Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
On Vertigo’s Graphic Content blog, the publisher revealed a pseudo-conversation between editor Will Dennis and writer Brian Azzarello concerning a new series. Done in a sort of Laurel & Hardy-style, it’s a non-plussed official introduction to the new miniseries from Azzarello and 100 Bullets collaborator Eduardo Risso.
AZZ: I got an idea for a new series.
ME: What’s it called?
ME: SPACEMAN? Is that one word or two?
AZZ: It’s one. Like SUPERMAN.
ME: It’s like SUPERMAN?
AZZ: No! It’s like SUPERMAN but not like SUPERMAN.
ME: So what’s it about.
AZZ: A spaceman. What the hell else would it be about?
ME: Right. And it’s with the entire 100 BULLETS team?
Azz: That’s the plan.
ME: Cool. Can we get it out in 2011?
AZZ: Why the hell not?
ME: Book it.
Azzarello revealed in October at Argentina’s Crack Bang Boom Con that Spaceman will be a nine-issue miniseries that fits into the speculative fiction category. In addition to Azzarello and Risso, the comic will include their other 100 Bullets collaborators, cover artist Dave Johnson and colorist Trish Mulvihill.
If you’re attending Long Beach Comic Con next weekend, here’s a fine way to support a good cause while getting to hang out with some industry notables: Tickets are available on eBay for a meet and greet with writer Jimmy Palmiotti, artists Tim Bradstreet, Amanda Connor and Dave Johnson, and actor Thomas Jane from 5 to 7 p.m. Oct. 29 at Gladstone’s Restaurant.
Your $65 benefits The Hero Initiative, and gains you access to the private party — only 20 people can attend — with the five, who will be available for conversation and autographs (tickets include appetizers and two drinks). Sales close on Friday. Ticket buyers should bring a photo ID to the Hero Initiative booth at Long Beach Comic Con at 4:30 p.m. Oct. 29, where they will be escorted to Gladstone’s.
An Abe solo adventure that sends our amphibian hero on the hunt of an ancient relic aboard a sunken Soviet submarine is reason enough to take notice, to be sure. But when you add the Eisner Award-winning artist to the equation, there’s cause for celebration — particularly when the cover he creates is such a departure from what we’re accustomed to seeing on the Hellboy and B.P.R.D. books.
Johnson, known for his bold sense of design on such titles as 100 Bullets, Detective Comics, Superman: Red Son and Punisher, spoke briefly with Robot 6 about his striking cover for The Abyssal Plain #1, and shared art from the production process.
Abe Sapien: The Abyssal Plain #1 is due in stores in June.
While the color palette signals that the comic is in the Hellboy/B.P.R.D. line, the other elements are vastly different — the massive amount of white space instead of encroaching shadows, the repetition of the hammer and sickle in the bubbles (distinctly you). Was it a conscious effort to go in such a vastly different direction?
Actually, I have to disagree with you on the color palette. It’s hardly the Hellboy norm. And that was the point. [Mike] Mignola had said that he wanted me because I was doing something different than himself on other stuff. So I really wanted to set myself apart. Which is a lot harder than you think because his style is so ingrained into the Hellboy universe. And because I’m a huge fan, it still feels like I’m pissing on perfection. But that’s the job, I guess. Haha. So, I wanted more color than black to dominate the over all feel. Also, I love negative space in design. Too many artists act like they’re getting paid by the line and how much crap they can unload on a cover. I’ll take a well-designed, simple cover over a hyper-rendered fanboy jerk-fest any day of the week.
Let’s kick off the day with not one, but two cool covers that hit the web yesterday featuring everyone’s favorite Merc with a Mouth … above is 100 Bullets cover artist Dave Johnson’s cover for Deadpool #900. The second is after the jump …