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With so much being reported about Alan Moore’s connections to the Occupy movement — through his endorsement of its ideals, his contribution to Occupy Comics, and protesters’ co-opting of the David Lloyd-designed Guy Fawkes masks — U.K.’s Channel 4 News coaxed the V for Vendetta writer from his home in Northampton to London to meet some of the demonstrators for the first time.
“It’s a bit surprising when some of the characters you thought you made up suddenly seem to escape into ordinary reality,” Moore told some disguised protesters. “I mean, what is it about the mask — is it just useful, or what?”
The report also delves into Frank Miller’s criticism of the Occupy movement, Moore’s displeasure with film adaptations of his works and, yes, the irony that each Guy Fawkes mask that protesters buy puts more money into the coffers of Time Warner, one of the world’s largest media conglomerates.
Alan Moore, who characterized the Occupy movement as “a completely justified howl of moral outrage,” has joined his V for Vendetta collaborator David Lloyd and more than 50 other creators for Occupy Comics, an anthology project inspired by the protests.
“It’s fair to say that Alan Moore and David Lloyd are unofficial godfathers of the current protest movement,” Occupy Comics organizer Matt Pizzolo told Wired.com. “It’s really amazing to see two creatives whose work was inspiring to street protesters join a creative project that is inspired by the street protesters. It’s a pretty virtuous cycle.”
Moore will contribute a long-form prose piece, possibly with illustrations, exploring the movement’s principles, “corporate control of the comics industry and the superhero paradigm itself.”
The project, being funded through Kickstarter, is described as “a time capsule of the passions and emotions driving the movement.” It will begin as single-issue comics, followed by a hardcover collection; a making-of documentary is also being produced by Patrick Meaney, director of Grant Morrison: Talking With Gods and Warren Ellis: Captured Ghosts. With three days left in its fundraising campaign, Occupy Comics has raised $15,892, surpassing its $10,000 goal.
Infamous for its protests against the Church of Scientology and website attacks on Sony, Visa and, most recently, Bay Area Rapid Transit, the loose-knit hacker group Anonymous is perhaps best known for a single image that’s become a symbol of its anarchic movement: The V for Vendetta-inspired Guy Fawkes mask worn by its members in public protests.
However, as The New York Times notes this morning, each of those masks purchased by the largely anti-government, anti-corporation activists puts money in the coffers of Time Warner, one of the world’s largest media conglomerates. The parent company of DC Comics, which published the Alan Moore-David Lloyd miniseries in the United States, and Warner Bros., which released the film adaptation in 2006, owns the rights to the image, and receives a licensing fee for each mask sold.
And there are a lot sold, thanks largely to the Anonymous movement. Rubie’s Costumes, the New York company that produces the masks, sells more than 100,000 a year; by comparison, it sells only about 5,000 of each of its other masks.
But it wasn’t until recently that Rubie’s knew why Guy Fawkes was a bestseller. “We just thought people liked the V for Vendetta movie,” Rubie’s executive Howard Beige tells the newspaper. “Then one morning I saw a picture of these protesters wearing the mask in an online news article. I quickly showed my sales manager.”
Publishing | The drop in year-over-year sales in the direct market slowed in April, with periodicals slipping 1.75 percent and graphic novels just .84 percent. Overall sales were down 1.46 percent for April and 6.5 percent for the first four months of the year. Marvel topped Diamond’s comics chart with Fear Itself #1, while DC led the graphic novel category with the 15th volume of Fables. [ICv2.com]
Crime | Police evacuated the bus terminal in downtown Ann Arbor, Michigan, Friday afternoon after a suspicious package was discovered across the street. The Michigan State Police bomb squad was called in, and it was determined the mysterious package was merely a briefcase-shaped media kit promoting Acura’s involvement with Marvel’s Thor. A writer for Automobile, whose offices are next to the terminal, had discarded the “S.H.I.E.L.D. Assessment Test” kit in the recycling bin, but it wasn’t picked up — apparently because it isn’t recyclable. [WXYZ, Jalopnik]