Confirmed: Geoff Johns Is the New President of DC Entertainment
Comic Books, Film, TV
Conventions | After bringing in a profit of almost $1 million in 2014, Wizard World took a hard swing in the other direction last year with a loss of $4.3 million, with about half the shortfall coming in the fourth quarter. At least part of the reason seems to be simple math: Per-show revenues were down, costs were up. In addition, Wizard’s share in ConTV was a money-loser, to the tune of $1.3 million; Wizard has reduced its stake in the joint venture with Cinedigm. On the upside, its subscription box service has done well, netting $48,000. It’s possible that the North American convention market is being saturated, and Wizard is responding by cutting back from 25 shows in 2015 to 19 this year. [ICv2]
Comics | Writer Kurtis Wiebe announced that, “after long consideration,” he’s placing his acclaimed Image Comics fantasy series Rat Queens on hiatus. [Twitter]
On the heels of its First Turtle Figure, Mondo has provided ROBOT 6 with an exclusive first look at its First Hellboy statue, based on Mike Mignola’s original 1991 convention illustration of a demon. While the character that debuted some two years later bears little resemblance to that figure, Mignola apparently knew he was onto something with the name on the belt buckle: “Hellboy.”
Mondo’s 12-inch statue showcases many of the details of that 24-year-old drawing, from the fish and crab dangling from Hellboy’s belt to the vulture perching on his wings to the demon’s body hair. Mignola’s longtime collaborator Dave Stewart was also recruited to devise the color scheme.
Hellbreak, the upcoming supernatural action series by Cullen Bunn, Brian Churilla and Dave Stewart, marks a departure on two fronts for the illustrator, who not only embarked on a new artistic style but also made the move to digital.
Ahead of the title’s debut next week from Oni Press, Churilla shared with ROBOT 6 a look at his process. It’s particularly interesting to learn that preference for working in blue pencil, as he explains, mostly is due to the influence of the Chip Kidd/Paul Dini Batman Animated art book.
In Hellbreak, the upcoming supernatural action series by Cullen Bunn, Brian Churilla and Dave Stewart, there’s an infinite number of Hells, each unique and terrible in its own way. When a demon takes possession of a person, sending his soul to one of those Hells, it’s up to the Kerberos Project, using forbidden technology, to send in an extraction team to rescue it.
Oni Press has provided ROBOT 6 an exclusive preview of Hellbreak #1, offering a ghastly glimpse of one of those Hells. But what’s Bunn’s vision for his own?
I somehow missed that Geof Darrow, the Eisner-winning artist of Hard Boiled and Big Guy and Rusty the Boy Robot and creator of Shaolin Cowboy, has drawn a poster based on the fan-favorite Nickelodeon series The Legend of Korra.
Inspired by “Book 4: Balance,” the limited-edition (signed and numbered) print is colored by fellow Eisner winner Dave Stewart, and available from the Nickelodeon store for $64.99.
Conventions | Ross Lincoln gathers up the threads of a story that’s been unfolding over social media for the past few days: A cosplayer expressed concern that the Facebook cosplay gallery for the inaugural Cherry City Comic Con in Salem, Oregon, featured significantly more women in costume than men. Displeased by the dismissive reply from the administrator of the Facebook page, she sent a private message asking for a refund of her convention registration fee, explaining, “I don’t think this will be a safe place for female cosplayers.” Organizer Mark Martin posted that request on his personal Facebook page with the response, “despite the no touch policy, the family friendly policy, the 3 security guards at all times, and the fact that you’re bat-shit crazy? Refunded!”
Several prominent cosplayers picked up on that, and it became a cause celebre on Twitter and Facebook for a couple of days; meanwhile, things got more complicated with sock puppets and a possibly fictitious con representative getting involved. In the end, Martin apologized; to give organizers their due, the convention includes a harassment policy in its official rules and policies. The con will take place on May 10-11. The Daily Dot has more. [The Escapist]
As you’ve likely already been reminded by Google or morning television, today is Earth Day, a worldwide observance designed to demonstrate support for environmental protection. To celebrate the 44th annual event, Dark Horse is offering a special digital deal on an ecological cautionary tale: The Massive.
Legal | Those wondering how Stan Lee Media can possibly afford its long, and so far entirely unsuccessful, legal battle with Marvel and Disney may want to read this brief Wall Street Journal article about “litigation finance” — which it characterizes as the growing practice of investing in lawsuits. However, pointing to the fight over the rights to Spider-Man and other characters, writer Rob Copeland points out there are high risks: namely, that investors could never see financial return. As we’ve noted before, Stan Lee Media’s efforts are backed by a group of investors that includes the $21 billion hedge fund Elliott Management, which helps to explain why the lawsuits keep coming. [MoneyBeat]
Image Comics has unveiled the 10th and final connecting cover for The Walking Dead #115, celebrating the 10th anniversary of the hit series. Illustrated by series artist Charlie Adlard and colored by Dave Stewart, the covers depict the most significant, and the most special, moments of the past decade.
The Walking Dead #115, by Robert Kirkman, Adlard and Cliff Rathburn, arrives Oct. 9. Check out the solicitation text below.
To celebrate the 10th anniversary of The Walking Dead in October — hey, that’s when the four season of the AMC TV show premieres! — the 115th issue will be released with 1o connecting covers, with each depicting a significant moment and a special moment from the past decade. All of them will be illustrated by Charlie Adlard and colored by Dave Stewart.
Each weekday for the next two weeks, Image Comics will reveal part of the connecting covers for Issue 115. Today’s peek resurrects a particularly painfully memory from the series’ third year. Check it out below. The Walking Dead #115 arrives Oct. 9.
It’s tough to imagine a better way to celebrate two horror movies by writer and director Guillermo del Toro than with art by Mike Mignola, Guy Davis and Dave Stewart.
As part of its collaboration with The Criterion Collection, Mondo has commissioned stunning new artwork for the filmmaker’s 1993 feature debut Cronos from Mignola and Stewart, and for 2001’s The Devil’s Backbone, from Davis. Del Toro of course has a history with the two illustrators: He worked with Mignola on Hellboy and Hellboy II: The Golden Army, while Davis provided monster designs for Pacific Rim.
Limited-edition, hand-numbered screen prints of each piece will go on sale Wednesday for $45 each. As usual, you must follow Mondo’s Twitter account to learn the times of the sale. You can see details of the prints on the Mondo blog.
Free Comic Book Day is once again upon us, the day that current and hopefully potential comic fans flock to their local comic shop to sample a buffet of comic choices from publishers large and small. There’s a lot to sink your teeth into this time around, from previews of new or upcoming stuff — like Marble Season and Superman: The Last Son of Krypton #1 to first issues of brand new comics — like The Strangers #1 and Aphrodite IX #1. There are original comics, licensed comics, kids comics, anthologies … basically something for everyone.
Some retailers will offer all-you-can-eat options, while others might have limits on what you can get … so if you have to make a choice, here are six comics we’re particularly looking to sink our teeth into.
To think there are people in the present-day comic book industry that fail to respect colorists is hard to believe. Yet, as we noted late last month, colorist Jordie Bellaire wrote about her work being minimalized when an unnamed convention refused to name colorists as guests. The post resulted in an impromptu #ColoristAppreciationDay on Twitter as well as a larger conversation about the important value of colorists.
In the wake of that discussion, I chatted with Bellaire about the post, as well as her work as a whole. The timing turned out well, as despite her busy schedule, she was able to do an interview. It seems as if every week there’s a new comic released that features her as colorist. This week it’s Captain Marvel #10, while next it’s the debut of The Rocketeer: Hollywood Horror miniseries written by Roger Langridge with Bellaire coloring artist J. Bone. Bellaire saves the best for last in our Q&A, revealing that she hopes to get back to illustrating — and that she has dabbled in writing.
Tim O’Shea: In all of the reactions from your initial Tumblr post in praise of colorists, what pleased or surprised you the most?
Jordie Bellaire: The response itself was extremely surprising! I didn’t expect anything to really come of my angry little blog post. I try to keep my “internet persona” pretty humorous and silly. I don’t really get “for realsies” worked up over anything online (unless it’s something Star Wars-related). When I posted this at 7 a.m. on hardly any sleep (I was in a tough deadline week, of course), I expected maybe three people to see it and those would have been just friends. Somehow, though, the letter spread fast. I was just thrilled. Given, keeping up with the response during the day totally killed my productivity, I was too busy watching the internet explode in the name of colorists.
Happy Presidents Day weekend, America, and happy Sunday to everyone else. Welcome to a very presidential What Are You Reading?, which really isn’t that different than a regular one, but you can imagine every entry being written by Daniel Day-Lewis if you’d like.
Today our special guest is Chris Smits, publisher of Aw Yeah Comics Publishing! and blogger at Creator-Owned Comics. Aw Yeah Comics, of course, is the all-ages comics series being created by Art Baltazar and Franco, with help from folks like Mark Waid, Brad Meltzer, Jason Aaron and many others … including Chris. If you’d like to get your hands on the adventures of Awesome Bear, Daring Dog, Polar Cycle, Marquaid, Action Cat and more, then let me point you to their Kickstarter campaign, which has hit its goal but you can still get in on the fun (and the comics!)
And to see what Chris and the Robot 6 crew have been reading, click below.
He’s one of the most prolific creators in comics, but odds are only a small segment of his audience knows him by name. One of the foremost colorists in the industry, Dave Stewart is in demand as a collaborator for today’s top artists, and one of the most versatile players on the comics scene. He’s also dominated the Eisner Awards’ coloring category, winning seven of the past nine years.
I reached out to Stewart because I’m an admirer of his work and, because frankly, we don’t hear nearly enough from him. We talked about his place in comics, and his role as frequent collaborator with the likes of Mike Mignola and J.H. Williams III. I also asked about his early ambitions to become penciler, and the potential of trying that again some day.