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Comics A.M. | Angoulême Official Selections; cartoonist suspended

Angoulême International Comics Festival

Conventions | The Angoulême International Comics Festival has announced the Official Selections for the 2012 festival, which will be held Jan. 26-29 in Angoulême, France. Eddie Campbell’s Alec, Craig Thompson’s Habibi and Daniel Clowes’ Mister Wonderful are among the almost 60 graphic novels on the list. [Angoulême]

Editorial cartoons | The Columbus Dispatch suspended political cartoonist Jeff Stahler after finding that his Monday cartoon was too similar to a New Yorker cartoon published in 2009. At The Daily Cartoonist, Alan Gardner posts several of Stahler’s cartoons alongside earlier pieces with similar punchlines. While one can debate whether Stahler lifted his ideas from the older cartoons, it’s obvious that he drew them in his own style, unlike David Simpson, who was recently accused of copying Jeff McNally’s cartoons. [Comic Riffs]

Crime | Several pieces of original artwork, among other items, were stolen from the car of AdHouse Publisher Chris Pitzer while he was in New York City last weekend for the Brooklyn Comics and Graphics Festival. Pitzer is offering a reward for any information leading to the recovery of the artwork. [AdHouse]

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Editorial cartoonist loses job following plagiarism allegations

It’s one thing to steal an idea and transform it into something new; lots of creators have stood on the shoulders of others. It’s another thing to copy something and make it into something worse.

The Daily Cartoonist has been hot on the tail of David Simpson, an editorial cartoonist for Oklahoma’s Urban Tulsa Weekly. The story started last week when blogger Alan Gardner noted similarities between one of Simpson’s cartoons and an old cartoon by the late Jeff MacNelly. They weren’t just similar concepts; Gardner overlaid the cartoons and they line up pretty well. He told the Poynter Institute’s Bob Andelman that it looked like Simpson didn’t photocopy the older cartoon but redrew it, down to the small details. The main difference between them was not visual but conceptual, as Schlock Mercenary creator Howard Tayler points out in comments to Gardner’s post:

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