Dean Haspiel
What are you excited about for 2012?
[Note: this post was assembled by both Tim O'Shea and JK Parkin]
This is our final post for our big birthday bash, and what a post it is. No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we have in past years, we have asked various comics folks what they are excited about for 2012 in comics–something they aren’t working on and something they are.
There’s a lot of great stuff here–hints at new projects and even some downright announcements. Our thanks to everyone this year who responded!
Jason Latour
I’m most anticipating the 30th Anniversary of HEROES CON (June 22-24, Charlotte, NC) . For any convention 30 years is an amazing run, but the fact that Shelton Drum and his extended family have put this show together every year with nothing but blood, sweat and tears is flat out super heroic.
On the personal front, the challenging and exhilarating ride that’s been Loose Ends will come to a close with issue 4. It’ll be bittersweet to send our child off to into the real world but I can’t wait for you guys to see the work Brunner & Renzi are doing.
I’m also super excited to dip my own toes into the Mignola-verse with the BPRD: The Pickens County Horror [March 28, 2012] and to read the end of Jason Aaron & RM Guera’s Scalped, which is my favorite series in years.
Jason Latour is a writer/artist, most recently the writer of Loose Ends. He spoke with Tim O’Shea about the miniseries in July.
Patrick Zircher
This sounds politic, but it’s genuine: what excites me about comics in 2012 is what’s exciting every year, the work of the talent. Seeing what the best are up to and how the up-n-comers have grown as artists and writers. In the new year, I’m also excited about illustrating several books and covers that feature my favorite Avengers.
Patrick Zircher is an artist, who explored the 1920s/1930s era of the Marvel universe in 2011 with the five-issue miniseries, Mystery Men. He spoke with Tim O’Shea about the miniseries in May.
- January 2, 2012 @ 01:23 PM by Tim O'Shea
Happy Holidays from Robot 6
It’s Christmas Eve, and we’re winding down here at Robot 6 to go spend time with family and friends. Before heading off to celebrate, though, you’ll find a collection of holiday-themed links after the jump, along with this year’s collection of holiday cards we received.
On behalf of all of Robot 6, have a great holiday and stay safe. We’ll see you next week.
(Above: a Christmas showdown by Matthew Petz)
- December 24, 2011 @ 12:00 PM by JK Parkin
Robot 6 Holiday Gift-Giving Guide, Part 4
And a partridge in a pear tree … we wrap up our Holiday Gift-Giving Guide today with even more gift suggestions from comic pros. Like the previous days, we asked them:
1. What comic-related gift or gifts would you recommend giving this year, and why?
2. What gift (comic or otherwise) is at the top of your personal wish list, and why?
Ho-ho-hopefully you’ve gotten the chance to check out the previous three installments. If not, it isn’t too late:
Part 1: Jim McCann, Matt Kindt, Daryl Gregory, Jim “Zub” Zubkavich, Jamie S. Rich, Ryan Cody
Part 2: Jeff Parker, Tim Seeley, Ross Campbell, Kody Chamberlain, Ian Brill, Jamaica Dyer
Part 3: Mike Carey, Kelly Sue DeConnick, Kagan McLeod, Kevin Colden, Thom Zahler, Van Jensen
And here is today’s round-up …
Joey Weiser
1. For the kids (or kids-at-heart): Okie Dokie Donuts by Chris “Elio” Eliopoulos – One of my favorite books of the year. Each page is crammed to the brim with kinetic artwork and fun comics!
For the art lover: “Behold! The Dinosaurs!” print by Dustin Harbin – Absolutely gorgeous print featuring one of my favorite subjects: Dinosaurs!
For the comic strip enthusiast: Mickey Mouse by Floyd Gottfredson – Super engaging strips that are full of life and very funny. I’m very glad that Fantagraphics is publishing these.
For the manga reader: Cross Game by Mitsuru Adachi – A recent series that I’ve been infatuated with after having it recommended to me by several friends. A manga with a very welcoming atmosphere and tons of heart.
For the indie-minded: A few comics from Blank Slate Books: Dinopopolous by Nick Edwards and The Survivalist by Box Brown – Two great-looking books from a publisher that might be off some folks’ radars at the moment. I haven’t even read these yet, and I feel confident recommending them!
2. Well, my dad has a long-standing tradition of giving me a volume of the Complete Peanuts collections for birthdays and holidays, so I’ve got that covered. Let’s see…
I suppose there are a few Japanese imported books that would make the top of my list of things I’ve had my eye on, but haven’t had the chance/extra cash to buy for myself. These fall under the category of “Things That I’m Not Likely to Stumble Across In-Person and Say, ‘Oh yeah, I’ve been meaning to get that!’” Two that come to mind are One Piece Green, a “databook” which contains a treasure-trove of sketches and notes from Eiichiro Oda from the years leading up to and during his epic manga series One Piece. I’ve also been eyeing some Shigeru Mizuki (Gegege No Kitaro, Onward Towards Our Noble Death) yokai encyclopedias that pop up on eBay. Those look Beautiful with a capital B!
Joey Weiser is the creator of Cavemen in Space, Monster Isle, The Ride Home and Mermin. He also writes the Spongebob Squarepants comic.
- December 1, 2011 @ 10:00 AM by JK Parkin
Brooklyn creators welcome you to Trip City
Several Brooklyn, N.Y. creators launched Trip City, a new “literary arts salon” website, this week, featuring free content by the likes of Dean Haspiel, Seth Kushner, Joe Infurnari, Kevin Colden, Chris Miskiewicz, Jef UK and many more.
“TRIP CITY reinvents the online arts collective with a virtual playground for a diverse set of accomplished and highly individualistic creators,” said Trip City founder Dean Haspiel, “spanning every borough of artistic endeavor from the visual arts to literature, music, video and beyond.”
Comis wise, there’s already a bunch of stuff to check out, including Dean Haspiel’s Bring Me The Heart Of Billy Dogma, Chris Miskiewicz and Kate McElroy’s Adrift, Joe Infurnari’s Memoirs of the Kid Immortal, Nick Bertozzi’s Lad Zeppelin, Kevin Colden’s Baby With A Mohawk and more. In addition to comics, the site will also feature profiles, interviews and podcasts with everyone from Moby to Henry Rollins to Michael Moore, who is interviewed by Dan Goldman in the site’s first podcast.
The release Haspiel sent out says that the group has future plans to take some of the content and perform it live on the road. “Working with so many Brooklyn locals, we have this great sense of community right out of the gate,” said Jef UK. “Then, when we take the next step and turn Trip City into a live event—which is in the works—our tribe is already gathered, so to speak.”
- November 1, 2011 @ 10:00 AM by JK Parkin
Talking Comics with Tim | Tim Hall
Halloween seemed like the perfect time to run my email interview with writer Tim Hall regarding The Last Mortician, his first-time collaboration with his longtime friend, Dean Haspiel. The story, which explores death and love plus a great deal in between, launched earlier this month at Tor.com. Hall and Haspiel are storytellers that clearly relish challenging each other through their work. I appreciate Hall’s eagerness to discuss his craft, as well as Haspiel’s willingness to share some of the pencils for two panels. I really hope the creators’ Frankenstein reboot (mentioned in our interview) breaks out of the lab soon to terrorize the masses.
Tim O’Shea: As a novelist and screenwriter who also works periodically in comics (and who is seemingly always busy with multiple creative efforts), what attracted you to working with Dean on The Last Mortician?
Tim Hall: Dean and I have known each other for almost 15 years, and have supported each other’s work unconditionally and seen each other through some serious personal ups and downs. I have always had the greatest respect for Dean’s work and he is without question the best reader and biggest supporter of my writing. So why hadn’t we worked together before? First, we’re idiots, but also because we were each in our own worlds. Dean approached me seriously about working together nearly two years ago now, and we’ve since worked on a lot of stories and pitches; this is just the first that’s been published.
I know what you’re thinking, and yes–it really is just like “When Harry Met Sally.”
- October 31, 2011 @ 06:00 PM by Tim O'Shea
Dean Haspiel checks into Warehouse 13
Artist Dean Haspiel already has an Emmy, so it’s no surprise that the television world has taken note of his talents. He shared on his blog that he was hired to do lead character design, lead props and two comic book covers for a 10-part motion comics web series called “Of Monsters and Men” for SyFy’s Warehouse 13. The series can be viewed on the SyFy website for free, and will be added to the season 3 DVD set.
Head over to his blog to view pitch and concept art for the series.
- July 20, 2011 @ 01:00 PM by JK Parkin
Comics A.M. | Revamped Spider-Man: Turn Off the Dark performing well
Broadway | Spider-Man: Turn Off the Dark, the retooled $75 million Broadway musical, took in $1.7 million for the week ending this past Sunday, which is above the $1.2 million the producers have indicated they need to reach to stay viable. The amount made it the No. 3 musical for the week, after Wicked and The Lion King. [Associated Press]
Legal | Robert Corn-Revere, the Comic Book Legal Defense Fund’s general counsel, discusses the U.S. Supreme Court’s decision in Brown v. EMA, which sought to ban the sale of violent video games to minors. He notes that the court drew upon the history of comic book censorship in reaching its conclusion to reject the ban: “Citing the amicus brief filed by the Comic Book Legal Defense Fund, it noted the crusade against comics led by Dr. Frederic Wertham and observed that it was inconsistent with our constitutional traditions. The Court traced the history of censorship that targeted various media directed toward the young and held that restricting depictions of violence could not be justified under established principles of First Amendment law.” [CBLDF]
- June 28, 2011 @ 06:55 AM by Brigid Alverson and JK Parkin
Sequential Artists Workshop host Easter fundraiser in NYC

The soon-to-be-launched cartooning school Sequential Artists Workshop has announced a special night of readings and theatre by a host of comic artists this weekend in New York City.
Scheduled for this Sunday at 7 p.m., SAW’s Easter Fundraiser at the KGB Bar will have cartoonists such as Dean Haspiel, Sam Henderson, John Keerschbaum and others reading from their works for the live audience. The festivities will be hosted by SAW co-founder Tom Hart.
If you haven’t heard of Sequential Artists Workshop, it’s a new school for cartooning scheduled to open this year in Gainesville, Fla. The proceeds from SAW’s Easter Fundraiser will go toward filing fees, space rental and marketing. They’re also looking for the donation of books, art supplies and virtually anything else you think a cartooning school would need. More more information, visit SAW’s website.
- April 21, 2011 @ 09:00 AM by Chris Arrant
What Are You Reading?
Hello and welcome to What Are You Reading? This week’s guest is Alex Segura, executive director of publicity and marketing at Archie Comics. But we’ll always know him as the guy who founded The Great Curve, the blog that would one day morph into Robot 6.
To see what Alex and the Robot 6 crew have been reading lately, click below …
- April 3, 2011 @ 02:00 PM by JK Parkin
Page after glorious page of behind-the-scenes Strange Tales II art

line art for the Strange Tales II #1 cover by Rafael Grampa
Over at ComicsAlliance, Laura Hudson has a real treat for those of you who like your superhero comics with an alternative twist: 50-plus pages of sketches, thumbnails, pencils, inks, color studies and more from the Strange Tales II hardcover, which debuted this week. Click on over and get a glimpse at the creative process behind contributions from Kate Beaton, Jeffrey Brown, Ivan Brunetti, Farel Dalrymple, Rafael Grampa, Dean Haspiel, Jaime Hernandez, Paul Hornschemeier, Benjamin Marra, Edu Medeiros, Harvey Pekar, Frank Santoro, and Paul Vella. That’s hella Strange!
- March 31, 2011 @ 01:30 PM by Sean T. Collins
Creator-Owned Spotlight #2 by Steve Niles
Editor’s Note: With the recent discussions going on around the comics community about creator-owned comics, we’re pleased to welcome one of the voices in those discussions, 30 Days of Night and Mystery Society creator Steve Niles, to Robot 6 for a series of columns on creator-owned comics.
by Steve Niles
Second column and I’m already late! Here’s a creator tip I can’t seem to get through my thick skull: Don’t bite off more than you can chew. That said, here I am again and happy to be here talking about my favorite creator-owned books and creators.
This week I’m going to talk about a creator who dominates the modern creator-owned scene with both his work and his relentless support of other creators.
WARREN ELLIS
I wanted to talk about Ellis for many reasons: his talent, his persistence and his vision. Warren Ellis approaches his work with the strategy of a learned zombie killer. Don’t run into the stinky crowd swinging and shooting like a crazy person, find a place to settle in and let them come to you.
Warren Ellis has not only created worlds within his work, but also a world for himself online where you can follow his daily work routine, check out what he’s reading/watching himself, or meet and discuss his and other people’s work on the various forums he’s overseen. He has created a perfect fort for all of us Ellis zombies to swarm.
- February 23, 2011 @ 04:30 PM by JK Parkin
Process: Dean Haspiel’s Perry White thumbnails

Over at his blog, Dean Haspiel shows off the thumbnails he drew for a 10-page Perry White story, “Old Men Drinking in Bars,” that’s included in Superman 80-Page Giant 2011. It’s fun to see how Dean plots out a story with his blocky, almost geometric figures and shifting points of view. Writer Neil Kleid explains a bit about the comic at his LJ, and he also discusses why we need more Perry White stories. Joe Infurnari was the colorist for this story, which makes for a pretty solid team.
- February 9, 2011 @ 09:00 AM by Brigid Alverson
ACT-I-VATE celebrates fifth birthday with new horror anthology
The webcomics collective ACT-I-VATE celebrates its fifth birthday today — congrats, guys! — by launching a new “tongue-in-cheek” horror comics anthology called Everywhere. The strip, created and written by Chris Miskiewicz, will feature artwork by Dennis Calero, Rodney Ramos, Bobby Timony, Nathan Schreiber, Seth Kushner and many more. The first strip, “Horses Everywhere,” is up now and features artwork by Andrew Wendel.
“Five years ago, eight independent cartoonists allied and presented personal signature works, online for free, and ACT-I-VATE was born,” said Dean Haspiel, creator of Billy Dogma and co-founder of ACT-I-VATE, in a press release. “Five years later, ACT-I-VATE expanded its roster, created a PRIMER graphic novel, and helped confirm publishing options between print and web. A bold example of how a curated destination point for new stories and ideas can sustain, ACT-I-VATE continues to break ground as the industry transitions to the Digital Age.”
- February 1, 2011 @ 11:00 AM by JK Parkin
Comics A.M. | Adrienne Roy passes away; contract changes at DC?
Passings | Prolific colorist Adrienne Roy, who was a fixture of DC Comics for more than two decades, passed away on Dec. 14 following a year-long battle with cancer. She was 57. Although Roy’s work appeared in countless DC titles, from Green Lantern and Superman to Warlord and Wonder Woman, she’s best known for her extensive runs on Batman, Detective Comics and The New Teen Titans. Mark Evanier notes that “Her long tenure on Batman (more than 600 issues of various comics featuring the character) meant that her credit appeared on more tales of the Caped Crusader than anyone else except for Bob Kane.” CBGExtra posts an obituary written by her husband Anthony Tollin. [News from ME]
Publishing | Rich Johnston reports on rumored contract changes at DC Comics that would affect all new creator-owned titles in the DC Universe and Vertigo imprints. [Bleeding Cool]
Publishing | Storm Lion, the Singapore-based multimedia studio behind the 2008 Radical Publishing miniseries Freedom Formula, has closed on the heels the summer layoff of 30 employees in Singapore and Los Angeles. The closing leaves a planned movie adaptation, to be produced by Bryan Singer, “in limbo.” [The Straits Times]
- December 20, 2010 @ 08:47 AM by Kevin Melrose
Robot reviews: What’s up with Vertigo?
When DC announced it was shuttering the Wildstorm and Zuda imprints back in September, after having announced the shutterings of the CMX line less than six months ago (and only two years since they canceled the failed Minx experiment), all eyes started moving uneasily towards Vertigo, the first and final imprint DC had left. It didn’t help that DC had also announced they were going to be absorbing certain Vertigo characters like Swamp Thing back into the superhero fold. Add to that the recent cancellation of such series as Air, Unknown Soldier and Greek Street, and many ended up wondering not just if Vertigo was being sized up for the chopping block but when the ax would fall (I’ve got $20 in the office pool down for May 2011).
Mark Oliver Frisch aside, we don’t have access to DC’s actual, total sales numbers, however, so it’s nigh-impossible to tell exactly how well Vertigo books are selling and how essential the line is to DC as a publishing and licensing entity. Perhaps the only way we can make any assumptions at all about the health of the line is to look at the comics that Vertigo has published in the past few months. Which is exactly what I plan on doing after the jump.
- November 8, 2010 @ 01:01 PM by Chris Mautner










