If you’re attending Long Beach Comic Con next weekend, here’s a fine way to support a good cause while getting to hang out with some industry notables: Tickets are available on eBay for a meet and greet with writer Jimmy Palmiotti, artists Tim Bradstreet, Amanda Connor and Dave Johnson, and actor Thomas Jane from 5 to 7 p.m. Oct. 29 at Gladstone’s Restaurant.
Your $65 benefits The Hero Initiative, and gains you access to the private party — only 20 people can attend — with the five, who will be available for conversation and autographs (tickets include appetizers and two drinks). Sales close on Friday. Ticket buyers should bring a photo ID to the Hero Initiative booth at Long Beach Comic Con at 4:30 p.m. Oct. 29, where they will be escorted to Gladstone’s.
An Abe solo adventure that sends our amphibian hero on the hunt of an ancient relic aboard a sunken Soviet submarine is reason enough to take notice, to be sure. But when you add the Eisner Award-winning artist to the equation, there’s cause for celebration — particularly when the cover he creates is such a departure from what we’re accustomed to seeing on the Hellboy and B.P.R.D. books.
Johnson, known for his bold sense of design on such titles as 100 Bullets, Detective Comics, Superman: Red Son and Punisher, spoke briefly with Robot 6 about his striking cover for The Abyssal Plain #1, and shared art from the production process.
Abe Sapien: The Abyssal Plain #1 is due in stores in June.
While the color palette signals that the comic is in the Hellboy/B.P.R.D. line, the other elements are vastly different — the massive amount of white space instead of encroaching shadows, the repetition of the hammer and sickle in the bubbles (distinctly you). Was it a conscious effort to go in such a vastly different direction?
Actually, I have to disagree with you on the color palette. It’s hardly the Hellboy norm. And that was the point. [Mike] Mignola had said that he wanted me because I was doing something different than himself on other stuff. So I really wanted to set myself apart. Which is a lot harder than you think because his style is so ingrained into the Hellboy universe. And because I’m a huge fan, it still feels like I’m pissing on perfection. But that’s the job, I guess. Haha. So, I wanted more color than black to dominate the over all feel. Also, I love negative space in design. Too many artists act like they’re getting paid by the line and how much crap they can unload on a cover. I’ll take a well-designed, simple cover over a hyper-rendered fanboy jerk-fest any day of the week.
Let’s kick off the day with not one, but two cool covers that hit the web yesterday featuring everyone’s favorite Merc with a Mouth … above is 100 Bullets cover artist Dave Johnson’s cover for Deadpool #900. The second is after the jump …