David Aja Archives - Robot 6 @ Comic Book Resources
The biggest comics news Thursday out of Comic-Con International was undoubtedly that, after years of debate, comiXology has introduced DRM-free backups of titles purchased from its storefront, with Image Comics, Dynamite Entertainment, MonkeyBrain Comics, Thrillbent, Top Shelf Productions and Zenescope Entertainment signing on to the program.
An email went out last night notifying customers that books they’ve purchased can be downloaded and stored as PDF or CBZ files, and pointing them to an FAQ on the subject.
“This has been an oft-requested feature,” comiXology CEO David Steinberger said during the company’s Comic-Con panel. “It’s a real backup file — it’s a fairly plain PDF or CBZ. They are high resolution, not a lot of bells and whistles, and my feeling is that people will continue to use the cloud-based reader to do their reading.”
The other big announcement was that Marvel will publish Avengers: Age of Ultron, an in-continuity graphic novel by the Uncanny X-Force team of Rick Remender, Jerome Opeña and Dean White scheduled to arrive in April 2015, ahead of the premiere of Avengers: Age of Ultron.
“Ed [Brubaker] got too busy, so Ed had to leave. Sales were what they were — it was Iron Fist. It was critically acclaimed, and not losing money was enough. But David Aja was going to stop because of the schedule and other work, and Ed was going to stop because of his schedule, and I basically didn’t want to be the Mike Love of Iron Fist, the only original member left ruining what you remember about the band. So I said alright, we’ll stop at #16. I knew what my twist was, what my end was, I thought I’d do that sort of West Wing thing where you end with a “holy fuck!” moment for the next guys, and let them have fun building everything up and finding out what the new status quo is. So it felt more important to go out on a high note with everybody happy, than to be the guy who ruined the book.”
– writer Matt Fraction, on why he left Marvel’s The Immortal Iron Fist with Issue 16, in an interesting discussion of his career from Rex Mantooth through The Order
Saga, Adventure Time, Jaime Hernandez and Parker: The Score were among the winners of the 2013 Harvey Awards, which were presented tonight in conjunction with the Baltimore Comic-Con. Saga was the night’s big winner with six awards, as Fiona Staples took home awards for best artist and best colorist, and Brian K. Vaughan took home the award for best writer.
Also taking home an award tonight was this very blog, as Robot 6 won for best biographic, historical or journalistic presentation. Our fearless leader Kevin Melrose will likely have a few words to say about that in the days ahead, but for now I’ll just say congratulations to the rest of the Robot 6 team — it’s an honor to work with you guys.
Named in honor of the late Harvey Kurtzman, the cartoonist and founding editor of MAD magazine, the awards are selected entirely by creators. The full list of nominees can be found below, with the winners in bold and italics. Congratulations to all the winners:
After Hawkeye #11, I fully expect to see a Pizza Dog miniseries, if not a monthly spinoff … and even a guest spot in an upcoming episode of Marvel’s Agents of S.H.I.E.L.D. Heck, maybe Marvel is just waiting until Comic-Con International to tell us one of those 2016 film-release dates already claimed is going to the dogs …
That’s just speculation, of course, but what I do know is that Pizza Dog has made his way to a T-shirt. WeLoveFine.com has a new design featuring David Aja and Matt Hollingworth’s art from that issue, in both men’s and women’s sizes. Pizza is his business, and business is good … check ‘em out below.
With the popularity of Hawkeye –both the Clint Barton version, starring in his own stellar comic and various Avengers titles, and the Kate Bishop version, currently appearing in that same stellar comic and the snappy Young Avengers — it’s not surprising that Hawkeye cosplayers are taking aim at conventions around the world.
If you’re wanting to sport the gear of the younger, female Hawkeye, but aren’t sure where to get started, here’s a Tumblr by a devoted Kate Bishop cosplayer that should tell you everything you need to know. It’s appropriately titled “Gosh I Love Arrows,” and I think she goes above and beyond in the creation of a set of trick arrows based on David Aja’s illustrations from issue #3.
Happy Mother’s Day and welcome to What Are You Reading?, our weekly look at the comics, books and what have you we’ve been checking out lately. Joining us today is Allison Baker, co-publisher of Bandette, Edison Rex and all the other Monkeybrain Comics you can find on comiXology.
To see what Allison and the Robot 6 crew have been reading, click below.
Happy Sunday and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Today our special guest is Dave Dwonch, creative director at Action Lab Entertainment and the writer of such comics as Space-Time Condominium, the upcoming Ghost Town, Double-Jumpers and more.
To see what Dave and the Robot 6 crew have been reading, click below.
Welcome to the very last Food or Comics. Next week our new-release picks will take a different format, but this week we’re still talking about what comics we’d buy at our local shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Let’s be honest, if I had $15, I’d make sure that Batman Incorporated #8 (DC Comics, $2.99) was first on my list. Not because of any controversy — I’ve been enjoying the series all along — but because I’d be worried it’d sell out if I waited. I’d also grab two Dynamite books: Jennifer Blood #23 and Masks #4 (both $3.99); Al Ewing has done just insane, amazing things on the former, and the Chris Roberson/Dennis Calero team on the latter is just killing it.
If I had $30, I’d find myself time traveling to all the weeks prior in which I didn’t use all $30 to borrow a dollar from past-me, just so that I could get Showcase Presents Justice League of America, Vol. 6 (DC Comics, $19.99), which takes the series firmly into the 1970s and brings the team face to face with villains including the Shaggy Man, Amazo and countless other favorites of my childhood.
Should I have some splurging left in me after that nostalgia-fest, I’d likely go for the Judge Anderson: PSI Files, Vol. 3 collection (Rebellion, $32.99), which picks the series up just after I’d dropped off the 2000AD radar for awhile, and hopefully gives me the chance to get back into the character, now that I am firmly into Thrill Power again.
The “I Heart Hawkeye” shirts come in assorted colors — black, gray or white for men, and black, pink or white for women — and in sizes ranging from small to XXXL. They’re $25 for men, and $20 for women. Presumably a “You Dead Now, Bro” shirt will follow soon.
You check out the designs, and Aja’s full cover for Issue 9, below. Hawkeye #7 is on sale now.
Hello and welcome to What Are You Reading?, where we take a look at the comics, books and other things the Robot 6 crew have been reading lately. We kick off the new year with Brian Cronin from Comics Should Be Good! as our special guest. In addition to running our sister blog, Brian is also an author, having written two books on comics trivia. He also runs the blog Urban Legends Revealed, where he talks about sports and entertainment urban legends.
To see what Brian and the Robot 6 crew have been reading, click below …
Marvel is nothing if not nimble, changing up the schedule and creative lineup of Hawkeye to allow writer Matt Fraction to address the impact of Hurricane Sandy on New York and New Jersey in Issue 7, with the help of guest artists Steve Lieber and Jesse Hamm. What’s more, Fraction announced he’ll donate his royalties from the issue to the Red Cross’ Hurricane Sandy relief efforts.
Hawkeye #7 will be split into two stories, with Lieber illustrating Clint Barton’s efforts to help a friend evacuate his father from Far Rockaway, Queens, and Hamm drawing Kate Bishop’s struggle in Atlantic City as the five-star hotel in which she’s attending a social function begins to flood. Series artist David Aja will return with Issue 8.
“I doubt I could tell this story if I was still writing Thor or Iron Man, but this is what Hawkeye ended up being about,” Fraction told Comic Book Resources in early December. “He’s the superhero that doesn’t matter; all that matters is that he’s a superhero.”
Marvel has provided ROBOT 6 with an exclusive color preview of Hawkeye #7, which goes on sale Jan. 30:
Rough around the edges but as precise as a Swiss clock. It’s an apt description for the Marvel character Hawkeye, and also the work of series artist David Aja.
Born and raised in Valladolid, Spain, the same town Don Quixote author Miguel de Cervantes called home, Aja earned a college degree in illustration as was on his way to a career in magazine illustration before he followed his childhood ambition: comics. After a prosaic debut in the Marvel anthology X-Men Unlimited, Aja grew by leaps and bounds before becoming the signature artist of the cult-hit series The Immortal Iron Fist with writers Ed Brubaker and Matt Fraction. After the conclusion of his run, Aja did a series of one-off stories for titles like Secret Avengers, Daredevil and Wolverine: Debt of Death while he and his wife added two children to their home already filled with animals. This year, Aja and Fraction reunited for another series, this time taking on classic Avenger (and newly minted movie star) Hawkeye in a self-titled series that focuses on the archer’s life when he’s not working as one of Earth’s Mightiest Heroes.
After last week’s stupendous one-off story in Hawkeye #6, Aja seems on top of his game. And what better time to get inside his head and find out what he thinks about comics and his place in it. In our conversation, we go over his time on The Immortal Iron Fist and Hawkeye, his views on original art, and also his idea of creative teams and what his formula is for making a great comic.
It’s Thursday afternoon as you’re reading this, but it’s still Wednesday night as I write it. Usually on Wednesdays, I work at my day job until 5 p.m., and then, after I shout “Yabba-dabba-doo!” and slide down the tail of my sauropod/steam shovel, I hop into my car and drive to my local comic shop and pick up a small stack of comic books. Then I return to my apartment and read them, and then I write brief reviews of them all for a weekly feature I post on my home blog and then I write my weekly post for Robot 6.
Wednesdays are, generally speaking, pretty busy days for me. This one’s even busier than usual, as in addition to the above, I have a few extra writing assignments I need to finish before the end of the week and I still have two homemade Christmas presents for loved ones I need to finish putting together.
So then I had a brilliant idea! Well, an idea. Maybe instead of writing two blog posts tonight, one for Every Day Is Like Wednesday and one for Robot 6, I would just write my usual Wednesday-night blog post and put it here instead of there, thus killing two birds with one stone, as the saying, which was popularized back when people still killed birds with stones, goes.
Here then, are a few paragraphs about each of the new comic books I bought and read this Wednesday (now if only I could give blog posts as a Christmas gifts to my family members, the rest of this week would be pretty chill):
Hello and welcome to another edition of What Are You Reading?, where each week we talk about comics and other stuff we’ve been checking out lately. Today we welcome special guest Joshua Williamson, writer of Masks and Mobsters, Captain Midnight (which has been running in Dark Horse Presents), Uncharted, Voodoo and much more.
To see what Joshua and the Robot 6 crew have been reading, click below …
How much, exactly, is too much of a good thing? I imagine it depends on the thing in question, and the person you ask. Let’s say the thing is Marvel’s newish Hawkeye. And the person is me.
I really like this comic, which is something that came as a great surprise to me, as I don’t really have any feelings about Hawkeye beyond, perhaps, preferring the super-archer with the facial hair and the green costume. And I don’t really like reading Marvel comics serially any more, given how hard the publisher strives to make that experience an unpleasant one, with the ads and the variants and the cover prices and the AR phone applications and the random switching and the renumbering and title changing and the funny numbering schemes (“Superior Spider-Man #6AU“…?) and the irregular shipping schedules.
I bought the first issue on a whim, though (it was a light week), and despite a little confusion as to why artist David Aja was to aping ’80s-era David Mazzucchelli, it impressed the hell out of me. Writer Matt Fraction and Aja make a great team, and the idea of focusing on what Hawkeye does “when he’s not being an Avenger” — recasting the movie star/cartoon character/toy as a more-or-less everyman action hero — is interesting, as was the decision to make every issue a done-in-one complete story (for the first three issues, anyway).
Each story has had elaborately constructed plots that spring open, move fluidly and then snap satisfyingly shut, the script and art are paced to encourage a slower, more appreciative reading process that makes each issue seem twice as long as most other Marvel comics, and even Matt Hollingsworth’s old-school but understated color and generous use of purple (to compensate for the lack of costume) has been impressive.
I started to worry when Issue 4 shipped, though, and worry still more when I read Issue 5, and worry still more when I saw Issue 6 arrives next Wednesday.