The Toronto Comic Arts Festival celebrates its 10th birthday this weekend with a truly stellar lineup of guests and an amazing array of events. The list of creators who will be there is impressive in both its quality and its breadth: Art Spiegelman and Francoise Mouly, Gilbert and Jaime Hernandez, David B., Taiyo Matsumoto, Rutu Modan, Frederik Peeters, Paul Pope, Bryan Lee O’Malley, Hope Larson, Faith Erin Hicks, Derf Backderf, Raina Telgemeier, Dave Roman, a roll call that goes from living legends to plucky creators making their own comics zines by hand.
Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Our special guests today are Brendan Tobin and Pedro Delgado, who run the March MODOK Madness site. And with this being March, the madness is in full swing, so head over there to check out a lot of fun art featuring everyone’s favorite big-headed villain.
To see what Brendan, Pedro and the Robot 6 crew have been reading, click below.
Head to Words Without Borders to read the first chapter of David B. and Hervé Tanquerelle’s False Faces. It’s a story about a gang of bank robbers, and the 17-page excerpt presented here focuses on the individual members of the team, introducing each one and setting them in motion to interact with one another, slowly building up a picture of the group and the genesis of their first bank heist. Unfortunately the excerpt ends in the middle of the action, leaving the reader waiting for more.
Translator Edward Gauvin gives a bit of context at his blog: False Faces (Les Faux Visages in the original) is based on a real Parisian gang of bank robbers, the Wig Gang.
I can’t find any information, on the site or on the rest of the web, about whether anyone plans to publish this book in English, but I certainly hope that’s in the works.
Comics | Johan Palme talks to Nathan Hamelberg of The Betweenship Group about the continuing controversy over a Swedish library’s decision to re-shelve some Tintin comics because of racist caricatures and colonialist attitudes. The books were put back following an uproar, but the move has sparked a larger conversation, and it even has its own hashtag, #tintingate. [The Guardian]
Conventions | Heidi MacDonald and the Publishers Weekly team (including Robot 6 contributor Brigid Alverson) post a comprehensive report on New York Comic Con, including debuts, new-title announcements, and a quick look at logistics. [Publishers Weekly Comics World]
Conventions | Dave Smith looks at one of the most vexing problems of New York Comic Con: the lack of decent wireless access, a situation troubling exhibitors and media alike. [International Business Times]
Comics College is a monthly feature where we provide an introductory guide to some of the comics medium’s most important auteurs and offer our best educated suggestions on how to become familiar with their body of work.
Last month we looked at the career of Marjane Satrapi. This month we’ll examine the career of one of her largest (or at least more apparent) influences, Pierre-Francois Beauchard, better known by his pen name, David B.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15 this week, I’d pick up the third issues of what may be becoming my two favorite new series: Saga (Image, $2.99) and Saucer Country (DC/Vertigo, $2.99). The former is easily one of the most enjoyable, most packed books out there right now for me, with Brian K. Vaughan and Fiona Staples firing on all cylinders with the two issues to date, whereas the latter has an enjoyably retro feel that reminds me of the earliest days of the Vertigo imprint in ways that I can’t quite put my finger on but love nonetheless.
If I had $30, I’d grab the new edition of Leviathan (Rebellion, $16.99), a collection of a 2000AD horror story by Ian Edginton and D’Israeli that the creators apparently described as “Agatha Christie meets Silent Hill” about a Titanic-esque cruise ship that disappears in the middle of the ocean, and ends up somewhere else … with no land in sight for more than two decades. Really looking forward to reading this one.
Should I suddenly find enough money down the back of my couch to splurge this week, then I’d hope to find the $29.99 I’d need for the Deadenders trade paperback (DC/Vertigo). I entirely missed the Ed Brubaker/Warren Pleece mod romance comic the first time around, so this collection of the entire series will be a welcome chance to make up for past mistakes.
Best of Enemies: A History of U.S. and Middle East Relations, Part One 1783-1953
by Jean-Pierre Filiu and David B.
Self Made Hero, 120 pages, $24.95
Perhaps it’s just the tenor of the times (quite likely) or perhaps it’s the influence of Joe Sacco (not quite as likely but still a possibility) but there’s been a lot of graphic novels focusing on the Middle East lately. In the realm of fiction there’s Craig Thompson’s Habibi, G. Willow Wilson and M.K. Perker’s Cairo and the various works of Marjane Satrapi. In the realm of nonfiction, there’s Sacco’s own Footnotes from Gaza. and Sarah Glidden’s How to Understand Israel in 60 Days or Less. Now two new books have joined the conversation on the nonfiction side of things: Guy Delisle’s Jerusalem and Best of Enemies, from historian Jean-Pierre Filiu and Epileptic author David B.
Creators | Daniel Kalder looks at the state of French comics tradition following the death last month of Jean Giraud, the influential artist widely known as Moebius, and finds it’s in the capable hands of David B (“one of the most sophisticated cartoonists in the world”) and Nicolas de Crecy (“the ‘mad genius’ of French comics”). [The Guardian]
Creators | Tom Spurgeon talks to Michael Cho about what sounds like a really interesting project, his book Back Alleys and Urban Landscapes: “Because I don’t have an affinity for drawing a pastoral landscape. [laughs] You know what I mean? I’ve never lived in that environment, so I can’t draw that thing with confidence. When I close my eyes I don’t visualize that with any confidence. But a city is something I’m surrounded with constantly. With alleyways and lane ways and how light poles connect up to transformer towers which have extra leads leading down to the basement apartment. I can see that when I close my eyes, you know?” [The Comics Reporter]
To see what Jessica and the Robot 6 crew have been reading, click below.
Wouldn’t it be awesome if everywhere you shopped this holiday season offered a minicomic with a $50 purchase? Fantagraphics is doing just that, through their online store. They’ve created 21 mini-comics by a variety of their creators that are available free with the purchase of their “matching” book or books, or for simply purchasing $50 worth of stuff from their catalog.
“I always was very fond of the mini-comics format — take two to four 8 1/2 x 11 sheets, fold them once, staple, and voilà!” wrote Kim Thompson. “You have an adorable little 5 1/2 x 8 1/2 comic book for mere pennies. But I could never really figure out what to do with this old-school, low-tech format. Until now!”
The contents of the mini-comics are fairly unique, too; there’s a David B. one featuring a never-before-translated-into-English tale, and a Stan Sakai one that reprints a Nilson Groundthumper story that originally appeared in the Critters anthology back in the day. There’s one featuring out-of-print Peter Bagge strips, and one featuring a full-color 10-page summary of Tony Millionaire’s doomed attempt to get Billy Hazelnuts onto television. And more, by the Hernandez Bros., Jim Woodring, Johnny Ryan, Richard Sala, Bill Griffith, Ivan Brunetti and even Doc Winner, E.C. Segar’s assistant on Popeye.
The big chain stores might have cheap TVs this weekend, but how many of them come with a Tony Millionaire mini-comic? Not nearly enough, I tell ya.
What if the Image Seven were Chris Ware, Daniel Clowes, Charles Burns, Chester Brown and so on, instead of dudes who made their bones drawing Spider-Man and Wolverine? The result would probably look a lot like L’Association.
Founded in 1991 by French alternative-comics titans David B., Killoffer, Mattt Konture, Jean-Christophe Menu, Mokeït, Stanislas, and Lewis Trondheim, L’Association was formed as a response to the lack of opportunity for avant-garde comics provided by France’s mainstream comics publishers. But L’Asso quickly became a sales forced to be reckoned with on its own, thanks in large part to its breakout hit, Marjane Satrapi’s Persepolis. Over the years, the publisher’s lineup took on “everybody who’s anybody” proportions in the Francophone comics world, with Julie Doucet, Joann Sfar, Blutch, Dupuy & Berberian, Emmanuel Guibert, and Guy Delisle all releasing work through the collective.
But as was the case here in the States with the makers of Spawn, Youngblood, WildC.A.T.s et al, L’Asso became a house divided. A combination of personal rivalries, diverging interests, and outside opportunities elsewhere soon saw the seven founders go their separate ways, leaving Jean-Christophe Menu as the publisher’s head honcho. What happened next — hidden financial records, unexpected layoffs, an employee strike, accusations of alcoholism and paranoia, tumultuous meetings involving hundreds of people, and a team-up between the departed founders to wrest control of their former company away from Menu’s allegedly dictatorial hands — became the stuff of comics legend.
Now the Comics Journal’s Matthias Wivel is telling the story of the L’Asso War — and getting participants on both sides on the record. In part one of his fascinating report, he takes us from the founding of the group to the eve of the company-wide strike in protest of Menu-directed layoffs that rocked Angoulême, France’s biggest comic con. In part two, he chronicles the strike and the resulting legal wranglings and wild-sounding general assembly meetings that eventually led to the co-founders’ return and Menu (and Satrapi)’s departure. Filled with juicy quotes from Menu, Trondheim, David B. and other leading players, the whole sordid saga reads like a movie, or more appropriately a comic, which, thanks to a team of cartoonists led by Trondheim, it’s about to become. Take a break and read the whole thing — it’s one of the most compelling collisions of art, commerce, and clashing cartoonists that comics on either side of the Atlantic has ever seen.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15 this week, I’d continue to support the DC relaunch by picking up Wonder Woman #1, Legion of Super-Heroes #1 and Green Lantern Corps #1 (All DC, $2.99). I’d also grab the first issue of IDW’s new ongoing Star Trek book ($3.99), which adapts episodes of the original TV show into the new movie continuity, because I’m nerdy like that.
Fantagraphics sent over their list of books debuting at the San Diego Comic-Con later this month, and boy is it packed tighter than my suitcase on vacation day. The publisher will have almost two dozen new books at the show, including the last Mome; new stuff from Michael Kupperman, the Hernandez Bros. and Johnny Ryan; tons of Eurocomics; a Lou Reed/Edgar Allan Poe joint; and more. Check them out:
Love & Rockets New Stories 4 by Los Bros Hernandez: Featuring new stories by Jaime and Gilbert, including new material featuring Maggie set in the present and during her teen years.
Mark Twain’s Autobiography by Michael Kupperman: Probably the one I’ve been looking forward to the most, Kupperman publishes Mark Twain’s “biography” since the day the author/humorist died through last year — including his affair with Marilyn Monroe and his time-traveling adventures with Einstein.
Prison Pit Vol. 3 by Johnny Ryan: More deranged, twisted ultraviolent fun from Ryan.
One of the more notable news stories of the week was the announcement by Mome editor (and Fantagraphics co-publisher) Eric Reynolds that the quarterly anthology would come to an end with the release of the 22nd volume later this year.
The series has had a rather remarkable and distinguished run since its inception in 2005. In addition to featuring work by such notable cartoonists like Jim Woodring and Gilbert Hernandez, it’s served as a publishing venue to highlight the work of up and coming artists like Laura Park, Tom Kaczynski and Sara Edward-Corbett, as well as introduce American readers to work by notable European creators like Emile Bravo and Sergio Ponchione.
As a memorial of sorts for the anthology’s oncoming demise, I thought I’d attempt to put together a quick list of my own favorite stories from Mome. This was a tough list to put together actually, and there are a number of names I feel a bit guilty for leaving off, but I’m sure you all can duly chastise me for my omissions in the comments section.
Welcome to another installment of “Food or Comics?” Every week we set certain hypothetical spending limits on ourselves and go through the agony of trying to determine what comes home and what stays on the shelves. So join us as we run down what comics we’d buy if they only had $15 and $30 to spend, as well as what we’d get if we had some “mad money” to splurge with.
Check out Diamond’s full release list if you’d like to play along in our comments section.
If I had $15, at least $9 of it – okay, $8.98 – would be already spoken for. The first issue of Batman Incorporated ($3.99) and one-shot lead-in Batman: The Return #1 ($4.99) offer up the first glimpses of what Grant Morrison has in mind for his new Batus-quo and, after the way he brought the RIP/Return of Bruce Wayne storyline to a close, I’m pretty much on board no matter what. The remaining money…? It’s a tough one, but I’m going to go for Spider-Girl #1 ($3.99), pretty much because I like Paul Tobin’s writing, I like the Twitter gimmick (Somewhere, Joe Casey’s going “I did it first in Final Crisis Aftermath: Dance!” and I know, Joe), and, most importantly, the Spider-Girl short was my favorite part of last week’s Amazing Spider-Man relaunch issue. Who could’ve seen that coming?