GIANT-SIZE X-POSITION: Duggan Brings Deadpool & Cable Together in "Uncanny Avengers"
Creators | In an article translated from an Arabic newspaper, The 99 creator Naif Al-Mutawa discusses what life has been like since a fatwa was issued earlier this year in Saudi Arabia against the animated adaptation of his comic: “You can imagine the call I had with my parents and my children when the front page of Kuwait’s leading daily newspaper quoted various death threats. ‘Look on the bright side,’ I told my parents, ‘This shows the impact of The 99.'” He ends on a chilling note: “Why would anyone invest in media content if the producers can be sent off to the public prosecutor’s office and potentially serve jail time? Isn’t it just easier to keep dubbing Turkish, Mexican and American dramas? And if we keep doing that, aren’t we diluting our culture?” [The Beat]
Censorship | The Hartford Courant published two of the most influential editorials of the great comics scare of the 1950s — one was reprinted by Readers’ Digest — so it’s appropriate that David Hajdu, author of The Ten Cent Plague, will visit the city next week during Banned Books Week. This article includes an interview with Hajdu and an excerpt from a 2008 interview with former managing editor Irving Kravsow, who wrote one of the scare pieces. [The Hartford Courant]
If you have not read the first part of my interview with Jeer Heer, follow this link. In this second part, the email exchange branched out to include Kent Worcester. Worcester, an associate professor of political science and international studies at Marymount Manhattan College, has collaborated with Heer on two books, co-editing 2004’s Arguing Comics: Literary Masters on a Popular Medium and (more recently) 2008’s A Comics Studies Reader. We discuss both books. My thanks to Heer and Worcester for their time.
Tim O’Shea: Would you ever consider preparing a revised edition of 2004’s Arguing Comics: Literary Masters on a Popular Medium? How has your perspective changed–looking at the 2008 critical landscape in comparison to your 2004 view of the medium?
Kent Worcester: Yes, we have considered preparing a revised edition of Arguing Comics. There are at least a few essays on comics by major twentieth century intellectuals that we overlooked the first time around. A second edition would allow us to not only incorporate new material but also to expand the discussion in the introduction concerning the relationship of comics-oriented discourse to larger cultural conversations. I would very much appreciate having the opportunity to strengthen our underlying argument, which is that debates over comics are central to the so-called “culture wars” that have been a defining feature of American politics for many decades.