DC Comics this afternoon announced the May cancellations of six more series, a mix of first-, second- and third-wave New 52 titles: Deathstroke, The Fury of Firestorm: The Nuclear Man, The Ravagers, The Savage Hawkman, Sword of Sorcery and Team 7.
They follow DC Universe Presents, I, Vampire, Saucer Country and Superman Family Adventures, which end with with their April issues.
“There’s a variety of reasons for when we unfortunately have to cancel a book,” DC Editor-in-Chief Bob Harras told Comic Book Resources. “The main focus on this, and this is the big picture, is we try to take a look at it as, these characters will not go away. Even though, yes, Savage Hawkman is being canceled, you’ll be seeing a lot of him in Justice League of America. We have also plans for Deathstroke going forward. So even though, as I said, the monthly title is going away, the characters are still going to be very important to the ongoing storyline of the New 52.”
The Twitter tirade unleashed by Rob Liefeld last week when he announced his abrupt departure from three DC Comics titles boiled over this weekend as the outspoken creator took aim at Batman writer Scott Snyder and Marvel’s Senior Vice President of Publishing Tom Brevoort.
On Wednesday Liefeld, who had been writing and penciling Deathstroke and plotting Grifter and The Savage Hawkman, criticized DC for what he described as ‘massive indecision, last minute and I mean LAST minute changes that alter everything” and “editor pissing contests,” singling out Associate Editor Brian Smith as “a little bitch” and “a big dick.”
Snyder, among other creators, came to Smith’s defense on Twitter, writing that, “from my small experience with him, [Smith] has been a great guy to work with. To be fair, I know absolutely nothing of what went on on Rob’s books (Rob has always been really supportive of me and Jeff and others). But I’d feel bad, having worked with Smitty on N.O.T.O. ["Night of the Owls"] and now Joker, [...] if I didn’t say that he’s been a stand-up guy to deal with. Again, nothing against anyone, just deal w/Smitty every week now, and I’d feel bad not saying.”
About that time Liefeld tweeted to his followers, “It’s not you. It never has been. It’s Batman.” That apparently triggered a direct-message exchange with Snyder that Liefeld later made public, first by copying the writer’s private comment, “I can assure you Batman doesn’t sell the way it does because it’s Batman. It sells that way because of me and Greg [Capullo],” and then by posting screencaps (below).
Rob Liefeld, who teased last month on the heels of Grant Morrison that he too would be leaving DC Comics soon, announced his abrupt departure this morning with a flurry of tweets criticizing his editors and the handling of the New 52. Although he’s listed in the solicitations for Deathstroke, Grifter and The Savage Hawkman through November, the writer/artist states that next month’s zero issues will be his last.
“Officially got off the DC52 treadmill this morning,” he wrote, adding, “I believe in what DC is doing, but had to preserve my sanity. I walked off all 3 books. Can’t wait to see any attempts to spin. I have every email.”
Liefeld was among the original creators when DC launched the New 52 a year ago, penciling and later also writing Hawk & Dove before moving in May to Deathstroke (writing and penciling), The Savage Hawkman and Grifter (plotting both).
“This is the 4th time I quit in the last 4 months. This time it will stick,” he wrote from a theater, where he was watching The Expendables 2. “Never thought the Image section of my book would be topped. This last year was a humdinger. The DC52 chapters will go top all of it. [...] Reasons are the same as everyone’s that you hear. I lasted a few months longer than I thought possible. Massive indecision, last minute and I mean LAST minute changes that alter everything. Editor pissing contests… No thxnjs. Last week my editor said ‘early on we had a lot of indie talent that weren’t used to re-writes and changes … made it hard.’ Uh, no, it’s you.”
Liefeld is only the latest creator to exit DC’s New 52 titles amid complaints of a relaunch plagued behind the scenes by disorganization and indecision. Notably, George Perez expressed his frustration over the repeated rewrites and lack of creative freedom that he contends led to his run on Superman being cut short.
“Don’t look for any tell all interview with me,” Liefeld added. “Just follow this feed. … the best stuff has not been shared — not even close!”
“The Hipsters don’t know what to do when I draw feet. It confuses them.”
– Rob Liefeld, following the release of DC Comics’ solicitations for July, which include his covers for
The Savage Hawkman #11, Deathstroke #11, and Grifter #11. Characters’ feet are visible in all three images.
Awards | Matt Bors is the 2012 winner of the Herblock Award, and the first alternative political cartoonist to do so, according to the Herb Block Foundation. The award includes a $15,000 prize — and that’s $15,000 after taxes, which is mighty thoughtful of them. “The prize money is extremely generous and important, as it is more than I’ve ever made in a year from my editorial cartoons,” said Bors, who plans to use it to upgrade his website. The finalist for the prize is Jen Sorensen, creator of Slowpoke and also an alternative cartoonist; she gets a $5,000 prize. [Comic Riffs]
Awards | The Small Press and Alternative Comics Expo, or SPACE, has announced the winners of its annual awards, which will be presented April 21 at the convention in Columbus, Ohio. Winners include Diabetes Funnies by Colin Upton, Sing, Sing by Paul Zdepski, and Spoilers by Kevin Czapiewski. [SPACE]
At first I wasn’t especially excited about too much in DC’s February solicitations. However, the more I looked around, the more optimistic I became. Six months into the New 52, some connections are starting to gel, and their interactions (well, as far as what you can glean from the ad copy) seem more organic. As always, there were a few pleasant surprises in the collected editions, and some details from which to spin hopeful speculation.
But enough with the purple prose — let’s hit the books!
TO UNLIMITED AND BEYOND
The gee-whizziest news of the February solicitations has to be the digital-first format of Batman Beyond Unlimited. I have not been the quickest to adapt to digitally-conveyed comics, mostly because my personal technology level hasn’t caught up. However, I do read a number of webcomics, as well as newspaper strips online, and if the price were right, I’d gladly sample BBU’s features on my computer before picking up the print version. Having Dustin Nguyen and (yay!) Norm Breyfogle involved doesn’t hurt either.
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“The bottom line here is two-fold: on the one hand, I feel like a lot of retailers didn’t take this seriously. It’s either because we’ve seen relaunches before or because they weren’t sure of the quality of some of the titles. I mean, there was essentially zero information. You had a cover and a creative team. That’s all you had to go off. From what I’m seeing, with people from pretty far away contacting us about books, I think some retailers just weren’t well prepared. On the other hand, there were some cases where there was no way to prepare. If you’d have told me last year that 50 copies of Deathstroke wouldn’t last me an afternoon, I’d have told you you were crazy. There’s no way to know. If you’d ask, ‘What’s your feeling on a Frankenstein, Agent of S.H.A.D.E. series?’ I’d have had no way to know.”
– Jermaine Exum of Acme Comics in Greensboro, N.C., on what the response to DC Comics’ New 52 titles reveals about the direct market
This week, I count at least five New-52 books picking up pretty much where they left off. Chief among these are Green Lantern and Red Lanterns; followed by Batwoman, which was supposed to come out months ago. Batman and Robin keeps its previously-announced regular creative team, and Legion Lost spins out of the pre-existing Legion of Super-Heroes. Overall I thought this week was pretty strong, but there were a few clunkers, including at least one book which really disappointed.
Just think — after this week, we’re more than halfway done…!
SPOILERS FOLLOW, but not too many.
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If you’ve been following along all week, you know the drill — artwork from DC’s September relaunch pops up on Twitter, we post it here for you to peruse. Like the above Stormwatch piece by by Miguel Sepulveda and Allen Passalaqua, featuring a very angry moon, which was posted today by the indispensable David Macho.
Follow along on Twitter at #52splash, and I’ll add any additional artwork I see today after the jump. And if you’d like to see what’s come before, check out my posts from Monday, Tuesday, Wednesday and Thursday.
The artists behind this September’s “New 52″ have taken to Twitter, thanks once again to David Macho, revealing a whole lot of art from the new books that are due next month. There are a couple of hash tags to follow over on Twitter … #52splash will show you pages of new stuff from Greg Capullo (above), Scott McDaniel and many others. And as Kiel noted last week, #thenewvillains hash tag that kicked off last week slowed down after last week’s push, but a few new posts have popped up today.
And speaking of villains, I don’t think anyone has shared artwork yet for the villain of the new Justice League title — who it turns out is one of DC’s biggest and baddest, Darkseid.
Check out more artwork after the jump, and watch the hash tags for more!
Although it seems like DC’s big relaunch announcement came out an eternity ago, it actually took the publisher less than two weeks to roll out the 52 titles and their creative teams for the big relaunch/reboot/overhaul coming in September. Now that the cats are out of their respective bags, I thought I’d see where various creators and characters will land after the reboot.
So I went back through DC’s August solicitations to see who was writing or drawing what, and tried to map everyone to their post-relaunch project — if they had one. However, looking at DC’s August solicitations, there seem to be several fill-in issues, so where appropriate I tried to map the most recent ongoing creative teams to their new projects (for instance, I consider Gail Simone and Jesus Saiz the regular creative team for Birds of Prey, even if they aren’t doing the last two issues before September hits). Keep in mind that I just went through the ongoing series and skipped over all the miniseries … of which there are a lot, what with Flashpoint winding up in August.
It’s also worth noting that although several creators didn’t appear in the “big 52″ announcements, that doesn’t mean their tenure with DC is necessarily over — some, like Frazer Irving, have said they have future projects that haven’t been announced. So I tried to note where creators have talked publicly about their post-relaunch plans with DC (or lack thereof, as the case may be). The same could probably be said for some of DC’s characters as well. Or, as Gail Simone said on Twitter: “Again, September is NOT THE END. There’s still plans for characters that we haven’t seen yet.”
So let’s get to it ….
In recent years, we’ve seen a boatload of comic books and graphic novels make their way to the silver screen, from Big Two stalwarts like Spider-Man and Batman to independent titles like Scott Pilgrim and 30 Days Of Night. Among the various adaptations, though, is an overlooked veteran who has fueled some of comics biggest successes on the big and small screen: Marv Wolfman.
With this year marking his 43rd year in the comic industry, Marv Wolfman has done it all: he’s been editor-in-chief of Marvel Comics, wrote one of the defining event series of all time in Crisis On Infinite Earths and created memorable characters such as Blade, Black Cat, Nova, Deathstroke and the New Teen Titans. He pioneered the idea of inventory stories at the major publishing houses, and as a creator he was the catalyst for companies to start crediting creators by name in comics. He’s been one of the key figures in comics adaptations in video games and animation, scripting episodes of Teen Titans, Batman: The Animated Series, Transformers, Spider-Man, Cadillacs & Dinosaurs and even some non-comics hits like Jem and The Garbage Pail Kids.
Marvel’s first major Hollywood success came thanks to the Marv Wolfman & Gene Colan creation of Blade, and his work on The New Teen Titans was one of the pillars of successful Teen Titans cartoon. But with all that work out there, comics still has a lot of Wolfman gems to offer movie producers. Here’s a highlight of some natural born hits coming from the mind of Wolfman and his collaborators.