DC Comics Archives - Robot 6 @ Comic Book Resources
Publishing | DC Entertainment Co-Publishers Dan DiDio and Jim Lee talk about the state of the comics market, DC’s upcoming move from New York City to Burbank, the growing female audience and more. “There’s also a diversification within the audience itself the past couple of years,” Lee observed. “You’ve seen more women, more female readers, in general. When we launched Batgirl and Gotham Academy, those books struck a different note, different tonality, and that was in large part due to editor Mark Doyle bringing these projects together with different kinds of creators. It was our way of broadening the base of the Batman family of books but doing it in a different way to attract a different audience. I think it speaks well to the future that we’re not just going to strike the same note looking for the same customer. [...] You can’t necessarily rely on the same continuity, the same core hardcore comics-driven material; you have to diversify, broaden your net and bring in different voices to the company.” [ICv2]
A bronze statue honoring 5-year-old abuse victim Jeffrey Baldwin, depicted in his Superman costume, was unveiled Saturday at Greenwood Park in Toronto.
The story of the Toronto boy, who died in 2002 of starvation and septic shock after years of abuse by his grandparent guardians, received renewed attention in Canada last fall with a coroner’s inquest, during which Jeffrey’s father testified to his love of Superman. “He wanted to fly,” Richard Baldwin recalled. “He tried jumping off the chair. We had to make him stop. He dressed up [as Superman] for Halloween one year. He was so excited. I have that picture at home hanging on my wall. He was our little man of steel.”
We’re just now into the back half of October and it’s already been a busy month for DC Comics’ television and movie adaptations. Gotham got under way, The Flash debuted and Arrow has returned, with Constantine on deck. Meanwhile, Warner Bros. announced a massive slate of Justice League-related movies, stretching from 2016’s Batman v Superman to 2020’s Cyborg.
However, the adaptation pipeline has the potential to flow in two directions. Between Caitlin Snow’s potential Killer Frost, the second episode’s Multiplex and the promise of both Ronnie Raymond and Martin Stein, the new Flash show seems pretty intent on bringing in a good bit of Firestorm lore. If DC executives hadn’t already been thinking about yet another Firestorm comic revival, The Flash’s immediate success may well encourage them to. Similarly, of all the movies Warner Bros. apparently intends to make over the next six years, the only one without a solid comics presence is Cyborg.
Therefore, today we’ll look at these two creations of the late ‘70s/early ‘80s, to see what DC might do with their four-color futures.
Although the upcoming DC Comics film slate was the headline-grabbing news from this morning’s Time Warner investor presentation, Warner Bros. CEO Kevin Tsujihara also announced the studio is seeking to reduce costs by $200 million annually as part of company-wide streamlining effort. That’s about double what some reports indicated ahead of today’s meeting.
How much of that will be a result of layoffs has yet to be revealed, but Variety maintains Warner Bros. is expected to cut between 900 and 1,000 jobs, or about 10 percent of its worldwide workforce.
Conventions | ReedPOP Senior Vice President Lance Fensterman talks about how New York Comic Con reached 151,000 attendees this year, what went well, what could have gone better, and what he learned for next time. The new badges and check in/check out system, introduced last year, let producers know exactly how long people stayed at the show, and that turned into a nice surprise for two attendees: “There was a couple [last year] who literally spent every minute that was possible at New York Comic Con for three and a half days. We reached out to them and did something special for them—gave them a bunch of free stuff and free tickets because they were at the show longer than anyone who wasn’t paid to be at the show.” [ICv2]
Political cartoons | Egyptian cartoonists Mohamed Anwar and Andeel discuss the difficulty of critiquing Egyptian president Abdel Fatah al-Sisi, who doesn’t tolerate dissent; Anwar is a cartoonist for a mainstream newspaper and pulls some punches as the tradeoff for reaching a wide audience, while Andeel has moved over to the alternative press, where he can speak more freely. [The Guardian]
It’s pretty widely known by now that one of the smells in the special rub-and-sniff Harley Quinn Annual #1 is of a less-than-legal, but incredibly distinctive, drug. As a result — even at New York Comic Con 2014 — there have been many jokes about the results of rubbing and smelling the marijuana-scented section of the comic.
Hilariously, through its MAD Magazine website, DC Comics has released an “important message from the DC Comics department of ethical reading,” which continues the running gag of the drug’s distinctive smell — “something called Cannibisylocibe 7-A” — and the possible side effects.
Last week I laid out a lot of numbers and background on the distribution of character-oriented franchises in the New 52. (Along the way I got confused about the New 52 version of G.I. Combat; it was canceled after Issue 7, but its zero issue brought its total to eight.)
Accordingly, this week discusses whether the New 52 needs to get back up to its eponymous number of titles, or whether a smaller stable of ongoing series is a more sustainable environment. We’ll get into some other concerns as well, but the overarching question — as DC transforms its biggest franchise, the Bat-books — involves how the publisher chooses to allocate its resources.
(Because I forgot to do it directly last week, I want to acknowledge my debt to Dave Carter, who started me thinking about all this when he charted New 52 longevity in January and who, providentially, has just started listing DC rosters of Augusts past.)
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It would be awfully hard to overstate the enthusiasm out there for Batgirl #35. As soon as the new creative team of Cameron Stewart, Babs Tarr and Brenden Fletcher was announced, social media was buzzing; hell, it was singing. Fan art of the new costume began appearing online immediately, and cosplayers started dressing the new Batgirl based on nothing more than the initial promotional images and cover.
I can’t recall the last time I’ve seen this much enthusiasm for a DC Comics production. Universe-shaking developments — deaths, resurrections, infinite crises — major crossovers, and new series from the hottest creators are generally greeted with a dose of cold water from a certain faction of fans. DC readers tend to fall somewhere between “cautiously optimistic” and “openly hostile” when it comes to the publisher’s big decisions. But, for whatever reasons, I’ve seen none of that cynicism regarding the new direction of Batgirl.
Which is a long way of saying that expectations for this particular issue of this particular series are, in most quarters that care about such things, sky-high.
There are only ever three things that can happen with expectations: They can be met, they can fail to be met, or they can be exceeded. And, in general, the higher the expectations are, the less likely they are to be met.
So, as a comic book, how is Batgirl #35 …?
The owners of Metropolis Collectibles and ComicConnect, who in August paid a record $3.2 million for a pristine copy of Action Comics #1, will display “the Holy Grail of comic books” on Thursday at their New York Comic Con booth (#2630). Alas it’s only on Thursday.
The first comic to fetch more than $3 million at auction, the issue is one of just two copies of 1938’s Action Comics #1 — featuring the first appearance of Superman — to be graded 9.0 by the Certified Guaranty Company (the other is the comic once owned by actor Nicolas Cage, which sold in 2011 for a then-record $2.16 million; however, its pages aren’t considered “pristine”). Only about 30 unrestored copies of Action Comics #1 are thought to exist.
This copy was acquired several years ago in a private sale by Darren Adams of Pristine Comics in Federal Way, Washington, and stored a temperature-controlled vault. He said the original owner bought the comic from a newsstand in 1938, and then kept in a cedar box for about four decades until a local dealer in West Virginia purchased it in an estate sale. The issue then passed to a third person, who held onto it for 30 years. Adams said he turned down an offer of $3 million, and instead opted to sell the comic in a highly publicized eBay auction.
Legal | The Japanese publisher Square Enix has filed a counterclaim against SNK Playmore, asking Osaka District Court to rule that its manga Hi Score Girl doesn’t infringe on copyrights held by the video game company. Earlier this year, SNK brought criminal copyright violation charges against Square Enix after learning Hi Score Girl contains more than 100 unauthorized images of characters from SNK Playmore games. The manga has been put on hold because of the dispute. [Anime News Network]
Conventions | Who’s buying, and how much are they spending, at conventions? Rob Salkowitz mines the numbers from a recent Eventbrite poll of convention-goers to get some answers: Most people spend between $100 and $500 per person; cosplayers actually spend a bit more than average; and women shell out more money at conventions, while men spend more online. [ICv2]
If there’s an Earth in the DC Multiverse where the Justice League was a brewery instead of a superhero team, one graphic designer has figured out what those beers would look like.
A few months back, AdWeek posted six beer labels designed by graphic designer Marco Rizzetto that are based on seven members of the premiere superhero team of the DC Universe. The different label designs by “Justice League Brewery” include the Batman-inspired “The Dark Beer” dark ale beer; the Superman-based “Super Strong Beer” strong pale lager; the Wonder Woman-homage “The Wonder Beer” premium american lager and much more. Even the Wonder Twins got a shout out with “Twins Framboise,” a lambic framboise. Unfortunately, there’s no “Captain Cold One.”
The second episode of the fan-produced Nightwing: The Series will likely be bit of a crowd-pleaser, as it offers a glimpse of the Dick Grayson/Barbara Gordon relationship, and includes cameos by Jason Todd, Bruce Wayne and … well, you’ll see. However, it also tinkers with the Bat-family timeline, and seems to borrow from a still-controversial story to explain Dick’s change in identity from Robin to Nightwing. So … well, watch for yourself.
Created by Danny Shepherd and Jeremy, the Kickstarter-funded five-episode series premiered last week.
The U.S. Supreme Court this morning declined to intervene in the copyright dispute between the Joe Shuster Estate and DC Comics, effectively ending the long, and frequently bitter, battle over who owns Superman.
By denying the estate’s petition, the justices let stand a November 2013 ruling by the Ninth Circuit that Shuster’s nephew is prevented by a 1992 agreement with DC from reclaiming the artist’s stake in the first Superman story under a clause of the 1976 U.S. Copyright Act.
At issue was a now 22-year-old deal in which the Shuster estate relinquished all claims to the property in exchange for “more than $600,000 and other benefits,” which included paying Shuster’s debts following his death earlier that year and providing his sister Jean Peavy and brother Frank Shuster with a $25,000 annual pension. In October 2012, U.S. District Judge Otis D. Wright found that the agreement invalidated a copyright-termination notice filed in 2003 by Shuster’s nephew Mark Peary. Less than three months later, the Ninth Circuit overturned a 2008 decision granting the heirs of Jerry Siegel the writer’s 50-percent share of the copyright to the first Superman story in Action Comics #1.
He may tired of Earth, these people and being caught in the tangle of their lives, but even Dr. Manhattan can’t resist the siren’s call of Wal-Mart and its low, low prices. Or at least its conveniently placed bicycles.
The Orlando Sentinel reports that a 27-year-old Jacksonville, Florida, man was charged Tuesday with petit theft after he allegedly tried to walk off with a $130 bike from an Orlando-area Wal-Mart.
Mezco has released details and new images for its Dark Knight Returns Batman 1/12th-scale action figure, which is available for preorder beginning today.
Announced over the summer as part of the One:12 Collective line, the figure — based on the landmark 1986 miniseries by Frank Miller, Klaus Janson and Lynn Varley — stands 6.75 inches tall and boasts more than 30 points of articulation. It comes with four pairs of interchangeable hands, an interchangeable boot with holster, pistol, removable utility belt, grappling hook, alternate head, Bat-symbol display base, articulated figure stand and “detachable cape-posing stand accessory.”
The figure, which ships in January, will set you back $65.