Dave McCaig Archives - Robot 6 @ Comic Book Resources
Shout! Factory has announced the Sept. 10 release of Marvel Knights Animation’s Ultimate Wolverine vs. Hulk, a motion-comics adaptation of the Marvel miniseries by Lost co-creator Damon Lindelof, artist Leinil Francis Yu and colorist Dave McCaig.
The comic is somewhat notorious for its lengthy delays: Announced as a six-issue bimonthly miniseries, Ultimate Wolverine vs. Hulk debuted in December 2006 but wasn’t completed until May 2009.
The 10th the title produced by Shout! Factory since 2009, it joins the likes of Inhumans, Spider-Woman: Agent of S.W.O.R.D., Black Panther and the latest, Wolverine: Origin, which was released July 26.
The direct-to-DVD release, which retails for $14.97, includes interviews with Yu and Marvel Knights Animation’s Supervising Producer Kalia Cheng. You can read the official synopsis below:
Hello and welcome to What Are You Reading?, our look at what comics and other things we’ve been perusing lately. Today our special guests are Caleb Goellner, Buster Moody and Ryan Hill, the creative team of Task Force Rad Squad, the hot new comic find of 2013. Especially if you were ever a Power Rangers fan. Or even if you weren’t, as Moody and Hill’s art is just kind of wonderful on its own. Our old friend and former colleague Graeme says it “pretty much does for Power Rangers what Jeffrey Brown’s Incredible Change-Bots does for Transformers,” and that’s a very apt description. You can download it yourself here, and pay whatever you think is fair.
And to see what Task Force Rad Squad + the Robot 6 Irregulars are reading, click below …
Superman may have a reputation as a big pushover, but that’s because not enough people know Kerry Callen’s version. That Man of Steel screws with Batman for kicks, won’t put up with your sob stories and doesn’t care what kind of excuse you have for not wanting to do the dishes. Knowing that, you probably shouldn’t tease him about his costume.
But that’s what some jerk does in the latest installment of Callen’s hilarious Super Antics comic strip and, well, see what happens below. Following that: more about superman’s undies.
To think there are people in the present-day comic book industry that fail to respect colorists is hard to believe. Yet, as we noted late last month, colorist Jordie Bellaire wrote about her work being minimalized when an unnamed convention refused to name colorists as guests. The post resulted in an impromptu #ColoristAppreciationDay on Twitter as well as a larger conversation about the important value of colorists.
In the wake of that discussion, I chatted with Bellaire about the post, as well as her work as a whole. The timing turned out well, as despite her busy schedule, she was able to do an interview. It seems as if every week there’s a new comic released that features her as colorist. This week it’s Captain Marvel #10, while next it’s the debut of The Rocketeer: Hollywood Horror miniseries written by Roger Langridge with Bellaire coloring artist J. Bone. Bellaire saves the best for last in our Q&A, revealing that she hopes to get back to illustrating — and that she has dabbled in writing.
Tim O’Shea: In all of the reactions from your initial Tumblr post in praise of colorists, what pleased or surprised you the most?
Jordie Bellaire: The response itself was extremely surprising! I didn’t expect anything to really come of my angry little blog post. I try to keep my “internet persona” pretty humorous and silly. I don’t really get “for realsies” worked up over anything online (unless it’s something Star Wars-related). When I posted this at 7 a.m. on hardly any sleep (I was in a tough deadline week, of course), I expected maybe three people to see it and those would have been just friends. Somehow, though, the letter spread fast. I was just thrilled. Given, keeping up with the response during the day totally killed my productivity, I was too busy watching the internet explode in the name of colorists.
DC Comics has announced the December debut of JSA: The Liberty Files — The Whistling Skull, a six-issue miniseries by B. Clay Moore, Tony Harris and Dave McCaig.
Set in the world introduced in JSA: The Liberty File, the 2000 miniseries by Harris and Dan Jolley, The Whistling Skull takes place in 1940s Europe, where, “with the Nazi war machine on the move, crimes are still committed even in the smallest hamlets.” No specific story details have been provided.
“For readers looking for a new spin on the DC Universe, combined with brand new headlining characters, I think the book will be a treat, and it’s just the first chapter in a much larger story,” Moore told DC’s The Source.” This initial offering introduces readers to the legacy of the Whistling Skull in a wartime, pulp-infused setting, and should provide something fresh for readers to sink their teeth into.”
Published under DC’s now-defunct Elseworlds banner, The Liberty File and its 2003 sequel The Unholy Three portrayed members of the Justice Society of America as covert government operatives rather than superheroes: Codenamed the Unholy Three, the Bat (Batman), the Owl (Dr. Mid-Nite) and the Clock (Hourman) are eventually joined by the likes of Mister Terrific, Clark Kent, Mercury (The Flash), the Huntress and the Hawk (Hawkman) in their fight against Nazi and KGB agents.