Digital comics | Jason Snell uses Comic-Con International as an opportunity to take a snapshot of digital comics in “an era of experimentation,” and hones in on Madefire, the convention’s embrace of technology, comiXology and the growing popularity of the digital-first model. “Digital has made us rethink how we fulfill books into the [print] retail market,” Chris Ross, Top Shelf’s director of digital publishing, said during a panel. [TechHive]
Legal | The Attorney-Generals Chambers of Singapore has charged cartoonist Leslie Chew (the pen name of Chew Peng Ee) with contempt of court because of four cartoons posted on his Facebook page Demon-cratic Singapore. A hearing on the charges, which could result in jail time and fines, will be held on Aug. 12. Chew’s attorney M. Ravi said in a phone interview, “Our judiciary is not like fragile flowers to be offended easily by such criticism. We have full faith in the impartiality and independence of our judiciary.” [Bloomberg News]
Word got out over the weekend that Issue 13 of the digital version of the venerable U.K. children’s comic The Dandy would be the last. It seems to have started with a tweet from contributor Wilbur Dawbarn, who was relaying what his editors had told him. That prompted the editors to take to Facebook to deny (sort of) that the comic is dead:
A DC Thomson spokesperson said, “The Digital Dandy team has worked hard to produce an interactive and engaging App. While the digital comic has delivered its promised mixture of daft, dramatic and different stories, the technology and format have let us down.
“For this reason, we’re suspending the existing App. Discussions and planning are already underway to re-examine The Dandy’s digital offerings. It is still too early to announce what form this next stage will take but we would like to reassure readers that The Dandy remains a very important part of the company’s plans for the future.”
You can include me as one of the people who was not enamored of the latest digital Dandy, and I’m a longtime fan — I grew up reading it, and I still treasure an almost-complete run of the annuals from the 1970s. I was thrilled with Dandy‘s original iPad app, which was serviceable and basically identical to the Beano app: You could buy a digital version of the print comic from the storefront, with no bells and whistles, and it worked fine.
Comics | Could the competition to become the 2017 U.K. City of Culture hinge on … Desperate Dan, the pie-eating Wild West strongman from the long-running children’s comic The Dandy? Hull Daily Mail columnist Angus Young thinks the character could give Dundee the edge over fellow finalists Leicester, Swansea Bay and, yes, Hull. Dundee, Scotland, is home to The Dandy and The Beano publisher DC Thomson, and features statues of Desperate Dan and Beano character Minnie the Minx in its city center. “Having your picture taken next to the barrel-chested grizzly-chinned hero is apparently one of the top-ten things to do when visiting Dundee,” Young writes. “[...] This a bloke who thinks nothing of eating several cow pies in one sitting. A cowboy so tough he shaves his chin with a blowtorch and sleeps in a reinforced bed filled with building rubble.” The winner will be announced in November. [Hull Daily Mail, The Evening Telegraph]
Comics | Scottish publisher DC Thomson has asked Dundee City Council to rename a street in the city’s west end to honor the Bash Street Kids, stars of the long-running comic strip in The Beano. An unnamed street adjacent to 142/144 West Marketgait would be called Bash Street as part of the celebration of the magazine’s 75th anniversary. [LocalGov]
Retailing | North Hollywood will get a new comics shop on Nov. 10, when Blastoff Comics opens its doors. Owner Jud Meyers seems to think it is an essential part of a hip neighborhood: “They want restaurants, they want bars, they want supermarkets, they want gyms. What didn’t they have? They don’t have a comic book store, every neighborhood has got to have a comic book store.” The opening will feature an assortment of comics guests, including Mark Waid, Greg Hurwitz, and Jim Kreuger, whose The High Cost of Happily Ever After will premiere at the event. [Patch.com]
Retailing | DC Comics dominated bookstore graphic novel sales in August, probably because of the release of The Dark Knight Rises and a “buy two, get one free” sale on DC graphic novels at Barnes & Noble. Six of the Top 10 titles are Batman comics, with The Walking Dead, Watchmen, Avatar: The Last Airbender and Naruto each taking a slot as well. [ICv2]
Creators | Judge Dredd writer John Wagner talks about the origins of his character, the importance of U.K. publisher DC Thomson, and his dislike of digital comics. [The Daily Record]
Creators | Nick Spencer guests on Kieron Gillen’s podcast to discuss Morning Glories. [Kieron Gillen's Workblog]
All this recent talk of defunct DC Thomson girls’ and kids’ comics, plus the release this week of the latest issue of Mudman from Image Comics, has prompted The Dandy‘s Lew Stringer to post some of Paul Grist’s early work for the historic Scottish publisher. These pages show how Grist’s style was born almost fully formed, remaining fairly unchanged to this day.
Grist isn’t the only familiar name to today’s U.S. comics audience to have worked there, of course: Grant Morrison wrote and drew some Starblazer digests; Sean Phillips also used to draw for DC Thomson’s girls comics, simultaneously to the period Grist was working at Nikki, while just out of art college, and was even drawing strips for Bunty in 1982, while just 17 (Sean blogged extensively on the subject in 2007); and Dan McDaid was once a sub-editor on a women’s magazine at the Dundee giant(!).
Crowdfunding | Matthew Inman, creator of The Oatmeal, raised $1 million in just over a week on Indiegogo to help fund the restoration of Nikola Tesla‘s laboratory as a museum, surpassing the $850,000 goal. “THANK YOU SO GODDAMN MUCH,” Inman wrote on his blog. “WE ARE GOING TO BUILD A GODDAMN TESLA MUSEUM.” There are still 34 days left in the funding campaign. [The Associated Press, The Oatmeal]
Publishing | Warren Simons, executive editor of Valiant Entertainment, discusses gathering the talent for the Valiant relaunch, refining the characters for modern-day tastes, and keeping the books accessible to new readers. He also gives some hints about what to expect from Valiant’s upcoming series Shadowman. [Previews World]
Digital comics | The Japanese web portal JManga today launched an unlimited-access site JManga7, although it won’t be putting any actual content on it until October. Unlike JManga, which sells digital manga one volume at a time, JManga7 operates on an “all-you-can-eat” model, with single chapters of a variety of titles available for free, and a wider selection with a paid subscription. The site will be updated daily and will include a mix of genres, with some new content that is being published close to its Japanese release date as well as some older series. The idea is for readers to check out the manga at JManga7 and ultimately buy them for keeps at JManga. To encourage readers to pre-register, JManga is raffling off seven Nexus 7 tablets and seven free subscriptions. Plans for the site were unveiled last month at Comic-Con International in an exclusive interview with Comic Book Resources. [JManga]
I grew up reading British comics, but because I lived in the United States most of the time, I couldn’t just trot down to my local newsagent to get the latest Beano or Dandy. My aunts used to send me bundles of them every now and then from Ireland, and the arrival of these big rolls of comics, wrapped in brown paper and tied up with string, was always a special event in our household.
The Beano and The Dandy featured one- or two-page stories, mostly about mischievous kids punking their parents, their teachers, or the local bully, and they had a goofy sensibility that was missing from the smoother, blander American titles we got at home — Archie, Richie Rich, Little Dot.
While they are less exotic than a package from a foreign land, the brand-new Beano and Dandy iPad apps still deliver the goods. Both apps offer the full weekly comic at a reasonable price ($1.99 for most issues, 99 cents for one of the Dandys), plus a handful of back issues for free. The Beano is almost unchanged from the days of my youth, with old favorites like Roger the Dodger and the Bash Street Kids still causing rather mild trouble for all around them, while The Dandy is a bit edgier, with more short strips, fart jokes, and a comic called The Bogies that’s about boogers. (It’s funny and not particularly mucus-oriented but … eew.) However, it also features the very talented Jamie Smart breathing new life into the classic Desperate Dan (about an enormous cowboy who doesn’t know his own strength) and contributing a delightfully goofy newer strip “Pre-Skool Prime Minister.”
Broadway | The New York Times reports the producers of Spider-Man: Turn Off the Dark are considering delaying the $65 million musical for a sixth time, until as late as June, a move that would make the show ineligible for this year’s Tony Awards. Speculation about another possible postponement follows a wave of scathing reviews, reports that comics writer and playwright Roberto Aguirre-Sacasa had been approached to rewrite the book, and the hiring of veteran conductor and musical supervisor Paul Bogaev to help improve the production. A spokesman for the show would only say that, “Opening night remains scheduled for March 15.” [ArtsBeat]
Comic-Con | Hotel reservations for Comic-Con International will open at 9 a.m. PT on March 9. A preliminary list of hotels included in the Comic-Con block is available on the convention website. [Comic-Con International]
Broadway | The Broadway musical Spider-Man: Turn Off the Dark canceled both Wednesday performances to test new safety measures following the Monday-night fall that left a stuntman hospitalized with broken ribs and internal bleeding. The cancellation of the sold-out evening show was announced just three hours before showtime at the Foxwoods Theatre. Tonight’s performance is expected to go on as planned.
Producers and creators met privately on Tuesday with the entire company to address safety concerns about the $65-million musical, the most expensive and technically complex in Broadway history. Although accidents in theater productions aren’t uncommon, it’s unusual for there to be four injuries before a show has officially opened. MTV offers some context. [The New York Times, The Associated Press]