DC Comics Archives - Robot 6 @ Comic Book Resources
Dustin Nguyen has revealed a T-shirt design that undoubtedly will be a must-buy for fans of the artist and of the classic Wonder Woman: “Wonder Woman: Transform,” capturing the character’s fast-spinning change from Diana Prince to the Amazing Amazon. See the full image below.
The shirt will be available “soon” from Graphitti Designs.
Not that I’d forgotten, but CSBG’s new 75 Greatest Batman Covers poll was just the latest reminder that this is Batman’s 75th anniversary year. According to Mike’s Amazing World of DC Comics, Detective Comics (Vol. 1) #27 hit newsstands on or about April 18, 1939, which means the celebrations don’t have to start right away.
Still, so far Batman’s 75th seems to be a rather low-key affair, at least as compared to Superman’s 75th last year. That anniversary included a special logo, a new movie, a few new ongoing series, a couple of celebratory collections (including one for Lois Lane, who shares the anniversary) and an animated tribute. Batman’s already gotten a giant-sized Detective (Vol. 2) #27, and the final Arkham Asylum video game is coming out. Additionally, before 2014 ends, we’ll probably see Ben Affleck in the new Batsuit, plus whatever Batman Eternal has in store. Beyond that, however, it seems like business as usual for the Dark Knight.
Fortunately, business has been pretty good for a while now, such that slapping an anniversary tag on the various Bat-offerings almost seems superfluous. By this point Batman practically is eternal — but what does that really mean?
Legal | Eriq Gardner delves into the issues underlying the continuing legal battle over unauthorized replicas of the Batmobile from the 1966 Batman television series and the 1989 film: This summer the Ninth Circuit will consider the appeal of Gotham Garage owner Mark Towle, whose Batmobile replicas were found in February 2013 to violate DC Comics’ copyrights and trademarks. While Towle argues that Batman’s ride is a “useful article,” meaning a utilitarian object not protected by U.S. copyright law, a federal judge ruled the Batmobile is “a copyrightable character.” Gardner notes that if the appeals court sides with DC/Warner Bros., “Hollywood studios would win a powerful weapon to stop products that are similar to props like light sabers and ruby slippers.” [The Hollywood Reporter]
I had taken a break from comics during the whole “Death of Superman”/”Reign of the Supermen” era, yet I’m a little excited by this mysterious cover unveiled today by Sean Murphy (The Wake, Punk Rock Jesus). Even those readers who weren’t around for the early-’90s storyline will undoubtedly recognize the Man of Steel/John Henry Irons/Steel, the Man of Tomorrow/Cyborg Superman, the Last Son of Krypton/Eradicator and the Metropolis Kid/Superboy, who arrived in Metropolis claiming to be Superman.
Murphy says he doesn’t know what the cover is for, but it’s a pretty safe bet that it’s part of DC Comics’ “Superman: Doomed” crossover, depicting the first major conflict in the New 52 between the Man of Steel and Doomsday, who was responsible for “The Death of Superman” 22 years ago.
Update: As a helpful commenter below points out, PreviewsWorld states Murphy’s cover is the 75th anniversary variant for Superman Unchained #6, due out on March 19.
This is particularly timely, considering today’s television casting news: Project: Rooftop showcases Perry Maple’s whimsical redesign of Batman and his allies and enemies, from Robin to Scarecrow to Two-Face.
“The aim for this redesign was to create a colorful, simple, and playful reimagining of the Gotham city universe,” the artist explains on his deviantART page. I think he achieved that goal, too, particularly with Catwoman, Poison Ivy and Harley Quinn, who look as if they stepped out of a fairy tale. However, I also really like is older take on Selina Kyle in a decidedly different style.
Check out close-ups of some of Maple’s redesigns below, and visit his deviantART page for more.
Steve Rude has debuted the painted cover for his upcoming collaboration with Jerry Ordway on DC Comics’ digital-first Adventures of Superman — a 10-page story featuring none other than OMAC.
In his fan newsletter, the veteran article explained that his editor offered him several scripts, “but it wasn’t until we settled on something specifically catered to ‘The Dude Mentality’ — with characters most memorable to the 60′s and 70′s – that things finally clicked. And what would fit the Dude mentality? How ’bout OMAC? Of the One Man Army Corps? As created by the great Jack Kirby back in ’75?”
But how did Rude connect with Ordway, well known for his runs as both an artist and a writer on DC’s The Adventures of Superman print series?
“Jerry submitted his script and we all loved it,” Rude said of his DC Digital First debut. “And after a hour or two of of finely tuned script discussion over the phone one afternoon, he and I were able to up the dramatics even further on the cool-meter.”
As for that cover: “Finally, I should mention that though DC’s budget didn’t permit the rates normally required by the Dude to paint this issues cover – I painted it anyway. Such sacrifices does one make in the name of proper presentation.”
Ordway and Rude’s Adventures of Superman story, “Seeds of Destruction,” is scheduled to premiere April 14 at DC Digital First.
DC Entertainment and Warner Bros. Consumer Products have reteamed with General Mills to include four collectible editions of Justice League in specially marked boxes of Big G cereals, sold in grocery stores nationwide. A fifth issue is available in select boxes of Cheerios available exclusively at Target.
The companies first partnered for the initiative in late 2011, shortly after the publisher relaunched its superhero line with the New 52. For that cereal promotion, 12 million comics were printed. Once again, the stories begin in print and continue online at BigCerealHeroes.com, where you can get a sampling of the titles.
DC Comics has announced a new lineup for its digital-first series Adventures of Superman that includes a collaboration between veterans Jerry Ordway and Steve Rude.
No stranger to the Man of Steel, Ordway was a staple of DC in the 1980s and ’90s known for his runs as artist, writer-artist and then writer of The Adventures of Superman and writer-artist of Superman. And while mostly closely associated with his own Nexus, Rude also has a past with the Last Son of Krypton: He illustrated the 1990 miniseries World’s Finest and the 1999 crossover The Incredible Hulk vs. Superman.
Ordway and Rude’s story, “Seed of Destruction,” appears April 14.
The other creators in the March and April lineup are: Joe Keatinge, Ming Doyle and Brent Schoonover with “Strange Visitor,” Part 1; Keatinge, Doyle, David Williams and Al Gordon with “Strange Visitor,” Part 2; Keatinge, Tula Lotay and Jason Shawn Alexander with “Strange Visitor,” Part 3; Kelly Sue DeConnick and Valentine De Landro with the one-part “Mystery Box”; and Steve Niles and Matthew Dow Smith with the one-part “Ghosts of Krypton.”
New chapters of Adventures of Superman are available each Monday at DC Digital First.
If Hammacher Schlemmer‘s $200,000 licensed, street-legal 1966 Batmobile is a little too cheap, or a little too dated, for your tastes, allow us to this roadworthy replica on the Tumbler from Christopher Nolan’s Dark Knight trilogy. Listed on the James Edition luxury goods website, the vehicle will only set you back … $1 million.
But, hey, it’s worth it: This concept car — it’s “inspired by the movie Batman Begins” — comes equipped with an eight-cylinder LS1 engine, four 44-inch super swamper tires with custom rims, five driver-assist cameras and a stereo with blue tooth, CD/DVD and iPod integration. Plus, it’s a limited edition; there are just five of these in the world.
Readers of superhero comics have long debated the merits of “decompression” and “waiting for the trade.” You can either read a serialized story as it comes out, or you can wait until it’s collected. With two issues to go, it looks like Forever Evil wants it both ways. It is structured for the Wednesday crowd but written for the trade; and so far, the result is a grim, vignette-driven affair. Writer Geoff Johns and artists David Finch and Ivan Reis (and their various collaborators) have set up an apocalyptic scenario and teased a handful of elements pointing toward its resolution; but they haven’t otherwise done much, issue to issue, to move the story closer to that resolution. Indeed, the deeper I get into Forever Evil, the more I suspect that it — like its prologue, “Trinity War” — may be only the latest chapter in an ever-expanding saga.
By itself that would be unsatisfying enough. However, Forever Evil was supposed to show off DC’s shared universe (New 52 edition). To be fair, its Justice League crossover issues have presented New 52 versions of Plastic Man, the Doom Patrol and the Metal Men, and alluded to past battles with old-school villains like Ultivac and the Construct. Still, except for the Metal Men, none seems directly related to FE’s eventual outcome; and each seems intended instead as an Easter egg or the seed of a future series. Indeed, while the “Blight” crossover has shown what happened to the magic-based superheroes, FE itself hasn’t delved too far into the whereabouts of DC-Earth’s non-Leaguer super-folk. For those of us wanting each issue to go somewhere new, or at least somewhere different, month in and month out Forever Evil has felt fairly repetitive. Moreover, in sidelining the Justice League itself, it’s removed a potentially productive narrative thread.
Inasmuch as these choices relate to the changing comics marketplace, Forever Evil could be one of the last big events structured this way, or it could be the shape of things to come.
Fred Guardineer’s cover for Action Comics #15 (dated August 1939), on the fifth cover appearance of the Man of Steel, depicts the superhero aiding a distressed U.S. submarine on the ocean floor. It was purchased by Richard Evans of Bedrock City Comic Company in Houston.
“Guardineer’s cover is the earliest Superman cover art in existence, and an absolute treasure of comics history,” Ed Jaster, senior vice president of Heritage Auctions, said in a statement. “A price like this shows just how much collectors covet a rarity like this.”
A prolific Golden Age writer and artist, Guardineer created Zatara, whose first appearance in Action Comics #1 was overshadowed by the debut of Jerry Siegel and Joe Shuster’s Superman.
The Feb. 20-22 auction in New York City featured more than 1,200 lots, including the second part of the Don and Maggie Thompson collection. Highlights included: a near-mint copy of Amazing Fantasy #15, which sold for $191,200; Jack Kirby and Frank Giacola’s original cover art for Tales of Suspense #84, which fetched$167,300; and R. Crumb’s original art for the three-page story “Ducks Yas Yas” from Zap Comix #0, which went for $101,575.
Not a lot in DC Comics’ May solicitations really strikes me as “new.” That’s due partly to a lot of the new books being set to launch a month earlier. Generally, the superhero line continues to contract, while The New 52 — Futures End kicks off, the New 52 version of Doomsday keeps rampaging through the Superman titles, and Batman Eternal rolls on. Nevertheless, I do have the irrational sense that the line is gearing up for something even more significant, and will be adding new series over the next few months.
Still, if we’re to get excited about the regular fare, we may have to read between the solicitations’ lines — so let’s get on with it, shall we?
* * *
A NEW 52 FOR THE NEW 52
And here it is, Futures End. Last year I wrote the New 52 needed its own version of 52, the year-long miniseries that spanned time and space to focus on the lesser lights of the superhero line. I talked about exploring the geography of the still-new shared universe, doing character studies, and essentially giving the reader a good sense of place and/or connection.
Less than three weeks after the final issue of DC Comics’ The Green Team: Teen Trillionaires arrived in stores, Gail Simone has announced the cancellation of its companion series The Movement with May’s Issue 12.
Unfortunately, this book just never found a big enough audience,” the writer posted Sunday on her blog. “The people who loved it, loved it hard, but that number was too small. I am bummed about it, we wanted to do a book that didn’t read or look like anything else out there, and I think we accomplished that. I take the responsibility, I think it took a little while for people to really adopt the characters, which was a conscious choice but also a risky one in this very cautious market where people have to be extra careful of which books they choose.”
Launched in May 2013, The Movement and The Green Team were a look at the 1 percent and the 99 percent, the haves and have-nots, in the DC Universe: While The Green Team, by Art Baltazar, Franco and Ig Guara, centered on teens who used their wealth to purchase power — and super powers — Simone and Freddie E. Williams II’s The Movement focused on another group of teens who used their abilities to fight corruption in Corral City.
“Whenever a book is cancelled, people often get mad at the publisher — it’s understandable, but in this case, we received nothing but support from DC,” Simone wrote. “They knew it was a dicey prospect, a book not set in Gotham or Metropolis with no known heroes, and an unusual core theme. They knew it was a bit risky commercially and they did it anyway, and they let us run out to twelve issues to finish it properly, when almost any other publisher would have cut it earlier on.”
Kyle from Ontario, Canada has only been collecting comics for a couple of years, but you can already tell he’s been bitten by the bug. Today he shares his growing collection of graphic novels, video games and more.
“I started buying comics and graphic novels about two years ago and my collection (especially this past year) has just kept growing,” Kyle said. “I mainly stick to DC but have started to branch out recently.”
If you’d like to see your collection here on Robot 6, scroll down to the bottom of this post to find out how.
And now let’s hear from Kyle …
Cartoonist Yale Stewart, creator of the popular fan comic JL8 and apparent author of an upcoming licensed Superman’s book, has released a series of Valentine’s Day cards featuring seven of his li’l Justice Leaguers.
He encourages fans to print them out and “share these with your special someone/someones,” which might be a particularly good idea for anyone who forget this is the Big Day. Heck, even if you did remember, it wouldn’t hurt to stick one of these in the bouquet.