Dave Gibbons Archives - Robot 6 @ Comic Book Resources
Acclaimed Watchmen co-creator Dave Gibbons has been named the United Kingdom’s first comics laureate by the new advocacy group Comics Literary Awareness (CLAw).
The announcement was made Friday by Scott McCloud during the launch of the organization at the Lakes International Comic Art Festival in Kendal, England. CLAw is dedicated to improving literacy among children through comics while promoting the variety and quality of the medium.
According to the group, the title of comics laureate will be bestowed every two years to a comics writer or artist in recognition of outstanding achievement in the field. In that role, the creator will champion children’s literacy through school visits and education conferences. Gibbons will begin his term in February.
“It’s a great honor for me to be nominated as the first Comics Laureate,” Gibbons said in a statement. “I intend to do all that I can to promote the acceptance of comics in schools. It’s vitally important not only for the pupils but for the industry too.” Dave Gibbons takes up his position from February 2015.
He may tired of Earth, these people and being caught in the tangle of their lives, but even Dr. Manhattan can’t resist the siren’s call of Wal-Mart and its low, low prices. Or at least its conveniently placed bicycles.
The Orlando Sentinel reports that a 27-year-old Jacksonville, Florida, man was charged Tuesday with petit theft after he allegedly tried to walk off with a $130 bike from an Orlando-area Wal-Mart.
If you’re looking for some Monday reading, The Guardian has released online all six comics created for the special issue of its Weekend magazine that brought together novelists like Gillian Flynn, Audrey Niffenegger and Margaret Atwood with comics artists like Dave Gibbons, Frazer Irving and Christian Ward. There are also articles in which Dave Eggers, Roger Langridge and Michel Faber, and Flynn offer a bit of insight into their contributions.
The issue, released in print on Saturday, is designed to celebrate he British Library’s upcoming exhibition “Comics Unmasked: Art and Anarchy in the U.K.”
To celebrate the British Library’s upcoming exhibition “Comics Unmasked: Art and Anarchy in the U.K.,” The Guardian’s Weekend magazine is devoting Saturday’s issue the medium, with six new collaborations between well-known novelists and established comics artists.
The Guardian website has already debuted Do You Hear What I Hear? by A.M. Homes (The End of Alice) and Frazer Irving, and Masks by Gillian Flynn (Gone Girl) and Dave Gibbons. Still to come: Freeforall by Margaret Atwood and Christian Ward; Thursdays, 6-8pm by Audrey Niffenegger (The Time Traveler’s Wife) and Eddie Campbell; Having renewed my fire by Dave Eggers (A Heartbreaking Work of Staggering Genius); and Art and anarchy by Michel Faber (The Crimson Petal and the White) and Roger Langridge.
The magazine will appear in print on Saturday.
Adele Dazeem’s Idina Menzel’s performance of “Let It Go” from Frozen is inescapable (and downright catchy), I’d somehow missed widespread speculation that the big scene from Disney’s latest animated blockbuster is an elaborate homage to the Mars sequence from Watchmen by Alan Moore and Dave Gibbons.
It’s already inspired some mashups, but now Slate’s Forrest Wickman draws our attention to one that may just erase any doubts, ending the debate once and for all (or, y’know, not): Alex Wolinetz‘s combination of the song’s lyrics with Gibbons’ panels depicting a self-exiled Doctor Manhattan. (You can see the rest of the mashup at Slate.com.)
Events | The British Library is staging a “long overdue” exhibit on comics, called “Comics Unmasked: Art and Anarchy in the U.K.,” which will feature comics in a variety of genres from the 19th century to the present. Featured items include The Trials of Nasty Tales, which chronicles the 1972 obscenity trial of the editorial staff of Nasty Tales. “I went to a very traditional school where they would raid desks and take comics off to the orchard to burn them,” said Dave Gibbons, one of the contributors to The Trials of Nasty Tales. “Fast forward 40 years and they now invite me to the school to lecture on graphic novels.” The exhibition runs May 2-Aug. 14. [The Guardian]
Conventions | Registration begins Friday for the Small Press Expo 2014 Exhibitor Table Lottery, a new system designed to both bring the old process into the 21st century and address rapidly increasing demand. Online registration will continue through Feb. 14, with lottery winners announced on Feb. 21. There’s a good deal of information to absorb, but convention organizers have created a lottery FAQ. [SPX]
Publishing | Reports of the demise of Ape Entertainment turns out to have been premature. The company, which had one of the bestselling digital comics a few years ago with Pocket God, has been quiet of late and recently canceled a number of outstanding orders. However, COO Brett Erwin emerged Tuesday to say the publisher is simply going through a period of reorganization after the departure of CEO David Hedgecock, who now works for IDW. Ape will release a new Fruit Ninja comic at the end of the month. [The Beat]
Legal | Ecuadorean cartoonist Xavier Bonilla has received a court summons on unspecified charges that seem to relate to a cartoon that President Rafael Correa finds offensive. The case was brought by Ecuador’s new media regulator; Correa has stepped up attacks on the press in recent years, and the newspaper that runs Bonilla’s cartoons, El Universo, has been prosecuted in the past. [Business Standard]
Censorship | Michael Dooley looks at successful and unsuccessful attempts to remove comics from schools and libraries over the past 13 years; this short roundup is informative in its own right, and it’s apparently a sidebar to a longer article that’s not available for free. [Print Magazine]
Legal | As the dust begins to settle on the ruling last month by a federal judge that Arthur Conan Doyle’s first 50 Sherlock Holmes stories have lapsed into the public domain in the United States, out march the analyses pointing out the buts. Chief among them, of course, is the possibility of appeal by the Conan Doyle estate, which contends the characters were effectively incomplete until the author’s final story was published in the United States (the 10 stories published after Jan. 1, 1923, remain under copyright in this country until 2022).
However, Publishers Weekly notes that because U.S. District Judge Ruben Castillo didn’t rule directly on that “novel” argument, the estate may be satisfied with the ambiguity of the decision, given that uncertain creators still may seek to license the characters to steer clear of any trouble. Estate lawyer Benjamin Allison also insists that the Sherlock Holmes trademarks remain unaffected, an assertion that puzzles author and scholar Leslie Klinger, who brought the lawsuit. “There is a very good reason why the Estate did not assert trademark protection: The Estate does not own any trademarks,” he told PW. “They have applied for them, and there will be substantial opposition.” There’s more at NPR, The Independent and The Atlantic. [Publishers Weekly]
I’m very fond of the output of artist David Roach. The Welshman has been an on-off contributor to 2000AD since 1988, as well as regularly working as an inker on the strip features in Doctor Who Magazine. I don’t remember him working much recently in the United States, where he regularly turned up at DC and Dark Horse both as a penciler and inker. He comes from a family of academics, and has been developing a parallel career of late as something of a comic book and illustration historian.
Roach regularly uses his Facebook page as an art blog, showcasing artists of all stripes, just as likely to be a fine artist as a comic illustrator, as well as occasionally featuring art from his own collection. This week he has been displaying scans from what he calls “surely the rarest collectible in the comics history.”
Publishing | ICv2 has one of its periodic Big Interviews with DC Co-Publishers Dan DiDio and Jim Lee, this time covering how new readers are finding digital comics, how variant covers are working and graphic novel sales in bookstores, among other topics. Here’s Lee’s rather elliptical take on the flurry of recent changes in creative teams: “Without getting into the specifics, from the outside looking in, it might look like there’s a string of changes that point to one common theme, as you suggest. But from the inside looking out, you’ll see that each one has a different set of circumstances and conditions that ultimately led to the conflicts or the resignations or changes in creative personnel.” [ICv2]
Retailing | ICv2 also reports that Amazon and Overstock.com are having a price war on graphic novels, and readers are the beneficiaries. The website did a little shopping around and found a handful of graphic novels priced at up to 70 percent off full retail. [ICv2]
DC Comics is calling June “Superman Month,” but next week is Snyder Week. The first issue of Scott Snyder and Jim Lee’s Superman Unchained arrives next Wednesday, and the premiere of director Zack Snyder’s Man of Steel premieres in most places two days later.
Therefore, because there will be a lot of Superman talk coming down the pike, I thought I’d get mine out of the way early.
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One thing that comics blogging has taught me is a healthy respect for the roles (including the rights) of creators. Creators’ rights aren’t unique to comics, of course, but you really can’t talk about the history of superhero comics, or the development of corporately handled superheroes, without at least acknowledging the people who first introduced the concepts. In this respect Superman is a special case, because he seems to have developed past his creators’ original idea (or, certainly, past the original parameters) into something Jerry Siegel and Joe Shuster might never have imagined — and people seem pretty cool with that, in a way that perhaps doesn’t apply to similarly long-lived characters.
You may have already heard about Orbital Comics’ Image Duplicator art show in London (probably via this piece at The Beat): This story is right in my wheelhouse, but I was resisting writing about it until there was a large enough stockpile of art from it to present here. The show is a reaction both to the recent Roy Lichtenstein exhibition at the city’s already-iconic Tate Modern gallery, and to the BBC’s coverage of the event (which I wrote about at the time elsewhere).
Dave Gibbons is a long-standing critic of Lichtenstein (you can find footage online of him complaining about what he calls Lichtenstein’s “dishonesty” from as far back as 1993). Gibbons appeared on the BBC’s documentary to put the case for the accusations of plagiarism that may always dog Lichtenstein’s reputation. The segment featuring Gibbons debating with presenter Alastair Sooke was filmed in front of the famous “Whaam!” canvas. Sooke was all too dismissive of Irv Novick, somewhat deriding his work in order to flatter Lichtenstein. It seems odd Sooke chose to criticize Novick’s compositional decisions and praise Lichtenstein’s, when every element of Roy’s piece was lifted from Irv’s. Anyway, these new perceived slights seem to have been enough to stir Rian Hughes, Jason Atomic, and the Orbital Gallery regulars into action.
Conventions | Small Press Expo organizers apologized to exhibitors for the problems they experienced trying to register for the show. Despite several server upgrades ahead of time, the site went down when the “tsunami” of applications hit on Sunday morning. They then opened up PayPal to take the table orders, but they were unable to shut it down when all the tables were sold. They are sorting it out now, and if the tables were oversold, refunds will be issued. Roger Langridge depicted his registration experience on his blog. [SPX Tumblr]
Publishing | After 13 years of publishing and promoting yuri manga, Erica Friedman is stepping down as Yuricon events chair and giving up on publishing: “I can’t afford print, you don’t want digital, the JP companies won’t talk to me and all the many differences between JP publishers and US fans are so huge and insurmountable. I don’t have the energy or clout or money to bridge the gap.” [Okazu]
— Dave Gibbons, responding with humor to the news that his original cover art for Watchmen #1 fetched $155,350 at auction on Friday, many times what he originally sold it for. (As the artist recently noted, the covers were included in an agreement for the original pages to all 12 issues of the landmark series.) “I thought I had a great deal. At the time,” he added in response to a tweet.
The original covers for the first three issues brought a total of $216,892.50 at the New York City auction. The covers for Watchmen #4-12 are expected to be put up for sale later this year.