Axel-In-Charge: Navigating the "Civil War II" Landscape, Bringing DMC to Marvel
You may recall those stylish DC Nation animated shorts by Robert Valley featuring a sunglasses-wearing Wonder Woman who cruises around in a classic Dodge Charger, fights a rollerskating Giganta and rescues a clueless Steve Trevor. If you don’t, you should watch them immediately (below), because they’re terrific — but also because DC Collectibles has unveiled a Wonder Woman statue based on Valley’s design.
Details are scant, but we know that it arrives this fall as part of the Wonder Woman: The Art of War line … and it’s pretty great-looking.
Today, Carla and Tom continue to muse through all the news the Big Two have brought us in 2013. See can read the first installment here.
Tom Bondurant: The Marvel Cinematic Universe (Avengers division) is now five and a half years old, and consists currently of eight movies, a handful of shorts, and a half-season of TV.
Carla Hoffman: Holy cats, we work fast!
Tom: However, it’s about to get a lot bigger, adding two movies next year, plus the four Netflix series (and the Defenders movie coming out of those). Clearly this looks like a long-term commitment — but how long can it go?
Carla: Ask me after Ant-Man. That’s going to be the hardest movie to sell to non-comic fans. If that turns out to be a surprise hit enough for Ant-Man (whichever alias he may be) to turn up in an Avengers movie, then I can’t think of a property that wouldn’t work on the silver screen as long as the right creative team is at work.
TB: See, I think Ant-Man just got a lot easier to sell, because now it’s “Paul Rudd joins the Avengers.”
After teasing us in recent weeks with glimpses of “Tales of Metropolis, Starring Lois Lane” and “Metal Men,” DC Entertainment has announced that, beginning Tuesday, it will be adding the animated shorts from the second season of DC Nation to YouTube and the DC Comics videos page.
That means those of us who aren’t glued to Cartoon Network on Saturday mornings will soon get to enjoy “Tales of Metropolis,” Art Baltazar and Franco’s “Super Pets” and Robert Valley’s stylish Charger-driving Wonder Woman in their entirety.
Now that Cartoon Network has released a clip from a series of five Metal Men animated shorts debuting Saturday as part of its DC Nation programming block, Evan Dorkin reveals that he and Sarah Dyer collaborated on the project, with the cartoonist also providing character designs. “Although they were simplified quite a bit from what I submitted,” Dorkin notes. You can see the clip, along with some of Dorkin’s designs, below (with more on his blog).
“We had no idea they were going to announce this so we’re playing catch-up,” he writes. “Anyway, I hope DC Nation viewers enjoy them, especially the kids. Nothing against longtime fans and responsometer wonks — there’s two or three Ross Andru/Mike Esposito-designed villains in the mix — but the kids were who we were thinking of while working on the stuff.”
DC Nation airs Saturdays at 10 a.m. ET/PT on Cartoon Network.
Following the recent (and adorable) Bizarro animated short, Cartoon Network has released a clip from “Tales of Metropolis, Starring Lois Lane,” which premieres Saturday as part of the channel’s DC Nation programming block. While the previous installment of “Tales of Metropolis” gave us a glimpse of a no-nonsense Lois, this preview reveals her in intrepid-journalist mode — “Best reporter ever!” — as she refuses to allow Batman to dodge her questions about his sources of funding.
Moving from supporting player in the Bizarro short to star here, it’s obvious the only place Lois has left to go is her own animated series, Lois Lane: Best Reporter Ever – preferably with Jimmy Olsen as her faithful, if clueless, sidekick.
DC Nation airs Saturdays at 10 a.m. ET/PT on Cartoon Network.
In case you missed the animated short when it aired last month as part of Cartoon Network’s DC Nation programming block, DC Comics has now made the adorable “Tales of Metropolis” available online.
It’s just a little more than a minute long, so I don’t want to spoil it, but the short centers on a downright-endearing Bizarro, whose attempts to pass as a mild-mannered reporter (Not-Bizarro!) are foiled first by a tenacious Lois Lane and then by an alien invader. As with so many of the DC Nation shorts, the characterizations just about perfect (even the three-second cameo by gullible/clueless Jimmy Olsen).
Watch the full short below.
Baby Blues creator Rick Kirkman and Pickles creator Brian Crane shared the Reuben Award this year, which honors the outstanding cartoonist of the year. According to the Daily Cartoonist’s Alan Gardner, this is only the second time in the award’s history that two cartoonists have shared the award, the previous time being in 1968.
The National Cartoonist Society presented the Reuben and its divisional awards in Pittsburgh, Penn. last night. Other winners included Rich Webber, director of the Aardman segments that appear on Cartoon Network’s DC Nation, as well as Joann Sfar for the animated The Rabbi’s Cat, Chris Ware for Building Stories, Bernie Wrightson for Frankenstein Alive, Alive!, and Vince Dorse for the Untold Tales of Bigfoot webcomic.
The complete list of winners can be found below.
THE REUBEN AWARD for Outstanding Cartoonist of the Year:
Rick Kirkman and Brian Crane
Rich Webber, Director, Aardman Animation Studios, DC Nation
DC Collectibles has unveiled four convention-exclusive products that will be offered only to those attending Comic-Con International, held July 18-21 in San Diego.
Fans of Cartoon Network’s DC Nation programming block may want to grab the three-pack of Super Best Friends Forever action figures (above), designed by Lauren Faust and sculpted by Irene Matar. Supergirl, Batgirl and Wonder Girl each stand 6.5 inches, 5.45 inches and 6.8 inches, respectively. The three-pack is priced at $49.95. Or, there’s the Aardman: Superman action figure, designed by Rich Webber and sculpted by Phil Ramirez. Standing at about 6.5 inches, it’s prices at $24.95.
While I would generally applaud efforts by comics publishers to reach young readers, the newly announced “DC Comics Super-Villains” program strikes me as more than a little tone deaf.
To celebrate October, “the spookiest time of the year,” DC Entertainment is introducing kids to the bad guys of the DC Universe with a multi-platform “Know Your Super-Villains” campaign that includes a mini-poster (above), an online quiz, “Who’s Who”-type guides in the DC Nation comics, a contest and the release of the DC Comics Super-Villains: The Joker’s Last Laugh DVD collection.
Never mind the Aaron Lopresti poster, which features a mishmash of villains from different eras, from early-’80s Lex Luthor to New 52 Darkseid (admit it, you went straight to continuity concerns). My question is, aside from extra website traffic and some DVD sales, what’s the purpose of this campaign?
While comics fans may miss seeing new work from Joshua Middleton on comics shelves (the covers to Sword & Sorcery and Before Watchmen were nice!), there’s some consolation in knowing that although the artist isn’t actively illustrating comics he is keeping within the superhero landscape. Middleton recently posted some landscape designs he created for Warner Bros. Animation’s Green Lantern: The Animated Series, which he worked on for some time. What he’s revealed so far is his renditions of Oa, interplanetary headquarters of the Green Lantern Corps. In his brief post, Middleton explains some of the obstacles from an art direction standpoint to the Green Lantern concept and how he overcame them for his work on the series.
“One major problem from an art direction perspective, with Green Lantern: The Animated Series and anything Green Lantern in general, is the overabundance of green,” Middleton writes. “It can be difficult to come up with nice color palettes when everybody and everything in the scene is glowing green. Matters were not made better with the introduction of Red Lanterns, as we now had the world’s weirdest Christmas to deal with.”
Last month we posted shaky footage from a short from Cartoon Network’s DC Nation programming block called “Bat Man of Shanghai.” Featuring an anime-influenced Catwoman in 1930s China, it made me long for the return of DC’s Elseworlds imprint, in which creators reimagined familiar characters in different time periods and settings.
Now, just as the Elseworlds nostalgia had subsided, Cartoon Network has released a three parts of the series online — each spotlights a different character — showing us Bane’s ode to King Kong, Bruce Wayne’s transformation into Bat Man and a high-speed three-way fight.
Back in July when Mark Waid announced that Thrillbent — his digital comics portal — would be ramping up to phase two (as detailed in CBR News Editor Kiel Phegley’s recent Waid interview), I hoped writer Tom Peyer would be part of the mix. Soon enough, I discovered that indeed Peyer was writing Clown Tales, a horror story set to launch this fall. The story should be interesting on many levels, given that this marks Peyer’s first foray into writing horror — and that clowns bored him as a child (as I learned in this interview). While I had Peyer’s attention I also asked him about getting to recently write for TV (on DC Nation/Cartoon Network’s Doom Patrol interstitials) and working for Stephen Colbert back in 2007. Added bonus, at one point Peyer taunts clowns in our discussion.
Tim O’Shea: Was Clown Tales already in the work before you signed onto Thrillbent, or was it developed just for the site?
Tom Peyer: A few years ago I wrote some short horror stories, mainly to see if I would enjoy it. A publisher was planning a clown horror anthology that didn’t end up happening, but I put clowns in some of them just in case. I’d written humor and superheroes, but I’d never gone near horror before. I had a great time and I liked how they came out. It felt like taking a new route to the humor and pathos I always try to write toward anyway. But it felt more direct, maybe because I hadn’t taken that route before.
“Take away the suit of armor and what are you?”
“Uh, genius, billionaire, playboy, philanthropist.”
You too can join the G.B.P.P. Club, courtesy of artist Ryan Astle and TeeFury. Memberships are only available to Tony Stark’s very exclusive organization (even more exclusive than the Avengers, who will let anybody in) for 24 hours, so buy it now if you want it. ” I imagine Tony giving Steve this shirt as a gag gift at Christmas,” Astle said.
In case we didn’t already miss DC Comics’ Elseworlds imprint enough, at Comic-Con International on Sunday Cartoon Network premiered a fantastic clip from DC Nation’s three-part short series “Batman of Shanghai,” featuring an anime-influenced Catwoman in 1930s China (there’s also a cameo by a floppy hat-wearing Bane). If DC Comics doesn’t do something with Shanghai Catwoman — I love that character design — well, they’re really missing the boat. Maybe they can relaunch the character’s solo title (again) in the next wave of the New 52.
Check a somewhat shaky, but surprisingly decent-quality, fan-captured video of the clip below.
DC Entertainment has rolled out details of its new monthly kids magazine and mobile app built around Cartoon Network’s DC Nation programming block, touted at the Chicago Comic & Entertainment Expo.
According to Variety, the 64-page DC Nation Super Spectacular will debut on newsstands next month, featuring new comics based on DC Nation shows like Young Justice and Green Lantern: The Animated Series, as well as programming details and exclusive content, like “DC Nation Secret Files.”
The DC Nation app, meanwhile, boasts free digital first issues of such comics as Batman Adventures, Superman Adventures, Billy Batson and the Magic of Shazam! and Tiny Titans, as well as the first six installments of “DC Nation Secret Files.” In addition, more than 100 kid-friendly DC titles, including Supergirl: Cosmic Adventures in the 8th Grade and the original Young Justice, are available for 99 cents. The features appear virtually identical to those of DC’s LEGO Hero Factory app, which debuted in January; Warner Bros. Interactive’s upcoming video game LEGO Batman 2: DC Super Heroes is sponsoring DC Nation Super Spectacular.
The trade paper notes that since debuting in March, the DC Nation animated block has improved Cartoon Network’s season-to-date ratings 32 percent among boys 6 to 11.