David E. Kelley
Sure, an invisible airplane could look dopey if you do it one way, but I imagine it could be the coolest thing in the world if you do it another. I’ve said this before, but once you realize that Wonder Woman could absolutely get over if she were to crash that invisible airplane of hers into the front of Wayne Manor and beat the holy guano out of Batman for 15 minutes in the middle of his next movie, just punching him right down long hallways, it becomes clear that there are several ways for a character like that to work. You have just to stop fussing over the character and do one of them.
I agree for a couple of reasons. First of all, though I have a ton of respect for the recent Wonder Woman writers who have spent a lot of time thinking about who the character is and what a story about her should focus on, there comes a time when you have to put that aside and — to paraphrase Gail Simone — just have her fight some talking gorillas on top of a waterfall.
I’ve read Wonder Woman regularly since the George Pérez days, and I watched the first few years of “Ally McBeal,” so naturally I feel somewhat qualified* to talk about David E. Kelley heading up a Wonder Woman TV series. The history of live-action small-screen superhero adaptations is a spotty one, characterized for the most part by budgetary issues and a general failure to embrace the source material fully. Also, at its worst “Ally McBeal” could be rather grating, so I’m a little … let’s say uncertain about Mr. Kelley’s handle on the Amazing Amazon.
That last probably isn’t entirely fair to Mr. Kelley, who (from what I have heard) has a range beyond quirky, flighty professionals with odd romantic histories. I have friends who really enjoyed “The Practice” (including sequels and spinoffs), “Picket Fences,” and Kelley’s time on “L.A. Law.” Still, given the apparent need to make Wonder Woman interesting — beyond being a diplomat, warrior, and princess sent by the gods of a lost civilization to teach peace to Patriarch’s World, that is — my first thought is that of course Mr. Kelley’s Diana will be quirky, flighty, and unlucky in love.