David S. Goyer Archives - Robot 6 @ Comic Book Resources
I have a confession to make: I had a complete geek tantrum over the news that Joseph Gordon-Levitt is finalizing a deal to produce, and possibly star in and direct, a feature adaptation of Neil Gaiman and company’s The Sandman. I actually blurted out, “Who asked for this?!” Quite loudly. In a well-populated room.
I’m not proud; I should be above such pettiness. In fact, I should be thrilled because we all know what this means: DC Comics’ recently remastered collections of The Sandman are going to get a nice sales boost from the movie promotion (see Watchmen, 300, Scott Pilgrim, Hellboy, et al).
That’s nothing but good news for the creators, retailers and DC. It’s also good news for a new generation of readers that will likely be introduced to the landmark Vertigo series. More people being exposed to such an excellent example of comics is great, and when it comes down to it, I just want comics to succeed. So my feelings should be put aside, and I should be trumpet the adaptation as good news. But …
I don’t wanna. I really don’t wanna.
So have you heard there’s a new Superman movie out? It’s mostly playing in small art-house theaters with a minimal marketing budget, so you might’ve totally missed it. You should check it out.
If you haven’t seen it, fair warning: Here there be spoilers.
This isn’t a review because, honestly, you’ve probably already made up your mind. However, it is a look at how the changes to the Superman mythos made in Man of Steel have altered the origin, and indeed the character, intrinsically.
A lot of these observations were inspired by a podcast discussion of the movie at Part-Time Fanboy, in which host Kristian Horn caught on to something that hadn’t really stood out to me on my first viewing (the episode was recorded earlier in the week and should be available today). Since the recording, I’ve been thinking about what he said, and the more I think about it, the more I see how it seriously alters Clark Kent, and may in fact be the root of my problems with the Man of Steel.
Most people just looking for an exciting movie or a badass Superman enjoyed Man of Steel, and there is plenty to like: There’s some excellent design, particularly of Krypton, the bar has been raised on super-person battles, and most of the acting is fine to actually quite good; Kevin Costner’s delivery of the line “You are my son,” despite being over-used in trailers, choked me up.