deaths Archives - Page 3 of 11 - Robot 6 @ Comic Book Resources
Joey Manley, founder of the pioneering webcomics site Modern Tales, passed away last night in a Louisville, Kentucky, hospital due to complications from pneumonia. According to his longtime partner Joe Botts, he was surrounded by family and friends. Manley was 48.
A publisher, editor, podcaster and author, Manley launched Modern Tales in March 2002, establishing one of the first workable (and profitable) subscription models for webcomics. He soon spun off Serializer, an alternative-comics site originally edited by Tom Hart; Girlamatic, a female targeted site initially edited by Lea Hernandez; Graphic Smash, the action comics site; and Webcomics Nation, a webcomics-hosting service.
The collective “Modern Tales family,” which closed in April, had published work by such creators as Gene Luen Yang, James Kochalka, Howard Cruse, Chris Onstad, Shaenon Garrity and Dylan Meconis, among many others.
Passings | Roy Peterson, editorial cartoonist for the Vancouver Sun, died Sunday at the age of 77. During his 40-year career, Peterson won more National Newspaper Awards than any other Canadian creator, but he was remembered by his peers chiefly for his sense of humor and his mentoring of younger artists. [Vancouver Sun]
Publishing | CNN contributor Bob Greene profiles Victor Gorelick, the editor-in-chief and co-president of Archie Comics who began working for the publisher at age 17, in 1958. [CNN.com]
Creators | Craig Thompson talks about the short story he wrote and drew for First Second’s Fairy Tale Comics anthology, and he reveals an interesting fact: “For six years or so, my entire income was based on drawing kids’ comics for [Nickelodeon] magazine. Later on my career shifted to drawing ‘serious’ graphic novels aimed at adult readers, but I’ve always wanted to revisit my more fun and cartoony style.” Former Nickelodeon editor Chris Duffy is the editor of Fairy Tale Comics. [Hero Complex]
Dimayuga worked with Tim Seeley on Colt Noble and Hack/Slash #23, and illustrated a story in Action DoubleFeature #3, published digitally by Four Star Studios, co-run by Seeley. On Facebook, Seeley paid tribute to Dimayuga, whose work he first encountered through DeviantArt.
“I met up with Mike at San Diego Comic-Con for the release of Colt Noble at the Image Comics booth, and was really surprised to find he was suffering from MS,” Seeley wrote. “It had clearly not slowed him down at all artistically, and hadn’t put any kind of damper on his attitude. Via the Con Mike became friendly with all my collaborators, Steve Seeley, Mike Moreci, Mike Norton … everyone liked the dude immediately.”
James Asmus, who penned the Action DoubleFeature story illustrated by Dimayuga, wrote on Twitter, “Comics lost one of the kindest, most dedicated pros I’ve ever known. Mike Dimayuga’s passing is a genuine loss.”
In 2009, Hero House writer Justin Aclin described Dimayuga’s contributions to the project, saying, “Mike’s enthusiasm and tireless dedication to the book have truly kept it going in its darkest days. It’s no exaggeration to say Hero House wouldn’t exist without Mike, and there’s no way it would look half as good as it does without him.”
Publishing | Calvin Reid talks to publisher Josh Frankel, who is relaunching his Zip Comics (the publisher of Harvey Pekar’s Cleveland) as Z2 Comics. The first books under the new name will be reprints of a sort: Paul Pope’s Escapo, which he originally self-published in black and white, and Dean Haspiel’s Fear My Dear, which first appeared as a webcomic at Act-I-Vate. Escapo will be colored and Fear My Dear will be re-colored. The company will publish strictly graphic novels, no periodicals, and they will be distributed by Diamond Comic Distributors. [Publishers Weekly]
Passings | Toledo, Ohio, cartoonist Pete Hoffmann, whose comic strip Jeff Cobb was syndicated nationwide, died last week at the age of 94. Hoffman was also a ghost artist for Steve Roper and illustrated the panel cartoon Why We Say, which explained the meaning behind common sayings. He “got ambitious” and decided to strike out with his own strip, and the result was Jeff Cobb, a serial about an investigative reporter, which ran from 1954 to 1975. In this 2004 interview, he talks about his work and shows off his first published drawing, which appeared in the Toledo Times when he was four years old. [Toledo Blade]
Two to three times a week for more than a decade, Jeffrey Babbitt made the trip from his home in Brooklyn to Forbidden Planet in Manhattan to buy comics or to simply talk with the staff. But then last Wednesday, while on his regular pilgrimage, the 62-year-old retired train conductor was attacked in Union Square, just blocks from the store, and struck his head on the pavement. Babbitt was taken to Bellevue Hospital Center, where The New York Times reports he was eventually declared brain dead and passed away Monday morning.
According to the newspaper, the attack was apparently random, from an assailant who proclaimed he would “punch the first white man I see.” Police arrested 40-year-old Lashawn Marten, who allegedly also struck two men who tried to help Babbitt. Marten was charged with three counts of assault; in the wake of Babbitt’s death, those will most likely be upgraded.
The longtime comics fan, who cared for his 94-year-old mother Lucille, was by all accounts the kind of person everyone liked. Forbidden Planet manager Jeff Ayers described Babbitt to the newspaper as “just a really, really, really sweet guy.” He visited Babbitt at the hospital, where Lucille sat part of the time at her son’s bedside.
The store’s employees are said to be deeply affected by Babbitt’s death, and are now worried about the welfare of his mother. They plan to establish a fund to help with her care.
Creators | Beetle Bailey creator Mort Walker received messages from the likes of New York City Mayor Michael Bloomberg, Dolly Parton and Prince Albert II of Monaco ahead of his 90th birthday today. The cartoonist, who introduced Beetle Bailey in 1950, still supervises daily work on the strip at his Stamford, Connecticut, studio. [The Associated Press]
Creators | Gene Luen Yang discusses his newest work, Boxers and Saints, a 500-page, two-volume set that examines China’s Boxer Rebellion through the eyes of two very different characters. [Graphic Novel Reporter]
Digital comics | IDW Publishing released its first batch of digital comics on the motion-comics platform Madefire this week. The selection includes partially animated My Little Pony, Star Trek and Transformers comics, which sell for $1.99 each. Jeff Webber, IDW’s vice president of digital publishing, noted that because Madefire has a partnership with DeviantArt, the books are being exposed to “an incredibly broad network of illustration fans.” To commemorate My Little Pony’s Madefire debut, Dave Gibbons drew the image at right “to show that Friendship IS Magic!” `[Publishers Weekly]
Passings | Cartoonist Jack Matsuoka, who chronicled life in the Poston, Arizona, internment camp in his book Camp II, Block 211, has died at the age of 87. , Born in the United States to Japanese parents, Matsuoka was a teenager when his family was sent to internment camps in Salinas, California, and then Poston. After leaving the camp he was drafted and served as an interpreter for the U.S. Army in occupied Japan. He went to college on the G.I. Bill and worked as an illustrator and cartoonist for many years. Camp II, Block 211 was based on sketches he did while living in the camps and set aside for many years; his mother found them and encouraged him to share them with the public. They were put on exhibit in San Francisco and then collected into the book, which was first published in 1974. A revised edition was released in 2003. [The Rafu Shimpo]
Although prolific crime author and screenwriter Elmore Leonard didn’t have a direct connection to comic books, it’s clear from the number of tweets about his death today at age 87 that he influenced a number of comics writers. Of course, labeling Leonard a “crime author” undoubtedly does him a disservice, as he wasn’t restricted by genre; his earliest works were Westerns, like his 1952 short story “Three-Ten to Yuma,” which has been adapted twice for the big screen.
Creators | Ahead of the premiere of Kick-Ass 2, Abraham Reisman profiles Mark Millar, with an emphasis on his subversion of the genre — and the new prominence he’s about to achieve with the films based on his comics: “By decade’s end, he’ll have had more of his creations translated into movie form than any comics writer other than Stan Lee.” The piece also includes criticism of his work, with Colin Smith observing, ““Millar does indeed have a history of producing work which represents less powerful groups in an insensitive, and often deeply insensitive, manner. There are massive contradictions between his words and actions as a private citizen and the apparent politics of some of his books.”[The New Republic]
Conventions | Matt Arado looks forward to this coming weekend’s Wizard World Chicago Comic Con (it’s actually in Rosemont) with some creator interviews and a look at the way the con has evolved over the years. [Daily Herald]
Digital comics | Financial-services company The Motley Fool touches upon how digital has helped to boost the comics industry, rather than undermine print sales as some predicted it would. “Digital has not to anyone’s observation pirated the sales of comics. It looks like just the opposite,” writer and charts-watcher John Jackson Miller tells the website. And then, because it’s The Motley Fool, the story veers off into what investors can learn from digital comics — specifically, “three forces [that] conspired to transform digital from a threat into a catalyst”: quality, format and access. [The Motley Fool]
Creators | Brian K. Vaughan talks about producing the CBS sci-fi thriller Under the Dome and writing Saga as well as his digital comic The Private Eye. His take on Saga: “I definitely wanted to write about the experience of fatherhood and parenthood while also recognizing that’s extremely boring for most people. How do you talk about these mundane topics in an exciting way? Hopefully setting this story in a wacky sci-fi fantasy universe has given us room to tell this story with some visual spectacle and just Fiona Staples being awesome.” [USA Today]
It’s kind of impossible to overstate the influence Kim Thompson had on American comics. As co-publishers of Fantagraphics, he and Gary Groth transformed the way people thought about the medium, both in the pages of The Comics Journal and in the kinds of comics they published. If any one publisher can be regarded as the singular entity (and let me be clear, I’m really wary about staking that sort of claim) that made not just fans but the general public take notice and say, “Oh, hey, comics really are an art form and capable of greatness,” it was these guys.
As you might have heard, Kim Thompson died Wednesday morning after being diagnosed with lung cancer. I thought I’d try to cobble together a few words about Kim’s legacy. (And I hope you don’t mind me calling him by his first name; although we were only casual acquaintances at best, it just feels weird to refer to him in anything but familiar terms.)
Passings | Silver Age artist Dan Adkins died earlier this month at the age of 76. Adkins, who began with self-published zines before becoming a freelance illustrator, served as Wally Wood’s assistant. As a member of Wood’s studio, he was one of the original artists for T.H.U.N.D.E.R. Agents. Adkins was a prolific penciller and inker for numerous publishers, from DC Comics and Warren Publishing to Harvey Comics and Marvel, notably drawing 132 covers for the latter. He talked in detail about his career, and working with Wood, in this interview with Alter Ego. [News from ME]
Kickstarter | Jeff Yang analyzes why Jonathan Coulton and Greg Pak’s Code Monkey Save World Kickstarter, which started with a single Tweet, was destined for success, and he talks to both creators about how it came to be. [Speakeasy]
Digital comics | Moulinsart, the company that holds the rights to Herge’s works, has released the complete Tintin comics in digital form. The iOS app is free, and it looks like the comics are $5.99 each, which is pretty reasonable. The catch is that they are all in the original French; it doesn’t appear as if translations are available yet. [Idboox]
Passings | Filipino komiks creator Jesse Santos died April 27 at the age of 83. Santos began his career in 1946 as an artist for the first serialized comic in the Philippines, Halakhak, and moved to the U.S. in the 1960s. He drew the sword-and-sorcery character Dragar the Invincible and took over from Dan Spiegle as artist for The Occult Files of Doctor Spektor. [Komikero Dot Com]
When you know you don’t have a lot of time, you prioritize.
That’s what Zachi Telesha did. In August 2008, age 7, the Allentown, Pennsylvania, youth was diagnosed with osteosarcoma. Telesha set himself a series of personal goals, and he died this week, at age 12, a published comics writer.
Telesha was a fifth-grader at McKinley Elementary School when the publisher Rodale, a corporate sponsor of the school, learned of his illness and his desire to write a comic. He spent five months working with Rodale staffers and teachers from his school to produce the graphic novel, Hero Up!, which features four superheroes — one of whom, Venom Transporter, was based on Telesha himself. “He can get bit by the most poisonous snake and spider at the same time repeatedly and still just get stronger,” Telesha explained in a YouTube video.
“We spoke on the phone for many years, at least once a week and often more. I am shattered,” author Samuel Delany wrote in a Facebook post announcing Morales’ death. “His many friends will miss him deeply. He had agreed to be my literary executor, and the idea that he would pre-descease me never entered my head. For me and many others he was an indispensable friend. To say he will be deeply missed is an incredible understatement.”
A longtime entertainment journalist and former arts editor at Vibe, Morales had worked with Baker on satirical cartoons for the magazine before the two reunited for Truth, published during a period when Marvel was taking creative risks with such comics as Grant Morrison’s New X-Men, Peter Milligan and Mike Allred’s X-Statix, and Ron Zimmerman and John Severin’s Rawhide Kid, and its short-lived Tsunami imprint.
Controversial almost from the moment it was announced, Truth uses the Tuskegee Experiments as inspiration to re-examine the history of the Super-Soldier serum, depicting a regiment of black soldiers who undergo medical experiments during World War II in an attempt to recreate the lost formula that produced Captain America.