Hello and welcome to What Are You Reading? Our guest this week is writer and letterer Ed Brisson, whose comic Comeback with artist Michael Walsh arrives in November. He’s also the writer of Murder Book and Black River.
To see what Ed and the Robot 6 crew have been reading, click below.
To see what Alex and the Robot 6 crew have been reading lately, click below.
The timing couldn’t be better for Marvel’s new Hawkeye book, which came out this past weekend. For one thing, there’s that big blockbuster Avengers movie that came out earlier this year, where the character got some big-screen time thanks to actor Jeremy Renner. For another, Marvel was able to line up Matt Fraction, David Aja and Matt Hollingsworth, who worked together on a phenomenal Iron Fist run a few years back, to show us what Clint Barton does when he isn’t Avengin’, Secret Avengin’ or teaching at the Avengin’ Academy.
I was sold by the creative team alone, but if you’re still on the fence about the first issue, here are a few reviews from the web to help you along.
Alex Evans, Weekly Comic Book Review: “Hawkeye #1 is one of those rare first issues where you know that you’re seeing the start of something very special. Much like Daredevil #1, there’s a perfect unity between writer and artist and, more than that, a fresh, unique take on an old, well-worn character. I will go even so far as saying that much like Fraction’s Iron Man, Hawkeye #1 feels like the start of what will be the definitive take on the character for years to come.” (Grade: A)
Chris Sims, ComicsAlliance: The concept of ‘Hawkeye on his days off’ that’s laid out in the title page fits this book like a glove, and it’s a pretty interesting choice. After those first few pages where he gets knocked out of a building, Clint doesn’t wear his costume and nobody refers to him as ‘Hawkeye.’ Instead, he’s just Clint Barton in a suit — an actual suit with a shirt and tie, not the purple leather that makes him look like Prince’s racquetball partner — dealing with things on a relatively low-key level. Rather than, say, the Loki level that he has to deal with at his day job.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d start things off with Hawkeye #1 (Marvel, $2.99). David Aja’s built up a great track record from his run on Iron Fist to his various one-off issues in and around the Marvel Universe, so seeing him re-team withIron Fist co-writer Matt Fraction is something special. Without creators like these I’d probably balk at a Hawkeye series, but they make this a must-buy. After that I’d get another first issue, Image’s Harvest #1 (Image, $3.50). AJ Lieberman’s quietly written a number of great stories, and this one seems pretty inventive. I might’ve waited for the trade on this, but newcomer Colin Lorimer’s art on it makes me think he’s going to be a big deal and I need to know about it. For the bronze in my $15 pile, it’s Avengers Vs. X-Men #9 (Marvel, $3.99). This week, Jason Aaron and Andy Kubert take point, re-teaming from their great but under-appreciated Astonishing Wolverine and Spider-Man series from a while back. Lastly, I’d get Daredevil #16 (Marvel, $2.99) because Waid is bringing his A-game, and the recent addition of Chris Samnee only makes it even more impressive. The previews for this issue shows guest appearances by Ant-Man, Doctor Strange and Iron Man, so it’ll be interesting to see how Waid factors them into Matt’s world.
If I had $30, I’d get Thief of Thieves #7 (Image, $2.99), which is becoming one of my favorite Image books and Nick Spencer’s finest at the moment. Having Shawn Martinbrough draw it only helps. After that, I’d get Earth 2 #4 (DC, $2.99). James Robinson is really living up to the “New 52” moniker by giving us one of the most imaginative and different takes on the DCU, and Nicola Scott is drawing up a storm here. After that, I’d tie things up with RASL #15 ($4.99). Jeff, you get my money sight unseen.
If I could splurge, I’d take a chance and order Absalom: Ghosts of London (2000 AD, $17.99) because it looks pretty great. British cops governing over an ages-old pact between the English government and hell? Hell yeah.
It’s time once again for our monthly trip through Previews looking for cool, new comics.
Wait a minute … “monthly”?
It’s true that we haven’t taken a What Looks Good tour in a few months, but the feature is back with an all-new approach that we hope will be more varied and useful than the old format. Instead of Michael and Graeme just commenting on everything that catches our attention in the catalog, we’ve invited Chrises Mautner and Arrant to join us in each picking the five new comics we’re most looking forward to. What we’ll end up with is a Top 20 (or so; there may be some overlap) of the best new comics coming out each month.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
1) Love and Rockets New Stories #5 by Gilbert and Jaime Hernandez (Fantagraphics) — How do you possibly top the triumphant storytelling feat that was “The Love Bunglers”? I dunno, but Jaime Hernandez is certainly going to give it the old college try, this time shifting the focus onto the vivacious “Frogmouth” character. Gilbert, meanwhile, brings back some of his classic Palomar characters, so yeah, this is pretty much a “must own” for me.
2) Skippy Vol. 1: Complete Dailies 1925-1927 by Percy Crosby (IDW) — Percy Crosby’s Skippy might well be the great forgotten comic strip of the 20th century. Extremely popular in its day, and a huge influence on such luminaries as Charles Schulz, the strip has largely been forgotten and the name conjures up little more than images of peanut butter. IDW’s effort to reacquaint folks with this strip might change that — the few snippets I’ve read suggest this is real lost gem.
3) The Voyeurs by Gabrielle Bell (Uncivilized Books) — Tom Kaczynski’s small-press publishing company drops its first major, “big book” release with this memoir from the always-excellent Gabrielle Bell. Collecting work from her series Lucky (and, I think, some of her recent minis), the book chronicles a turbulent five year period as she travels around the world. Should be great.
4) Godzilla: The Half Century War by James Stokoe (IDW) — I usually stay as far away from licensed books as possible, but there is one simple reason I’m including this comic in my top five: James Stokoe. Stokoe’s Orc Stain has quickly become one of my favorite serialized comics, and his obsession with detailing every inch of the page combined with his ability to incorporate significant manga storytelling tropes in his work convince me he can do a solid job chronicling the adventures of the big green lizard that spits radioactive fire.
5) Barbara by Osamu Tezuka (Digital Manga) — Speaking of manga, here’s one of the more noteworthy Kickstarter projects of recent years: Digital Manga’s attempt to bring the master’s saga of a famous author and the homeless, beautiful woman he takes in and assumes to be his literal muse. This is well regarded in many Tezuka fan circles as one of the cartoonist’s better adult stories, and I’m glad to see Digital willing to take a chance on bringing more Tezuka to the West. I’ll definitely be buying this. I should also note that Vertical will also be offering some Tezuka this month, namely a new edition of Adolph (originally published by Viz in the ’90s), here titled Message to Adolph but well worth checking out regardless of the title.
“If I could put the Stephen J. Cannell logo at the end of every issue I would be happy, and David Aja recently sent me this amazing piece of music. He said, ‘Here’s the soundtrack to our first issue.’ It’s Dizzy Gillespie and Lalo Schifrin from a record they did together called ‘Free Ride’ and it is great. The whole record is full of car chase music. So this series is very William Friedkin and early Brian Depalma. Rockford Files. It’s an early ’70s urban grit story. You almost expect Hawkeye to come around the corner and bump into Power Man and Iron Fist from 30 years ago.”
“Rather than try to define what Hawkeye’s role is in the Avengers, I wanted to define what is Clint Barton’s role in Hawkeye — who is he and what drives him and why is he our lead? I could close my eyes and see this Aja drawing of him with a Band-Aid across the bridge of his nose, and I got it. That’s our guy. He’s the Marvel Universe’s Jim Rockford.”
– writer Matt Fraction, in interviews with Comic Book Resources and USA Today, name-checking
the 1970s James Garner crime drama in discussions of his upcoming Hawkeye ongoing series for Marvel. There’s no word yet as to whether Clint Barton works for $200 a day, plus expenses.
If the first day of the Chicago Comic & Entertainment Expo was dominated by announcements from Dark Horse and DC Comics, then the second day belonged to Marvel, which followed through on its teaser for a new series, revealed an Icon relaunch, and shuffled some creators. Here are some of the highlights from Saturday (along with a couple of holdovers from Friday):
• As usual, the “Cup O’ Joe” panel was where Marvel rolled out its biggest publishing announcements, beginning with confirmation that the teaser released last week is indeed for a Hawkeye ongoing series reuniting The Immortal Iron Fist collaborators Matt Fraction and David Aja. In the title, which debuts in August, Clinton Barton will be accompanied by fan-favorite Young Avenger Kate Bishop as he fights organized crime in New York City. “It’s very Avengers, by which I mean John Steed and Emma Peel. There’s a whole healthy person between the two of them,” Fraction told Comic Book Resources. “There’s a line in Rocky where he says, ‘I got bumps. You got bumps. Together we fit,’ or something like that — the two of them fit together. Each one has what the other doesn’t, which means they work very well together. She’s young, incredibly gifted, incredibly cultured, and incredibly headstrong. She doesn’t suffer his crap and also wants to be someone worthwhile, but she’s trying to figure out how to make that possible. She follows him not because of his abilities, but his accomplishments. So they work together quite well. It’s an apprentice and master style relationship.”
Marvel released a teaser this morning touting a reunion of The Immortal Iron Fist collaborators Matt Fraction and David Aja for an all-new ongoing series. Alas, we’ll have to wait to wait until April 14 “Cup O’Joe” panel at the Chicago Comic & Entertainment Expo to learn the details. Until then, we’ll just have to busy ourselves with wild speculation based on the above teaser …
Artist David Aja and 46 other comic creators collaborated on the “longest comic ever,” ¡Caramba! 2. And we’re talking “long” in actual length, not page count. As you’ll see in the video above, the comic is on a long scroll of paper and you unroll it to read it. The comic and the site where you can buy it are in Spanish, but you can find out more about both here if you know the language or want to decipher what Google Translator gives back to you.
Hello and welcome once again to What Are You Reading?, where every week we talk about the comics, books and other stuff we’ve been reading lately.
Our special guest this week is musician and comic creator Nate Powell, who you might know from his most recent graphic novel, Any Empire, or the Ignatz and Eisner Award-winning Swallow Me Whole. When he’s not creating comics, he’s hanging out at the United Nations with the likes of R.L. Stine, Ann M. Martin and other teen-fiction writers in support of What You Wish For, a collection of young adult stories and poems. Proceeds from the book will be used to fund libraries in Darfuri refugee camps in Chad.
To see what Nate and the Robot 6 crew have been reading, click below.
Colorist Elizabeth Breitweiser‘s work can be seen in any number of Marvel comics these days. In fact this week sees the release of writer David Lapham and artist David Aja’s Wolverine: Debt of Death one-shot, featuring Breitweiser as colorist (Be sure to enjoy CBR’s preview of the one-shot). Regular readers of What Are You Reading? know how much of an unabashed Jeff Parker/Gabriel Hardman’s Hulk booster that I am–and it is that series where I really started to appreciate Breitweiser as a colorist. This email interview was an effort to discuss her work mostly in general terms, so admittedly I did not discuss the Wolverine one-shot, but focus on some of her ongoing series work. My thanks to Breitweiser (who can also be found on Twitter) for taking the time for this discussion, despite her continually heavy workload. I am also deeply appreciative, that when our conversation led to her discussion of recent specific work, she was kind enough to provide examples of the pages for us to use.
Tim O’Shea: What are the biggest misconceptions in terms of the demands with your job as a colorist?
Breitweiser: Probably just in people not taking my job seriously or not viewing it as a fulfilling way to make a living. Many tend to think of what I do as “easy”. Coloring to them is just an afterthought and not seen as an essential part of the storytelling. I’m pretty sure most of my family and friends still do not understand what it is I do and how I can make a successful living at it. Professional colorists in general seem to almost always be overworked and overstressed. A lot of it has to do with us being at the end of the production line, but it also has to do with people having unrealistic expectations due to an incomprehension of the effort it takes to successfully tell a story with color.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item. We’re coming a little late today due to a power outage in my neck of the woods — due to a blackout, not because I spent the money for the electric bill on Flashpoint or Fear Itself tie-ins.
If I had $15, my first pick off the shelf would be Vengeance #1 (Marvel, $3.99); I love Joe Casey, and especially when he’s given a long leash and room to play in a big universe. Seeing Nick Dragotta drawing this is an added bonus. Next up would be comics’ dueling summer blockbusters, Flashpoint #3 (DC, $3.99) and Fear Itself #4 (Marvel, $3.99). After that, I’d get the excellent Flashpoint: Batman, Knight of Vengeance #2 (DC, $2.99); when Azzarello is on the ball he’s great to read, and this seems to be that.
“I did extensive research into historical documents for the styles,” he said on his blog. “In order to make that work, I used different typographies each issue, emulating different typefaces in real work; so I needed a uniform tone, technique and color in the finished art to identify all the covers as a whole collection.”
The five-issue miniseries by writer Greg Pak and artist Mirko Colak kicks off in July.
Marvel’s The Immortal Iron Fist series was one of my favorite books in recent memory. Although the title has long since fallen by the wayside, those original issues — especially the first twelve — show an amazing dynamic. From seeing the first major Marvel work for Matt Fraction (co-writing with Ed Brubaker), it also hoisted the work of artist David Aja to the mainstream. But after his run ended with the series’ 16th issue in August 2008, we’ve only seen glimpses of Aja’s work across the Marvel line — most notably the recent tour de force in Secret Avengers #5.
But with the release of this month’s solicits, a single image hints to more from the artist — and it’s not a Marvel book. Buried in DC’s May solicits is a cover Aja has done as a variant for Green Arrow #12. This could be important because for the last six years Aja’s only done work for Marvel, and this stray arrow could be a sign that Aja is branching out. In the comments to a post on his blog asking if the artist was working for DC, Aja replied back saying “Well, at least for that cover I did.”
Over on Marvel Senior Vice President of Publishing Tom Brevoort’s Formspring, Brevoort stated that Aja is working on “a Wolverine one-shot he’s been working on for some time” and just finished the covers for 5 Ronin.
Whether he’s DC-bound, staying at Marvel or, who knows, signing an exclusive with Archie, the only thing I’m hoping for is more work by this dynamic storyteller.
No doubt you’ve seen David Aja’s incredible covers to Marvel’s upcoming 5 Ronin miniseries. If you’re interested in seeing how they came together, the artist has posted his process for creating each of them on his blog. Check out covers featuring Wolverine, Deadpool, Hulk, Psylocke and Punisher.