Dash Shaw
Dash Shaw illustrates, animates a Blind Date episode, for some reason
Never let it be said that Dash Shaw isn’t an artist who follows his bliss. The video above represents the fourth time Shaw has drawn a faithful adaptation of a segment from the kind of gross reality show Blind Date, in which more or less attractive young people are brought together to do something “fun” and either get along terribly or end the evening swapping spit or, y’know, whatever. The amusing part of doing this as a video is that you can hear the original audio the whole time, and trust me, the sound is worth the price of admission alone toward the end there. How does the date go? Let Shaw show you!
- October 6, 2011 @ 11:00 AM by Sean T. Collins
Read Dash Shaw and Jesse Moynihan’s Lost comic
Previously on Lost: Dash Shaw, author of Body World and Bottomless Bellybutton, and Jesse Moynihan, storyboard artist for Adventure Time and author of Forming, teamed up a couple years ago to create an innovatively formatted fold-out comic for an issue of the literary magazine The Believer. Titled “Spiritual Dad,” the strip told a multi-generational story of fathers, sons and significant others struggling to find their destinies via various chemical and/or mystical means … leading one of them to a dreamlike vision of a plane crash, an island, a mysterious bald man on a vision quest, and other events that years later would become the subject matter of a little cultural phenomenon called Lost.
Flash forward to today, when cartoonist and commentator Frank Santoro hid the never-before-digitized comic, hatch-style, at the bottom of his long and compelling interview with Moynihan for The Comics Journal. Read the whole thing and marvel at the dense meta-magic performed by Shaw and Moynihan as they weave Lost into the tapestry of their own tale. Just be sure to dig into that interview, and Moynihan’s gorgeously colored Forming art, as you scroll down toward the comic itself.
- September 29, 2011 @ 01:00 PM by Sean T. Collins
Six by 6 | The six best stories in Mome
One of the more notable news stories of the week was the announcement by Mome editor (and Fantagraphics co-publisher) Eric Reynolds that the quarterly anthology would come to an end with the release of the 22nd volume later this year.
The series has had a rather remarkable and distinguished run since its inception in 2005. In addition to featuring work by such notable cartoonists like Jim Woodring and Gilbert Hernandez, it’s served as a publishing venue to highlight the work of up and coming artists like Laura Park, Tom Kaczynski and Sara Edward-Corbett, as well as introduce American readers to work by notable European creators like Emile Bravo and Sergio Ponchione.
As a memorial of sorts for the anthology’s oncoming demise, I thought I’d attempt to put together a quick list of my own favorite stories from Mome. This was a tough list to put together actually, and there are a number of names I feel a bit guilty for leaving off, but I’m sure you all can duly chastise me for my omissions in the comments section.
- April 16, 2011 @ 12:00 PM by Chris Mautner
Your Wednesday Sequence 3 | Dash Shaw
BodyWorld chapter 8 (2008; read), panels 291-296. Dash Shaw.
When “sequence” in comics comes up, what’s being talked about most often is the order of individual panels. But the medium is more complex than that. Comics is the herky-jerkiest, most truncated, stop-and-go medium of them all, every formal element glimpsed for a second in each panel before disappearing completely and then reconstituting themselves in the next. Word balloons, for example, don’t mimic the continuous sound of speech by popping up one after the other any more than panels with blank borders cut in between them mimic the neverending flow of light. Sequence is everything in comics; not just the way the panels link together, but the way the pages turn and the camera angles shift and the characters move and the way their voices are heard. Everything the comics reader takes in, everything we are fed, is taken in the context of the previous panels, before contributing to the context in which we take the next. Everything is sequenced.
By and large, the medium’s artists have accepted the dominance of sequence in comics and set themselves to trying to make it sing. But every once in a while there’s an interesting attempt to set the medium free from its point-by-point presentation of things and create something a little more flowing, more integrated with itself and less staccato. Walt Simonson had his all-splash-page issue of Thor, which took away the panels and allowed single images to code for long stretches of time, and JH Williams and Alan Moore’s final issue of Promethea wasn’t even pages, but one giant poster with a whole story’s worth of information on it. (There are obviously more.) Of course, neither of those comics took sequence out of the reading experience. That might well be impossible, given that the human eye simply can’t take in a whole story all at once, but has to consider its component parts one at a time. Rather, those books were attempts to take sequence out of the panels it usually occupies and place it in a less chopped-up, more immediate environment, a place for it to progress rather than rebuild itself again and again inside every new set of panel borders. Dash Shaw did the same thing in the BodyWorld sequence above, but his way was different, and to my eyes more interesting.
- March 23, 2011 @ 07:30 PM by Matt Seneca
Finalists announced for Los Angeles Times Book Prizes
Duncan the Wonder Dog
The finalists were announced this morning for the 31st annual Los Angeles Times Book Prizes, which honor works in 10 categories, including biography, fiction, history and, yes, graphic novels.
Finalists and winners are selected by panels of three judges composed of published authors who specialize in each genre or category. The winners will be presented April 29 in a ceremony at the Chandler Auditorium in Los Angeles as a prelude to the 16th annual Los Angeles Times Festival of Books.
The finalists in the graphic novel category are:
• Adam Hines, Duncan the Wonder Dog: Show One (AdHouse Books)
• Dash Shaw, Bodyworld (Pantheon)
• Karl Stevens, The Lodger (KSA Publishing)
• C. Tyler, You’ll Never Know, Book Two: Collateral Damage (Fantagraphics)
• Jim Woodring, Weathercraft (Fantagraphics)
For the full list of finalists in all categories, visit the Los Angeles Times Book Prizes website.
- February 22, 2011 @ 08:30 AM by Kevin Melrose
What Are You Reading?
Batgirl #17
Welcome to a long holiday weekend (at least here in the United States) edition of What Are You Reading? Today our special guest is Doug Zawisza, who writes reviews and the occasional article for Comic Book Resources.
To see what Doug and the Robot 6 gang are reading, click below.
- January 16, 2011 @ 12:00 PM by JK Parkin
Happy Fifth Birthday, Mome!: An interview with Eric Reynolds
“5 years, 20 volumes, 72 artists, and 2,352 pages of comics.” Strictly by the numbers — taken from the Editor’s Notes that kick off Mome Vol. 20: Fall 2010, on sale this month — Fantagraphics’ signature anthology is a force to be reckoned with. Launched in 2005 with the intention of providing a regular home for new work by promising young cartoonists like Gabrielle Bell, Jeffrey Brown, Anders Nilsen, Paul Hornschemeier, and Sophie Crumb, it rapidly evolved into something else, something arguably more: a showcase for alternative comics of nearly every style and stripe. During its five-year history, Mome‘s diverse accomplishments have included publishing work from European greats like David B. and Lewis Trondheim, serializing Tim Hensley’s acclaimed graphic novel Wally Gropius, reintroducing Al Columbia to the comics scene prior to the release of his landmark Pim & Francie, giving Dash Shaw yet another forum for his experimental take on science fiction, providing an unlikely venue for underground legend Gilbert Shelton, showcasing up-and-comers like Jon Vermilyea and Nate Neal…and, like all anthologies, starting a good deal of debate over which contributors were any good at all. With its like-clockwork quarterly schedule, Mome is a go-to destination for finding out what’s going on at comics’ cutting edge.
Eric Reynolds by Jaime Hernandez
Presiding over all this has been editor Eric Reynolds, who inherited full control of the anthology from original co-editor and co-publisher Gary Groth. When last I spoke to Reynolds about Mome in October of 2007, he was prepping Vol. 10, which sported a new look, new work from Columbia, and the second half of a story by altcomix titan Jim Woodring. Three years and ten issues later, the series has gotten a full-on makeover from designer Adam Grano, and is in the midst of some of its most challenging work ever from Shaw, Josh Simmons, Derek Van Gieson and more. What has changed, what has remained constant, and what lies in store? Reynolds spoke with Robot 6 about all this and more in a fifth-anniversary interview.
If I’d ask you five years ago to describe what Mome Vol. 20 would look like, what would you have said?
I would’ve said there’s no way this thing’s going to last 20 issues. Really, I’m sure I would have had no other answer.
- October 12, 2010 @ 11:00 AM by Sean T. Collins
Comics A.M. | The comics Internet in two minutes
Modesty Blaise
Passings | Writer Peter O’Donnell, creator of the Modesty Blaise comic strip, died May 3 at age 90. Steve Holland notes that although the prolific novelist suffered from Parkinson’s disease, he “kept in touch with fans and continued to pen introductions for Titan’s Modesty reprints.”
Born in south London on April 11, 1920, O’Donnell wrote such adventure strips as the long-running adaptation of the James Bond novel Dr. No, Garth, and Romeo Brown before being asked in 1962 to create a new character for the Daily Express. He came up with Modesty Blaise, whose catsuit-wearing heroine fought villainy with the help of her right-hand man Willie Garvin. The strip was quickly picked up by the Evening Standard, and ran from May 1963 to July 2002.
O’Donnell also wrote a series of Modesty Blaise novels and, under the pen name of Madeleine Brent, several historical romances. [Bleeding Cool, Guardian, Times Online]
- May 5, 2010 @ 08:12 AM by Kevin Melrose
Danzig and Rollins and Lost, oh my!
A pair of off-the-beaten-path comics have surfaced over the past few days that are perfect for readers who like their comics with a pop-cultural flair. First up, there’s Henry & Glenn Forever, a collection of romantic one-panel gags starring those famous star-crossed lovers, Henry Rollins and Glenn Danzig. If you’ve ever wanted to know how the lead singers of Black Flag and the Misfits would maintain a relationship in the face of interference from their Satan-worshipping next-door neighbors Darryl Hall and John Oates, now’s your chance. Henry & Glenn Forever comes to us from Igloo Tornado, a collective consisting of The Blot‘s Tom Neely and his artistic compatriots Gin Stevens, Scott Nobles, and Levon Jihanian, and it’s available for $4 from Microcosm.
- May 4, 2010 @ 10:30 AM by Sean T. Collins
Dash Shaw at Isotope Comics in San Francisco this Tuesday
Bodyworld and Bottomless Belly Button creator Dash Shaw will appear at Isotope Comics in San Francisco on Tuesday … here are the details:
Tune in and Turn on with Dash Shaw @ the Isotope
Come celebrate Dash Shaw’s new darkly-exhilarating, mind-altering, genre-expanding graphic novel BODYWORLD at the Isotope on April 27, 2010, 7-11 p.m.
BODYWORLD presents a dystopian future in which the Hunter S. Thompson of botanists, Professor Paulie Panther, descends on the bucolic Boney Borough to research a newly discovered psychedelic alien plant that induces telepathic body-swaps when smoked. Shaw, the well-known comics visionary behind BOTTOMLESS BELLY BUTTON, THE UNCLOTHED MAN, and MOTHER’S MOUTH, bends the genre even further this time as his art dives head-first into the psychotropic experiences of his characters. Neither his characters, nor the reader will come out the same.
Come take the head-trip that is BODYWORLD with us!
Tune in and Turn on with Dash Shaw @ the Isotope
Tuesday, April 27th
7-11pm21 and over please.
Never a cover.
- April 24, 2010 @ 09:00 AM by JK Parkin
Comics Cavalcade: Exercise, extraterrestrials and Hanukkah hijinx
“Postcard from Fielder 2″ by Kevin Huizenga
“The Miracle” by Johnny Ryan
- December 16, 2009 @ 12:00 PM by Sean T. Collins
Shaw’s ‘Unclothed Man’ is finally unveiled
In addition to his new book, The Unclothed Man in the 35th Century A.D., Dash Shaw also produced a tie-in animated story for the IFC channel. That cartoon, about a spy who goes undercover as an android art model, is now available online in four parts, including an extra fifth video where Shaw and his co-creators talk about the project. The first episode is above. Enjoy. (Note: As someone pointed out in the comments, the video contains nudity and thus may be NSFW, depending upon where you W.)
For more on Shaw, see my interview with him from earlier this month.
- December 8, 2009 @ 08:40 AM by Chris Mautner
The clothed cartoonist in the 21st century: An interview with Dash Shaw
The Unclothed Man in the 35th Century A.D.
There’s been a number of noteworthy indie cartoonists who have come to prominence in the past 10 years, but certainly one of the most interesting and significant has got to be Dash Shaw. Having slowly garnered a bit of attention and acclaim with works like Goddess Head and The Mother’s Mouth, he officially declared himself an artist of no small importance with the 2008 release of the doorstop-sized Bottomless Belly Button. He followed that up with the even more impressive Webcomic BodyWorld, which will be collected and published by Pantheon early next year.
In the meantime, he’s got a new book coming out from Fantagraphics, entitled The Unclothed Man in the 35th Century, which collects a number of short stories he did for the the quarterly Mome anthology, as well as some storyboards and drawings for an animation project he did for IFC, which should debut soon as well.
I talked with Shaw over email about the new book, the challenge of moving BodyWorld from Web to print and his influences and upcoming projects. He proved to be as gracious and thoughtful over the Internet as he had been in person and I’d like to thank him for taking the time out of his busy schedule to talk.
- November 27, 2009 @ 10:00 AM by Chris Mautner
Dash Shaw goes to college
A very unflattering picture of Dash Shaw
Every so often a co-worker, family member or acquaintance will look at me blankly when I talk about my hobby/obsession and say to me “Wait, you mean they make comics for adults now?”
It’s a stubborn reminder that, despite the seeming advances being made every week in mainstream media (hey, did you see that Tatsumi review in the New York Times?) most folks are unware of the strides that have been made over the past 30 years and have little regard for the medium beyond something that can eventually get made into a movie starring Christian Bale.
Still there are pockets of encouragement, most notably in the upper echelons of higher learning, where you may find librarians, teachers and college professors that are not-so-secret cheerleaders for the sequential art form.
Case in point: Last week I was back at my old alma mater Franklin and Marshall College for their ninth annual Emerging Writers Festival. I hadn’t heard of the yearly event up till now, but I had a particular interest in checking out this one as one of the invited artists was none other than Dash Shaw, author of last year’s acclaimed Bottomless Belly Button and just got an Eisner nomination for his excellent Webcomic BodyWorld.
- April 21, 2009 @ 11:00 AM by Chris Mautner
Dash Shaw profile on Meathaus site
Freeze Professor Panther!
The Meathaus site has put up an in-depth profile of Dash Shaw, creator of Bottomless Belly Button and numerous other comics. It also mentions an upcoming project Torture Hospital:
As for those upcoming projects, Dash’s slate is full. “I’ve finished BodyWorld, even though it’s still being serialized. So now I’m working on a new project, a murder-mystery comic, called ‘Torture Hospital.’ I did a short story with that name in 2005, but it doesn’t have anything to do with that. I’m just using the title again. This time is the most exciting time for me- starting something. I often have incredibly nerdy dreams of flipping through amazing comics and of course I wake up and they’re gone. How do you get one of these comics into the real world? Ha ha. I keep trying and failing but Hospital might be it. I have to think that, anyway.”
- January 20, 2009 @ 06:54 AM by JK Parkin