Axel-In-Charge: Navigating the "Civil War II" Landscape, Bringing DMC to Marvel
Legendary artist George Perez brings together Marvel’s Merc With a Mouth and DC’s own mercenary/assassin for a commission sketch that literally merges Deadpool with Deathstroke. Seriously, they split the body right down the middle.
“With the Deadpool movie coming out and with its connection to the Deathstroke character, this seemed like a nice piece to put up,” wrote Perez, who created Deathstroke with Marv Wolfman. “Truthfully, I wasn’t particularly aware of the connection between these two characters until the person who commissioned this piece pointed it out to me. I hope you all enjoy this unusual merging.”
It looks like 2016 is shaping up to be Slade Wilson’s year, at least on the upscale collectibles front.
Just last week, Prime 1 Studio revealed its Deathstroke statue, based on the mercenary’s appearance in Batman: Arkham Origins, and now Sideshow Collectibles has debuted its Deathstroke Arsenal full-scale replica.
From minor Teen Titans menace to the team’s primary antagonist to a major player in the DC Universe (whether comics, television, film or video games), Slade Wilson has come a long way in the past 35 years. And now he’s getting his due with this highly detailed Batman: Arkham Origins Deathstroke statue from Prime 1 Studio.
Danny Shepherd and Jeremy Le made a bit of a splash in summer 2012 with the release of their fan film Batman: Nightwing Vs. Red Hood, leading them to launch a successful Kickstarter campaign — they exceeded their $20,000 by nearly $15,000 — to fund a web series focusing on Dick Grayson.
The result surfaced this week with the debut of Nightwing: The Series, which sends Batman’s former sidekick on a search through the streets of Bludhaven for Deathstroke, who murdered a U.S. senators and numerous others. The second of five episodes arrives Oct. 6.
Some months the solicitations don’t inspire much in the way of analysis. The superhero serials just sort of chug along, and maybe there’ll be an unusual creative team or an idiosyncratic collection to enliven things. Not so with DC’s October solicitations, which include a number of new series, storylines, and creative changes.
This next bit will sound conspiratorial, but I don’t think it’s an unreasonable supposition. I believe — or at least I would not be surprised to learn — that all these debuts and changes are starting in October because that will give them at least six issues to resolve themselves before the big springtime move to the West Coast. For example, six issues is pretty much the minimum for a collection, so if any of the new series just drop immediately into the sales cellar (I’m looking at you, Klarion; say hi to GI Zombie), DC can still have enough for a trade paperback. That’s not to say a reboot is inevitable next spring — notwithstanding one panel in Robin Rising that should jump-start such talk — but I could see a good bit of the superhero line taking a potential victory lap over the fall and winter. (Apparently I am not alone in thinking this.)
Longtime DC Comics readers will undoubtedly recall Composite Superman, the green-skinned Silver Age villain who, dressed in a costume that was past Superman’s and part Batman’s, possessed the powers of the Man of Steel as well as those of the Legion of Super-Heroes. But how about Composite Aquaman? Or Composite Harley Quinn?
While they don’t come with superhuman abilities (as far as we know), Funko’s newly announced line of DC Comics Vinyl Cubed 2.5-inch magnetic figures that allows collectors to mix and match body parts of their favorite heroes and villains. The head of The Joker on Bizarro’s body? Sure. Robin with Harley Quinn’s arms? If you want.
The film features Slade Wilson auditioning for Black Mask, who has put a bounty out on Batman on Christmas Eve. Deathstroke shows off his skills in the action-packed, very bloody and probably NSFW fan film. It’s timing couldn’t be better, as DC just announced a starring role for Deathstroke in Suicide Squad.
Check it out below.
Going Nowhere Studios has debuted a pretty impressive trailer for Deathstroke: Arkham Assassin, a fan-film prequel to the Warner Bros. video game Batman: Arkham Origins.
In the game, a bounty is placed on the Dark Knight by the Black Mask, bringing eight of the world’s greatest assassins to Gotham City on Christmas Eve — including the formidable Deathstroke. But as the trailer teases, the crime lord requires a demonstration of his skills.
The short film is set to premiere Monday online.
DC Comics this afternoon announced the May cancellations of six more series, a mix of first-, second- and third-wave New 52 titles: Deathstroke, The Fury of Firestorm: The Nuclear Man, The Ravagers, The Savage Hawkman, Sword of Sorcery and Team 7.
They follow DC Universe Presents, I, Vampire, Saucer Country and Superman Family Adventures, which end with with their April issues.
“There’s a variety of reasons for when we unfortunately have to cancel a book,” DC Editor-in-Chief Bob Harras told Comic Book Resources. “The main focus on this, and this is the big picture, is we try to take a look at it as, these characters will not go away. Even though, yes, Savage Hawkman is being canceled, you’ll be seeing a lot of him in Justice League of America. We have also plans for Deathstroke going forward. So even though, as I said, the monthly title is going away, the characters are still going to be very important to the ongoing storyline of the New 52.”
The Twitter tirade unleashed by Rob Liefeld last week when he announced his abrupt departure from three DC Comics titles boiled over this weekend as the outspoken creator took aim at Batman writer Scott Snyder and Marvel’s Senior Vice President of Publishing Tom Brevoort.
On Wednesday Liefeld, who had been writing and penciling Deathstroke and plotting Grifter and The Savage Hawkman, criticized DC for what he described as ‘massive indecision, last minute and I mean LAST minute changes that alter everything” and “editor pissing contests,” singling out Associate Editor Brian Smith as “a little bitch” and “a big dick.”
Snyder, among other creators, came to Smith’s defense on Twitter, writing that, “from my small experience with him, [Smith] has been a great guy to work with. To be fair, I know absolutely nothing of what went on on Rob’s books (Rob has always been really supportive of me and Jeff and others). But I’d feel bad, having worked with Smitty on N.O.T.O. [“Night of the Owls”] and now Joker, […] if I didn’t say that he’s been a stand-up guy to deal with. Again, nothing against anyone, just deal w/Smitty every week now, and I’d feel bad not saying.”
About that time Liefeld tweeted to his followers, “It’s not you. It never has been. It’s Batman.” That apparently triggered a direct-message exchange with Snyder that Liefeld later made public, first by copying the writer’s private comment, “I can assure you Batman doesn’t sell the way it does because it’s Batman. It sells that way because of me and Greg [Capullo],” and then by posting screencaps (below).
Rob Liefeld, who teased last month on the heels of Grant Morrison that he too would be leaving DC Comics soon, announced his abrupt departure this morning with a flurry of tweets criticizing his editors and the handling of the New 52. Although he’s listed in the solicitations for Deathstroke, Grifter and The Savage Hawkman through November, the writer/artist states that next month’s zero issues will be his last.
“Officially got off the DC52 treadmill this morning,” he wrote, adding, “I believe in what DC is doing, but had to preserve my sanity. I walked off all 3 books. Can’t wait to see any attempts to spin. I have every email.”
Liefeld was among the original creators when DC launched the New 52 a year ago, penciling and later also writing Hawk & Dove before moving in May to Deathstroke (writing and penciling), The Savage Hawkman and Grifter (plotting both).
“This is the 4th time I quit in the last 4 months. This time it will stick,” he wrote from a theater, where he was watching The Expendables 2. “Never thought the Image section of my book would be topped. This last year was a humdinger. The DC52 chapters will go top all of it. […] Reasons are the same as everyone’s that you hear. I lasted a few months longer than I thought possible. Massive indecision, last minute and I mean LAST minute changes that alter everything. Editor pissing contests… No thxnjs. Last week my editor said ‘early on we had a lot of indie talent that weren’t used to re-writes and changes … made it hard.’ Uh, no, it’s you.”
Liefeld is only the latest creator to exit DC’s New 52 titles amid complaints of a relaunch plagued behind the scenes by disorganization and indecision. Notably, George Perez expressed his frustration over the repeated rewrites and lack of creative freedom that he contends led to his run on Superman being cut short.
“Don’t look for any tell all interview with me,” Liefeld added. “Just follow this feed. … the best stuff has not been shared — not even close!”
“The Hipsters don’t know what to do when I draw feet. It confuses them.”
– Rob Liefeld, following the release of DC Comics’ solicitations for July, which include his covers for
The Savage Hawkman #11, Deathstroke #11, and Grifter #11. Characters’ feet are visible in all three images.
Awards | Matt Bors is the 2012 winner of the Herblock Award, and the first alternative political cartoonist to do so, according to the Herb Block Foundation. The award includes a $15,000 prize — and that’s $15,000 after taxes, which is mighty thoughtful of them. “The prize money is extremely generous and important, as it is more than I’ve ever made in a year from my editorial cartoons,” said Bors, who plans to use it to upgrade his website. The finalist for the prize is Jen Sorensen, creator of Slowpoke and also an alternative cartoonist; she gets a $5,000 prize. [Comic Riffs]
Awards | The Small Press and Alternative Comics Expo, or SPACE, has announced the winners of its annual awards, which will be presented April 21 at the convention in Columbus, Ohio. Winners include Diabetes Funnies by Colin Upton, Sing, Sing by Paul Zdepski, and Spoilers by Kevin Czapiewski. [SPACE]
At first I wasn’t especially excited about too much in DC’s February solicitations. However, the more I looked around, the more optimistic I became. Six months into the New 52, some connections are starting to gel, and their interactions (well, as far as what you can glean from the ad copy) seem more organic. As always, there were a few pleasant surprises in the collected editions, and some details from which to spin hopeful speculation.
But enough with the purple prose — let’s hit the books!
TO UNLIMITED AND BEYOND
The gee-whizziest news of the February solicitations has to be the digital-first format of Batman Beyond Unlimited. I have not been the quickest to adapt to digitally-conveyed comics, mostly because my personal technology level hasn’t caught up. However, I do read a number of webcomics, as well as newspaper strips online, and if the price were right, I’d gladly sample BBU’s features on my computer before picking up the print version. Having Dustin Nguyen and (yay!) Norm Breyfogle involved doesn’t hurt either.
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“The bottom line here is two-fold: on the one hand, I feel like a lot of retailers didn’t take this seriously. It’s either because we’ve seen relaunches before or because they weren’t sure of the quality of some of the titles. I mean, there was essentially zero information. You had a cover and a creative team. That’s all you had to go off. From what I’m seeing, with people from pretty far away contacting us about books, I think some retailers just weren’t well prepared. On the other hand, there were some cases where there was no way to prepare. If you’d have told me last year that 50 copies of Deathstroke wouldn’t last me an afternoon, I’d have told you you were crazy. There’s no way to know. If you’d ask, ‘What’s your feeling on a Frankenstein, Agent of S.H.A.D.E. series?’ I’d have had no way to know.”
– Jermaine Exum of Acme Comics in Greensboro, N.C., on what the response to DC Comics’ New 52 titles reveals about the direct market