Comic Book Resources

Blackest Night vs. Siege: Place your bets!

Blackest Night #7

Siege #2

They say nice guys finish last, but when event comics will finish is anybody's guess. The demands of a high-profile series around which entire shared universes revolve can play havoc with scheduling. Naturally, editors and publishers love to maintain the artistic quality and consistency (and sales levels) provided by the big-name writer-artist teams that tend to lend such books a sense of "this is a big deal." On the other hand, they need to get books out on time so that other series whose storylines depend upon what happens in the event can proceed as planned -- and so that they don't end up alienating retailers and readers. But these same readers and retailers can end up just as irritated if they get the sense that the creators are being rushed, or if fill-in artists aren't up to snuff. It's a tough row to hoe.

With his front-row seat for a variety of events this decade, including Avengers Disassembled, House of M, Civil War, and Secret Invasion, Marvel Executive Editor Tom Brevoort knows this better than anyone. So it was with an obvious mix of boldness and trepidation that he made the following prediction on his Twitter account:

It's height of hubris time: I'm willing to bet that SIEGE will wrap up before BLACKEST NIGHT does.

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What Are You Reading?

From Hell

Hey there, hi there, ho there, it's time once again for What Are You Reading. Our guest this week is blogger and Top Shelf pr guru Leigh Walton. Want to know what Leigh is reading this week? Of course you do! Click on the link to find out, then let us know what you're reading in the comments section.

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Comics Cavalcade: Tarzan and Twinkies

The Evil Stranger and Horror in the House

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If this van's a-rockin', the spinner rack needs restockin'

I wonder: Will there ever be a movement to legitimize airbrushed van art in the same way that "graphic novels" have given comic books traction with the smart set? 'Cuz this ain't gonna help out in either department, but it sure is funny: Maxim lists the 12 Superheroes Who Should Be on '70s Vans, complete with Photoshopped visual evidence so convincing you can almost smell the newsprint and hear the Foghat.

My favorite's the Man-Wolf van (or is that the Van-Wolf?), but I also enjoyed the always welcome Thor/"Immigrant Song" gag and the description of Doctor Strange as "the lava lamp of superheroes." They're funny because they're true!

Everyone's A Critic: A round-up of comic book reviews and thinkpieces

Footnotes in Gaza

• Tom Spurgeon once again beats everyone to the punch with a review of Joe Sacco's new book, Footnotes in Gaza: The first good news to report ... is that the cartoonist is in top form throughout." He also has good things to say about Prison Pit.

• Christopher Allen offers 60 ways of looking at Watchmen.

• Critics critique critics -- Robert Boyd reviews Bart Beaty's Unpopular Culture: "This is a thought-provoking book, and I recommend it to anyone who is interested in comics-as-art."

• David Welsh gets schooled in college manga.

• Rob Clough calls MK Reed's new book, Cross Country "the most complex, ambitious and visually interesting of her comics."

• Perhaps if I link to Sean Collins' review of Refresh, Refresh, he'll forgive me for accidentally (I swear) stealing the title of his review feature.

• Nina Stone enjoyed the first issue of Cinderella: From Fabletown With Love: "All the pieces of the story just started to fit together perfectly."

• Grant Goggans declares The Art of Osamu Tezuka "very highly recommended."

• Finally, Kristy Valenti looks at a 1999 graphic novel drawn by Mia Wolff and written by acclaimed sci-fi author Samuel Delany.

What Are You Reading?

Cat Burglar Black

Welcome to another edition of What Are You Reading. Our guest this week is scholar and critic par excellance Craig Fischer, whose musings on comics can be regularly read on Thought Balloonists, the blog he shares with  Charles Hatfield.

To see what Craig and everyone else is currently reading, click on the link. And don't forget to let us know what you're reading this week as well.

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Straight for the art | Allan Sanders' superheroes

Sanders' Superheroes

Get your weekend off to the right start by checking out this collage of superheroes by illustrator and animator Allan Sanders. (via)

Put your money where your comics are (or something like that)

It's Storm, but in wallet form

Now that we've officially turned the corner on Halloween, it's time to start thinking about holiday shopping. No, don't make that face, I'm being serious.

And if you're shopping for that special comic book aficionado in your life and not sure what to get them, why not consider a wallet? More precise, a Comic Wallet. Albert Doan, of Calgary, Canada, turns old (and some new) comic books and turns them into laminated, reinforced wallet, which he then sells on his site for about $20-$30 a pop. He's even got a series of Blackest Night wallets available, if you just can't get enough DC zombies. He also handles special requests, so if you've been anxiously craving to certain sequences from say, Faust, folded up and stuffed in your back pocket, now's your chance. Myself, I'm holding out for a Little Lulu set.

What Are You Reading?

Blood's A Rover

Welcome to What Are You Reading. I hope everyone had a nice Halloween and spent at least part of it reading comics.

Our guest this week is Chip Mosher, Marketing Director at Boom! Studios, publisher of such fine books as Irredeemable and The Muppet Show. As the image above hints, Chip's been reading some rather interesting (and gritty) material, so click on the link below to discover what he and the rest of Robot 6 have been reading recently. Oh, and don't forget to let us know what you have been reading in the comments section.

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Six by 6 by 6 | Six comics that scared the $#!@% out of us

Horror can be a tricky genre for comics. They can't engage in the same sort of "Boo!" surprises that, say, movies like Halloween can, mainly because the pictures are all laid out for you as you're reading. It's too easy for your eye to jump ahead and see that the big, bad monster is going to pop out of the casket three panels from now.

But if comics can't service that sort of immediate shock to the system (at least not very well) then where the medium does excel is in connoting dread, in prolonging tension, and in completely unnerving you. When done right, a good scary comic book can linger with you for a lot longer than your average Saw or Friday the 13th sequel.

With that in mind, JK Parkin and I came up with are six comics that at various points in our lives, had us checking under the bed or otherwise kept us awake all night. Be sure to add your own traumatic experiences in the comments section.

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Send Us Your Shelf Porn!

It's Wednesday, and you know what that means. Other than New Comics Day I mean.

That's right, it's time for Send Us Your Shelf Porn, where collectors get to spill their guts, figuratively, at least. Our guest this week is Karl Heitmueller, a cartoonist/artist/writer and bartender who currently resides in Jersey City, NJ, though he originally used to manage a record store in my neck of the woods and I'd bug the heck out of him by frequently browsing in the place and not buying anything. I'll make it up to him today by recommending you check out some of the comics on his Web site and pick up a copy of the delightful The Retail Adventures of Kalli and Rex.

And with that I'll let Karl take over now. Click on the link to get started on the tour.

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Everyone's A Critic: A round-up of comic book reviews and thinkpieces

• David Welsh asks the people who know what sort of scary manga they'd recommend for Halloween reading. As expected, his panel comes up with a lot of good picks.

• Meanwhile, Ten-Cent Plague author David Hajdu reviews Robert Crumb's adaptation of Genesis for the New York Times:

Crumb's The Book of Genesis

For all its narrative potency and raw beauty, Crumb’s “Book of Genesis” is missing something that just does not interest its illustrator: a sense of the sacred. What Genesis demonstrates in dramatic terms are beliefs in an orderly universe and the godlike nature of man. Crumb, a fearless anarchist and proud cynic, clearly believes in other things, and to hold those beliefs — they are kinds of beliefs, too — is his prerogative. Crumb, brilliantly, shows us the man in God, but not the God in man.

Over at Comics Comics, Dan Nadel calls BS on Hajdu's review: "One wonders why an author would persist in writing about a subject he clearly disdains and isn't interested in actually learning about, but I guess that's between Hajdu and his own idea of the sacred."

Go read the whole takedown; it's fun.

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What Are You Reading?

Preventative Maintenance

Welcome to What Are You Reading. Our guest this week is none other than the highly esteemed Eddie Campbell, author of the autobiographical Alec series, as well as the mythological Bacchus and co-conspirator with Alan Moore on the acclaimed From Hell.

I had originally interviewed Mr. Campbell about a month ago in anticipation of the release of his whopping big Alec omnibus collection, The Years Have Pants, so this is more of a What Were You Reading than a What Are You Reading, but I nevertheless think you'll be intrigued by his selection. Look for the rest of my interview with Campbell to show up here at Robot 6 either later this week or next.

Click on the link below to continue reading.

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Send Us Your Shelf Porn

Welcome once again to Send Us Your Shelf Porn, the only place where on the Internet where the term "porn" suggests something non-sexual and PG-rated. We think. For now.

Poor planning on my part meant I almost resorted to linkblogging (brrr) instead of highlighting some brave soul's collection. Thankfully, mighty comics scholar and critic Michael Rhode came to save the day. For those who don't know, Rhode runs the ComicsDC blog, which covers comic-related events in and around our nation's capital. He's also co-author of the Comics Research Bibliography, the exhibition and media reviews editor for the International Journal of Comic Art, and the editor of the book Harvey Pekar: Conversations, among other accolades.

But as nice as Mike's collection is, he can't keep Shelf Porn going on his lonesome. It takes the help of all of brave individuals like perhaps yourself, who aren't afraid to flaunt their comics collection in front of all who have Internet access and know about this site. Simply send me pics of your shelves to cmautnerATcomcastDOTnet and you, too, can be one of the proud and few.

And now, let's move on to Mike and his shelves:

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Comics College: Jack Kirby

Welcome to Comics College, a (sort of) monthly feature here at Robot 6 where we provide an introductory guide to some of the most significant artists, writers and creators in comics and offer our best educated suggestions on how to become familiar with their body of work.

Little did I know when I chose Jack Kirby as my second entry more than a month ago that his name would be splayed across the headlines of comics blogs and message boards as his family announced their intention to attempt to win back the copyrights to various Marvel characters. Despite the questionable rancor from some parties, the news provides a perfect opportunity to revisit Kirby's work, as he remains one of the great colossi of American Comics, perhaps its most significant creator, depending upon who you talk to. He's certainly one of the most prolific.

But Kirby can be tough for some folks. Modern readers used to the Image school of exaggeration or a more photorealistic (or PhotoShopped at any rate) style of superhero comics tend to balk at Kirby's blocky, dynamic style, especially in his later period when it verged on outright expressionism. What's more, he was always a better artist and idea man than a writer, and his dialogue when working solo can come off as turgid and forced, especially when he's trying to sound "hip" and "with it." I know as a teenager and young adult I found Kirby's work initially too odd and different from what I was used to as a comic reader to enjoy. It wasn't until I forced myself to sit down and immerse myself into his world that I learned to appreciate his oeuvre and became a devotee.

Keep in mind: Kirby's output was so vast that to try to encapsulate it here in a simple blog post is a mug's game. In other words, there are going to be omissions -- volumes left out and series ignored, either due to the fact that I simply haven't read them yet or because I just didn't have the time and space to include them here. I feel confident enough in my recommendations, but feel free to pick on my negligence in the comments section.

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