DC Comics Archives - Page 2 of 163 - Robot 6 @ Comic Book Resources
DC Entertainment and Warner Bros. aren’t the only ones celebrating the 75th anniversary of Batman. Poster Posse, a collective of global artists, has come together for a collection of Dark Knight that’s so amazing (and, well, large) that it’s being unleashed on blurppy in phases.
Conventions | Clem Bastow notes a disconnect at Oz Comic-Con in Melbourne, Australia, where women were a slight majority in the audience but were severely underrepresented as guests; DC artist Nicola Scott was the only woman in the comics contingent. Organizer Rand Ratinac said it was purely a matter of availability: “We offered for literally dozens if not hundreds of different guests, we always do, because you’re dealing with people whose schedules they sometimes can’t lock in until a month before the event. This time, of the people that we wanted, there were just a lot of guys that were available. Next year, it could be a whole bunch of girls; it all just depends who can come.” But Scott points out that there are simply fewer women in superhero comics than in the other sectors of the industry and superhero creators are what brings the audience in the door. [The Guardian]
Considering that this year marks the 75th anniversary of the Dark Knight, it’s safe to presume Comic-Con International will be packed with Batman programming and merchandise. And this morning, Square Enix added one more to the list.
The company is bringing a convention-exclusive Batman: Arkham Origins PVC action figure depicting the Caped Crusader at the beginning of his career. Along with its metallic coloring, the figure boasts an articulated cape, allowing for a variety of poses, as well as Batarang and grappling gun accessories.
After three years, Brian Azzarello and Cliff Chiang are wrapping up their Wonder Woman run. Starting with November’s Issue 36, the new creative team will be writer Meredith Finch and her husband, artist David Finch.
While it would be silly to pass judgment completely on the Finches four months before their debut, I have to say my initial reaction wasn’t entirely positive. Consider the creative teams on the four main books of Diana’s Trinitarian brothers. Although detoured by the “Doomed” crossover, Action Comics’ team of writer Greg Pak and artist Aaron Kuder has been well-received. Superman just kicked off the Geoff Johns/John Romita Jr. era. Detective Comics picked up Francis Manapul and Brian Buccellato after their stylish success on The Flash; and Batman features the unstoppable Scott Snyder and Greg Capullo. For that matter, Azzarello/Chiang was one of several distinct creative teams that debuted as part of the initial New 52 relaunch and set itself apart instantly from any DC house style. Besides Snyder/Capullo on Batman and Manapul/Buccellato on Flash, there were Jeff Lemire and Travel Foreman on Animal Man, J.H. Williams and W. Haden Blackman on Batwoman, Joshua Hale Fialkov and Andrea Sorrentino on I Vampire, Dan DiDio and Keith Giffen on OMAC, and Snyder and Yanick Paquette on Swamp Thing. Accordingly, Azzarello and Chiang have seemed right at home helming Wonder Woman.
By contrast, as a writing/drawing team the Finches are an unknown quantity. Meredith Finch has written a few one-shots; and since coming to DC from Marvel, David Finch’s projects have been plagued by delays.
Now, these may all turn out to be moot points. The Finches may have the perfect take on Wonder Woman. They are certainly very enthusiastic, even if he has been a bit tone-deaf. We won’t know for sure how their Wonder Woman will read until this fall — but I can still offer some historical perspective, and maybe a little advice.
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With the pace of announcements beginning to pick up as we inch closer Comic-Con International, DC Entertainment has unveiled its lineup of convention-exclusive variant covers: Batman #32, Superman #32, Grayson #1 and Harley Quinn Invades Comic-Con International: San Diego #1.
Those covers will be available for purchase at the Graphitti Designs booth (#2314). In addition, the Diamond Previews booth (#2401) will have a variant for Scooby-Doo, Where Are You? #47.
The estate of Superman co-creator Joe Shuster has asked the U.S. Supreme Court to overturn a ruling that bars it from reclaiming a stake in the character, arguing the artist’s siblings didn’t have the ability to assign his copyrights to DC Comics more than two decades ago.
As Law360 reports, the estate insists the Ninth Circuit erred in its November ruling that the family relinquished all claims to Superman in 1992 in exchange for “more than $600,000 and other benefits,” which included paying Shuster’s debts following his death earlier that year and providing his sister Jean Peavy and brother Frank Shuster with a $25,000 annual pension. In October 2012, U.S. District Judge Otis D. Wright found that the agreement invalidated a copyright-termination notice filed in 2003 by Shuster’s nephew Mark Peary.
“Speaking specifically of that particular cover, we always list the writers’ credits on the cover, and he scripted that issue. No one is denying Bill’s massive contributions to the DC mythology — not just Batman. It’s never been our take that it was only Bob Kane. But the credit by Bob Kane, that’s a very specific thing, and has been around since the creation of Batman, over 75 years ago. It’s hard to talk about this publicly other than, we love what Bill Finger has contributed to the mythology, and we’ve always acknowledged and compensated him and his estate for that work.”
– DC Comics Co-Publisher Jim Lee, addressing Bill Finger’s credit on the cover of the upcoming Detective Comics #27 Special Edition, and renewed discussion of the late writer’s role as the co-creator of Batman
For their first issue of Superman, writer Geoff Johns, penciler John Romita Jr. and inker Klaus Janson (with colorist Laura Martin and letterer Sal Cipriani) have served up an intriguing blend of action and introspection. There are the requisite nods to semi-obscure (Titano!) and really obscure (J. Wilbur Wolfingham?) Superman minutiae, and one subplot seems destined to undo a New 52 development. However, while Issue 32 of Superman Vol. 3 is concerned with managing the Man of Steel’s status quo, a good bit of it revolves around the new character(s) that will apparently drive this story arc.
Accordingly, the issue doesn’t feel quite so much like the start of a bold new era (although it could well be); instead, the new creative team uses the issue to ease into its story, such that the action serves the character work. Considering that almost half of the issue involves fight scenes, that seems like an odd observation, but it’s kind of an odd issue overall.
The question then becomes whether those characters — Superman included — are compelling enough to follow month in and month out. Last month, Johns told Comic Book Resources that readers should “[j]ust give us one issue and that’s all. I think we’ll earn your trust and your time and your investment in one issue because I really believe in this first issue and I really believe in what we’re doing.”
Whether Superman #32 meets that standard is therefore somewhat unclear. It lays out the characters and their concerns pretty broadly, and (somewhat like Johns’ and Ivan Reis’ Aquaman) it depends to a certain extent on answering reader frustrations. Still, on balance, it works. This is a very good issue of the New 52 Superman, with all that implies.
Read on for more, and as always …
“Two centuries. I would love to see what kind of foil or hologram Dan DiDio could put on a book in the year 2214.”
– Superman writer Geoff Johns, responding to a question in his Reddit AMA thread about how long, in an ideal world, would his run on the series be. Other highlights from the Q&A can be found at Comic Book Resources.
Conventions | Organizers of the growing Asbury Park Comicon have announced that, after three years, they’re relocating the New Jersey convention to the Meadowlands Exhibition Center in Secaucus and renaming it East Coast Comicon. Founders Cliff Galbraith and Robert Bruce say the nearly 40-mile move was triggered by a sharp increase in rates at the Berkeley Oceanfront Hotel in Asbury Park, but the hotel’s manager thinks it’s because the venue couldn’t accommodate the dates requested by organizers. The inaugural East Coast Comicon will be held April 11-12, 2015. [Asbury Park Press]
Passings | Amadee Wohlschlaeger, who drew the comic strip Weatherbird for the St. Louis Post-Dispatch for 70 years, has died at age 102. Weatherbird, which debuted in 1901, is the oldest continuously published comic in the United States, and Wohlschlaeger (who went by just his first name) is one of just four cartoonists to draw it. He was named one of the top 10 sports cartoonists in the country, and his drawing of Stan Musial inspired the statue at Busch Stadium. [KSDK]
The original Wonder Woman comic strip will be collected for the first time in August in IDW Publishing’s 196-page hardcover Wonder Woman: The Complete Newspaper Strip 1943-1944.
It’s part of the March 2013 partnership with DC Entertainment and the Library of American Comics that includes the Superman and Batman comic strip collections. Unlike the other two superheroes, who had lengthy tenures in newspapers (even if the Caped Crusader’s was broken up into three major runs), Wonder Woman’s was short-lived, lasting only from May 1, 1943 to Dec. 1, 1944.
To celebrate the 75th anniversary of the Dark Knight, Kotobukiya is releasing the limited-edition First Appearance Batman ARTFX+ Statue.
Sculpted by Atelier Bamboo in 1/10th scale, the statue is based on Bob Kane’s rendition of the “Bat-Man” in 1939′s Detective Comics #27. (It’s worth noting that in its announcement, Kotobukiya refers to Batman as “created by artist Bob Kane and writer Bill Finger.”)
Conventions | While the South Jersey Times and Philadelphia Inquirer focus on the fans who turned out over the weekend for the 14th annual Wizard World Philadelphia Comic Con, Philadelphia Business Journal zeroes in on its economic impact: an estimated $5.9 million, which seems like a lot, until you compare it to the expected $16.2 million impact of the 6,000-person American Industrial Hygiene Association conference. [Philadelphia Business Journal]
Conventions | First-timer Michael Smith reports on the Amazing Las Vegas Comic Con. [Liberty Voice]
Creators | John Romita Jr. talks about moving from Marvel to DC Comics to draw Superman and about comics being his family business; and his father, John Romita Sr., chimes in as well. [The New York Times]
Superman may be more powerful than a locomotive, and be able to leap tall buildings in a single bound, but he can’t get away with driving on England’s M42 motorway without insurance.
On Saturday, officers with the Central Motorway Policing Group pulled over a red car with a fluttering red cape where its rear glass should’ve been. Stranger still (perhaps?) was that the car’s occupants were dressed in identical red-and-blue costumes with the iconic “S” emblem emblazoned on their chests.
Comics | Liam Burke, editor of the essay collection Fan Phenomena: Batman, discusses the enduring appeal of the Dark Knight, who of course turns 75 this year: “This isn’t a guy who’s from an alien planet, this isn’t someone who was bitten by a radioactive spider. This is an average guy, albeit incredibly wealthy and incredibly intelligent, at the peak of human fitness, but an average guy nonetheless. That sort of aspirational quality has been identified as the reason Batman sort of stands above Spider-Man, Superman or any number of heroes.” [RN Drive]
Publishing | David Harper looks at the economics of monthly creator-owned comics, as well as how trades fit into the picture; for creators, the monthlies provide a regular stream of income so they can always be working on the next issue. Brandon Montclare, Jim Zubkavich and others provide some first-hand commentary on how things work in the real world. [Multiversity Comics]