Axel-In-Charge: "Secret Wars" Jam Session Talking "A-Force," "Ultimate End" and More
And a new website is looking to bring together webcomic creators under one roof to build an audience and a business for them.
Describes as a “curated not-for-profit comic-sharing” website, Zco.mx was inspired by the community nature of artist-oriented conventions like the Toronto Comic Arts Festival. Using a straightforward web design (both for readers and participating cartoonists), Zco.mx aims to provide a hassle-free, high-quality anthology-like approach to webcomics, in part by using file-sharing systems like BitTorrent.
David Lasky (Urban Hipster, Don’t Forget This Song) created a strip he calls “The Ultimate Batman Comic,” and he’s pretty much right. If Bill Finger and Bob Kane had known then what we know now, Detective Comics #27 would’ve been 14 panels long — all of which you can read on Lasky’s Flickr account.
Alternative Comics, the publisher of alternative comics, is back in business, with two big releases of note this month: Failure, a collection of Karl Stevens’ remarkably illustrated comic strips from the Boston Phoenix, and Alternative Comics #4, the latest installment of its showcase anthology (the first three issues were released as Free Comic Book Day giveaways, with the third issue shipping way back in 2005).
The new iteration isn’t free (in fact, it’s a $5.99, 48-page book), and it’s not coming out on Free Comic Book Day, but it is bigger, newer and perhaps even improved. To find that out, we’ll have to take a closer look at this book, edited by Marc Arsenault and featuring a lovely cover by Mike Bertino.
Here then, are a few words about every single story in Alternative Comics #4:
“Talent Goes In” by Sam Alden
This is a four-panel, inside-front-cover strip by Alden, which amounts to little more than a picture poem. It’s not terribly profound or even substantial but that’s okay, it’s only the inside front cover. Alden has a better strip later in the book.
This Sunday is Bloomsday, that special time of year when people around the world draw together to celebrate one of the finest works of English literature, Ulysses by James Joyce. Or they try to, anyway.
If you haven’t attempted to read Joyce’s magnum opus before, it can be a little rough going. In honor of the literary holiday, I thought I’d list six Joyce-themed comics you can read on Sunday in addition to (or, if you must, in place of) Ulysses. You wouldn’t think there could possibly be that many Joycean comics available to the casual reader but I assure it’s so. Steady on, stately, plump Buck Mulligan!
1. Boom Boom #2 by David Lasky: Lasky has done enough Joyce-themed comics to fill at least a thick-sized pamphlet if not an actual book (and really, at some point I need to devote a “Collect This Now!” column to those works). But if you’re looking for just one comic to read this Bloomsday, I would strongly recommend starting here, with the second issue of Lasky’s ’90s-era one-man anthology. In Issue 2, Lasky tells various anecdotes about Joyce during his time writing Ulysses, but his method is both inspired and unique. He apes specific, iconic Lee/Kirby comics, especially Fantastic Four #1, imbuing Joyce’s comparatively mundane life with grandeur and heroism. Even after all these years, it’s still a pretty boss idea. Once you’re done with that comic, consider picking up Lasky’s “Ulysses” minicomic adaptation as well.
Retailing | Naruto topped the May BookScan chart of graphic novels sold in bookstores, followed by two volumes of The Walking Dead, the latest volume of Sailor Moon, and Yen Press’ latest Twilight adaptation New Moon. Just three volumes total of The Walking Dead made the Top 20 (down from eight last month), and as usual, DC and Marvel got clobbered: DC had three titles on the list (two volumes of Court of Owls and Watchmen) while Marvel had one (Hawkeye), and none was above No. 15. Or to put it another way: Vol. 14 of Dance in the Vampire Bund, a high-numbered volume in a fairly niche manga series, placed higher than every Big Two book on BookScan last month. [ICv2]
Creators | With the second issue of their digital-only comic The Private Eye recently released, writer Brian K. Vaughan and artist Marcos Martin talk about their story, why they decided to do it digitally, and what the response has been so far. [The Verge]
Legal | DragonCon co-founder Ed Kramer, who hasn’t been associated with the show since 2000, has been brought back to the Gwinnett County Jail and booked on child molestation charges that date back to August 2000. The 51-year-old Kramer was released on bond after his initial arrest following accusations that he sexually abused three boys, and has avoided jail and court for more than a decade because of his health problems, although he was under house arrest for a while. He was arrested again in Connecticut in 2011 for violating the conditions of his bond after he was allegedly found alone in a hotel room with a 14-year-old boy. Atlanta Magazine ran a lengthy expose on Kramer last year. [The Atlanta Journal-Constitution]
Digital comics | Technology journalist Andy Ihnatko discusses the significance of DC Comics’ expansion of its digital-comics availability from comiXology and its branded app to the iBooks, Kindle and Nook stores: “Now, all of the company’s titles have a presence in the same bookstore where hundreds of millions of people worldwide buy the rest of their content.” [Chicago Sun-Times]
Conventions | Steve Morris reports in on this past weekend’s Thought Bubble convention, in Leeds, England, which sounds like it was amazing. [The Beat]
Conventions | Meanwhile, on this side of the pond, Young Lee has an account of Durham’s NC Comicon. [Technicianonline.com]
I don’t really need to waste words telling you guys how special comics are, and of the unique artistic alchemy that goes on in their creation and their reading, in which verbal and visual components fuse and synthesize, and the readers finish, almost animate the pages in his or her own imagination. You guys know all that; you read these things all the time.
What you may not think about as much, because I know I don’t, is something that comics can have a lot of trouble dealing with: Sound. Aside from the rustling of the pages, there’s no sound involved in reading comics, and the writers and artists have to get pretty inventive when it comes to trying to include sound in their comics narrative…at least if they want to do so effectively.
In Frank M. Young and David Lasky’s The Carter Family: Don’t Forget This Song, a comics biography of the massively influential early 20th-century music group, sound is obviously something that’s rather important. Music is the thing that binds the main characters together; it’s what first brought young Sara to the attention of her husband A.P. Carter, it’s what they did with Sara’s cousin Maybelle, it’s what obsessed A.P. to the point that he neglected Sara, it’s the legacy the family left behind, and it’s the reason the book exists in the first place.
Passings | Golden Age creators Marcus “Marc” Swayze, best known for writing and drawing Fawcett’s Captain Marvel comics in the early 1940s, died Sunday in Monroe, Louisiana. He was 99. Swayze, who created Mary Marvel with writer Otto Binder, employed a simple style of illustration. “My personal philosophy was to use the art in storytelling so that even a child who couldn’t yet read could get a story out of it,” he told the Monroe News-Star in 2000. [The News-Star]
Legal | The Indian government has officially dropped sedition charges against cartoonist Aseem Trivedi, but he still faces up to three years in prison if found guilty on the remaining charges under the Prevention of Insult to National Honor Act of 1971. Trivedi was arrested last month and briefly jailed before being released on bail. In an odd twist, Trivedi is currently participating in the reality show Bigg Boss, the Indian counterpart of Big Brother. [UPI.com]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d catch up on Joe Keatinge and Andre Szymanowicz’ Hell Yeah with the first trade, Vol. 1: Last Days On Earth (Image, $9.99). I admit to dropping off after the second issue, but it’s always something I wanted to get back to; and reading Keatinge’s interviews on the more recent issues has pushed me over the top. If nothing else, $9.99 for five issues is a good deal. After that I’d get Avengers Vs. X-Men #12 (Marvel, $4.99). Of all the group-written issues, Jason Aaron’s seems to have been the most organized and engaging, so I’m glad they opted to have him do the finale. Seeing Adam Kubert on this is surprising, as his previous issues of Avengers Vs. X-Men felt rushed – but previews of this issue show him more measured and confident, like his Astonishing Spider-Man and Wolverine work, also with Aaron.
If I had $30, I’d double back and gleefully grab Thomas Herpich’s White Clay (AdHouse, $4.95). When I first heard about this the onus of Adventure Time was heavy given the cartoonist works on that show, but after seeing the previews and hearing Chris Pitzer talk about this book I’m in for it. I’d also get the debut issue of Andy Diggle’s Doctor Who #1 (IDW, $3.99) with artist Mark Buckingham. Bucky’s a real treat here, and I’m interested to see what he does with Diggle’s words – and what exactly Diggle does. I’m okay if it’s not Lenny Zero – but that would be nice too. Finally, I’d get Uncanny X-Force #32 (Marvel, $3.99). At one time this was my favorite book coming from the Big Two, but it seems to have grown long in the tooth; I’m not confident enough to say Rick and crew are doing something wrong, as maybe it’s just me. But the first 18 issues had a special kind of magic, and that doesn’t seem to remain here in these issues. But still, I’m in ’til the end.
If I could splurge, I’d get The Nao of Brown (SelfMadeHero, $24.95) by Glyn Dillon. I admit I already received an advance review copy of this book, but if I didn’t I’d surely have it on pre-order. A read a review where they compared to this to Gene Yang’s American Born Chinese, but I think that’s a mere surface examination. After reading this (and flipping through it a dozen times since), this is just a pure coming-of-age story that reminds me more of Hope Larson or a very chatty Adrian Tomine. Very great, very great.