DC Comics Archives - Robot 6 @ Comic Book Resources
Considering that DC/Marvel crossovers appear to be a thing of the past even in comic books, it seems unlikely we’ll see Thor face Superman on the big screen in our lifetimes. Undeterred by any corporate differences, a certain Alex Luthor (no relation, presumably) has assembled an epic trailer that gives us a taste of what such a live-action crossover might look like. And it’s pretty glorious.
Using footage from sources ranging from The Avengers and Iron Man to The Flash and the rejected Wonder Woman pilot — you’ll even see Injustice: Gods Among Us — Luthor crafts a teaser that pits Batman against Iron Man, Hawkeye against Green Arrow, Black Widow against Black Canary, Loki against The Joker … the list goes on.
The marquee installment of The Multiversity may have been last month’s Pax Americana, but I was especially excited to see what writer Grant Morrison and artist Cameron Stewart (with colorist Nathan Fairbairn) would do with the Captain Marvel Family in this week’s Thunderworld. I was not disappointed. The Marvels have long been a sort of unicorn for DC’s superhero line, personifying both its potential and its abuse, and even its history (acquired as they were after the demise of Fawcett Comics). However, many modern takes on Cap and company often elicit negative comparisons to the character’s previous treatment. These boil down to some form of “why can’t it be like the old days?” (which, after all, is a common enough DC complaint).
Italian company Montegrappa has been manufacturing luxury writing instruments for more than a century, which presumably has merely been build-up to this point: the release of the DC Comics Heroes & Villains series of pens.
Inspired by the success of its Batman collection, this set boasts Superman, Batman, Wonder Woman, Green Lantern, Catwoman, The Joker, The Riddler, The Penguin and, of course, the Dark Knight, offered as fountain, rollerball and ballpoint pens.
Your holiday sweater collection doesn’t have to be scary anymore; you can improve it with comic book-inspired designs. Once upon a time, the thought of attending an ugly-sweater themed holiday party was unappealing: The sweaters used to be legitimately hideous and tacky, with flocked teddy bears, noisy bells and glittery snow, and they were itchy and hot. Those garments of yore could be fun to wear, but I never liked scouring thrift stores and forking over cash for them.
That’s all changed, because the idea of the ugly holiday sweater has evolved. The designs are no longer what I’d call ugly, and they’re more likely to be printed on comfortable sweatshirts instead of stuffy sweaters. You can find several prints inspired by pop culture franchises and even comic books.
A while back I wrote that DC Comics could stand to cancel some books, but this isn’t exactly what I had in mind. DC’s March solicitations are among the most significant of the New 52. The August 2011 solicits, which were the last of their particular era, were relatively routine; back then, every superhero title was either being canceled or relaunched. By contrast, March 2015 looks like the start of another line-wide makeover. It will see the end of several series, including some charter members of the New 52.
The solicits actually extend to the week of April 1, which will feature a slew of annuals, the final issues of the three weekly series, and Convergence #0. (All that will cost you $54.89 retail.) With Convergence then taking over April and May, readers will have to wait until June’s solicits (coming in February, of course) for the first full picture of the New However-Many. Although the nature of Convergence still suggests that some old, familiar elements will be reintroduced into the New 52 — because why say “every story matters” if you’re not going to use at least some of them going forward? — these solicits are arguably the strongest indication to date that the New 52 isn’t going away.
If you were to make a list of the greatest gadgets dreamed up by Jack Kirby, the Mother Box would undoubtedly rank somewhere near the top. It’s the Ginsu knife of (sentient) comic book tech: it can open and close boom tubes, absorb and project energy blasts, communicate telepathically, control non-sentient machines … It probably even slices and dices.
And soon, you can get one of your very own. All right, DC Collectibles’ Mother Box Prop Replica won’t open any boom tubes, but all the noise and lights will make you think it can. Just check out the video promoting its July release, below.
A little over a year ago, I asked, “what do we want out of a [superhero] comic-based TV series?”
This season, DC Comics fans have plenty of material to fuel that debate. I still haven’t seen any of Gotham or Constantine, but I’ve really enjoyed the combination of The Flash and Arrow. With both shows taking a break for the holidays, today I want to see what satisfies and what doesn’t.
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It took me a while to warm up to Arrow. After taking most of last season to catch up — and, as it happens, missing the Barry Allen episodes — I seem to have gotten on board just at the right time. Because I am not a fan of superhero shows that de-emphasize the “superhero” part, it was harder for me to accept that Oliver Queen would skulk around the urban jungle in a hood and eyeblack. That sort of intermediate realism (which now reminds me of the short-lived TV show based on Mike Grell’s Jon Sable comics) somehow requires more suspension of disbelief than a full-on costume and codename does.
These incredible photos of cosplayer Dark Incognito as a female Joker — rather than Harley Quinn or Duela Dent — makes me wish DC Comics has used the New 52 as an opportunity to introduce a Clown Princess of Crime. The shakeup to the decades-old dynamic with Batman could’ve been fascinating.
The earliest known licensed Batmobile — a customized 1956 Oldsmobile 88 built in a New Hampshire barn — sold at auction over the weekend for a whopping $137,000.
As we noted last month, the vehicle has more humble origins than the iconic Lincoln Futura concept car created by George Barris for the 1966 Batman television series: Completed in 1963, it was built from the ground up by 23-year-old Forrest Robinson and his friend Len Perham simply to drive around.
Aquaman has never led an easy life, what with the years of ridicule (thanks, Super Friends), that harpoon hand, struggling sales and brooding beards. However, this video from UCB Comedy finds the King of Atlantis at a particularly low point, even as the members of the Justice League gather to celebrate an anniversary.
But Aquaman, portrayed by comedian Alan Starzinski, isn’t about to suffer in silence; he has words for several of his teammates, particularly Batman. “Your superpowers are that you’re rich, and you’ve got dead parents,” Arthur slurs. “All of us have got dead parents, man. Superman’s got four dead parents, and I gotta dead son!”
And, uh, Barry Allen? You may want to invest in another kind of underwear …
Thirty years ago, as part of the first ship week in December 1984, the debut issue of Crisis on Infinite Earths arrived in comics shops. Cover-dated April 1985, and scheduled to appear on newsstands during the first week of January, it was the flagship title of DC Comics’ year-long 50th-anniversary celebration. The two-year Who’s Who encyclopedia had launched a month earlier, and most of DC’s series would tie into Crisis at some point; but this was the book that promised big changes.
We talk a lot about the legacy of Crisis — high-stakes events, crossovers, reboots, etc. — but that can obscure the story itself. For all that it was designed to do, and all that it promised, Crisis remains both uneven and intriguing. At times it can read like a ramshackle assembly of exposition and spectacle, held together by the combined wills of its creative team. Some of it is flabby, some of it is clunky, but Crisis can still be thrilling, and even touching. In any event, it remains one of the great mileposts of DC history, so it can certainly stand another look.
Today is for the first issue, but this series will continue periodically throughout 2015. Grab your own copies of Crisis and follow along!
You’re a huge fan of the Dark Knight, your walls covered with posters, closets filled with longboxes and shelves heavy with collectibles. But I’m betting you don’t have a wall-mounted Batman statue … yet.
Pop Culture Shock Collectibles is accepting preorders for this limited-edition 15-inch polystone statue of the Caped Crusader standing atop a Bat-Signal (with LED light) flanked by gargoyles. Judging from the description, it’s only the first in a series of planned DC Comics wall statues.
But don’t clear space on your Batcave wall just yet. It’s listed for $249.99, and it won’t ship until November 2015. So maybe you can start laying the groundwork now for next Christmas …
You’d think that during its 10 seasons, Smallville would’ve thoroughly covered ever facet of the Man of Steel’s early years. However, it turns out the producers glossed over a particularly dark chapter of his youth: the terrible twos.
Luckily Nerdist and writer/director Victor Quinaz are on hand to document that period in Superman: Terrible Twos, a short film that finds a beleaguered Jonathan and Martha Kent (Matt Hobby and Jessica Chobot) driven to drink by little Clark’s burgeoning powers, which make bathtime, bedtime and, well, anytime virtually impossible.
Where’s Letitia Lerner when you need her? (Be warned: The video auto-plays.)
It wasn’t all that long ago that a Lobo movie seemed like a very real possibility, with Dwayne Johnson and director Brad Peyton poised to bring the Main Man to the big screen before Wonder Woman, The Flash and any number of better-known DC Comics characters got their shot. Alas, the adaptation “went away,” with Johnson moving on to a long list of other projects, including the now officially announced Shazam!
Still, fans of the intergalactic bounty hunter can still hold out hope for that Lobo feature. However, until it’s resurrected (again), they’ll have to make do with this gory fan trailer from Jesse V. Johnson that delivers enough quips and over-the-top violence for a full-length film.
DC Entertainment is making its monthly titles available for download on iVerse Media’s ComicsPlus App, with the publisher’s back catalog set to be added in the coming weeks.
The move comes as the digital distributor releases ComicsPlus 8.0 for iOS 8, which features the new uView enhanced reading experience, graphic novel rentals with offline reading, improved search capabilities, ePub, PDF, CBR and CBZ file support, an in-app parental controls.
“We want to be wherever comic fans are building their libraries and this new partnership with iVerse Media brings bestselling DC Entertainment titles from DC Comics and Vertigo to a broad, new digital audience,” Derek Maddalena, DC’s senior vice president of sales and business development, said in a statement. “The fantastic new features in the ComicsPlus app, paired with our iconic characters like Superman, Batman and Wonder Woman, deliver a great digital reading experience.”
Read iVerse’s ComicsPlus 8.0 press release below: