Danielle Corsetto, for example. The Girls with Slingshots creator was interviewed by Carl Watkins of Guerilla Geek, and he asked her if she thought it was easier for women to break into webcomics than “traditional” comics. Her answer is revealing:
Yes, although I think it has more to do with the genre than the medium. Most comic books are aimed at boys, are serious, and have a focus on superpowers. Most popular webcomics are character-driven and have to do with the characters’ lifestyles, or observations about science or philosophy, and almost all of them could be clumped into the broad category of “humor.” While I know plenty of women who genuinely love to read about superheroes, I think that, generally, most women prefer to read (and write) about how characters interact with one another, and not how they’re gonna pulverize each other.
So perhaps it’s not just the terrible portrayals of women but also the type of story that’s being told? Saying “women like this, men like that” is a sure way to get yourself called an idiot on the Internet, and certainly there are plenty of women superhero fans, but I can see her point. There’s a coldness to superhero comics that I find off-putting, and they often bore me in the same way battle-action manga do. That sounds like a value judgment, but it isn’t: The people who read Twilight and Vampire Knight are mostly female, so it cuts both ways.
On the other hand, perhaps if more women were writing superhero comics, there would be more superhero comics that women would want to read.
Anytime I get to talk to Jimmy Palmiotti, we never lack for projects to discuss. I can’t prove it, but I am willing to bet Palmiotti came up with at least two new story ideas while in the midst of this email interview. This Wednesday, July 6, marks the release of Trailblazer, a 48-page full-color western science fiction comic book ($5.99 [Image]) that he co-wrote with Justin Gray and art by Jim Daly. As detailed in this recent CBR release coverage, Trailblazer is “about a hired killer who turns in evidence against an employer for the murder of the woman who raised him. The government must then shield their star informant by enacting Operation Trailblazer, a witness protection program that uses not only location but time travel as well in order to keep their charges safe. As the assassin adjusts to his new life in the old west, he soon finds that no matter when or where he is the future is dead set in coming back to haunt him.” If you buy the book via Comixology, the original script is included as a bonus.
Before discussing this new Image release, we talked a bit about the impressive Jonah Hex 70-issue run (please note, for more scoop on Palmiotti and Gray’s plans for the new All-Star Western series be sure to read CBR’s Jeffrey Renaud’s recent interview with the creators)–not to jump the gun though, as issue 69 goes on sale this Wednesday (with art by Jeff Lemire). Also our discussion delves into the Palmiotti/Gray team reuniting with artist Joseph Michael Linsner on the Claws II (a sequel to Marvel’s Black Cat/Wolverine 2006 team-up) miniseries, which amazingly enough also goes on sale this Wednesday (check out the CBR preview of the first issue). Go into a comic book store this Wednesday, and bottom line, you will have your pick of Palmiotti product to buy. Palmiotti’s passion for comics and his equal commitment to meeting deadlines are two things I’ve always admired about him and that shine through in this interview. As you’ll read at the end of the interview, Palmiotti is curious to know what characters fans would like to see him work on, so please be sure to let him know in the comments section.
Tim O’Shea: You and Jonah Hex have a heck of a future together (with All-Star Western), no doubt. But I really want to talk about how amazing it was that you and Justin successfully told Jonah Hex for 70 issues. How proud are you of that accomplishment?
Jimmy Palmiotti: Very proud…and proud of the excellent work of so many amazing artists along the way. Justin and I would celebrate each and every year we were on Jonah , thinking at any minute it could be the last, but the great crew at D.C. comics always believed in us and believed in our choices and seventy issues is a huge milestone. They believed in us so much that with the new 52 books, they let us continue too do what we do best. In our minds, issue one of All Star Western is another chapter in the characters life and we haven’t missed a beat. The good news is that we are going to have a lot of fun with the other western characters in the D.C. universe.
Hello and welcome to another edition of What Are You Reading? Today’s special guest is Shannon Wheeler, New Yorker cartoonist and creator of the Eisner Award-winning comic book Too Much Coffee Man, Oil & Water, the Eisner-nominated I Thought You Would Be Funnier and the upcoming Grandpa Won’t Wake Up.
To see what Shannon and the Robot 6 crew have been reading, click below …
[A quick note before we go too much farther: I started writing this post before DC’s big announcement about its September-and-beyond plans. In fact, I wanted this particular post to be about something other than Flashpoint and/or line-wide reboots -- so depending on your perspective, I picked exactly the right week, or exactly the wrong week, to draw that line. In any case, it’s probably not hard to tell, from the past few weeks’ worth of posts, where I stand on current events.
[So there you go. On with the business at hand.]
Since it’s pretty much summer, and time to think about catching up on reading, let’s revisit DC’s list of “30 Essential Graphic Novels” — “best-selling titles that you must read[, ]whether you are just beginning to discover graphic novels or you are an established fan looking to expand your collection.”
The list is almost four years old, and has had a few minor updates. (Pride Of Baghdad replaced The Quitter, and Crayon Shinchan replaced Sword Of The Dark Ones.) For the most part, though, it’s the same compilation — heavy on the Batman and the Jeph Loeb, a decent amount of Alan Moore (but no Swamp Thing), a couple of Sandman books and Hellblazer, but no Wonder Woman, no Joe Kubert, and no Jack Kirby. While there are at least a couple of representatives from each of DC’s imprints, there aren’t many hints at the real scope of DC’s diverse publishing history.
During a panel at last weekend’s Boston Comic Con, Darwyn Cooke let slip the first details of a new project that will send comic readers reeling. According to iFanboy‘s Josh Flanagan, Cooke said that the cartoonist is working on a secret project that will “be the biggest thing I’ve ever done at DC.”
For the past few years Cooke has been working mostly on the adaptations of Donald Westlake’s Richard Parker series of novels for IDW, but this news has people reviewing Cooke’s biggest project to date at DC and wondering what could eclipse it like the artist stated. That previous project would be 2004′s DC: The New Frontier, a six-issue miniseries telling a silver age story of the Justice League in a manner akin to the seminal 1980s film The Right Stuff. That series, collected numerous times and eventually adapted into an animated movie, garnered Cooke numerous awards, including an Eisner for “Best Limited Series.”
As for what the project could be, speculation is rampant. Me personally, I’d love to see him spearhead a “New Frontier” line of comics with him, J. Bone, Evan Shaner, Dean Trippe and others. Let’s wait and see what Darwyn Cooke has to offer!
For more of Cooke’s future plans, including details of a creator-owned digital comic he’s working on, check out our own Brigid Alverson’s interview with him from the Boston Comic Con.
Darwyn Cooke was one of the headliners at Boston Comic Con this weekend, but he wasn’t the only Cooke in the convention center. Wife Marsha and niece Candis dropped in on his panel to announce a project of their own: Teenage Satan, a digital comic they are creating along with artist Stephanie Buscema (granddaughter of John). The trailer above was animated by Darwyn Cooke, who worked in animation before turning his hand to comics.
The comic, which includes games and music, is a lighthearted, teen-friendly cartoon about an “emo sparkle Satan.” Teenage Satan is the son of Lucifer and his wife, Jezebel, and because this is hell, he is making his father’s life miserable—wait, that sounds like real life! Actually, we know it’s hell because he is making his father miserable by wanting to be good. Lucifer and Jezebel have been homeschooling their little devil, but when he hits ninth grade they decide to send him to high school. So with no prior experience with human interaction, Teenage Satan suddenly has to deal with all the travails of high school, including being bullied and having a crush on a girl who only has eyes for another.
Teenage Satan can be accessed as an app, via the website, or “through one of our distribution partners,” Marsha Cooke said, which presumably means a digital distributor such as comiXology, iVerse, or Graphicly. It will launch in September and will update daily with a mix of comics, games (such as 666 sudoku) and other content. Interestingly, the comic has an end date—December 22, 2012.
The inspiration for Teenage Satan came at Dragon Con, Marsha Cooke said: “We were walking through Dragon Con, and there were kids with their phones, and I was thinking, ‘I can’t believe they are playing Angry Birds with phones at a comic con.’”
Boston Comic Con isn’t one of your better-known cons, like SDCC or NYCC—heck, I live just north of Boston and I never heard of it until last year—but if you’re in the area, this year’s show looks like a pretty good bet, with guests like Darwyn Cooke, Frank Quitely, and Joe Kubert.
Right off the bat, BCC is better than 90 percent of comic cons because it is not in some sterile, isolated convention center. You know how you have to walk a mile from the Javits to get a reasonably priced sandwich? No problem here; the Hynes Convention Center is conveniently attached to a mall, and it’s located in the heart of the Back Bay, which is chock full of great little restaurants, funky boutiques, and bars with atmosphere. I used to live in the neighborhood, and it’s still one of my favorite places to go. When you’re at the Hynes, you know you’re in Boston.
Another nice thing about a small con is that conflicting panel times won’t drive you crazy; the panel schedule (warning: PDF) has only one strand, so if you want to see Stan Sakai, Darwyn Cooke, and Terry Moore speak, you don’t have to be in three places at once. Just stay in your seat.
And there will be interesting things to see and to buy! Sam Costello will be debuting the latest volume of his Split Lip horror comic, complete with a back cover blurb from me! Anthony del Col and Andy Belanger, two of the creators of Kill Shakespeare, will be there with an “exclusive digital promotion” as well as the news that they just got some financing to develop a film script based on the property. The Artists Alley lineup includes Thom Zahler (Love and Capes), Tak Toyoshima (Secret Asian Man) and a panoply of Boston-area talent. I just hope the show doesn’t get too successful, or they’ll move it to Boston’s own sterile, out-of-the-way convention center and it will lose much of its charm.
Walt Simonson’s Thor isn’t the only comic getting an oversized hardcover from IDW. The company announced at WonderCon Friday that both of Darwyn Cooke’s graphic novel adaptations of Richard Stark’s Parker novels, The Hunter and The Outfit, will be collected into an oversized hardcover edition with an additional 65 pages of content.
Parker: The Martini Edition will come in a slipcase with additional commentary, sketches and a new eight-page Parker story.
“The first two Parker graphic novels have been met with such overwhelming praise,” said series editor Scott Dunbier. “It’s almost been an embarrassment of riches. With this Martini Edition we’re really trying to up the bar and give the fans something extra special—I think we’ll succeed!”
The book is due in July. You can find the release after the jump.