DC Comics Archives - Robot 6 @ Comic Book Resources
Sometime in the near future — although, alas, not the one depicted in DC Comics’ Futures End — people will worship at the altar of the Dark Knight. At least that we’re told by Terry Gilliam’s new film The Zero Theorem, in which we glimpse an enormous ad that declares “The Church of Batman the Redeemer Needs YOU.”
With its U.S. release today in select theaters and on VOD, the director has of course been making the press rounds, discussing a cinematic world overtaken by technology, and precisely why people would follow the Caped Crusader.
There’s a lot to like in DC Comics’ December solicitations, most of it due to the return of some old friends and the uber-nostalgic glimpses at a traditional status quo. It’s not like the New 52′s changes are being rolled back — I have no illusions about that, and I’m not sure how it would work if it did happen — but DC is always best served when it can channel the familiar aspects of its past in vibrant new forms.
THERE YOU GO AGAIN
I am starting to think Secret Six is the comic Gail Simone was born to write, even more so than Birds of Prey. There’s always been a dark undercurrent running through her DC work, from BOP to Batgirl to The Movement, but only with the Sixers could she really cut loose. Indeed, as much as I enjoyed Scandal, Bane, Deadshot and the rest, I’m eager to see what she can do with six cryptically united strangers, most of whom will probably be new to us.
Those who believe the traditional, pre-New 52 DC Universe is still out there, somewhere in the Multiverse, can reasonably hang their collective hat on the return of the Keith Giffen/J.M. DeMatteis Blue Beetle and Booster Gold in Justice League 3000 #12. I’d go even further, and say this version of Beetle and Booster probably follows directly from the two “Super Buddies” arcs that Giffen, DeMatteis and Kevin Maguire produced in the mid-2000s. The second one, I Can’t Believe It’s Not the Justice League, ended rather pointedly with Beetle and Max Lord sharing a happy moment. That, of course, stood in stark contrast to the Countdown to Infinite Crisis special, in which Max shot Beetle in the head, and then (a few months later) successfully dared Wonder Woman to execute him. Therefore, the Beetle and Booster of JL3K hail from an Earth where things turned out quite differently — but ironically, they’ve been awakened in a dystopian future where the Justice Leaguers are darkly twisted versions of their old selves. Not that Giffen and DeMatteis can’t find some comedy there, but I’m having trouble summoning up a bwah-hah-hah.
Artist Juan Carlos Ruiz Burgos recently added the above Zatanna illustration to his deviantART gallery, drawing our attention to his occasional series of frankly amazing tributes to the classic Saturday Evening Post covers using DC Comics characters.
In addition to Zatanna, surrounded on stage by white rabbits, there’s a heartwarming depiction of Clark Kent casually reading The Daily Planet as a little boy gapes in awe at Action Comics #1, The Joker and Harley Quinn on the run like Bonnie and Clyde, Wonder Woman listening thoughtfully to a little girl, and an autumnal Poison Ivy piece that’s probably not safe for work.
Warner Bros. Entertainment could eliminate as many as 1,000 jobs — more than 10 percent of its worldwide workforce — as part of studio-wide cutbacks confirmed earlier this month, Variety reports. However, the studio insists that although the cuts will be “substantial,” it hasn’t settled on the exact number of layoffs.
“The plans are still in process,” Dee Dee Myers, Warner Bros.’ new executive vice president of corporate communications, told TheWrap. “We’re reducing costs and it will result in reduced overhead, but the plans are not done.”
Superman is the world’s greatest superhero, Wonder Woman is the world’s greatest superheroine. They have so much in common — their superpowers, their costume colors, their hobbies, their social organizations — that they seem perfect for each other … if only it weren’t for that nosy reporter friend, or girlfriend, or wife, or object-of-his-affection that’s kept the Man of Steel more or less spoken for over the course of his 75-year career.
I suppose that’s why Superman and Wonder Woman so often become a couple in various out-of-continuity stories like Kingdom Come and Injustice, and a large part of why DC Comics decided to use its 2011 reboot as an opportunity to make the pair a super-powered power couple, one of the more dramatic, non-sartorial changes in either characters’ milieus the reboot has so far introduced.
The memorial statue of 5-year-old Jeffrey Baldwin wearing a Superman costume is nearly complete, and should be ready for a planned Oct. 18 unveiling, Heat Vision reports.
The story of the Toronto boy, who died in 2002 of starvation and septic shock after years of abuse by his grandparent guardians, received renewed attention in Canada last fall with a coroner’s inquest, during which Jeffrey’s father testified to his love of Superman. “He wanted to fly,” Richard Baldwin recalled. “He tried jumping off the chair. We had to make him stop. He dressed up [as Superman] for Halloween one year. He was so excited. I have that picture at home hanging on my wall. He was our little man of steel.”
DC Comics’ Batgirl, with its new costume, new direction and new creative team, has its own “(un)official blog,” and now so too does Gotham Academy. Launched over the weekend, Inside Gotham Academy — “the almost official blog” for the upcoming series — so far features promotional pieces, some covers and fan work, but it’s also teased that the series creators (Becky Cloonan, Brenden Fletcher, Karl Kerschl and Romain Gaschet) may post there.
It won’t be long before the Legion of Super-Heroes reappears in the New 52. This week’s two-page editorial spread (written by editor Brian Cunningham) teases next month’s “The Infinitus Saga,” a Justice League United arc pitting the newest batch of Leaguers against the future’s greatest super-team.
Providentially, rumors have begun circulating about the Legion’s possible jump to the big screen, as Warner Bros.’ answer to Marvel’s Guardians of the Galaxy. Among the reactions to these rumors were Eric Diaz’s suggestions (at Nerdist) and The Beat’s conclusion that “I never got the Legion [but] this could be a charming and exciting film.”
To be sure, it’s way too early to evaluate the merits of a Legion film. Heck, there may not even be a Legion movie, if Batman v Superman underperforms. However, two things jump out at me from this coverage: First, the blockbuster Guardians has opened the door for adapting all sorts of superhero obscurities. Second, any adaptation must deal with — and most likely overcome — the Legion’s history (and history of reboots).
With regard to the latter, The Beat calls the feature “classic DC — a continuity-heavy series that has a smallish but rabid following, and a huge cast of characters who are sometimes oddballs”; and Nerdist notes that “DC has struggled to keep the book relevant” for most of the past 30 years.
Funko has announced Pop! Heroes: Arkham Asylum, its new series of vinyl figures based on Warner Bros. Interactive entertainment’s hit action-adventure video game Batman: Arkham Asylum. The collection features Batman, the Joker, Harley Quinn, Poison Ivy and Killer Croc.
This month marks the third anniversary of of the New 52, and, as was the case with each September since the 2011 relaunch of DC Comics’ superhero titles, that means the entire line is being unified under an umbrella theme … or gimmick, depending on how charitable you are.
In 2012, it was “Zero Month,” with each book telling a story set in the hero’s first year of rebooted continuity. Last year, it was “Villains Month,” featuring fancy 3D covers, decimal-point issue numbers and stories starring DC’s antagonists. This year, its a little from column A, and a little from column B: There are more of those fancy covers, but all of the stories are set five years into the future.
As I did last week, I’ve grabbed a handful of new Futures End one-shots, more or less at random, for review. This week DC released 10 Futures End one-shots, of which I have five sitting in a little stack next to me as I type. Last time, I tried ordering the reviews from worst to best, but I had trouble doing so this week, as there wasn’t really a stand-out like Grayson. Rather, these five seemed to cluster around a baseline of mediocrity, with a few being slightly better, others slightly worse.
Fans of Batman, and of Jock, take note: The acclaimed artists of such series as The Losers and the upcoming Wytches has donated a page from Detective Comics #871 for an eBay auction to benefit a 2-year-old with acute lymphoblastic leukemia.
Although Nathaniel’s prognosis is said to be good, he faces a few years of treatment, during which time his parents will have to make regular trips to the hospital.
Conventions | Attendance at the second annual Salt Lake Comic Con was estimated at between 120,000 and 130,000, putting it on a par with the big shows like Comic-Con International in San Diego and New York Comic Con. Even better, Stan Lee proclaimed it “the greatest comic con in the world” (but he probably says that to all the shows). [The Salt Lake Tribune]
Conventions | The scale of the first Las Cruces [New Mexico] Comic Con was considerably smaller, with expected attendance of 3,000 to 5,000, but organizers were pleased with the event, which featured a Yu-Gi-Oh! tournament, a Comic Strip Burlesque show, and appearances by Jim Steranko, Power Rangers stuntman Jason Ybarra, and the 1966 Batmobile. [Las Cruces Sun-News]
Fox’s upcoming drama Gotham of course borrows heavily from 75 years of DC Comics history, with its own take on characters like James Gordon, Harvey Bullock, Catwoman, The Riddler and Bruce Wayne. And, as anyone who’s seen any of the promo spots likely noticed, it also co-opts comic book imagery, most noticeable in the shots of Martha Wayne’s broken pearl necklace and young Bruce screaming in the alley between the bodies of his parents.
But in the latest promo, called “Heroes Aren’t Born, They’re Forged,” Fox uses actual images created by a comic artist — former Detective Comics artist Jock, who’s responsible for perhaps the most iconic Joker cover in recent memory. His contribution to the TV spot is three beautiful scene-transition illustrations, featuring the aforementioned alley shot, a determined young Bruce and a sniveling Oswald Cobblepot.
You can see the other two pieces, and the promo spot, below. Gotham premieres Sept. 22 on Fox.
Clearly hoping to catch lightning in a bottle following confirmation from Dwayne Johnson that he’ll play Black Adam in the Shazam movie, Warner Bros. Interactive Entertainment and TT Games have revealed the classic supervillain/antihero will be a playable character in LEGO Batman 3: Beyond Gotham.
“Can you smell what Black Adam is cooking?” reads the message accompanying the above image from the game’s official Twitter account.
Arriving Nov. 3o, LEGO Batman 3 takes the Dark Knight, well, beyond Gotham, as he joins with other DC Comics heroes and villains in outer space to top Brainiac from destroying Earth. The game will feature more than 150 playable characters, including Black Adam and his nemesis Shazam.
Warner Bros. Entertainment CEO Kevin Tsujihara confirmed impending layoffs across the studio in a memo sent Thursday afternoon to employees. Although no date or numbers were given, Deadline suggests the cuts will likely take place in the fourth quarter.
“We are doing our best to minimize staff reductions,” wrote Tsujihara, who was named CEO in January 2013. “However, and it pains me to say this, positions will be eliminated — at every level — across the Studio.”
Warner Bros.’ subsidiaries include DC Entertainment, Warner Bros. Pictures, Warner Bros. Interactive Entertainment, Warner Bros. Television, Warner Home Video and New Line Cinema. It also co-owns The CW with CBS Corporation.
Although reports earlier this week indicated the studio would offer buyouts before it resorted to layoffs, there’s no mention of that approach in the memo. In fact, it would seem buyouts are off the table, as Tsujihara’s introduction makes it clear he wanted”to set the record straight” following “misinformation in the press.”