EXCLUSIVE: Lemire, Ramos Launch "Extraordinary X-Men" Post-"Secret Wars"
DC Comics’ August solicitations include both the end of “Trinity War” and of four series, including the latest Legion of Super-Heroes title. Otherwise, not much jumps out at me. Even the collected-edition section isn’t that diverse, as it’s heavy on “Death of the Family” books and pretty light on the vintage reprints.
NOT QUITE DEAD
If Talon weren’t a Bat-title, I’d say it was getting ready to be canceled. Issue 11’s solicitation refers to an “epic finale,” with Batman pitching in to help “eliminate the Court of Owls once and for all.” However, because so much work went into making the Court of Owls a credible threat to the Bat-clan, I doubt they’ll be eradicated completely. Likewise, I don’t think Talon is going anywhere, at least not yet.
Similarly, the continued existence of Batman Incorporated is one of the questions posed by the sure-to-be-epic conclusion of Grant Morrison’s Bat-work. In other words, is a revamped Club of Heroes so wrapped up with Morrison that it can’t survive without him? More to the point, is a Morrison-less Batman Inc. still marketable? Presumably the answer rests in the sales numbers for August’s Batman Incorporated Special — which, incidentally, appears to indicate just who among the various Inc.’ers survives the end of the regular series. I guess DC isn’t worried about spoiling such things, because it’s done something similar with the last couple months of Lantern Corps solicits.
[A quick note before we go too much farther: I started writing this post before DC’s big announcement about its September-and-beyond plans. In fact, I wanted this particular post to be about something other than Flashpoint and/or line-wide reboots — so depending on your perspective, I picked exactly the right week, or exactly the wrong week, to draw that line. In any case, it’s probably not hard to tell, from the past few weeks’ worth of posts, where I stand on current events.
[So there you go. On with the business at hand.]
Since it’s pretty much summer, and time to think about catching up on reading, let’s revisit DC’s list of “30 Essential Graphic Novels” — “best-selling titles that you must read[, ]whether you are just beginning to discover graphic novels or you are an established fan looking to expand your collection.”
The list is almost four years old, and has had a few minor updates. (Pride Of Baghdad replaced The Quitter, and Crayon Shinchan replaced Sword Of The Dark Ones.) For the most part, though, it’s the same compilation — heavy on the Batman and the Jeph Loeb, a decent amount of Alan Moore (but no Swamp Thing), a couple of Sandman books and Hellblazer, but no Wonder Woman, no Joe Kubert, and no Jack Kirby. While there are at least a couple of representatives from each of DC’s imprints, there aren’t many hints at the real scope of DC’s diverse publishing history.
[Last week I started a look back at DC’s ongoing series in a post-Crisis environment of annual line-wide events. Thanks as always to Mike’s Amazing World Of DC Comics for its invaluable data.]
The second half of the 1980s was, to put it mildly, a transitional period for DC. Beginning with the watershed Crisis On Infinite Earths, most high-profile titles were relaunched, book by book — not just to take characters like Superman and Batman “back to basics,” but to open them up to new creative possibilities. Building on Crisis’ success, the publisher also tried to launch new titles from line-wide events. By the early ‘90s, however, the speculator market was imposing its own will on the superhero books. …
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