DC Comics Archives - Robot 6 @ Comic Book Resources

Grumpy Old Fan | Grant Morrison and the music of the spheres

Big Blue on the Great White Way

Big Blue on the Great White Way

In 2008-09, Grant Morrison wrote (and J.G. Jones and others drew) DC Comics’ big-event miniseries Final Crisis. While it wasn’t the last cosmic-minded crossover, in many ways it was the crest of a wave that had been building since 2004′s Identity Crisis. The fallout from Identity Crisis sparked a new “Crisis Cycle,” leading into 2005-06′s Infinite Crisis, 2006-07′s 52, 2007-08′s Countdown, and various smaller-scale tie-ins.

With Morrison at the helm, though, Final Crisis turned out to be pretty esoteric. Apparently this pleased almost no one, being a) too steeped in DC lore for the casual reader, and b) not sufficiently tied into the regular comics, and thereby not rewarding the every-Wednesday folks who’d been following all the buildup.

Nevertheless, two FC plot points had immediate effects on the superhero line that, for all intents and purposes, have carried over into the New 52: It brought back Barry Allen and “killed” Batman. I was reminded of the latter two weeks ago, when a one-panel flashback in Robin Rises: Omega indicated pretty strongly that Darkseid’s Omega Effect (coincidence?) sent the New 52′s Caped Crusader bouncing through the time stream, just like his continuity-complicated predecessor. Accordingly, like so many DC stories of yore, Final Crisis still seems to have happened, even if in a significantly altered form.

Before we get too much further, rest assured this post isn’t dedicated to figuring out how a Final Crisis-shaped peg fits into a one-panel Robin Rising hole. Instead, I want to talk about how another FC plot point is helping to alter my perceptions of continuity.

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Robin grabs ‘Bat Camera Phone’ in ‘Batman ’66′ selfie variant

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DC Comics’ Selfie Variant Month posed a particular problem for Batman ’66, the digital-first series set in the world of the 1966-1968 television show, decades before the introduction of smartphones, or even digital cameras. Cover artist Joe Quinones could’ve gone with an instant camera, of course — what screams “1960s” more than a Polaroid Model 20 Swinger? — but instead he came up with a solution that’s both funnier and in keeping with the tone of the TV series.

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Bob Kane’s own copies of early Batman comics are for sale

detective27-kaneFans with a little extra cash in their pockets — OK, a lot of cash — have a chance to acquire pieces of Dark Knight history, as ComicConnect and Metropolis Collectibles are auctioning Batman co-creator Bob Kane’s own file copies of the character’s earliest appearances.

Those searching for pristine editions of Detective Comics #27 or Batman #1 will have to look elsewhere. These are copies of Detective Comics #27-45 and Batman #1-3 that were bound by DC Comics for editorial reference — as you can see, there’s a row of holes down the left — and later given to Kane. Still, the colors remain vibrant.

“Treasures like this only surface once in a blue moon,” ComicConnect/Metropolis Collectibles CEO Stephen Fishler said in a statement. “I was lucky enough to know Bob Kane. He told me, along with others, that he was just 17 when he sold the Batman character to an unwitting DC. Once the franchise took off, he leveraged that to renegotiate his contract with DC, and the file copies were part of the deal.”

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Inside DC Comics’ 1990 redesign of Robin

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With the 25th anniversary of 1989′s Batman, there’s been a resurgence of interest in the Tim Burton movie. As part of that, James at 1989Batman.com has pulled together some excellent threads examining DC Comics’ 1990 redesign of Robin, a project undertaken at the behest of filmmakers.

Out went the elfish garb of the original as DC searched for something more modern — befitting the time, and also primed to be translated into a future Batman film. To accomplish that task, DC turned to several of its top artists at the time, including Neal Adams, Norm Breyfogle, Stephen De Stefano, George Perez and Jim Aparo. DC didn’t tell the artists what it was for; simply, they were asked to redesign the Boy Wonder.

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SDCC | This GIF of DC Comics crew is mesmerizing

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Maybe it’s the exhaustion talking, but I can’t stop watching this GIF of Jim Lee, Grant Morrison, Geoff Johns, Dan DiDio, John Romita Jr. and Scott Snyder from the Entertainment Weekly Social Media booth at Comic-Con International. It may be my favorite thing today, at least until I find the next thing …

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SDCC | Check out the mind-altering map of DC’s Multiverse

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Ahead of this afternoon’s DC Comics panel for The Multiversity at Comic-Con International, EW.com has debuted the mind-blowing — or is that mind-altering? — map of the DC Universe conceived by Grant Morrison.

Although the resolution isn’t high enough to make out all of the details, you can easily spot locations like the Source Wall, the Speed Force Wall, Dream, Apokolips, New Genesis, Skyland, the House of Heroes and the Rock of Eternity. The type in the Star Trek-like “Shift Ship Classification” on the right is a little too small for old tired eyes.

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SDCC | Enroll now for ‘Gotham Academy’s’ fall semester

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What’s an old prep school without a proper coat of arms? Fans who watched one of the new episodes of DC All Access glimpsed the one for Gotham Academy, but now the publisher has released the image in the form of a teaser, encouraging applicants to “Enroll Now For the Fall Semester.”

Announced late last month among a wave of new titles, Gotham Academy is set in the city’s most prestigious, and undoubtedly weirdest, school. It’s written by Becky Cloonan and Brenden Fletcher and illustrated by Karl Kerschl, who draw some of their inspiration from Harry Potter, Nancy Drew and the secret history of Gotham exposed in Batman: The Court of Owls.

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SDCC | Kotobukiya unveils Batwoman Bishoujo statue

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After teasing concept art and closeup detail, Kotobukiya has at last debuted its DC Comics Batwoman Bishoujo statue, with and without Kate Kane’s mask and wig.

Unfortunately, the images aren’t accompanied by a release date or a price, but it presumably will be somewhere around $60, the same as the other statues in the DC Comics Bishoujo line.

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SDCC | DC and Image hold hefty digital sales

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Like comiXology and Marvel Unlimited, DC Entertainment and Image Comics are celebrating Comic-Con International with sales on select digital titles.

Through Tuesday, DC is marking the 75th anniversary of the Dark Knight by offering digital downloads of a whopping 750 Batman comics for 99 cents each. These aren’t typical dollar-bin titles, however; they include The Dark Knight Returns, The Long Halloween, No Man’s Land, Year One, Hush, The Court of the Owls and All Star Batman & Robbin the Boy Wonder. If you’re wanting to go way back, there are comics dating back to 1938, with Batman’s debut in Detective Comics #27.

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SDCC, Day 1 | ComiXology, ‘Rage of Ultron’ lead Thursday’s news

avengers-rage of ultronThe biggest comics news Thursday out of Comic-Con International was undoubtedly that, after years of debate, comiXology has introduced DRM-free backups of titles purchased from its storefront, with Image Comics, Dynamite Entertainment, MonkeyBrain Comics, Thrillbent, Top Shelf Productions and Zenescope Entertainment signing on to the program.

An email went out last night notifying customers that books they’ve purchased can be downloaded and stored as PDF or CBZ files, and pointing them to an FAQ on the subject.

“This has been an oft-requested feature,” comiXology CEO David Steinberger said during the company’s Comic-Con panel. “It’s a real backup file — it’s a fairly plain PDF or CBZ. They are high resolution, not a lot of bells and whistles, and my feeling is that people will continue to use the cloud-based reader to do their reading.”

The other big announcement was that Marvel will publish Avengers: Age of Ultron, an in-continuity graphic novel by the Uncanny X-Force team of Rick Remender, Jerome Opeña and Dean White scheduled to arrive in April 2015, ahead of the premiere of Avengers: Age of Ultron.

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Grumpy Old Fan | ‘Robin Rises’ but ‘Zero’ soars

My hero

My hero

Wednesday was Batman Day, the official date for celebrating the character’s 75th anniversary. It’s fine to have a Batman Day, I guess — I’ve been getting emails from online bookstores saying “Celebrate Batman Day with our sales!” so it’s coming across in practice like President’s Day — but Batman is so ubiquitous in pop culture that you might as well have a McDonald’s Day or a Coca-Cola Day. (In a perfect world there would be a Rockford Files Day.)

Anyway, appropriately enough, each of the two regular Bat-books DC published this week looked at one end of Batman’s timeline. Batman Vol. 2 #33 wrapped up “Zero Year,” the latest (and perhaps the most epic) version of the character’s origins; and Batman and Robin Vol. 2 #33 presented “Robin Rises, Part One,” the latest chapter in Damian Wayne’s posthumous saga. While the former ended impressively, the latter is off to a slow start.

* * *

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SDCC | Gary Frank draws James Gordon for ‘Gotham’ teaser

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Fox appears to be bringing even more comic-book flair to its heavily promoted Gotham with a series of Who’s Who in the DC Universe-style character images. IGN has debuted the first, featuring Det. James Gordon (Ben McKenzie) as drawn by Gary Frank, known for his work on Action Comics, the “Curse of Shazam” story in Justice League, and the upcoming Batman Earth One.

Warner Bros. Television promises more images will be revealed in the lead-up to the Sept. 22 premiere of Gotham on Fox.

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Quote of the Day | ‘We identified this need’

gotham academy1“Certainly when you relaunch a whole universe, something like the New 52, you’re gonna essentially create a bible that kind of guides and dictates the evolution and growth of the universe. We’re in year three of that, and certainly every story that’s created is done through the collaboration of an editor with the writer and the artist and the rest of the creative team. So I certainly think  Mark Doyle coming on and becoming the Batman Group editor was a big part of that. I think it’s also a recognition that our audience has evolved and we wanna make sure that we tell the stories that the audiences are craving. So we identified this need. We’re coming out with these different kinds of storylines, and, frankly, it’s exciting because we have a lot of Batman books, and I think it’s a disservice to the fans and to the character to have everything feel of the same tonality. I’m a big fan of Becky Cloonan, so I’m really looking forward to her work on Gotham Academy. I think it’s healthy for the business, and it’s an exciting time to be a Batman fan.”

– DC Entertainment Co-Publisher Jim Lee, talking with Entertainment Weekly about the decision to take “the Batman world” in a different direction with the newly announced Arkham Manor and Gotham Academy. (He also mentions Batgirl among the developments he’s looking forward to in the back half of Batman’s 75th anniversary celebration.)

SDCC | LEGO debuts classic TV Batmobile, Batman of Zur-En-Arrh

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For Batman Day, and the start of Comic-Con International, LEGO has unleashed a one-two punch on fans of the Dark Knight: the LEGO Super Heroes: DC Comics San Diego Comic-Con Exclusive Batman Classic TV Series Batmobile and the giveaway Batman of Zur-En-Arrh minifig.

Priced at $39.99, the Batman Classic TV Series Batmobile comes with the 1960s-style Caped Crusader minifigs. While that set will be readily available this week at the LEGO booth (#2829), convention attendees will have to rely on some luck to get their hands on Batman of Zur-En-Arrh.

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SDCC | Jim Lee to give away 50 sketches

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DC Entertainment Co-Publisher Jim Lee has been known to hold scavenger hunts at Comic-Con International and C2E2, dropping visual clues on Twitter to direct his fans to hidden character sketches. For this Comic-Con, however, he’ll celebrate his fast-approaching 50th birthday (it’s on Aug. 11) by giving away 50 previously drawn sketches at his spotlight panel on Sunday.

“I can do a sketch, it’s like a very complicated signature — so I think the quickest sketch I can do is like a minute and a half,” Lee tells DC All Access. “So I’d have to do it, literally, in two days.”

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